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On Nov. 22, 2013, IFPRI hosted a policy seminar titled “Beyond Gender Myths: Closing the Knowledge Gap in Agriculture and Food Security”. For more information on the event, please visit: www.ifpri.org/event/beyond-gender-myths
Pictured from left to right: Deborah Rubin, Cultural Practice, LLC; Ruth Meinzen-Dick, IFPRI; Agnes Quisumbing, IFPRI; Terri Raney, FAO
Photo credit: © 2013 David Popham / IFPRI
The RAAF Museum holds weekly interactive flying displays. I recently enjoyed the Winjeel display. Watching the way the questions were answered after a superb display made it clear. The museum excels at sharing and explaining its history.
Experts and global actors from Africa, Asia, and South America gather at the Inter-Regional Knowledge Sharing on Child Labour and Working Conditions in the Artisinal and Small-Scale Gold Mining (ASGM) held in Manila, Philippines from 28 to 30 May 2019. Countries represented include Colombia, Congo, Cote d' Ivoire, France, Ghana, Guyana, Indonesia, Italy, Mali, Mongolia, Nigeria, Philippines, Thailand, Switzerland, United Kingdom and the United States. The 3-day forum provided a venue to exchange knowledge, technologies, practices and challenges to put forward concrete solutions to address child labour and poor working conditions in the ASGM sector.
To learn more, visit bit.ly/asgm2019
Photo © ILO/G. Carreon
The work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivs 3.0 IGO License. To view a copy of this license, visit creativecommons.org/license/by-nc-nd/3.0/igo/deed.en_US
www.youtube.com/watch?v=0aoOCZk6L4M
Cold is the water
It freezes your already cold mind
Already cold, cold mind
And death is at your doorstep
And it will steal your innocence
But it will not steal your substance
But you are not alone in this
And you are not alone in this
As brothers we will stand and we'll hold your hand
Hold your hand
And you are the mother
The mother of your baby child
The one to whom you gave life
And you have your choices
And these are what make man great
His ladder to the stars
But you are not alone in this
And you are not alone in this
As brothers we will stand and we'll hold your hand
Hold your hand
And I will tell the night
Whisper, "Lose your sight"
But I can't move the mountains for you
The shipyard hosted a Knowledge Share Fair where folks learned about various shops, codes, and initiatives at Pearl Harbor Naval Shipyard and external agencies, associations and organizations that support our workforce like Pacific Fleet, Navy MWR, and the Metal Trades Council. Attendees visited booths featuring virtual reality training, 3D printing, innovative tools, live music, local food and more! (23 JAN 2020)
Exif Data
Camera: Canon EOS 40D
Exposure: 0.01 sec (1/100)
Aperture: f/2.8
Focal Length: 50 mm
ISO Speed: 320
Exposure Bias: 0 EV
Flash: Flash did not fire
Maximum Lens Aperture: 175/100
Metering Mode: Center Weighted Average
Exposure Mode: Manual
Open Knowledge Festival 2014. 15th to 17th of July at Kulturbrauerei in Berlin.
Attribution: Gregor Fischer, www.gfischer-photography.com/ 16.07.2014
37 shot (really) panorama with autostitch.
105mm f2.8D Micro Nikkor
Nikon D50
1.3 sec shutter
f5.6 aperture
The shipyard hosted a Knowledge Share Fair where folks learned about various shops, codes, and initiatives at Pearl Harbor Naval Shipyard and external agencies, associations and organizations that support our workforce like Pacific Fleet, Navy MWR, and the Metal Trades Council. Attendees visited booths featuring virtual reality training, 3D printing, innovative tools, live music, local food and more! (23 JAN 2020)
U.S. Marine Cpl. Oscar Soto-Meza prepares notes for his rifle combat optics class aboard the USS Anchorage (LPD 23) at sea in the Pacific Ocean, May 16, 2015. Soto-Meza is a rifleman with Headquarters and Service Company, Battalion Landing Team 3rd Battalion, 1st Marine Regiment, 15th Marine Expeditionary Unit. The Marines and Sailors of the 15th MEU teach classes to maintain a constant state of combat readiness while deployed. (U.S. Marine Corps photo by Cpl. Steve H. Lopez/Released)
A map of London and environs, dated 1852. This area is now part of Greater London. At the time, it comprised the City of London, City of Westminster, and parts of the counties of Middlesex, Essex, Surrey, and Kent.
The built-up area in 1852 was not much greater than what is now called Central London, with part of the East End. There was not much development west of Mayfair, which had many of the aristocratic mansions.
One feature of the map is the railroad lines entering London. Four of the main stations had already been built. One feature of the map is the railroad lines entering London. Four of the main stations had already been built. Euston was first built in 1837, and rebuilt in something like its present form in 1849. Paddington was opened in 1838, and was rebuilt in 1854. Waterloo was opened in 1848, and took its present form in 1922. Kings Cross was opened in 1852.
Other important stations which had not yet been built were Victoria (1860), Charing Cross (1864), St. Pancras (1868), and Liverpool Street (1874). Other stations are on the map, but I presume that they have since disappeared.
The map was made by George Cox, and published by the Society for the Diffusion of Useful Knowledge. It seems appropriate to geotag it with St. Paul's Cathedral.
Experts and global actors from Africa, Asia, and the Americas gather at the Inter-Regional Knowledge Sharing on Child Labour and Working Conditions in the Artisinal and Small-Scale Gold Mining (ASGM) held in Manila, Philippines from 28 to 30 May 2019. Countries represented include Colombia, Congo, Cote d' Ivoire, France, Ghana, Guyana, Indonesia, Italy, Mali, Mongolia, Nigeria, Philippines, Thailand, Switzerland, United Kingdom and the United States. The 3-day forum provided a venue to exchange knowledge, technologies, practices and challenges to put forward concrete solutions to address child labour and poor working conditions in the ASGM sector.
To learn more, visit bit.ly/asgm2019
Photo © ILO/G. Carreon
The work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivs 3.0 IGO License. To view a copy of this license, visit creativecommons.org/license/by-nc-nd/3.0/igo/deed.en_US
Continuing on with the list of random purchases I make, a kind of special entry - Medicom RAH Black Rock Shooter, purchased during a recent work stint in Winnipeg, MB.
I have zero knowledge of this character, and in general, I know that Medicom 1/6 figures are rather lacklustre in comparison to companies like Hot Toys. But for the price, I figured why the hell not.
Like I always say, the strength of a toy line often isn't the actual product, but the licensing rights behind it. Pretty much if you're looking for an anime 1/6 figure, it's almost guaranteed to be from Medicom. Of course, the scale is used rather loosely because well, I don't think they're actually in scale, but rather, are about a foot tall.
As I mentioned, I know pretty much nothing about the subject. I've seen some cosplay during Anime North, but that seemed short lived as compared to other series... of course that seems to be the trend with most properties at Anime North. So far as I can tell, Black Rock Shooter is a skinny girl from another dimension who has a sword and a really freakin' big gun.
Having hands on experience with Ultra SFIV Chun Li & Cammy, along with Skyward Sword Link, I think it can be pretty much taken as fact that RAH bodies are more lightweight and flimsy as compared to Hot Toys ones. I don't have enough figures to know for sure, but I think there is a greater variety of bodies used for RAH figures as compared to Hot Toys.
Of course, this might be due to the amount of skin most of these Anime girls show.
Black Rock Shooter comes with accessories, of course, including 5 extra hands (7 in total), an extra front hair piece with the blue glowing eye effect, articulated hair on her head, her sword, and her big ass gun.
And stands with clips.. so many stands.
I'm guessing the gun took a lot of money to produce, because normally I'm thinking I'd see two, maybe three expressions as well as other accessories that would be appropriate, like articulated chains or something.
The hair can be fiddled with in order to simulate movement, just like the coat can.
The hands, much like all the other RAH figures I've played with, all have that terrible design that have the connection to the body be this long narrow post connected to the hand itself. Needless to say, I've already broken one and it needs to be replaced.
Furthermore, maybe it's because mine is used, but it seems that the neck joint isn't quite strong enough to fully control the weight of the head plus hair.
Another constant with RAH figures I've played with is that outfits are typically made of less that premium materials. Black Rock Shooter's coat is made of black vinyl, with wires in the tail of the coat to simulate flowing cloth.
The detailing on these Anime figures typically isn't as involved as with figures that come from a motion picture property, with quality of paint apps and decal more being more front and center. From that perspective RAH figures are typically not bad, with clean work coming from the factory.
If you look on the sword, it's basically a shaped piece of plastic with a decent finish on it. Ditto for the gun as well, though I will say the sheer size and weight of the thing is pretty impressive.
The body itself is actually pretty posable, including some hidden ab action. It's hidden as the ab section of the figure is actually concealed by a flexible rubber skin. The coat can come off but if I'm being honest, there isn't really much to take photographs of.
Finally, we arrive at my least favourite part of this set, the gun. Actually getting the figure to hold the figure is one thing, but posing it correctly is another. I had no instructions to go off of, but based on a photo or two that I saw, it seems that the gun is the suspended by the other two flimsy plastic stands the set came with.
And what a royal pain in the ass that was to get it done.
So overall, the figure is alright, but definitely not one I'd EVER consider paying full price for. It certainly stands out on my shelves, though.
Experts and global actors from Africa, Asia, and the Americas gather at the Inter-Regional Knowledge Sharing on Child Labour and Working Conditions in the Artisinal and Small-Scale Gold Mining (ASGM) held in Manila, Philippines from 28 to 30 May 2019. Countries represented include Colombia, Congo, Cote d' Ivoire, France, Ghana, Guyana, Indonesia, Italy, Mali, Mongolia, Nigeria, Philippines, Thailand, Switzerland, United Kingdom and the United States. The 3-day forum provided a venue to exchange knowledge, technologies, practices and challenges to put forward concrete solutions to address child labour and poor working conditions in the ASGM sector.
To learn more, visit bit.ly/asgm2019
Photo © ILO/G. Carreon
The work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivs 3.0 IGO License. To view a copy of this license, visit creativecommons.org/license/by-nc-nd/3.0/igo/deed.en_US
Public Health "Knowledge into Action" seminar at Bournemouth University, 26 June 2012, aiming to:
raise the profile of the Public Health agenda; raise the profile of Public Health knowledge base and practice; explore the tools and techniques used by Public Health practitioners; showcase recent examples of the application of Public Health learning
It's never too late to be learning something new, and what better place to do that than the Mary Idema Pew Library at GVSU. Never sleep. Never stop learning. Never quit.
As part of the required course knowledge pupils need to be able to outline the process involved in taking a square wooden blank and preparing it for turning between centres. These pictures depict that process chronologically.
Stage 1 * Preparation of wooden blank. Cut to size. Sand square. Mark across diagonals. Centre punch the centre point. Use spring dividers to mark circumference. Repeat on other end.
Stage 2 * Plane off corners down to circumference line. This takes cross section from square to octagon. This reduces force on cutting toll in initial prep of blank. Mount between fork [driven] centre and dead [or live ] centre at tailstock end. Apply grease a dead centre end. apply force from tailstock end to force fork into material at driven end. Adjust toolstock height to suit. Check for clearance.
Stage 3 * Roughout using scraper to diameter. Use combination of gouges and skew chisels to add beads and other decorative detailing as required. Ensure spindle speed is appropriate for material and cross section under consideration. Obey all safety instructions.