View allAll Photos Tagged largeformat
something went wrong with this one and it ended up sort of like Pictorialism... which I usually really like - just wish I knew what I did!
4x5 Speed Graphic
FP4+
©2013 Gary L. Quay
The leaves were barely turning golden, and the contrast was very low. It was clearly a job for Ilford Ortho Plus. Ortho film is a high contrast film, which I tame somewhat with PMK Pyro. With all the uncertainties that arise with pyro developers, there are times when all of the hair pulling is worth it.
Camera: Sinar Alpina 4x5.
Lens: 90mm Nikkor
Film: Ilford Ortho Plus developed in PMK Pryo.
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Sun, sea and sauna. Remainds me of those endless hot summers when I was a child. In those days it never rained and mosquitos were not even manufactured back then :) Golden memories.
Polaroid 59, Graflex Super Graphic
Re-envisioning of Mapplethorpe's work with the two men with alopecia- 16" x 20" silver gelatin fiber print: 4" x 5" Negaive Film studio portrait
Built in the 14th Century.
Canham JMC 8x10 + Fujinon 300 C f8.5 Lens.
Ilford Direct Positive FB Glossy. Paper pre exposed under an enlarger before use.
Exposure f11 - 2sec.
participation pour l'exposition organisée par les Black Cat Bones dans leur BCB Café à Mexico pour les 20 ans de la série Twin Peaks
A neighborhood eatery called Melt. Taken with a 1910 Seneca 8 with expired Kodak Portrait Pan. Developed in Caffenol.
A mosaic of Gondwanan species litters the forest floor in Te Urewera. Amongst the species are the leaves of Red and Silver Beech (Nothofagus fusca and menzeseii) , Toatoa or Blue Celery Pine (Phyllocladus toatoa), and Dracophyllum latifolium.
Toho FC-45x, Rodenstock APO Sironar S 150mm, Fujichrome Veliva RVP 50 4x5
16x20” Print on Canson Platine Fibre Rag
18 March - 15 November 2020
Cradle Mountain Wildness Gallery
www.wildernessgallery.com.au/relicts-exploring-the-flora-...
Toho FC-45x, Rodenstock APO Sironar S 150mm, Fujichrome Veliva RVP 50 4x5
This is the other negative of Mell that I shot in this pose. Think I might like it better, although they are very similar.
"Porcupine"
Zion's backcountry washes take on an entirely different character in winter, and one of my favorite things to see was how the snow blanketed the various desert flora. The Yucca plants covered in snow in particular were really bizarre and fascinating to behold. This scene captures an ephemeral moment when a group of maples and cottonwoods in this wash were covered in a fresh coat of deep powder. The snow-buried Yucca made for a striking foreground element, and if you look closely, you’ll notice a set of bighorn sheep tracks leading through the deep snow around the Yucca on the bottom right of the frame. I captured this scene on Fuji Acros 100, and I admire the way it renders the red sandstone a dark charcoal grey and creates a strong contrast with the dark rocks and light snow. Acros has very fine grain structure, which results in gorgeous detail rendition & tonality.
2nd-Gen @intrepidcameraco 4x5
Fuji Neopan Acros 100
Schneider-Kreuznach 90mm ƒ/8 Super-Angulon
1.5s @ ƒ/45
4:20pm 12/28/2016
"The point is this. The arts are not the pretty but irrelevant bits around the border of reality. They are the highways into the center of a reality which cannot be glimpsed, let alone grasped, any other way. The present world is good, but broken and in any case incomplete; art of all kinds enables us to understand that paradox in its many dimensions. But the present world is also designed for something which has not yet happened. It is like a violin waiting to be played: beautiful to look at, graceful to hold-and yet if you'd never heard one in the hands of a musician, you wouldn't believe the new dimensions of beauty yet to be revealed. Perhaps art can show something of that, can glimpse the future possibilities pregnant within the present time." – N.T. Wright