RB Tele Graflex, Ilford HP5 In Kodak XTOL 1+1

Option8 conversion, taken with Gen1 50 ISO film, print

Shot with Gandolfi largeformat and 4x5 reduction back.

Ilford FP4+ in Xtol.

The lense is a Kodak portrait lens, 304 mm and f.5,6.

Printed on Rollei Vintage 112 and toned in thiocarbamid toner.

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Lightning:

Two soft boxes on the back and a umbrella on camera left

Pinhole

Zero 45

Ilford HP5

September 2014

Kodak 2D 8x10 inch camera

Lens: Schneider Kreuznach tele Xenar

Foma 100 --> 50 asa (20x25 cm)

Kodak HC 110

Ohio Pass in rain

Kullaberg. Waves breaking the shore.

Camera: ONDU 4x5 inch Pinhole camera

Film back: Polaroid 545 Land Film holder

Film: Polaroid Polacolor 79 4x5 inch large format sheet film. Expired November 2004 (Photo taken August 2016)

Exposure: 2 seconds

Scanner: Epson Perfection V700

Film developed on site outdoors. Good fun.

Matthew in his Diplomat's Uniform and Gill as his Lady...

This is as close as I can get to the look of a photograph from the late Victorian era.

MPP Micro Technical 5 x 4in and Schneider Kreuznach Xenar 1:4.5/150mm, Fomapan 100, f5.6 at 1/4 sec. Scanned with Epson Perfection V800.

I like the other one better....

Graflex Crown Graphic

As mentioned in the description of the photo with the Arca-Swiss packed, the Horseman fits in easily, with room to spare.

That's my Sony A7II with 55/1.8 and battery grip sitting in the extra space. In addition to the 150/5.6 Fujinon and 210/5.6 Fujinon, the 45FA also has a 135mm Sironar-N mounted and folded away (a great feature).

Total weight as shown, wtih 5 film holders: 17.7lbs.

Calumet C1

Vitax No.4

4x5 Xray film

Dektol

4x5 Ilford Ortho Plus

Linhof Technika IV Nikon 90mm f/4.5

Kodak Tmax 100 4x5 HC-110 (1+63) 12 min 20°C

Epson v800

Aspen leaves on the road. Can’t wait to develop the Portra160 4x5

Three Light set-up.

One overhead 22 inch beauty dish.

Two edge lights in small soft boxes from behind.

For more behind the scenes, blog and tutorials visit my site:

www.joelgrimes.com

4x5" largeformat, crop

4x5 tintype

Gaussian blur was not involved; this was done in camera.

Learning wet plate collodion process with the incomparable Ray Bidegain.

Fair Lawn, NJ

Linhof Technika IV Nikon 90mm f/4.5

Kodak Tmax 100 4x5 HC-110 (1+63) 12 min 20°C

Epson v800

IN ENGLISH BELOW THE LINE

Foto feta amb una Vöigtlander Vito CL, fabricada el 1960; Vöigtlander Lanthar f2 / 50mm; Ilford FP4+ revelat amb HC110.

La meva Lancaster Instantograph, model 1890, en acció, a Sant Cugat del Vallès. La faig servir amb plaques de vidre fabricades actualment per Jason Lane, amb ISO 2. També en té de "rapides" amb ISO 25, però aquesta càmera no té obturador, de moment, i millor fer fotos que necessitin diversos segons d'exposició.

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Picture taken with a Vöigtlander Vito CL, made in 1960; Vöigtlander Lanthar f2 / 50mm; Ilford FP4+ developed in HC110.

This is my c.1890's Lancaster Instantograph, 1890 Model, in 1/2 Plate format, in use on the street. I use dry plates manufactured in the USA by Jason Lane.

New55PN positive

Toyo 45CF 4x5 Nikkor M 300mm f9 on Foma Ortho 400

Hometown ditch

Mentor Panorama 18x24 + Leitz Epis 400/4

Kodak MIN-R 2000 Mammography Film

A ruined building on the site of Tangmere Airfield, a WW2 RAF base. Famous for being one of the bases Douglas Bader flew from.

4x5 platinum print

wista 45, lens velostigmat, film foma pan100, developed d76 (1+3)

first two 4x5 pictures

Graflex Speed Graphic Pacemaker 4x5

Petzval 6" f4.0

Harman Direct Positive Paper

Wet Plate Collodion

Tintype half plate

Collaboration with my friend Charlie Wheelihan.

Detroit, February 2013

Camera: Intrepid Camera, Fujinon NW 125mm f5.6, 1/4s, f11, filter Hoya R72. Film: Rollei Infrared 400, exposed @ ISO 3, developed in Rodinal 1+25, 6:30 min @ 21.5°C.

158x126cm or 80x64cm, Lightjet on photographic paper