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"What if our religion was each other? If our practice was our life? If prayer was our words? What if the Temple was the Earth? If forests were our church? If holy water- the rivers lakes and oceans? What if meditation was our relationships? If the Teacher was life? If wisdom was self-knowledge? if love was the center of our being."
Ganga White
me as Patchouli Knowledge from Touhouvania (Koumajou Densetsu II)
photo by Butterfly Dreams (facebook.com/ButterflyDreamsCosplay)
THIS PHOTO IS UNDER COPYRIGHT!
DO NOT USE WITHOUT PERMISSION!
Sharing just with FULL credit of cosplayer's and photographer's name and website link !!!!
( Featured on front cover of Jain Digest )
There are several pathways to attaining Nirvana. It is the union of Right Knowledge, Right Faith and Right Conduct that eventually leads to Nirvana.
The central multicolored figure represents a neuron; it is the memory bank as well as the source of transmission of full spectrum of knowledge. There are several categories of knowledge. Every human being has intrinsic faculty to harvest them. Each of the knowledge is assigned a specific color. Green-derived from scriptures, blue-subjective cognition, red- super sensory perception, orange- reading the thoughts of others and light yellow-omniscience. Black indicates ignorance or lack of knowledge, which pervades the human kind resulting in the cycles of birth and death.
The light background reflects the aura that surrounds the person having righteous knowledge. One must appropriately apply it to start the process of attaining Nirvana.
Media: Acrylic & Pastel. Size: 24”x30”
Sarawak handicrafts, particularly traditional crafts are handmade by the various tribes found in The Land of The Hornbill. These peculiar crafts have specific functions as day to day utensils besides the rich and unique aesthetic values in them. Made from the very natural resources found in the rich rainforest of Sarawak they are truly eco friendly and a medium to portrait our rich and diverse culture. Sadly, in the name of modernization the skills and knowledge passed down from our forefathers is compromised to contemporary machine made designs and in due process our pride and heritage is compromised.
Our Daily Challenge ... knowledge.
Books were the record of much knowledge for centuries but the Internet has had a huge impact on where we store information and how we find it. No individual could possibly know and remember everything that they will ever need to know in their lifetime but if they know how to find what they need to know using books, Internet, other people, experimentation etc. it will not be a problem.
copy right mark handley please note all pictures are copyright to British fire rescue pics. none of these pictures can be printed, displayed or saved to any kind of retrieval system without my prior knowledge or consent. as follows uk and world copyright law any one found to breeching this law is liable for prosecution.
SAMPHIRE archaeologist Andrew Roberts sharing knowledge at Girvan with Harbour Master Roddy Leach during community engagement in 2015.
Image by Abby Mynett, Wessex Archaeology.
To find out more about this project follow this link
The expositor
or, Many mysteries unravelled. Delineated in a series of letters, between a friend and his correspondent, comprising the learned pig, invisible lady and acoustic temple, philosophical swan, penetrating spy glasses, optical and magnetic, and various other curiosities on similar principles: also, a few of the most wonderful feats as performed by the art of legerdemain, with some reflections on ventriloquism
While we were still staying my mother in law’s basement waiting to close on the house a dangerous question was asked of us; “Hey, would you want or have any use for all these cassette tapes?” His cousin has texted that in a familial house clean out they found this family member’s cassette tape collection.
This 16x16 cardboard box is filled with an array of tapes from every imaginable genre and era. I love music in the same way that I love baseball. While yes, I do most often cheer for my home team Pittsburgh Pirates, I love the entirety of the game of baseball and it’s storied and often challenging history/what it could become most of all. With music, while sure I likely most often listen to metal, soul, funk, jazz, & goth/new wave; I love the idea of music. That we as human have continuously used the idea of music to express ourselves, convey a message, or pass down ancestorstory/stories/legends/knowledge. That we constantly find new ways of using our bodies, our minds, and the world around us to make sounds and songs we’ve never heard before. I am always seeking out people making new instruments to share with the world and always and forever trying to find music I’ve never heard before.
Recently I’ve been really enjoying funk and psychedelic rock from Africa and Eastern Europe. That being said… these aren’t just commercially available to purchase cassettes, and here is where I get really emotional about it. There are 3 or 4 boxes of these tapes and more than half of them are either mix tapes this man made of every genre, but also some radio recordings of Wolfman Jack (and maybe even more radio djs). There are tapes of old radio dramas, broadway music original cast recordings, outlaw country, and everything in between. We also got stacks of custom built wall shelves he had made and labeled.
This is such an intimate gift of another human being’s love for music and I am beyond honored to have it passed along to us. I don’t know what we’ll do with the entire collection, but I’m looking into what specifically I’d want to keep and what options there are for digitizing some of the mixes/radio recordings. I am also possibly passing some of this on to others who are interested in the personalization that often comes with this specific breed of dead media (mixed tapes and cds) and has a love of music.
Mosaic mural at the Cass Avenue entrance to the Detroit Public Library. The mural, River of Knowledge by Millard Sheets dates to 1963 when this addition to the library opened.
Had a pretty much learning process this week . Now need focus on photo editing and need more to learn .
Thanks Flickr for take my photo as one of interesting photo .
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ILFORD DELTA 3200 pulled to 1600
Self develop: 8 mins in Ilford DD-X 1:4, 20 deg
Leica M2
Leica SUMMICRON Rigid 1:2/50mm
B+W medium yellow 022 filter (2X)
Straight negative scan
GP Images by Gianpierre Soto is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 United States License.
1. The spiritual entity Qalb
Prophecy and knowledge relating to this was granted to the Prophet Adam
In the Urdu language the fleshy meat, (the heart) is known as dil, and in Arabic it is called fawad. The spiritual entity that is next to the heart is the Qalb and according to a Prophetic statement the heart and the Qalb are two separate entities.
Our solar system is the physical human sphere. There are other realms and spheres, for example the realm of the angels, the realm of the throne of God, the realm of the soul, the realm of the secrets, the realm of unification and the realm of the essence of God. These spheres and life forms inhabiting these spheres have existed before the eruption of the ball of fire, our Sun, which created our solar system. Ordinary angels were created alongside the creation of the souls when God commanded "Be" but the Archangels and the spiritual entities (which are placed inside the human body at birth) have existed in these realms before the formation of our solar system.
Many planets in our solar system were inhabited but subsequently these life forms became extinct. The remaining planets and their inhabitants are awaiting their destruction. The Archangels and the spiritual entities (of the human body) were created seventy thousand years before the command "Be."
Of these spiritual entities God placed the Qalb in the realm of love. It is with this that a human being is able to become connected with God. The Qalb acts like a telephone operator between God and the human being. A human being receives guidance and inspiration through it. Whereas the worship and the meditation done by the spiritual entities themselves can reach the highest realm, the Throne of God, with the aid of the Qalb. The Qalb itself, however cannot travel beyond the realm of the angels, as its place of origin is the Khuld, the lowest heaven in the realm of the angels.
The Qalb’s meditation is from within and its vibrating rosary is within the human skeleton (the heartbeat). People that failed to achieve this meditation of the Qalb in this lifetime will be regretful, even though they may be in paradise. As God has stated regarding those who will go to paradise, that do they, the inhabitants of paradise think that they will be equal to those who are elevated (reached higher realms by practicing the spiritual disciplines and becoming illuminated). As those that have achieved the meditation of the Qalb, they will enjoy its pleasures even in paradise when their Qalb will be vibrating with the Name of God.
After death physical worship ceases to exist and the people whose Qalb and spiritual entities are not strengthened and illuminated with the light of God are afflicted and distressed in their graves and their spiritual entities waste away. Whereas the illuminated and strengthened spiritual entities will go to the realm where the righteous will wait before the final judgement.
After the day of judgement a second body will be given, the illuminated spiritual entities along with the human soul will enter that body. The people that taught their spiritual entities, meditation, whereby the entities chanted the Name of God Allah in this life time will find that the spiritual entities will continue with this meditation even in the hereafter. Such people will continue to be elevated and exalted in the hereafter.
Those that were “blind of heart” (not illuminated) in this life time will be in darkness in that realm also, as this world was the place of action and effort. Those in the latter category will become quiescent.
Besides the Christians and the Jews the Hindu faith also holds a belief in these spiritual entities. The Hindu faith refers to them as Shaktian and the Muslims know them as Lata’if.
The Qalb is two inches, to the left of the heart. This spiritual entity is yellow in colour. When it is illuminated in a person, that person sees the colour yellow in their eyes. Not only this but there are many practitioners of alternative medicine who use the colours of these spiritual entities to heal people.
Most people regard their heart’s word, “inner feeling” to be truthful. If the hearts of people were indeed truthful, then why are all the people of the heart not united?
The Qalb of an ordinary person is in the sleeping or unconscious state and it does not possess any appreciation or awareness. Due to the dominance of the spirit of the self, the ego, and the Khannas, or due to the individual’s own simple- mindedness the heart can make judgements in error. Placing trust in a sleeping Qalb is foolish.
Only when the Name of God Allah, does vibrate in the heart does an appreciation of right and wrong and wisdom follow. At this stage the Qalb is known as the awakened Qalb. Thereafter due to the increase in the meditation by the Qalb, of the Name of God Allah, it is then known as the God-seeking Qalb. At this stage the heart is capable of preventing the person from doing wrong but it is still incapable of making a right or just decision. Thereafter and only when the Light and the rays of the Grace of God (theophany) start to descend upon that heart, is it known as the purified and illuminated Qalb that stands in the presence of God (witnessing Qalb).
A Prophetic statement:
“The mercy of God descends upon a broken heart and an afflicted grave.”
Thereafter when the heart reaches this stage then one must accept whatever it dictates, quietly without question because due to the rays of the Light and the Grace of God the spirit of the self, (ego) becomes completely illuminated, purified and at peace. God is then closer to that individual than that person’s jugular vein.
God then says, “I become his tongue with which he speaks and I become his hands with which he holds.”
2. The Human Soul
Prophecy and knowledge relating to this was granted to the Prophet Abraham
This is on the right side of the chest. This is awakened and illuminated by the meditation and one-pointed concentration on it. Once it becomes illuminated, a vibration similar to the heartbeat is felt on the right side of the chest. Then the Name of God, Ya Allah is matched with the vibrating pulse. The meditation of the soul is done in this way. At this point, there are now two spiritual entities meditating inside the human body, this is an advancement in rank and status and is better than the Qalb. The soul is a light red in colour and when it is awakened, it is able to travel to the realm of the souls (the station of the Archangel Gabriel). Anger and rage are attached to it that burn and turn into majesty.
3. The spiritual entity Sirri
Prophecy and knowledge relating to this was granted to the Prophet Moses
This spiritual entity is to the left of the centre of the chest. This is also awakened and illuminated by the meditation and one-pointed concentration on it with the Name of God, Ya Hayy, Ya Qayyum. Its colour is white and in the dream state or by spiritual separation from the physical body “transcendental meditation” it can journey to the realm of the secrets. Now there are three spiritual entities meditating within a person and its status is higher than the other two.
4. The spiritual entity Khaffi
Prophecy and knowledge relating to this was granted to the Prophet Jesus
This is to the right of the centre of the chest. It too is taught the Name of God Ya Wahid by meditation. It is green in colour and it can reach the realm of unification. Due to the meditation of four entities one's status is further increased.
5. The spiritual entity Akhfa
Prophecy and knowledge relating to this was granted to the Prophet Mohammed
This is situated at the centre of the chest. It is awakened by meditating on the Name of God, Ya Ahad. It is purple in colour and it too, is connected to that veil in the realm of unification behind which is the throne of God.
The hidden spiritual knowledge relating to these five spiritual entities was granted to the Prophets, one by one and half of the knowledge of every spiritual entity was granted from the Prophets to the Saints of their time. In this way there became ten parts of this knowledge. The Saints in turn passed this knowledge on to the spiritually favoured (Godly) who then had the benefit of the sacred knowledge.
The apparent knowledge of the seen is connected to the physical body, the spoken word, the human realm and the spirit of the self, this is for the ordinary mortals. This knowledge is contained in a book that has thirty parts. Spiritual knowledge was also given to the Prophets by revelation brought by Gabriel and for this reason it is known as the spiritual Holy Scripture.
Many of the verses of the Qur’an would sometimes be abolished, since the Prophet Mohammed would sometimes mention matters relating to this “hidden spiritual knowledge” before ordinary people, which was only meant for the special and Godly. Later this knowledge passed on spiritually from the chest of one Saint to another, and now it has become widespread by its publication in books.
6. The spiritual entity Anna
This spiritual entity is inside the head and is colourless. It is by the meditation on the Name of God Ya Hu that this spiritual entity reaches its pinnacle. It is this spiritual entity that when it becomes illuminated and powerful it can stand in the Presence of God, face to face, and communicate with God unobstructed. Only the extreme lovers of God reach this realm and station. Besides this there are a few and extremely exalted people who are granted additional spiritual entities, for example the spiritual entity Tifl-e-Nuri or a spiritual entity of the Godhead, Jussa-e-Tofiq-e-Ilahi, the spiritual status of such people is beyond understanding.
With the spiritual entity, Anna, God is seen in the dream state.
With the spiritual entity of the Godhead, God is seen in the “physical meditating state” when the spiritual entity itself leaves the human body and transcends to the essence of God.
Those possessing the spiritual entity, the Tifl-e-Nuri, see God whilst they are fully conscious.
It is these people who are the majesty and power of God in the world. They can either occupy the people by prescribing worship and austerities or by their spiritual grace send a person straight to the realm of God’s love. In their sight, concerning dispensing spiritual grace the believers and the non-believers, the dead and the living are all the same. Just as a thief became a Saint, in an instant, by the passing glimpse of the Saint Sheikh Abdul-Qadir al-Jilani, similarly, Abu-Bakr Havari and Manga the thief, became instant Saints by the passing glimpses of such Saints.
The five major Messengers were given knowledge of the five spiritual entities separately and in order of their appearance, as a result of which spirituality continued to prosper. With whichever spiritual entity you practice meditation you will be connected to the corresponding Messenger and become worthy of receiving spiritual grace (from that Messenger).
Whichever spiritual entity receives the rays of the Grace of God (favour), the Sainthood granted to that spiritual entity will be connected to the corresponding Prophet’s spiritual grace.
Access to seven realms and gaining elevated spiritual status in the seven heavens is obtained through these spiritual entities.
The functions of the spiritual entities inside the human body
Akhfa: Due to the spiritual entity, Akhfa a person is able to speak. In its absence a person may have a normal tongue but will be dumb. The difference between human beings and animals lies in the presence or the absence of these spiritual entities. At birth, if the entity, Akhfa was unable to enter the body for whatever reason, then a Prophet appointed for the rectification of this ailment would be called to treat the condition as a result of which the dumb would start to speak.
Sirri: A person is able to see due to the spiritual entity, Sirri. If it does not enter the body the person is blind from birth. An appointed Prophet had the duty to find and place the spiritual entity into the body, as a result of which the blind would start to see again.
Qalb: Without the spiritual entity of the Qalb, in the body, a person is like the animals, unacquainted, far from God, miserable and without purpose. Returning this entity into the body was the task of the Prophets also.
The miracles of the Prophets were also granted to the saints, in the form marvels and mystical wonders as a result of which even the impious and liberal became close to God. When a spiritual entity is returned by any allocated Saint or Prophet, the deaf, dumb and the blind are healed.
Anna: When the spiritual entity, Anna, fails to enter the body, a person is regarded as insane even though the brain may be functioning normally.
Khaffi: In the absence of the spiritual entity, Khafi, a person is deaf, even if the ears are opened wide.
These conditions can be caused by other defects in the body, and can be treated. There is no cure in the case, where the defect is caused by the absence of the associated spiritual entity except where a Prophet or a Saint intervenes and cures the defect.
Nafs, self: As a result of the spiritual entity of the self (ego) a persons mind is occupied with the material world and it is because of the spiritual entity Qalb that a persons direction turns towards God. For more detail visit www.goharshahi.org or visit asipk.com and for videos visit HH rags
© 2011 Eric Adeleye Photography. (Press "L" for a larger view of the photograph)
The bonds that two brothers share are like no others. I always enjoy photographing Donte and Keon whenever I can. I told them to just pretend I wasn't standing in front of them and I started taking pictures. I like when people can just be themselves in front of my camera. Donte (on the left in this photograph) is preparing to take the GRE exam for graduate school. Keon (on the right in this photograph) finishing up his PHD program at the University of Pennsylvania in Africana Studies. Both are undergraduate alumni of Wake Forrest University in North Carolina. Yes, they are identical twins, it took me a while, but I can tell them apart from each other now.
me as Patchouli Knowledge from Touhouvania (Koumajou Densetsu II)
photo by Catspassion
THIS PHOTO IS UNDER COPYRIGHT!
DO NOT USE WITHOUT PERMISSION!
Sharing just with FULL credit of cosplayer's and photographer's name and website link !!!!
Edmund Rubbra (/ˈrʌbrə/; 23 May 1901 – 14 February 1986) was a British composer. He composed both instrumental and vocal works for soloists, chamber groups and full choruses and orchestras. He was greatly esteemed by fellow musicians and was at the peak of his fame in the mid-20th century. The most famous of his pieces are his eleven symphonies. Although he was active at a time when many people wrote twelve-tone music, he decided not to write in this idiom himself. Instead he devised his own distinctive style. His later works were not as popular with the concert-going public as his previous ones had been, although he never lost the respect of his colleagues. Therefore, his output as a whole is less celebrated today than would have been expected from its sheer merit and from his early popularity. He was the brother of the engineer Arthur Rubbra.
Rubbra started composing while he was still at school. One of his masters, Mr. Grant, asked him to compose a school hymn. He would have been very familiar with hymn tunes, as he attended a Congregational church and played the piano for the Sunday School. He also worked as an errand boy whilst he was still at school, giving some of his earnings to his parents to help with their finances.
At the age of 14, he left school and started work in the office of Crockett and Jones, one of Northampton's many boot and shoe manufacturers. Edmund was delighted to be able to accrue a number of stamps from parcels and letters sent to this factory, as stamp-collecting was one of his hobbies. Later, he was invited by an uncle, who owned another boot and shoe factory, to come and work for him. The idea was that he would work his way up from the bottom of the company, with a view to ownership when his uncle, who had no sons of his own, died. Edmund, influenced by his mother's lack of enthusiasm for the idea, decided to decline. Instead, he took a job as a correspondence clerk in a railway station. In his last year at school he had learned shorthand, which was an ideal qualification for this post. He also continued to study harmony, counterpoint, piano and organ, working at these things daily, before and after his clerk's job.
Rubbra's early forays into chamber music composition included a violin and piano sonata for himself and his friend, Bertram Ablethorpe, and a piece for an excellent local string quartet. He used to meet with the keen, young composer, William Alwyn, who was also from Northampton, to compare notes.
Rubbra was deeply affected by a sermon he heard given by a Chinese Christian missionary, Kuanglin Pao. He was inspired to write Chinese Impressions – a set of piano pieces, which he dedicated to the preacher. This was the beginning of a lifelong interest in things eastern.
At the age of 17, Rubbra decided to organise a concert devoted entirely to Cyril Scott's music, with a singer, violinist, cellist and himself on the piano, at the Carnegie Hall, in Northampton Library. This proved to be a very important decision, which would change his life. The minister from Rubbra's church attended the concert, and secretly sent a copy of the programme to Cyril Scott. The result of this was that Scott took Rubbra on as a pupil. Rubbra was able to obtain cheap rail travel because of his job with the railway, so he was able to get to Scott's house by train, paying only a quarter of the usual fare. After a year or so, Rubbra gained a scholarship to University College, Reading. Gustav Holst became one of his teachers there. Both Scott and Holst had an interest in eastern philosophy and religion, inspiring Rubbra to have further interest in the subject.
Holst also taught at the Royal College of Music and advised Rubbra to apply for an open scholarship there. His advice was followed and the place was secured. Before Rubbra's last term at the Royal College, he was unexpectedly invited to play the piano for the Arts League of Service Travelling Theatre on a six-week tour of Yorkshire, since their usual pianist had been taken ill. He accepted this offer despite its meaning he missed his last term. This provided him with invaluable experience in playing and composing theatre music, that he never regretted and which stood him in good stead for his later dramatic work. In the mid-1920s Rubbra used to earn money playing for dancers from the Diaghilev Ballet. At around this time he became firm friends with Gerald Finzi.
In 1941, Rubbra was called up for army service. After 18 months he was given an office post, again because of his knowledge of shorthand and typing. While he was there, he ran a small orchestra assisted by a double-bass player from the BBC orchestra. The War Office asked him to form a piano trio to play classical chamber music to the troops. Rubbra was happy to oblige, and the trio, with William Pleeth the cellist, Joshua Glazier violinist and himself on the piano took six months acquiring a repertoire of chamber music. "The Army Classical Music Group", was formed and later expanded to seven people. On one occasion an overzealous entertainment officer thought there would be a better audience by advertising with big posters for "Ed Rub & his seven piece Band". They travelled all over England and Scotland and then to Germany, with their own grand piano which, with its legs removed for transport, became a seat for them in the back of the transport lorry.
After the war, on 4 August 1947 (the Feast of St Dominic), Rubbra became a Roman Catholic, writing a special mass in celebration. Also at this time, the University of Oxford was forming a faculty of music. They invited Rubbra to be a lecturer there. After much thought, he accepted the post. From 1947 to 1968 Rubbra was a lecturer at the Music Faculty and a Fellow of Worcester College, Oxford. The army trio kept meeting, playing at clubs and broadcasting, for a number of years, but eventually Rubbra was too busy to continue with it.
It is a measure of the high esteem in which Rubbra was held in the 1940s, that his Sinfonia Concertante and his song Morning Watch were played alongside such works as Elgar's The Dream of Gerontius, Kodály's Missa Brevis and Vaughan Williams's Job, at the 1948 Three Choirs Festival.
When Vaughan Williams heard that the University of Durham was going to confer an Honorary D.Mus on Rubbra in 1949, he wrote him a very short letter: "I am delighted to hear of the honour which Durham University is conferring on itself."
Rubbra received a request from the BBC to write a piece for the coronation of Queen Elizabeth II. The result was Ode to the Queen, for voice and orchestra, to Elizabethan words. In connection with the same celebration, he was invited by Benjamin Britten to contribute to a collaborative work, a set of Variations on an Elizabethan Theme. He initially accepted, but later withdrew; Britten then asked Arthur Oldham and Humphrey Searle to take his place.
On Rubbra's retirement from Oxford, in 1968, he did not stop working; he merely took up more teaching at the Guildhall School of Music and Drama where his students included Michael Garrett and Christopher Gunning. Neither did he stop composing. Indeed, he kept up this activity right until the end of his life. He had, in fact, started a 12th Symphony in March 1985, less than a year before his death. He died in Gerrards Cross on 14 February 1986.
Ronald Stevenson summed up the style of Rubbra's work rather succinctly when he wrote, "In an age of fragmentation, Rubbra stands (with a few others) as a composer of a music of oneness".
Sir Adrian Boult commended Rubbra's work by saying that he "has never made any effort to popularize anything he has done, but he goes on creating masterpieces".
Knowledge can be such a burden. Stressed out by knowing too much about global warming and how it threatens our planet? Distressed about the rising wealth and income inequality in our country? Partisan gridlock getting you down? Feeling burdened by too much news and not enough hope? Press the Knowledge Alarm Button and it will put you in an instant state of denial and make it all go away. (An optional attachment will connect you directly to Fox News and Rush Limbaugh.) You'll be happier and less stressed.
Knowledge tase on järjestelmällinen kartoitus osaamista ja toimintaa sen kehittäminen, hallinta ja hyödyntäminen.
Title: Petit Larousse, o los ciegos y el brontosaurio (Petit Larousse, or The Blind Men and the Brontosaurus)
Date: 2018
Medium: digital collage
This is a collaborative work by Yamandú Cuevas, Julia Cuevas, Marta Villa, Mariana Fossatti, Mauricio Planel and Marcia Albuquerque. The work traveled online between Rio de Janeiro (Brazil), Playa Verde and Solymar (Uruguay). Was made using analogue and digital techniques.
As collagists, we work with preexisting material extracted from diverse sources, like encyclopedias, dictionaries, popular magazines and illustrated reference works. It is a fascinating material to work with, but specially interesting for this exhibition, because it allows us to play with the traditional senses about what knowledge is and how it is represented, modifying the classic narratives that have been used to transmit it, in different times and contexts.
Our main source of images was a Larousse dictionary in Spanish, from 1985. Like every dictionary, it follows an alphabetical order, but such order is at the same time a disorder. When turning the pages we see countries, machines, animals, plants, symbols and maps mixed in a fascinating chaos. It's like a great collage.
This work is also a reference to the parable of the blind men and the elephant. Different parts of the body of a brontosaurus (instead of an elephant) appear in each collage: the head, the trunk and the tail. In the same way that the blind men do, we perceive different parts of an unknown animal. Then it is necessary to share our individual perceptions in order to reach an agreement about what that animal is. And like the blind men in the parable, we tried, although will never be possible a single interpretation.
This work was created for the Wikimania 2018 "What is Knowledge?" Art Exhibition, curated by Siko Bouterse and Johnson.