View allAll Photos Tagged largeformat

158x126cm or 80x64cm, Lightjet on photographic paper

Camera:Sinar f1

Lens:Symmar-S 150mm f/5.6

Filter:no

Light:natural

Settings:1" f/32

Focus:camera tilt, front tilt

Film:Rollei RPX25

Developing:R09 1:40 10' agitation first 30" & every 1'45"

Scaning: Epson V550

Software:no adjustments made

Panoramic by stitching

Intrepid 4x5 mk 2 Nikkor SW 90mm f4.5 Ilford Delta 100 (left) and Ilford HP5+ (right) stitched together (photoshop default automatic stitching)

Digitally colorized pinhole shot on 4x5 (cma20250427-L-04 PSCC psdcf250701).

Horseman L 4x5" with Schneider Symmar 210mm

Kodak Tmax 100

Camera .. Rittreck View

Lens .. Rapter TelePhoto WoolLensAK 10inch f/5.6

Film .. Provia100(Expired)

Apature .. F64

SS .. 1/30sec

intrepidcamera 4x5" | fomapan 400 | rodinal 1+25

Toyo 45AII

Rollei RPX 400

Apo-Symmar 210/5.6 + 0.6 grad-filter

Dev: D76 1+0

 

A couple of weekends ago I went a little crazy and decided to bring my large format camera to a rally with some hopes of bringing some experience back home :-)

As it turns out it was not impossible at all ;-) Bad thing though, I shot three frames and one I forgot to push, and the third I double exposed with some other shot :-/ but atleast I got this one!

Great Coxwell Barn, Oxfordshire

29th July 2019

6:47pm

 

Chamonix 810V

Nikkor-SW 150 f/8

Ilford FP4+ 8x10

25mm front rise

15 minutes f/45

 

N development for Argyrotype, BTZS tubes, Pyrocat HD 2:2:100, 12’20”, 21ºC

Acetic acid stop, TF-4 Fix, Hypoclear, 30min wash

 

(I now estimate that this is probably about 2/3 stop overdeveloped: I'm now trying out a film test for Argyrotype to settle on a solid go-to time.)

 

Lotus 12x16" contact printing frame, Bergger Cot320 11x14" paper in Krystal Clear envelope, 3ml Fotospeed sensitiser with 1 drop of let-down Tween 20 (1 drop per 5 drops distilled water).

 

10'10" exposure in mid-morning sunlight, freshly coated but allowed to dry for a few minutes, no prehumidication, full sun with some cloud.

 

5 mins wash in distilled water with squeeze of lemon juice,

5 mins wash in tap water

3 min wash in 2% hypo solution

1 hour float in tap water (30 mins face down, 30 mins face up).

 

Dried for a day on clothes rack, then flattened under mount boards/tracing paper for a week (NB very significant dry-down over a few days).

 

Majority of chemistry from www.wetplatesupplies.com apart from Fotospeed sensitiser and Adox acetic acid (Silverprint), and TF4 fixer (www.stillphotographic.com). Lotus printing frame from linhofstudio.com.

 

Shot with my mobile studio and a 4x5 large format camera

 

8x10" sheetfilm, Fomapan 400

Horseman 8x10" monorail

Apo-Ronar 480mm

orange filter

developer: XTOL 1+2

Graflex Graphic View II

Petzval 6" f4.0

Packard Shutter

Fuji FP-100C

Polaroid 405 Back

4x5 Intrepid view Camera

210mm Schneider Kreuznach

Kodak Aerocolor

Graflex Speed Graphic & Kodak Aero Ektar 178mm f2.5

Instagram | Website | Flickr

  

Camera- Toyo Field Camera

 

Format- 10x8" large format black and white film

Film-

Ilford FP4 iso 125

 

Processed - dip dunk ID11

First shoot with my new Intrepid 4x5 Camera :-) It's a nice thing to work with this camera...

Half Dome from Yosemite Valley

Sinar Norma 4x5

Ilford HP5+ ISO400

Schneider Symmar-S 135mm F5.6

F45 @ 1/30

...washed ashore by storms, Bass Point.

 

Chamonix 045F1, Goerz Dagor 120mm, Delta 100, Xtol(1.3)+RO9(1.160)

Golden Gate Botanical Garden

Sinar Norma 4x5

Kodak Ektar ISO100

Calumet Caltar-S II 210mm F5.6

IG: @vladyurkov

 

Fuji Provia 100f 4x5

Chamonix 45f2

210mm f32 7s

81B warming filter

 

Lately I've been attempting to challenge myself to point my camera down and shoot more intimate small scenes. I love the beauty of repeating patterns and colours created by nature. This lichen covered sandstone shelf photographed at low tide is a prime example of repeating natural textures created by years of salt water erosion.

Wet Plate Collodion photo taken through a 1920's era Kodiak Brownie 2A 4x5 on glass.

wista 45, xenar, foma pan 100. home developed d76 (1+3)

Glen Canyon Dam Arizona, Intrepid 4x5 mk2, Ilex Agugon 90mm f8, Kodak Ektar 100 developed in Unicolor C41

Fieldcamera plus Busch Anastigmat Ser. II No 3 F5,5 and Foc 190mm

Horseman L45

Schneider 135mm Symmar-S

Kodak Portra 160

 

Home developed in Kodak Flexicolour, Scanned on Epson V850 with Silverfast 8SE

Canham JMC 8x10 + Fujinon C 300mm f3.5

 

Ilford Direct Positive FB Glossy. Paper pre exposed under an enlarger before use.

 

Exposure f22 - 5 sec.

chamonix 045n-2 / schneider 135mm / on kodak portra 400nc / tetenal c41@30°C / epson v700 scan

Fellow photographer standing for a shot..

 

ilford delta 100

Homemade camera (Blackeye Mk2), 210mm. The 4*5 negative is "scanned" with my digital camera.

Purple Cone Flower, 8x10 Bergger Panchro 400, Deardorff V8, G-Claron 305

The famous Page Moving Van on Route 66 (11th Street) in Tulsa, OK. Image made with Ranica Viasna 8x10 large format pinhole camera on Fuji HRU Full Speed Green x-ray film and dev'd in HC110 1+63 dilution.

📷Speed Graphic 4x5"

🌈Kodak Ektar 152mm f/4.5

️Kodak Ektar 100

ECN-2

 

March 2025 / Adar 5785

Ambrotype 18x24

thomaslvq

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Large format portrait!

9x12 Large Format

Fuji FP100c45, Shot on Gundlach Korona 4x5, F6.3 at 1 1/5sec.

Largeformat Polaroid project

Polaroid 809

Expired date:July 1989

Kodak Aero-Ektar 7inch f/2.5

Chamonix 8''x10'' Large Camera

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