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photos by morgen schuler
Lithics in-studio performance at KEXP
Seattle, WA
3/16/17
Any and all usage of images should include links to both photographer and KEXP
When you analyze these ancient cement artifacts we perhaps blindly assume that the messaging within these pieces involve only the outer shape and structure of the piece; that assumption is where our modern world has possibly made its first mistake. We unfortunately place limitations on our ability to learn by assuming that other ancient cultures were less developed and technologically advanced than ourselves. I wonder how small this culture was in comparison to our modern world; how small would someone have needed to be in order to manufacture and complete these artifacts in such an infinite, near-nano scale???
With other stones and artifacts on this site; I have reached the conclusion that the isosceles triangle symbol, like the blue triangle in the upper left quadrant; this symbol appears to possibly represent a transit portal of some kind???
At the peak of the pyramidal triangle (right), there appears to be a darker blue sky-boat entering the pyramid with a horse/serpent-like figure on the stern (rear), followed by a rudder-like golden symbol (perhaps defining exhaust or direction), and surrounded by various blue and pink symbols in many different groups and lines possibly mirroring a celestial reference. These symbols have to be celestial references; otherwise why would a boat (land, water, or sky) be drawn or created in a diagram-image field portrayed entering a pyramidal structure of any kind, on any physical or spiritual level???
It appears that these micro diagrams represent celestial navigation diagrams presented within a complex micro-mosaic pictograph system; a system of imagery we have not yet before discovered, unlocked, or translated on any level??? It could literally takes years studying the micro markings on a single stone, as this one, to ultimately understand the true meaning and underlying narrative of these micro cement-like diagrams; 35x's magnification, North America, culture unknown.
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Figure 6. Broken blades, length distribution curves. (Total Breaks=valamennyi törött penge, Clean Breaks=”sima” törések; Languette Breaks=nyelv alakú törések, Dist. Breaks=disztális törések, Both Ends Breaks=mindkét vég törött, Prox. Breaks=proximális törések)
Figure 9. Small bifaces or Fäustel from different sites in the Côte Chalonnaise research area: 1) Grotte de la Mère Grand (MAN: Inv.No. 17.009; Photo: Frick; Drawing: Herkert); 2) En Roche (Denon: Inv.No. 02.23.345; Drawing: Gros (2005, p. 150 fig. 95.2)); 3) La Roche (Denon: Inv.No. 02.7.1; Photo: Frick; Drawing: Gros (2005, p. 57 fig. 29.3)); 4) Grotte de la Verpillière II (Inv.No. GER12.227-057.420, after Frick (2016, p. 461 fig. 269.a)); 5) Grotte de la Verpillière II (Inv.No. GER13.227-057.1790 after Frick (2016, p. 461 fig. 269.b)); 6) Grotte de la Verpillière I (Inv.No. GER07.197-110.18.1 after Floss (2008, p. 59 fig. 27.1)); 7) Grotte de la Verpillière I (Inv.No. GER07.195-094.52.1 after Floss (2008, p. 57 fig. 25.2)). In: Herkert, K., Frick, J. A. 2020. Technological features in the late Middle Paleolithic of the Côte Chalonnaise (Burgundy, France). Litikum (Studies in memory of Jacques Tixier) 7-8