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An attempt at lighting an object: 150w builders lamp to the right, white card on the left picking out the shoulder of the toucan...
I thought that it'd turn out more low-key than this..!
MPP Micro Technical MkVI
1sec @f4.5
Fomapan 100
D76@8minutes
Reflective negscan in Epson V100
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Update: I contact-printed this last night and the difference is amazing - I will scan the CP as soon as I can, but the print (to my eyes) looks very nice :-)
1985 ist the year, this lady was born as well as the 'best use before'-date from this agfachrome sheet-film
x-developed
Graflex Anniversary Speed Graphic; Ross Wide Angle Xpres 5''/ F 4; t 1/30 ; f 11 ; Fomapan 100; Rodinal 1:50; 20C; 14 min.
Iford FP4+, 4x5
Sometimes you encounter a scene and you want to photograph it for some reason. Maybe it's the light, or the composition or texture. Maybe it strikes a cord of familiarity that you can't quite define. Regardless, you think it will make a good picture. I love those "finds".
For some reason I can't work in singularity anymore. Every picture I take now has to be part of some type of project. It has to be part of a new or existing portfolio of images that together form a single idea.
So this picture along with some other previous LF ones will be part of a new set called Domestic.
kodak portra 160 nc lab processed. digital light box capture with olympus epl1 and reversal in lightroom and photoshop.
Graflex Graphic View I ; 4x5" Shangai 100; Wollensak Optar 6 3/8’’/F 4.5 ; t 1/25; f 32; Rodinal 1:50; 20 C; 14 min
I fired up the old 4x5. Breaking out all the film cameras actually.. Need to get used to using real cameras again.
I'll be taking a workshop at the end of summer at Penland on daguerreotype photography and don't want to have pinhole head when I get there.
Santa Barbara 4x5 pinhole camera. 2 minute exposure. Shot on Portra 160NC color film and converted to black and white in Photoshop.
This dog park is right by my house and it's where I take Parker several times a day. There are nights when this park has an other-worldly feel to it -- the fog passes through and catches on the tungsten lamps and the mist is so damp you can see the droplets hanging in the air. Unfortunately, nights like that tend to be windy and there is too much movement in the trees and plants to get a sharp photograph. I've had problems before with blurry one second photos in daylight when the wind was up. A night photo like this takes eight minutes!
San Francisco is a windy city and it takes an incredible amount of patience to pull off sharp, detailed shots. This night was a warm, still night. I was able to catch the scene in detail but since this was a calm, fogless night, I was not able to capture that other-worldly feel.
I shot this weird serious of dudes with their shirts off. Not sure what I was going for besides some interesting formal qualities.