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Half Dome from Yosemite Valley
Sinar Norma 4x5
Ilford HP5+ ISO400
Schneider Symmar-S 135mm F5.6
F45 @ 1/30
Camera .. Rittreck View
Lens .. Rapter TelePhoto WoolLensAK 10inch f/5.6
Film .. Provia100(Expired)
Apature .. F64
SS .. 1/30sec
Toyo 57G, Rodenstock Sironar-N MC 210mm, F:5,6 (f5.6 at 1/8), uv+, 1200W blue light reflector (10.000 lumen) at 1m, 405 reducing back, Polaroid 669 expired, 120" at 20°C
Glen Canyon Dam Arizona, Intrepid 4x5 mk2, Ilex Agugon 90mm f8, Kodak Ektar 100 developed in Unicolor C41
First shoot with Atomic X film. It wasn't the same size as normal 4x5 film. And it had a series of holes along the side,, causing the white stripe. I notified the company...they said they're looking into it and will get back to me. I'll update this as things progress.
Horseman L45
Schneider 135mm Symmar-S
Kodak Portra 160
Home developed in Kodak Flexicolour, Scanned on Epson V850 with Silverfast 8SE
The famous Page Moving Van on Route 66 (11th Street) in Tulsa, OK. Image made with Ranica Viasna 8x10 large format pinhole camera on Fuji HRU Full Speed Green x-ray film and dev'd in HC110 1+63 dilution.
Tverrfjellhytta, or Norwegian Wild Reindeer Centre Pavilion by Snøhetta, in Hjerkinn (Dovre, Norway).
Located in the wilderness of the Dovre mountain range, where you can find not only wild reindeer, but also the very rare (and dangerous…) muskox, this pavilion perfectly well integrates with the surroundings: a square corten steel box has a glass facade on one side, and a wooden wavy wall on the other side, built by ship builders without the aid of iron nails. The wooden waves are very comfortable for seating, and a beautiful echo of the wavy mountain terrain all around…
Deardorff 8x10, Wollensak Verito, Fomapan 100. Tanol 1+1+100, 16 min @ 20°C. Lith print.
In progress. Base and back cut out. There are some mistakes in cad drawings, but parts fit together.
The famous Page Moving Van on Route 66 (11th Street) in Tulsa, OK. Image made with Ranica Viasna 8x10 large format pinhole camera on Fuji HRU Full Speed Green x-ray film and dev'd in HC110 1+63 dilution.
An experiment: two 5x4 exposures (previously shown separately here) re-edited and then overlaid in photoshop, with other adjustments done soley with curves. I think this works really well as a first effort. Obviously inspired by multiple exposure abstraction work by some well-known uk landscape photographers, but with a large-format twist.
The Dandelions layer was originally exposed with Provia, and the broken glass layer with Velvia 50, both made with Linhof Technikardan S45 and digitised with the usual D800E/85PC-E/light panel rig.
Speed Graphic 4x5｜TTH Cooke series X1 160 3.5@4 yellow filter｜ilford FP4+｜Rodinal 1+24｜DSLR-scanning
Reposted Sept 2012 - PETITION FUJI TO KEEP VELVIA 50 IN PRODUCTION
www.change.org/petitions/fujifilm-continue-manufacture-of...