Reality So Subtle pinhole. Fomapan 400 developed in Rodinal.

Just south of San Jose, California.

Taken with a 4x5 Super Graphic Camera. This was taken with my old 90mm Schneider lens. Notice the light fall off on the corners.

Matteo Marchisano-Adamo

Single-element meniscus lens on a Speed Graphic.

first test shot with 60's cambo 4x5 and schneider 180mm 5.6 @5.6. hp5 film

Camera: Globica II

Format: 13x18

Sochi, Russia

shiprsochi@gmail.com

Ilford FP4 4x5 sheet film, shot with a 1950s Graflex Speed Graphic camera.

The digit in the arc at the bottom of the photo is a marker added by the 1950s GrafMatic film pack that lets you mechanically cycle through six pieces if sheet film without swapping out or flipping over the film holder.

Bomber Command Museum of Canada, Nanton, Alberta.

Wet-plate collodion, clear glass negative 8x10".

Scanned by Epson 4990 with colour mode.

Near Gilroy, CA

Taken with a 4x5 Super Graphic and a 210mm f/6.8 Caltar II-E lens.

Graflex "speed graphic"

The Efke 25 did a great job capturing the shadows on the underside of the bridge. It can be seen particularly well in the large size.

This is a crop from the original image not a zoom.

Efke PL 25M @25 in Rodinal 1:100 10min 20C

Shot with the Linhof Technika III 4x5 camera. Red 25 filter. 1952 150mm Schneider-Kreuznach Xenar lens. Rangefinder focus.

Seneca view camera

type: 8x10 large format

number stamped on bottom: 9

Lens: None

Shuttler: None

Camera owner: Charlie Graf

Cyanotype on "Cranes Kid Finish White" paper.

Exposure of 10 minutes sun, 10 minutes dim room, 10 minutes sun

10 minutes wash

1 minute Hydrogen Peroxide Development

10 minutes wash

My second try turned out much better, though I'm not happy with the wrinkle I managed to place in the photo.

Unfortunately, I had to cover it with two layers of gaff-tape to prevent the light-leaks. However, it was completely light-tight.

Going for a Chandler-esque (Polly, not Raymond) view here - plenty of movements - didn't make notes I'm afraid)

MPP (1/50 @ f4.5),

Fomapan 100,

Rodinal 1+50, 6'30"

Reflective scan in Epson V100

This is my senior thesis for my undergrad - I've asked various women to pose for me, then remark on femininity and what it means to them. It's a work in progress.

18x24 cm Cyanotype auf Arches Aquarellpapier

tokyo,Japan

plaster nipple sculptures by Ben Morey

Camera: 1946 Speed Graphic

🔍Lens: Nikon Nikkor W 180mm F5.6

Filter: Deep Yellow

⚙Settings: f8 1/60 ISO 125

Film: Fuji Super HR-U X-ray 4x5

In Estes Park, Colorado.

Taken with a 4x5 Super Graphic Camera with a Schneider 90mm f/5.6 Super Angulon lens.

Located about 15 minutes north of Santa Cruz, California.

Taken with a 4x5 Super Graphic Camera with a Schneider 90mm f/5.6 Super Angulon lens.

tokyo,Japan

Here's my entry for Worldwide Pinhole Photography Day. Made with a Zero45, 75mm, set at f216. Exposure 30 seconds on Fuji fp100b.

Stage Wrap/Install

©ZoniaZena

Cadiz, Spain

Hasselbald 500cm

80mm/2.8

Ilford Delta 100

The Reverse side of Skull 2. A Doe. A deer. A female deer. Klamath Falls, OR Roadkill.

Camera: 1946 Speed Graphic

🔍Lens: Nikon Nikkor W 180mm F5.6

Filter: Deep Yellow

⚙Settings: f8 1/60 ISO 125

Film: Fuji Super HR-U X-ray 4x5

This photo was actually taken across the highway. The picture shown is cropped to about 1/4 of the 4x5 negative.

Taken with a 4x5 Super Graphic Camera with a Schneider 90mm f/5.6 Super Angulon lens.

exp. 45s

part of a job we did in Brooklyn