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This lacustrine shoreline consists of lithic gravel composed of Devonian-aged carbonate rocks (limestone) - many of the clasts are boulders. The island is Kelleys Island in Lake Erie, Ohio. The exposed bedrock here is the Columbus Limestone (Middle Devonian).
Locality: northern shoreline of Kelleys Island, western Lake Erie, far-northern Ohio, USA
photos by morgen schuler
Lithics in-studio performance at KEXP
Seattle, WA
3/16/17
Any and all usage of images should include links to both photographer and KEXP
Four of the Five photos in the previous series came from this particular mound artifact. This artifact is what appears to be a fossilized tooth; however my judgement is that this ancient celestial sub-culture who first inhabited the region of this ancient mound; this ancient culture was not only highly advanced, they were the core individuals most likely responsible for building the actual Energy Grid Mound system across the globe. This effort was a serious and methodical process; including not only the exposed land masses across the globe, but also the residual land masses submerged by our planet's waters (75 percent of the globe). This ancient culture was not only supremely advanced, they were also infinitely resourceful; this piece may have been first collected as a precious token because of its origin; it appears to have been reworked with micro images and slight re-shaping serving as a means to an end, an educational tool. This ancient culture prized such artifacts, just as our modern world prizes similar artifacts from our ancient animals and life forms within our deep past. It is impossible to determine if this artifact was first fossilized by the aging process, or if it was a fresh artifact of an animal currently living during the time period of this ancient celestial sub-culture's original occupation of this region; however with careful inspection it becomes easy to identify the multitude of infinite images on the surface of this piece, including the hybrid shape of this artifact perhaps serving as a mirror of a specific geographic anomaly within our galaxy. Perhaps this ancient culture found this particular shape useful in helping show the working mechanism of a portal or wormhole, the inner shape of our galaxy, or perhaps serving as a teaching tool using the physical properties of gravity energy within the rotational center of our galaxy??? The real key to better understanding the messaging of stones and artifacts from this ancient mound site is to merge the physical properties of the stone or artifact's structure with the micro images found embedded on a piece's complex surfaces. Perhaps the outer shape of this piece helps deconstruct the inner structure of the pyramidal core structure of our specific geometric grid within our galaxy system, or only a regional component within our galaxy or universe's celestial structure???
It is impossible to know for certain; however I just wanted to include this artifact now to help provide a better perspective of how difficult it is at times to pull the micro images from the surfaces of stones and artifacts from this ancient mound site; and help provide a better perspective of how these ancient images are cleverly hidden by this ancient culture in plain sight. Everything in our world was and is considered an art form to this celestial culture. Anything and everything served and serves as a medium to express this culture's beliefs and concepts of life. Their world was void of restrictions; and the only rules this culture followed was and is protecting the existence of all life, and the preservation of all life; as life was considered supremely precious above all else throughout the universe.
I believe that this is the message that comes from these ancient mounds across the globe.
North America
A lithic contact is the boundary between soil and a coherent
underlying material. The underlying material must be virtually continuous within the limits of a pedon. Cracks that can be penetrated by roots are few, and their horizontal spacing is 10 cm or more.
The underlying material must be sufficiently coherent when moist to make hand-digging with a spade impractical, although the material may be chipped or scraped with a spade. The material below a lithic contact must be in a strongly cemented or more cemented rupture-resistance class. Commonly, the material is indurated. The underlying material considered here does not include diagnostic soil horizons, such as a duripan or a petrocalcic horizon.
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photos by morgen schuler
Lithics in-studio performance at KEXP
Seattle, WA
3/16/17
Any and all usage of images should include links to both photographer and KEXP
When you analyze these ancient cement artifacts we perhaps blindly assume that the messaging within these pieces involve only the outer shape and structure of the piece; that assumption is where our modern world has possibly made its first mistake. We unfortunately place limitations on our ability to learn by assuming that other ancient cultures were less developed and technologically advanced than ourselves. I wonder how small this culture was in comparison to our modern world; how small would someone have needed to be in order to manufacture and complete these artifacts in such an infinite, near-nano scale???
With other stones and artifacts on this site; I have reached the conclusion that the isosceles triangle symbol, like the blue triangle in the upper left quadrant; this symbol appears to possibly represent a transit portal of some kind???
At the peak of the pyramidal triangle (right), there appears to be a darker blue sky-boat entering the pyramid with a horse/serpent-like figure on the stern (rear), followed by a rudder-like golden symbol (perhaps defining exhaust or direction), and surrounded by various blue and pink symbols in many different groups and lines possibly mirroring a celestial reference. These symbols have to be celestial references; otherwise why would a boat (land, water, or sky) be drawn or created in a diagram-image field portrayed entering a pyramidal structure of any kind, on any physical or spiritual level???
It appears that these micro diagrams represent celestial navigation diagrams presented within a complex micro-mosaic pictograph system; a system of imagery we have not yet before discovered, unlocked, or translated on any level??? It could literally takes years studying the micro markings on a single stone, as this one, to ultimately understand the true meaning and underlying narrative of these micro cement-like diagrams; 35x's magnification, North America, culture unknown.
These flakes and chunks of fine grained rhyolite are the remains of an ancient quarry. Stone tools were constructed from the flakes and blanks seen scattered here.
Civic Center Hotel sign and its reflection in the Honda dealership window across the street. Van Ness Ave., San Francisco.