View allAll Photos Tagged largeformat
Iford FP4+, 4x5
Sometimes you encounter a scene and you want to photograph it for some reason. Maybe it's the light, or the composition or texture. Maybe it strikes a cord of familiarity that you can't quite define. Regardless, you think it will make a good picture. I love those "finds".
For some reason I can't work in singularity anymore. Every picture I take now has to be part of some type of project. It has to be part of a new or existing portfolio of images that together form a single idea.
So this picture along with some other previous LF ones will be part of a new set called Domestic.
Vintage plate, large format, box, ground glass, cameras. Reviews and more fun stuff at www.cineclast.com
kodak portra 160 nc lab processed. digital light box capture with olympus epl1 and reversal in lightroom and photoshop.
Graflex Graphic View I ; 4x5" Shangai 100; Wollensak Optar 6 3/8ââ/F 4.5 ; t 1/25; f 32; Rodinal 1:50; 20 C; 14 min
I fired up the old 4x5. Breaking out all the film cameras actually.. Need to get used to using real cameras again.
I'll be taking a workshop at the end of summer at Penland on daguerreotype photography and don't want to have pinhole head when I get there.
This dog park is right by my house and it's where I take Parker several times a day. There are nights when this park has an other-worldly feel to it -- the fog passes through and catches on the tungsten lamps and the mist is so damp you can see the droplets hanging in the air. Unfortunately, nights like that tend to be windy and there is too much movement in the trees and plants to get a sharp photograph. I've had problems before with blurry one second photos in daylight when the wind was up. A night photo like this takes eight minutes!
San Francisco is a windy city and it takes an incredible amount of patience to pull off sharp, detailed shots. This night was a warm, still night. I was able to catch the scene in detail but since this was a calm, fogless night, I was not able to capture that other-worldly feel.
I shot this weird serious of dudes with their shirts off. Not sure what I was going for besides some interesting formal qualities.
“Flight Instruction” Copyright Alex Timmermans
My photographic interests are fairly broad, from modern digital all the way back to the antique or alternative processes. That’s why I was very happy to see this short video Escape To Nature about Alex Timmermans and his wet pl...
Graflex Graphic View I ; 4x5" Fomapan 100;
HĂźttig Dominar 13.5 cm F4.5;
t 1/5; f 22;Rodinal 1:50; 20 C;
13 min
this started off as a large format studio shot which i transformed by boosting saturation and adding textures in photoshop
4X5 with a fog machine and strobes behind the lathboards in a very old house that's under restoration.
Suffering from a whole lot of light leaks, but slowly learning the Linhofâs correct exposure.
Ilford FP4 125 in D-76.
De Vere Monorail camera. 210mm f5.6 Acuton made by Ilex in a #3 shutter
Shanghai sheet film ISO100. Stand developed in Rodinal 1:200 for 2 hours.
Contact print on Ilford Ilfospeed semi-matt Paper RC, grade 3
Another still life taken with the MPP. Unfortunately there were a couple of hairs stuck to the negative when it finally emerged from the fixer (I have no way of telling when they arrived there - they wouldn't come off that's for sure) so there are a couple of annoyingly large lines on this picture*
MPP (1/5 @ f4.5),
Fomapan 100,
Rodinal 1+50, 6'30"
Reflective scan in Epson V100
*I did a quick fix using GIMP but they'll stick out like a sore thumb when I get a contact print :-(