View allAll Photos Tagged largeformat

With Topcon horseman 4x5 adapter back Kodak TMAX 100

4x5 film with a Sinar Alpha view camera.

I fired up the old 4x5. Breaking out all the film cameras actually.. Need to get used to using real cameras again.

I'll be taking a workshop at the end of summer at Penland on daguerreotype photography and don't want to have pinhole head when I get there.

Sinar f2 / Sinaron se 210 mm 5,6 / Foma 100

larger view is better

Santa Barbara 4x5 pinhole camera. 2 minute exposure. Shot on Portra 160NC color film and converted to black and white in Photoshop.

I shot this weird serious of dudes with their shirts off. Not sure what I was going for besides some interesting formal qualities.

WistaDX 4x5

Rodenstock Apo Sironar-S 5,6/180

mi pequeña ñiña una honeywell view de formato 4x5 / mi litle girl a honeywell view 4x 5

“Flight Instruction” Copyright Alex Timmermans

My photographic interests are fairly broad, from modern digital all the way back to the antique or alternative processes. That’s why I was very happy to see this short video Escape To Nature about Alex Timmermans and his wet pl...

 

jonwitsell.com/alex-timmermans-escape-to-nature/

Graflex Graphic View I ; 4x5" Fomapan 100;

Hüttig Dominar 13.5 cm F4.5;

t 1/5; f 22;Rodinal 1:50; 20 C;

13 min

Making the best of the DC summer, making photos on Bladensburg Road NE.

4X5 with a fog machine and strobes behind the lathboards in a very old house that's under restoration.

Polaroid fp3000

Chamonix

Suffering from a whole lot of light leaks, but slowly learning the Linhof‘s correct exposure.

 

Ilford FP4 125 in D-76.

158x126cm or 80x64cm, Lightjet on photographic paper

De Vere Monorail camera. 210mm f5.6 Acuton made by Ilex in a #3 shutter

 

Shanghai sheet film ISO100. Stand developed in Rodinal 1:200 for 2 hours.

 

Contact print on Ilford Ilfospeed semi-matt Paper RC, grade 3

Shot with a Wisner 5x7. Bromoil print.

Another still life taken with the MPP. Unfortunately there were a couple of hairs stuck to the negative when it finally emerged from the fixer (I have no way of telling when they arrived there - they wouldn't come off that's for sure) so there are a couple of annoyingly large lines on this picture*

 

MPP (1/5 @ f4.5),

Fomapan 100,

Rodinal 1+50, 6'30"

Reflective scan in Epson V100

 

*I did a quick fix using GIMP but they'll stick out like a sore thumb when I get a contact print :-(

tokyo,Japan

This is a picture I took just to test a new set of studio strobes. I will rename it with the most interesting caption that the Flickr community can come up with in 5 words or less. Deadline June 30, 2009

 

My Web Site and Blog: Gary L. Quay Photography

My portfolio on Shutterstock

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My portfolio on Adobe

 

Feel free to join my Flickr groups

Wasco County, Oregon

Mosier, Oregon

Old School Film Photography

and Flickr Today 2

 

delta 100 developed in 10 year old mixed d76

digital conversion with fuji xpro and darktable.

Suffering from a whole lot of light leaks, but slowly learning the Linhof‘s correct exposure.

 

Ilford FP4 125 in D-76.

large format portrait assignment, dc march 2006

chiba near from tokyo,Japan

This was a scary moment for my camera equipment. This part of the beach is very flat. I wanted to take a picture of the wave coming in. So I set up my LF camera on a tripod & waited for a benign wave to come in. When the water came in close enough I tripped the shutter (1 sec exposure) & walked away so I wouldn't get wet (water was about 40 degress F). Well, I kept walking backwards & backwards, & backwards... then I kept saying to myself, "gee, the water doesn't seem to be receding". I watched my LF camera on my tripod take on about 3 feet of water & I was about 30 yards away. Eventually, the water receded & I swore not to do that again.

 

Anyway, I'm reprinting some of my older stuff so I think I need to work on my burning technique. I didn't like how the sky turned out.

Shot with a 4x5 View Camera

kodak portra 160 nc developed in unicolor c41. digital light box capture with olympus epl1 and reversal in lightroom and photoshop.

tokyo,Japan

Seneca view camera

type: 8x10 large format

number stamped on bottom: 9

Lens: None

Shuttler: None

Camera owner: Charlie Graf

St Anthony Main, Minneapolis

Anniversary Speed Graphic; 4x5'' Shangai; Ross Wide Angle Xpres 5'' F4; G filter; t 1/30; f 11; Rodinal 1:50; 20 C; 14 min

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