View allAll Photos Tagged largeformat
This is week 5 of my 52 weeks of paper negatives.
Over the weekend on week 5 of 2016 I headed out to farmland with a couple of other photographers to fine some nice old sites/sights to photograph. The other two have been out before knew exactly where to go, though things change quickly as the city expands to gobble up old farmland in it's need for growth.
Here are my two co-conspirators for the day, Sohail and Anne. I misfocused the wide open lens a bit, but I still liked how happy we all looked and felt at the end of our day out chasing barns.
Camera: Wista 45DX
Lens: Schneider-Kreuznach Xenotar 135mm f3.5
Film: Ilford Multigrade IV RC Paper
Exposure: 1/25 second, f3.5 at ISO 8
Movements: 1/4 front rise
Developer: Dektol 1+12, 40 seconds at 22 degrees
A while back, I bought a wooden film holder at a flea market that turned out to have a couple sheets of unknown film in it. I held out no hope of finding latent images, but I developed them anyway, thinking maybe there would be something interesting. One sheet was purely blank, but this one revealed abstract evidence of handling, exposure, and time. What you see here is heavily post-processed, with individual color channels enhanced and combined.
Every time i going from work i look to this my favoutrite place in the night. I hope once i save money for colour film, now in BW. Little bit of my out view because i planed to shoot on F22 but i forgot to set it. This is why i thing image is not too sharp for my focus point.
This is second photo i shoot with tilted lens and tryed to focus on the street light.
I took two photos, 1st photo with landscape orientation and normal paraler focus.
Shoted with my Large format Camera Graflex Pacemaker Speed Graphic on film Foma Fomapan 100 in format 4x5 and developed in Foma Fomadon R09. Scan with Canon Canoscan 9950F in original film holder, EXIF information added from ExifNotes via ExifTool Development details on FilmDev
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I love film photography most. I started to shoot on the film when i was 12 yo. after my high school I photographed on digital and in 2020 i came back to the film. In two year i spread my point of view to film and raised my family size to medium format 6x6 and 4.5x6 and finaly in 2022 i juped to do Large format 4x5.
Are you interesed into my gear check out this page and look what i`m using and why [My photograpy gear]
If you like my work and want to support me, Thank you and go to adlg.cz/donate
All my photos are in same license, see the info on the site. If you like to use my photo outside of this license pleas write me message with your offer and plan.
Quickly view my LargeFormat 4x5 | MediumFormat 6x6 or 645 | 35mm | 360degrees photography
4x5 Busch Pressman
Fuji Crystal Archive Paper 4x5
f22-38,7 sec. with no filter (ISO 50)
Developing time:
1`30``developer (room temperature: 18 degrees ish )
1`30``blix
Not ra4 reversal process. I have processed and adjusted in PS. The neg is not scanned. I took a pic with a Ricoh GR handheld.
I think the res could be a bit better but I have not scanner yet.
something went wrong with this one and it ended up sort of like Pictorialism... which I usually really like - just wish I knew what I did!
4x5 Speed Graphic
FP4+
Looks like silver on a black aluminium plate
Fresh new guy collodion
Fresh developer.
Silver bath after heavy maintenance.
I poured the maintained bath by accident into an empty developer bottle.
Normally there will be some alcohol and some acid in your bath, the only thing that is never in there is ferrous sulphate, and I thought well maybe it's not to bad.
That was wrong, it took me a week of sunning and a lot of filtering to get it clear again. A good silver bath looks clearer than water.
Iodized it and acidified it, it works very fast and gives some fog, another few drops of nitric acid and it will be allright I think.
Sun, sea and sauna. Remainds me of those endless hot summers when I was a child. In those days it never rained and mosquitos were not even manufactured back then :) Golden memories.
Polaroid 59, Graflex Super Graphic
Re-envisioning of Mapplethorpe's work with the two men with alopecia- 16" x 20" silver gelatin fiber print: 4" x 5" Negaive Film studio portrait
Built in the 14th Century.
Canham JMC 8x10 + Fujinon 300 C f8.5 Lens.
Ilford Direct Positive FB Glossy. Paper pre exposed under an enlarger before use.
Exposure f11 - 2sec.
participation pour l'exposition organisée par les Black Cat Bones dans leur BCB Café à Mexico pour les 20 ans de la série Twin Peaks
A neighborhood eatery called Melt. Taken with a 1910 Seneca 8 with expired Kodak Portrait Pan. Developed in Caffenol.
Bi-pack bi-chrome image, Seneca 6 5x7, ortho-litho for B/G, Foma 100 through Rosco red filter for R. Single exposure @ 5iso. F64 for 8s. DD-X 1:9.
#BelieveInFilm #TrichromeEverything #BiChromeEverything #AltProcess #LargeFormat
A mosaic of Gondwanan species litters the forest floor in Te Urewera. Amongst the species are the leaves of Red and Silver Beech (Nothofagus fusca and menzeseii) , Toatoa or Blue Celery Pine (Phyllocladus toatoa), and Dracophyllum latifolium.
Toho FC-45x, Rodenstock APO Sironar S 150mm, Fujichrome Veliva RVP 50 4x5
16x20” Print on Canson Platine Fibre Rag
18 March - 15 November 2020
Cradle Mountain Wildness Gallery
www.wildernessgallery.com.au/relicts-exploring-the-flora-...
Toho FC-45x, Rodenstock APO Sironar S 150mm, Fujichrome Veliva RVP 50 4x5