View allAll Photos Tagged largeformat
Graflex Crown Graphic 4x5
Fujinon W 150/5.6
Acros
Digitize: Panasonic Lumix G7 + Lumix Vario G 14-45/F3.5-5.6
Starring / В ролях:
Jester - Katherine / Катерина
Knight - Uncle Misha / дядь Миша
Assistant director / Первый, второй и третий режиссеры:
Secondary Assistant director / Помощник режиссера:
Vovan / Вован
Props / Реквизит - Uncle Smith Misha / дядя кузнец Миша
Place / Место:
1. Church of John the Apostle at Bogorodskoe, Tulskaya oblast / Церковь Иоанна Богослова в Богородском, Тульская область
2. Church of St. Nicholas at Kaverino, Tulskaya oblast / Церковь Николая Чудотворца в Каверино, Тульская область
Am Lerchenberg, Hochebene östlich vom Staffelberg, Franken, 2022-09. cma20220917-L-02, Intrepid 4x5, Pinhole 135/0.45mm, UV filter, 7s, Kodak Ektar 100 @ EI100.
On day 3 of my 2016 fall color trip to Zion, I awoke to overcast skies and strong winds. I decided to spend the day exploring various washes and canyons to see if I could find anything to photograph. In the afternoon, I came across this unnamed slot canyon, and as the light was flat but the textures were beautiful and the stone was not affected by the wind, I decided to capture the scene on black and white film. After walking through this canyon back and forth slowly several times, gazing at the walls and soaking in the textures, lines, light, and shadows, I finally settled on this scene with a large rift in the stone wall of the canyon on the right forming a nice leading line, along with the wash itself meandering up the canyon and disappearing behind a tight bend in the slot.
You can own a signed limited edition fine art print here:
www.lowerylandscapes.com/zion/fracture
Intrepid 4x5" Field Camera
Schneider-Kreuznach 90mm ƒ/8 Super-Angulon lens
Fujifilm Neopan Acros 100
Sinar Norma 4x5
Ilford HP5+ ISO 400
Rodenstock Grandagon-N 65mm f4.5
Natural window light + gold reflector
4x5 Pacemaker Speed Graphic + Kodak Aero Ektar 178mm f2.5 + Polaroid back + Fuji FP100C instant film
Karla - Miss Coventry 2014
In the studio tonight. B&W conversion and dusty scan
f16, 2 seconds (approx), flash lit. Removed lens cap, manually fired strobes, returned lens cap. No shutter used.
Epson v600 scan @1200
mrleica.com/2014/11/29/large-format-4x5-pacemaker-speed-g...
Largeformat Polaroid project
Polaroid 809
Expired date:July 1989
Kodak Aero-Ektar 7inch f/2.5
Chamonix 8''x10'' Large Camera
St Bernard square, Dijon
January 2020
Homemade 18x24 pinhole camera
1 minute exposure
Foma RC negative paper
Brush developed with Cafenol CM
on 4x5 ektachrome, rochester NY, november 1995. 203mm f/7.7 ektar. the transparency has held up pretty well over the past decades.
Deardorff 5x7
Hugo Meyer & Co-Goerlitz Doppel-Plasmat 1 :5.5 F=27cm
Fomapan100 5x7 / Adox Rodinal 1+100 /60min 20℃
paper: Adox MCP312
scan: EPSON GT-X820
8x10 film has been the Holy Grail for me since I became a photographer. As such my Deadorff was a constant companion every time I went out to take pictures from 2007 through 2015. I really wanted to get it right. 8x10 is not a forgiving medium. F16 may be good for sharpness on a 35mm camera, but it’s not nearly enough for 8x10 in most situations, even with tilt and swing. I’m still on that journey. With our move back to the Portland area, building a darkroom is of foremost importance, so that I can return to large format on a more consistent basis.
The Tilikum Crossing Bridge is in the background. I took this during construction a few years back.
Camera: Deardorff 8x10.
Lens: 240mm Nikkow
Film: Ilford Ortho+ developed in 510 pyro.
# #portland #oregon #oregonexplored #myoregon #garyquay #deardorff #ilford #filmphotography #510pyro #largeformat #largeformatfilm #tilikumcrossing
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