treasure island, september 2012

Omega 45D, 210mm Schneider, Arista EDU 100. D76 1:3 10mins.

Veronica, Petaluma, CA. Sept 2013.

158x126cm or 80x64cm, Lightjet on photographic paper

1930s Fotokor plate camera (9x12 cm), shot on photo paper, developed as positive image

135 mm lens on 4x5 Portra 400 NC. Converted to B&W in Photoshop

Tri X 400 ca 1983, Rodinal 1:100

The featureless sky doesn't do it for me. I was hoping it would be darker, pretty there was a filter, I just didn't note it at the time.

fomapan100 9x12 in fomadon excel 6'

I shot this in 2000. It is a small rural church. 4x5 format tmax 100 and a contact print

#StaySenigallia

4"x5"

Pyrocat-HD 2+2+100

Description sur la fabrication du sténopé ici:

www.galerie-photo.com/stenope-renald-ozeel.html

4x5 large-format negative test shot

Calumet CC-400

Ilex 8-1/2" f6.3 at 1/25 f32

Ilford Delta 100 developed D-76 1+1

This Italian gentleman is my photography teacher's father who is also a hobby photographer. He invited students who were interested in large format photography to his beautiful house, gave a little workshop and let us use his large format camera with which I took this photo. When I asked if i could take his picture, he asked if I'm a pervert.

darkroom print from 4x5" negative

tokyo,Japan

My roommate in my old dorm room in Savannah Georgia. He love's his guitar and his Bart Simpson slippers.

-4X5 Graflex Super Graphic

-Ilford FP4 Plus

-Gelatin silver lith print 16"x20" ©2011

-Kentmere Fineprint VC F.G. Warmtone Matte

@Beijing By Crown Graphic

Schneider Xenar 135 4.7

Fujifilm Acros 100

This is about as relaxed as she gets.

Shot with the Linhof Technika III 4x5 camera. 1952 150mm Schneider Xenar lens. Flash-in-plastic-milk-jug illumination. Ground glass focus.

HP5+ @ ISO 400 in DDX

Chamonix 45n (borrowed), Nikkor-W 180/5.6, exposure not recorded, Fuji FP-100B45 instant film.

Shot February 17, 2008. Saitama, Japan.

A split rock that I found interesting.

On Ektar100 4x5

With Schneider Symmar-S 210

Maybe beige with white background wasn't such a good idea.

Crown Graphic 4x5

HP5+ in D76 1:1 13 minutes.

My sister and family are emigrating to Australia later this month... I made them stand out in the cold (this being January and York) so that I could immortalise the scene in a 4x5 sheet of film...

--

MPP Micro Technical mark VI,

Fomapan 100

Developed in D76 (1:0) 6'30"

(Reflective-scan of negative, crop and levels in Gimp)

Shot for an accessories brochure for BMW on a 10x8 camera decades before Photoshop became ubiquitous. It is made up of three elements: the roller skate and wheels were shot in one studio on one transparency. The car was then shot on another transparency with exactly the same camera moves to give it the right perspective. These two shots, and an Australian sunset shot were combined by a team of genius retouchers working for several days. Of course, photography was affected by the computer age, but Photoshop completely annihilated the retouching industry worlwide. I remember the retouching invoice for this one shot was £1200, or several month's wages.

window graphics accross from Barclay Center

Test shot with a Devre monorail camera. 210mm f5.6 ACuton made by Ilex in a #3 shutter

Paper negative on Ilford Ilfospeed semi-matt Paper RC, grade 3. Pre-flashed. Inverted in The Gimp.

Nikkor-W 180mm, shanghai GP3

Ross Xpres 8 1/2'' F4.5; t 1/30; f 5.6

Shangai 100; 4 X 5''; Rodinal 1: 50; 20 C;

14 min.

Large format home made camera