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Portraits taken in a friend's home studio. Taken on expired TMax 400 rated at 200. Camera was the Graflex Super Graphic with a Schneider-Kreuznach Symmar-S 210mm f/5.6 lens
Graflex "Pre Anniversary" Speed Graphic / Carl Zeiss Jena Tessar 18cm f4.5 / Fomapan 200 (Rodinal R09 1:50 20â 10min)
Graflex Crown Graphic 4x5
Fujinon W 150/5.6
Acros
Digitize: Panasonic Lumix G7 + Lumix Vario G 14-45/F3.5-5.6
Stopped by one of the local breweries while I was out testing some outdated HP-5 I picked up for a song. The exposure was about 1/2 hour or a pints worth. Either works.
Shot with the 4X10 on HP-5 in Pyro PMK for 10 min @ 68f constant agitation.
Toyo 45AII
Rollei RPX 400
Apo-Symmar 210/5.6 + 0.6 grad-filter
Dev: D76 1+0
A couple of weekends ago I went a little crazy and decided to bring my large format camera to a rally with some hopes of bringing some experience back home :-)
As it turns out it was not impossible at all ;-) Bad thing though, I shot three frames and one I forgot to push, and the third I double exposed with some other shot :-/ but atleast I got this one!
...over a rock pool, Minnamurra Rainforest.
Chamonix 045F1, Wollensak Velostigmat W.A. Ser. III f/9.5 6-1/4inch, Fomapan 100, Xtol(1.3)+RO9(1.160)
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ZĂźrich (CH)
Linhof Master Technika, Schneider Apo Symmar 150 f5.6
Efke IR 820 (@ ISO 1.5), IR Filter, Rodinal 1:100 semi-stand 1h
Got this 4x5 Efke infrared film from a flickr contact. Unfortunately this very rare film seems not have to withstood time (and maybe some radiation at the corners?) without damage....
any tips how to understand the exposure on the outer part of the film are welcome (or if this could be due to mishandling during exposure or development?)
Panoramic by stitching
Intrepid 4x5 mk 2 Nikkor SW 90mm f4.5 Ilford Delta 100 (left) and Ilford HP5+ (right) stitched together (photoshop default automatic stitching)
Camera .. Rittreck View
Lens .. Rapter TelePhoto WoolLensAK 10inch f/5.6
Film .. Provia100(Expired)
Apature .. F64
SS .. 1/30sec