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Red ink pen onto paper. Dimensions approx A3.

Gift tags from my etsy shop featuring some of my "doodles"

I also used black ink pen for this piece, and I like this piece because it is unique to me and I used a lot of ideas in my mind and it seems to me to be one of the most creative pieces I have done. The eye on the girls forehead represents your third eye.

Wire sculpture set into a western maple and poplar base. In private collection.

I am very interested in the style of Japanese art and culture

line drawing, to be colored...

A character from my story set in the Star Wars 'verse. He's gone through a bunch of changes, seeing as how this has been bouncing around in my skull for years now.

 

Originally inspired by a "Dark Elf" character from an anime whose title escapes me (RECORD OF LODOSS WAR!!! I REMEMBERED!!!), he was going to be an unnamed alien species. Then I read about some guys from the Marvel Star Wars comic, called the Nagai, who were basically evil elf manga people. So I changed his species to Nagai.

 

THEN the Star Wars: LEGACY comic came out, and it had a Nagai Sith Lord in it.

 

Kriff.

 

So back to the drawing board. I picked up the Guide to Alien Species at the bookstore, and started flipping through it. Found a specie called ELOMIN. Who were creepy looking, and fit the bill. Plus it said they are obsessed with order, which I thought could be a good trait to turn on its head and pervert in a villain. The fact that they look demonic is icing on the cake.

 

One of the ideas I wanted to explore with my story is how the Dark Side changes you. The Emperor was basically rotting from it. With Anapathor, I wanted him to be emaciated, like his evil is a parasitic tapeworm or something.

First-year Robert Lipman operates the most exclusive restaurant in Hyde Park: Hearth Underground.

 

Read the profile of the chef and restaurateur here:

 

college.uchicago.edu/story/top-chef

Wire sculpture set into a western maple and poplar base. In private collection.

Was on show in Cafe Wander, 110a West George Street, March - May 2011.

This series is inspired by a thought I had when dancing in the Club Tent at Big Chill. It's part of a larger project exploring the way people interact with an environment. I was intregued by the temporary structure that made up the dance tent. In a couple of days it would be gone, thus a structure that seemed so solid is only transitory.

 

Sometimes man-made objects seem like they've lost their connection with people. They are there, but their link with their design and construction becomes lost. They exist as if they have always been there. In this series I'm trying to establish a link between processes and form. Some images represent a link, others represent a why that link could have been broken.

britains first top hat. illustration done in spray paint from a hand cut template.

Te Papa Museum, Wellington, NZ

Drawing based on a tiny figurine of a skull from South India.

dug this out of the cupboard circa 1980 and it works, sounds beautiful. (pen)

part one of 6 part story book on the concept of time

This is the first part of a two part requirement of a portfolio to get into a 3D animation program. It was required to draw a rook with a person in it. The second part is the same room from the person within the room's perspecive. (Perspective #2) It was also required to be a line drawing. It is done in pencil. Constructive criticsm welcome.

a little something on the side of the side

This girl means business! I think I might add another color to it, what do you think? pen on paper drawing.

Waiting for the bus. Quick sketch of more perched houses in Wellington, NZ.

Viewers receive essential information about The Rectangle Foundation

 

Photo from our group show which was part of the Open Quarter 2014.

micron on matteboard 8.5" x 11"

2009

Third page of a strip I drew for Motorhead's fan club 30 years ago. Denise and Kelly from Girlschool and Nik Turner of Hawkwind and Inner City Unit make a cameo, as does Chris Tarrant - who was a fully paid-up member of the MHBs at the time.

This was uploaded to Facebook separately, but cropped so that it would line up perfectly with the larger image. It's a pretty easy trick to pull off. I would rather have used a photograph, but no photo of me had an interesting enough background where I could extend the forms in it into some sort of strange drawing.

Taken from an 1888 city directory of Meridian, this panoramic view shows downtown Meridian and the Union Depot. Best if viewed at largest setting.

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