From the Archilations series.

hi-liter on bed sheet.

scene lit with neon black lights.

7'X7'

jay donohue & geoff luciano.

Linedrawing with waterproof and light resistant Indian Ink on acid-free cardboard. Fixated with varnish.

View of cervical cap in body. Cross dissection of front. Biomedical Art Methods II. Instructor: Tom Nowacki. Cleveland Institute of Art.

quick illustration sketches for the SPCA

Made with Processing. These are experiments in simple catmull-rom curves aligned in a grid. They remind me of asemic writing and some of Henri Michaux's drawings and paintings.

Sakura Ink on Paper

6 x 8 in.

2008

Drawn in Bali, Indonesia

I'm working on a watercolour of this that'll probably take me another week or two to complete. But the watercolour inspired me to do this loose sketch based on the composition of my painting. I was kinda pleased with the result.

by Vincent Lloyd

Photo from our group show which was part of the Open Quarter 2014.

These designs were based on blind continuous line drawings I did of Oxford's doors and windows on my journey to work on the bus.

I thought the line drawings resembled Bethlehem so converted the line drawings into designs for Christmas Cards.

If you like this image you can purchase it as a card or print on my online shop at patsyjennings.redbubble.com

Practice for Level 2 - using line drawing and framing techniques.

I had a college roommate once...

He is STILL a great source of inspiration 30 years later. :)

...

All content of this and other eric Hews flickr sets, both visual and verbal are © 2008 eric Hews

Thanks for contacting me about the usage of my stuff.

You can commission art from me starting at $60 (plus shipping). Get in touch or PayPal me: erichews@yahoo.com

Calgary Camp Challenge,

Berlin Weißensee

Having used dark dramatic colours in one interpretation I felt I wanted to try the same picture with more subtle softer colours. I changed the shape of the green background as I felt the previous version didn't work and hung in mid air. I prefer this version. Again I'm not sure if it is cheating as I've used paint to colour in the leaves and haven't used paint for blind continuous line drawing.

If you like this image you can purchase it as a card or print on my online shop at patsyjennings.redbubble.com

Viewers receive essential information about The Rectangle Foundation

Photo from our group show which was part of the Open Quarter 2014.

Blogged about on www.limegreencardi.blogspot.com/

Wire sculpture set into a western maple and poplar base.

For my Bike Nerd zine that I never published.

Sketchbook spread 28.

Ink, photocopy on graph paper and ephemera.

pen/ink drawing

This is a line drawing that I inked over with a back pen. Then I scanned it in. The early 1990's was the time I made this. I often drew the cars I wished I had to get over the fact I had zero money and I was taking the shame train everywhere.

Red ink pen onto paper. Dimensions approx A3.

Gift tags from my etsy shop featuring some of my "doodles"

Posted via email from louise simmons' posterous

I also used black ink pen for this piece, and I like this piece because it is unique to me and I used a lot of ideas in my mind and it seems to me to be one of the most creative pieces I have done. The eye on the girls forehead represents your third eye.

Wire sculpture set into a western maple and poplar base. In private collection.

ink and pen on paper

I am very interested in the style of Japanese art and culture

>>

line drawing, to be colored...

First-year Robert Lipman operates the most exclusive restaurant in Hyde Park: Hearth Underground.

Read the profile of the chef and restaurateur here:

college.uchicago.edu/story/top-chef

Wire sculpture set into a western maple and poplar base. In private collection.

This series is inspired by a thought I had when dancing in the Club Tent at Big Chill. It's part of a larger project exploring the way people interact with an environment. I was intregued by the temporary structure that made up the dance tent. In a couple of days it would be gone, thus a structure that seemed so solid is only transitory.

Sometimes man-made objects seem like they've lost their connection with people. They are there, but their link with their design and construction becomes lost. They exist as if they have always been there. In this series I'm trying to establish a link between processes and form. Some images represent a link, others represent a why that link could have been broken.