View allAll Photos Tagged largeformat
St Bernard square, Dijon
January 2020
Homemade 18x24 pinhole camera
1 minute exposure
Foma RC negative paper
Brush developed with Cafenol CM
Sigüenza, Guadalajara - Castilla la Mancha - España
Chamonix F1 : Sinaron-W 75/6.8
Adox CHS 100 II : HC-110 (e)
Photographer Gregory Crewdson checks the image of Union street on the ground-glass ofhis large format cameras, Wed Feb 8, 2006 (GARVER) Pittsfield, Massachusetts
Film: Polaroid 55, Negative rated at ISO 25
Camera: Cambo 4X5
Lights:
Main Light from right: Monoblock Ultra600 Full Power through umbrella
Light from behind: Nikon SB 800 1/16 of Power with zoom 28mm
Light Left: Nikon SB 800 1/64 of power with zoom 105mm pointing to silver reflector.
Paper: Forte Polywarmtome Plus Glossy FB.
Development: & minutes on Moersch SE5 Lith.
Special Thanks to caoseducado, www.flickr.com/photos/29076247@N04/ , for the creative vision and production.
Steilneset Witch Memorial by Peter Zumthor and Louise Bourgeois, in Vardø (Norway).
"Each house has a window, and in each window there is a light. And behind each light, there is a story." This is how Zumthor describes his first impressions of the northern city of Vardø when visiting for the first time, in winter. And this is what he tried to realize in his witch memorial - along the 140m long Memory Hall, there are 91 windows, and behind each window a light bulb. And next to each window and light, there is the story of one of the 91 victims of the witch prosecution…
Deardorff 8x10, Wollensak Verito, Fomapan 100. Tanol 1+1+100, 16 min @ 20°C. Lith print.
This is in a citric acid wash for 5 minutes before rinsing for a further ten. I plan to tone it to a purple-ish colour tomorrow with an oak 'tea'. Fingers crossed!!
For the Barn image the 8x10 negative was exposed to morning sunlight onto Bergger Cot 320 11x14 paper in a Lotus 12x14 contact-printing frame using the old version Cyanotype kit from Wet Plate Supplies. Exposure time was about 17 minutes at roughly sunny 16.
Coating was done last night at 27.5ºC, 55º humidity.
New blogpost on subject:
dwfnaturephoto.wordpress.com/2019/09/03/alt-pro-argyrotyp...
on 4x5 ektachrome, rochester NY, november 1995. 203mm f/7.7 ektar. the transparency has held up pretty well over the past decades.
Still catching up on previous scans done. Was out in the grey day with the Horseman Woodman 45 and expired HP5 and rodinal semistand. It probably wasn't the best combination for an expired film, but the lighting conditions were subpar as well. But even though the equipment and I got rained on, it was still great to get out there, slow down, spot meter, and still try to capture images for the detail that large format so wonderfully does. Thanks for the inspiration from my flickeranian colleagues.
...Kittys Beach, Booderee NP.
Chamonix 045F1, Rodenstock Apo-Sironar-S 150mm, Shanghai 100,
Xtol(1.3)+RO9(1.160)
Graflex "Pre Anniversary" Speed Graphic / Meyer-Görlitz Trioplan 10.5cm f6.3 / Fomapan 200 (Rodinal R09 1:50 20℃ 10min)
4x5 Pacemaker Speed Graphic + Kodak Aero Ektar lens 178mm f2.5 + 2007 expired Fuji FP-100C colour instant film + B&W conversion
Shooting into the sun here I was struggling to focus on Elizabeth's face in the shadow. Misfocused but I still quite like it
Photo scan
mrleica.com/2014/11/29/large-format-4x5-pacemaker-speed-g...
2 of the strips fell off or something, didn't have time to redo anything because i had to do them all in one day.
Viewing Large on Black is a MUST!!!!
Sinar F2 + Rodenstock Sinaron-N 210mm/5.6
Exposure 1/200sec f8.0 ISO 1500
Film: POLAROID SEPIA GIAMBARBA EXPIRED
Scanned from print with Epson 4870