View allAll Photos Tagged largeformat
Camera:Sinar f1
Lens:Symmar-S 150mm f/5.6
Filter:no
Light:natural
Settings:1" f/32
Focus:camera tilt, front tilt
Film:Rollei RPX25
Developing:R09 1:40 10' agitation first 30" & every 1'45"
Scaning: Epson V550
Software:no adjustments made
Panoramic by stitching
Intrepid 4x5 mk 2 Nikkor SW 90mm f4.5 Ilford Delta 100 (left) and Ilford HP5+ (right) stitched together (photoshop default automatic stitching)
Camera .. Rittreck View
Lens .. Rapter TelePhoto WoolLensAK 10inch f/5.6
Film .. Provia100(Expired)
Apature .. F64
SS .. 1/30sec
Toyo 45AII
Rollei RPX 400
Apo-Symmar 210/5.6 + 0.6 grad-filter
Dev: D76 1+0
A couple of weekends ago I went a little crazy and decided to bring my large format camera to a rally with some hopes of bringing some experience back home :-)
As it turns out it was not impossible at all ;-) Bad thing though, I shot three frames and one I forgot to push, and the third I double exposed with some other shot :-/ but atleast I got this one!
Great Coxwell Barn, Oxfordshire
29th July 2019
6:47pm
Chamonix 810V
Nikkor-SW 150 f/8
Ilford FP4+ 8x10
25mm front rise
15 minutes f/45
N development for Argyrotype, BTZS tubes, Pyrocat HD 2:2:100, 12’20”, 21ºC
Acetic acid stop, TF-4 Fix, Hypoclear, 30min wash
(I now estimate that this is probably about 2/3 stop overdeveloped: I'm now trying out a film test for Argyrotype to settle on a solid go-to time.)
Lotus 12x16" contact printing frame, Bergger Cot320 11x14" paper in Krystal Clear envelope, 3ml Fotospeed sensitiser with 1 drop of let-down Tween 20 (1 drop per 5 drops distilled water).
10'10" exposure in mid-morning sunlight, freshly coated but allowed to dry for a few minutes, no prehumidication, full sun with some cloud.
5 mins wash in distilled water with squeeze of lemon juice,
5 mins wash in tap water
3 min wash in 2% hypo solution
1 hour float in tap water (30 mins face down, 30 mins face up).
Dried for a day on clothes rack, then flattened under mount boards/tracing paper for a week (NB very significant dry-down over a few days).
Majority of chemistry from www.wetplatesupplies.com apart from Fotospeed sensitiser and Adox acetic acid (Silverprint), and TF4 fixer (www.stillphotographic.com). Lotus printing frame from linhofstudio.com.
Half Dome from Yosemite Valley
Sinar Norma 4x5
Ilford HP5+ ISO400
Schneider Symmar-S 135mm F5.6
F45 @ 1/30
...washed ashore by storms, Bass Point.
Chamonix 045F1, Goerz Dagor 120mm, Delta 100, Xtol(1.3)+RO9(1.160)
IG: @vladyurkov
Fuji Provia 100f 4x5
Chamonix 45f2
210mm f32 7s
81B warming filter
Lately I've been attempting to challenge myself to point my camera down and shoot more intimate small scenes. I love the beauty of repeating patterns and colours created by nature. This lichen covered sandstone shelf photographed at low tide is a prime example of repeating natural textures created by years of salt water erosion.
Glen Canyon Dam Arizona, Intrepid 4x5 mk2, Ilex Agugon 90mm f8, Kodak Ektar 100 developed in Unicolor C41
Horseman L45
Schneider 135mm Symmar-S
Kodak Portra 160
Home developed in Kodak Flexicolour, Scanned on Epson V850 with Silverfast 8SE
Canham JMC 8x10 + Fujinon C 300mm f3.5
Ilford Direct Positive FB Glossy. Paper pre exposed under an enlarger before use.
Exposure f22 - 5 sec.
Fellow photographer standing for a shot..
ilford delta 100
Homemade camera (Blackeye Mk2), 210mm. The 4*5 negative is "scanned" with my digital camera.