View allAll Photos Tagged largeformat
My cranky girlfriend with a preference for facial hair.
Negative, Positive
Homemade emulsion printed back on itself.
4x5 Silver gelatin on Arches platine.
Sloppy brushwork.
Very happy, I have something workable for my paper negatives here.
Trig-point at the second highest point in Cambridgeshire, 126 mtr ASL.
MPP Micro Technical 5 x 4 and Schneider Kreuznach Angulon 90mm f6.8., Fomapan 200, f22 at 1/10 sec with orange filter. Scanned with Epson Perfection V800.
MPP Micro Technical 5 x 4 and Fujinon 150mm f6.3, Fomapan 100, f22 at 1 sec. Scanned with Epson Perfection V800.
Shot on Kodak Portra 400 sheet film using a 1994 Tachihara Field 4 x 5 in. view camera. Home developed and DSLR scanned.
Graflex "Pre Anniversary" Speed Graphic / C.P. Goerz Berlin Dagor 12.5cm f6.8 / Fomapan 200 (Rodinal R09 1:50 20℃ 10min)
Am Lerchenberg, Hochebene östlich vom Staffelberg, Franken, 2022-09. cma20220917-L-02, Intrepid 4x5, Pinhole 135/0.45mm, UV filter, 7s, Kodak Ektar 100 @ EI100.
I turned 40 this year. I know this is of no real significance as age is one of the few things that we have absolutely no control over, however I did attempt to investigate my ageing back when I was nearer turning 30, so I though it might be worth looking at again.
By ageing, in both cases a lot of it is down to hair loss. Hair loss and my being increasingly aware of skin's ability to form ever finer wrinkles. Something I believe I have completely failed to show in these pictures.
Altes Rathaus von Bamberg, Franken, 2022-09. cma20220920-L-01, Intrepid 4x5, Pinhole 120/0.4mm, ND8, 80s, Kodak Ektar 100 @ EI100.
camera .. Rittreck View
film .. ARISTA EDU ULTRA 100
chemical .. Jacquard Cyanotype print
exposure .. 30min
use 5x7 bnw nega film
On day 3 of my 2016 fall color trip to Zion, I awoke to overcast skies and strong winds. I decided to spend the day exploring various washes and canyons to see if I could find anything to photograph. In the afternoon, I came across this unnamed slot canyon, and as the light was flat but the textures were beautiful and the stone was not affected by the wind, I decided to capture the scene on black and white film. After walking through this canyon back and forth slowly several times, gazing at the walls and soaking in the textures, lines, light, and shadows, I finally settled on this scene with a large rift in the stone wall of the canyon on the right forming a nice leading line, along with the wash itself meandering up the canyon and disappearing behind a tight bend in the slot.
You can own a signed limited edition fine art print here:
www.lowerylandscapes.com/zion/fracture
Intrepid 4x5" Field Camera
Schneider-Kreuznach 90mm Æ’/8 Super-Angulon lens
Fujifilm Neopan Acros 100
Vallée de la Woluwe
Linhof Master Technika
Sironar N 150 mm f 5.6
4 sec f 32
Fomapan 100 asa
R09 1+50 20° 12'
Cyanotype contact 4x5 - 30'
This was a hard negative to work with. The sky was completely blown out in white because it was foggy that day. I did my best to burn it in & add some mood in the photo.
4x5
Took this a few months ago on one of the trails near my home. Loved the foggy scene and the skeletons of trees fading in the mist. Love the green and yellow of grass, a hint of early spring color.
Second sheet on 8x10.
An exposure test that doubled as an aperture/depth of field test. Pretty much nailed it though could possibly have stopped down just a little further. (My technique here was to trust the ground glass when adjusting the aperture, having focused about half way between the first two posts; f/22 is generally quite open for 8x10 scenes but it looked ok under my 4x loupe). Another stop lost would have meant another big dollop of extra exposure time.
Great Coxwell Barn, Oxfordshire
13th April 2019, 2pm
Chamonix 810V
Nikkor-SW 150mm f/8
Ilford FP4+ 8x10
37" f/22
No movements
Shadow behind nearest pillar metered at -2, N-2 development.
Home-developed with Pyrocat HD 2:2:100/BTZS tubes, 8mins 30secs.
Scanned with Epson V850/Silverfast AiStudio 8 (16bit, 1600ppi, film delicately taped to diy silicone mat), cropped, bit of work in curves, toned gently in Photoshop.
Having neglected to bring the dark bag I thought I'd have a go at loading sheets in the cellar. A partial success.
We're Here, scarred negatives and all.
Hand-held wobble focused macro (Dah!) of a 4x5 negative laid on an LED lightbox dingus that I acquired for the purpose of digitising negatives with a DSLR. I haven't used this process for ages, so Thanks WAH!
WakaWaka Pelcomb Portraits.