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Снимал на карданную камеру формата 4х5, поэтому потребовалось немного выдержки с обоих сторон) Но когда на улице ниже -40, то и спешить уже некуда) Пленка foma200, Камера Sinar F, объектив Schneider-Kreuznach Symmar 1:5,6/210 Снято на открытой диафрагме. Выдержка 1/50. I shot with a 4x5 cardan camera, so it took a little exposure on both sides) But when it's below -40 outside, there's nowhere to hurry) Foma200 film, Sinar F camera, Schneider-Kreuznach Symmar lens 1:5,6/210 Filmed at an open aperture. 1/50 exposure.
5x4 Pinhole camera. I use Fidelity double dark slides attached by Velcro straps. Sheet film or paper. Constructed entirely of wood, with black velvet light traps .I call it the Ghost Camera because I was using it in a local graveyard when I was asked by an interested/puzzled stranger "what kind of camera is that"? I couldn't resist it. (naughty I know)
Toyo-View Recessed Lens Board Copal #1, USA CAT#180-619
Reduces focal length for wide angle lenses.
The lens board measures approximately 43 mm in depth and is 158 mm square, used for Toyo-View 45G, 57G and 810G large format cameras and some Omega-View models as well.
Cop1_rlb_IMG_1021
oude kerk_delft
Original on 4x5 inch film, Fuji-chrome Velvia 50.
Church Oude Kerk in Oude Delft.
Delft, Netherlands.
4x5 150mm lens with red filter 6 secs. pyrocat hd split development. Produces thin negative good for scanning but not so much for enlarger.
My second 4x5 camera, Wista 45, from Japan. Heavyduty camera, all metal and does a lot of tilt movements even if it is very compact. Folds neatly into a square lump of metal.
Ilford MG RC Pearl 17,8x24 cm taped into 8x10 holder
ISO 25, F22, 1 sec (I started from ISO 6, but that resulted too dark negative), some clouds in sky
Ilford Multigrade dev 1+14 1:30
Water 30sec
Fomafix 1:30
Canoscan 1200dpi, rescaled to 600dpi, PS invert and flip
Sironar-N MC 300mm f5.6
4X5 with a fog machine and strobes behind the lathboards in a very old house that's under restoration.
6.25" dia. popcorn tin camera, two pinholes, Arista APHS ortho lith film, Soemarko LC-1 developer, scanned from the negative in two passes and stitched in Photoshop
After posing for the picture I thought I was making on this sheet (using T mode in the dark), I closed the shutter and turned on the lights. When I looked at my lens I was staring at a now-open shutter, meaning that the shutter never opened for my originally planned scene in the first place and was instead now photographing an empty bed. Oh well.
4x5 HP5
5x7 gold-toned kallitype
Shame the brush strokes show so well and are so uneven.
Black-Maroon tone developer:
75g sodium acetate
3g tartaric acid
1000mL distilled water
EDTA clearing bath
Gold toner
5% hypo fix
Last large format negative with Acros 100 4x5 in pyrocat hd. 1:1:100 for 8.5 min @ 72* rotary process.
Wista field view w/90mm.