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Deardorff 5x7
Hugo Meyer & Co-Goerlitz Doppel-Plasmat 1 :5.5 F=27cm
Fomapan100 5x7 / Adox Rodinal 1+100 /60min 20â
paper: Adox MCP312
scan: EPSON GT-X820
Graflex Crown Graphic 4x5
Fujinon W 150/5.6
Acros
Digitize: Panasonic Lumix G7 + Lumix Vario G 14-45/F3.5-5.6
Stopped by one of the local breweries while I was out testing some outdated HP-5 I picked up for a song. The exposure was about 1/2 hour or a pints worth. Either works.
Shot with the 4X10 on HP-5 in Pyro PMK for 10 min @ 68f constant agitation.
Camera:Sinar f1
Lens:Symmar-S 150mm f/5.6
Filter:no
Light:natural
Settings:1" f/32
Focus:camera tilt, front tilt
Film:Rollei RPX25
Developing:R09 1:40 10' agitation first 30" & every 1'45"
Scaning: Epson V550
Software:no adjustments made
Randers, Denmark, 2017. Burke & James 4x5 Press Camera, uncoated 150/4.5 Xenar (1930). #8 yellow filter. Fomapan100 processed in homemade D-76h 1:1.
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ZĂźrich (CH)
Linhof Master Technika, Schneider Apo Symmar 150 f5.6
Efke IR 820 (@ ISO 1.5), IR Filter, Rodinal 1:100 semi-stand 1h
Got this 4x5 Efke infrared film from a flickr contact. Unfortunately this very rare film seems not have to withstood time (and maybe some radiation at the corners?) without damage....
any tips how to understand the exposure on the outer part of the film are welcome (or if this could be due to mishandling during exposure or development?)
Panoramic by stitching
Intrepid 4x5 mk 2 Nikkor SW 90mm f4.5 Ilford Delta 100 (left) and Ilford HP5+ (right) stitched together (photoshop default automatic stitching)