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Anamorphic shot of the St. Paul Cathedral on New Years Day, 2009. 6.25" dia. popcorn tin, ortho lith film, Soemarko LC-1 developer, single-transfer carbon print on home-made carbon tissue. The final support is fixed out Agfa Brovira photo paper that expired in 1972.

6.25" dia. popcorn tin camera, two pinholes, Arista APHS ortho lith film, Soemarko LC-1 developer, scanned from the negative in two passes and stitched in Photoshop

phase 3 final portfolio

After posing for the picture I thought I was making on this sheet (using T mode in the dark), I closed the shutter and turned on the lights. When I looked at my lens I was staring at a now-open shutter, meaning that the shutter never opened for my originally planned scene in the first place and was instead now photographing an empty bed. Oh well.

4x5 HP5

#StaySenigallia

4"x5"

Pyrocat-HD 2+2+100

Sinar P2 + Rodenstock 155/6.8

Romania, May 2008

This is a Crown Graphic "Special" 4" x 5" Press camera that I bought on ebay. Everything works great. I can't wait to give it a try. Photo info: Yashica FX-3 Super 2000, Vivitar Series One 28-90mm F2.8-3.5 lens, Tiffen 81A filter, Kodak Supra 400, Available light in open shade.

Seneca Improved View 8x10, Kodak 8.5 inch Commercial Ektar f/6.3, New Guy collodion (1 week old), Tintype

f/6.3, 3 seconds (way overexposed)

Continuing misadventures of the Stenopeika 8x10 wet plate holder. The front dark slide is flimsy and will touch the plate if you put any pressure on it. That leads to marks all over the plate. It's a pain to pull the darkslide out or put it back in; it seems to always get jammed. I will be writing them a strongly worded email shortly...

To be fair, it's actually my 'tremendous trio'. This picture was taken with my Nikon D40

Lens info:

- D300 - Nikkor AF-S DX 18-55mm f/3.5-5.6 VR

- D40 - Nikkor AF-S DX 35mm f/1.8 G

- Sinar - Fujinon 150mm f/5.6

Last large format negative with Acros 100 4x5 in pyrocat hd. 1:1:100 for 8.5 min @ 72* rotary process.

Wista field view w/90mm.

Near Monterey, California.

Taken with a 4x5 Super Graphic Camera with a Schneider 90mm f/5.6 Super Angulon lens.

Cambo View Camera 4X5,

Ilford FP4;

Epson V500

Camera: Shen Hao HZX45-IIA

Lens: E.Suter Basel Doppel Anastigmat Series IIIa 15cm/5.6

Film: Polaroid Type 55

Sinar P3 / 54H

Palace square, St.Petersburg, Russia. Fotokor-1, f4.5, FOMA fomaspeed paper, 2 minutes

I am grateful that I was able to capture two portraits with the inventor of hand-scooped chocolate for my inspired series. Check my blog blog.markus-hofstaetter.at/2024/07/josef-zotter-inspired-... for more information and check out the bhts video here youtu.be/FTRFxM7MGbY?si=-WTQ0ki290uUFrg8. assistance: Lilith Maris Studio: Blendpunkt Light: Hensel #portraiture #portrait #analog #wetplate #tintype #largeformat #handmade #zotter #chocolate #collodion

Exhibition printing for stand graphics

158x126cm or 80x64cm, Lightjet on photographic paper

Bill Bayer on Chevy van rooftop with Burke & James 11x14 view camera, somewhere in the California desert. I think this is in the Johannesburg, Randsburg, Red Mountain area off US 395 and was probably shot in the early to mid '80's.

B&W negative from postcard format Speed Graphic "scanned" on a light table with the Nikon D-90

Toyo 45AXEpson V750

©2011 Gary L. Quay

I had been trying to get out of Portland more for my night photographywhen I took this picture. Funny that I ended up moving there in 2015. Sadly, I had to move back to the Portland area 4 years later.

This is Cascade Ave. in Hood River.

Fuji Acros is excellent for night shots because its reciprocity characteristics are top notch.

Camera: Sinar Alpina 4x5

Lens: 150mm Fujinon.

Film: Fuji Acros 100 Quickload, developed in Kodak HC-110 dilution H.

# #pnwexplored #myoregon #oregonexplored #hoodgorge #pacificnorthwest #columbiagorge #garyquay #cascadiaexplored #sinar #oregon #onlyinoregon #viewfromhere #traveloregon #film #filmphotography #hoodriver #viewcamera #largeformat

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Eastern Columbia Gorge

Old School Film Photography

Flickr Today 2

and Mosier, Oreogn

after sunset aruba_2

Original on 4x5 inch film, Fuji-chrome Velvia 50.

Taken at Malmok.

Aruba

it's too big for me---- maybe someone else

should be using it-i'll stick with digital.

Graflex Crown Graphic. Leather stripped and wood refinished.

Film: Ektar 100 4x5

Graflex Crown Graphic. Leather stripped and wood refinished.

Chroma spring back release edition showing Fuji Quickload and Wista 6x7 Rollfilm backs in place.

Camera: DIY8x10

Film: GP3

Develop: HC110

blog

a revolution of large format SLR system - the smartflex designed and manufactured in China, with modern design and material which has the same weight as 120 SLRs but supporting 4X5, 612, 3x4 etc. altogether with a modern designed Smartnon 7in. bright lens, extremely sharp and good color. The new era of large format portrait is coming!

high rise hotels_aruba

Original on 4x5 inch film, Fuji-chrome Velvia 50.

Taken from the landfill before Phoenix hotel at Palm Beach.

Aruba

Onward Display Berwick Street

Burney Falls, CA

Shot for my serie i call "At home" . It´s a on going project were i go to peoples homes and take portraits of them .