View allAll Photos Tagged largeformat
Taken last winter here in Austin. Alice is one of my oldest friends, we've known each other since first grade. I think she's beautiful.
Near the exit to the famed "wall street" section of the Virgin River Narrows, lies the Imlay Boulder. This boulder is frequently photographed, as you must pass it to enter or exit this section of the Narrows, and in the afternoon for a short time, the sun filters down into the 1800 foot deep slot canyon creating this gorgeous reflected light.
In July of 2013, after visiting the Narrows for the first time, I returned a second time to explore and photograph the entire 16-mile length of this canyon, and made my first version of this image. At the time, I'd never seen any photograph of this scene, and was simply captivated by the scene and this seemed the best composition. Only over a year later did I see images from other photographers of the scene.
In January of 2016, I decided to switch back to film for my fine art work, and purchased a 6x4.5cm sized medium format film camera to begin getting used to exposing film instead of digital sensors again. Later in the year, I switched to a 6x7cm format camera, to get used to bellows focusing and a larger image capture plane. Finally, in early fall of 2016, I switched to 4x5in format, and a wooden view camera - technology that has existed since the 1800s, but which has not yet been surpassed in the digital age.
In November, I made this trip to Zion National Park for the fall colors, and decided to take the opportunity to recreate this image on the vastly improved quality of large format color transparency film. Arriving on-site, I captured 4 exposures of the scene, 3 on Kodak Ektar 100, and 1 on Fujifilm Velvia 100. Other large format photographers told me the Velvia wouldn't be able to contain the wide range of light in this scene, from the brilliant highlights to the deep shadows. However, I decided to give it a try anyway, and the result is what you see here. I love the way the Velvia renders this beautiful canyon scene.
Own a signed limited edition print of this image at: lowerylandscapes.com/zion
From Sunday's Live Draw event. Was doing instant oilgraph portraits and these were the negs that came from them. I mounted and painted the polaroids and either sold them outright or put them out for auction.
Most of these were portraits of the patrons at the event.
Haven't shot 4x5 in years. It's like shooting with a cow, but I began to get my stride soon. I wasn't going to add any of these actually since it's not my usual thing and a bit more static that I am used to, but I figured why not.
model: www.instagram.com/lisia.dama/
Intrepid 8x10 + Rodenstock Sinaron-N 210mm/5.6
Fomapan 100@160 + Caffenol-CM(RS)
11x14" palladium print on Arches Platine paper.
contact print from 8x10" in camera negative.
Deardorff V8,HP5
salvaged black and white large format negatives from the B Dutt archive
scanned 4 x 5 kodak safety film circa 1955
Lith contact print
Ansco 70 homebrew on Forte Bromofort.
Bromofort, an anti- depressant? Anyway works for me.
The rock formations at Pemaquid are not extensive, but full of these little areas of wonder. Many a photographer can be seen, wandering aimlessly, looking down as if they've lost something...
vistansproject.com/participants/004
Exposed on Ilford HP5+ 4x5 film and developed myself in Xtol. Captured with my Intrepid 4x5 camera with a 150mm lens. Printed 12x16 on Ilford MG glossy fiber, and toned in selenium. Done in my home studio in Vista, CA.
US Life project
Scan from Vintage Negative
Kodak Safety Film 4x5
Large Format
Scan: Epson V800
© All Rights Reserved
Apparently, I have a 5x7 camera. It's like I forgot. Now, rusty and ill fitting to it, I start again. Blessings to you, wherever you walk. This one is a Karl-size scan...
Note: I am happy to say, this image was selected to be included in the 2015 National All Media Juried Exhibition, at the Chico Art Center.
Diesmal im Großformat aufgenommen 4x10 Zoll.
Mit dem Handy habe ich ein ähnliches Ergebnis bekommen aber wenn man es genau betrachtet und nicht nur Pixel zählt dann gibt Großformat schon Sinn. Zumindest macht es Spaß.
Exciting day today, received a bundle of my negatives from the lab. Here's an image from my local woods taken last summer. Taken on Delta 100 black & white medium format film with a green filter, loaded in to a Horseman 6x7cm back on an Ebony 45S camera.