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Title: The Knowledge - 2010
Portland State Art Professor Harrell Fletcher, with assistance from Avalon Kalin
Books selected from the PSU Millar Library by members of the PSU community, digital print
This mural is part of a unique partnership between Portland Development Commission, Regional Arts & Culture Council, and PSU, called the Block by Block Art Program.
Hadley is a professor of Finance. He spends hours listening to podcasts and reading articles to gain knowledge in the twists and turns of his field. Then using a product called Blackboard, he teaches online to university students. It is 6:30 a.m. and the first day, so he is hard at it. I am so glad I am retired! My job was in IT for the same university, and first days are excruciating. ODC: knowledge
GP Images by Gianpierre Soto is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 United States License.
Knowledge Corridor work at Milepost 44 shows completed track work in this section of the Knowledge Corridor.
The Knowledge Corridor - Restore Vermonter Project will restore Amtrak's intercity passenger train service to its original route by relocating the Vermonter from the New England Central Railroad back to its former route on the Pan Am Southern Railroad. The Pan Am Southern route provides a shorter and more direct route for the Vermonter between Springfield and East Northfield, and improves access to densely populated areas along the Connecticut River. The Pan Am Southern route would include station stops at the former Amtrak station at Northampton and the new intermodal station at Greenfield. The routing of Amtrak service in Vermont and south of Springfield would remain unchanged.
He shares knowledge, he teaches, he inspires and by so doing lives life well.
He laughs, fights and curses, he sings out loud and by so doing lives life well.
He can't resist taking yet another new puppy home and by so doing lives life to the very full.
What a character is Willie Montgomery.
All abstract knowledge is a faded reality: this is because to understand the world is not enough, you must see it, touch it, live in its presence and drink the vital heat of existence in the very heart of reality.
The most difficult thing in this picture were books. For this selfie I brough all available books from my home. It's almost half of the picture. The other difficult thing was make books stand. It was not easy. But nevertheless I'm glad that this picture done)
Photograph for project malstra.ru
The idea here is about the advance of knowledge.
The spines are the various disciplines which must necessarily diverge as we attempt to understand a universe where the unknown always exceeds the known. Each spine has a path forward, an advance into the unknown.
The horizontal weaving strands are the threads we weave as we attempt to connect the various disciplines. We find language and weave the disciplines together to make the knowledge useful and meaningful.
The spines must always precede the horizontal weave, because they are the frame the weave is built on. You can't weave together threads of knowledge that don't yet exist.
Without the weaving the spines just lay flat on the ground and radiate out. And without the spines the basket is just a coiled garden hose on the ground. But together they hold each other up and create structure.
It's the spines and connections together that give the basket its utility, that makes it able to hold things and so on. And the continuing journey makes the basket bigger and bigger. Over time it holds more and more meaning, life, knowledge and goodness. It's a cornucopia! :)
Hidden in one of the little alcoves or nook and crannies of his place south of Laguna, Earl's secret to wisdom and knowledge is at ready reference. Earl hates to carry ipods around on his person, but he has a dashboard of his Jaguar embedded with almost everything electronic. "I like to relax in this spot," he told TYME Magazine, "and pick old paperbacks, usually the Penguin brands, and read until I drift off or until the dogs nudge me, letting me know it's time to retire for the evening."
This tool box goes with me to every class, workshop, and to my Treasure Box Academy. It holds tools and teaches mosaic art at the same time.
London taxi drivers go through stringent training to obtain their licence, they need to pass “The Knowledge”, a test which is amongst the hardest to pass in the world, it has been described as like having an atlas of London implanted into your brain. No two days are ever the same for London cabbies, they just never know who is going to be climbing into the back of their cabs. Taxi drivers meet people from all walks of life, the rich and famous, arguing couples and tourists who always have a question or two that they would like answering. Add this factor to the amount you can earn as a London taxi driver and it is a career many feel is well worth the effort.
An effort that requires you to memorise every possible route through the city as well as memorising landmarks and points of interest, museums, parks, police stations, churches, theatres and schools and not just the famous landmarks like Buckingham Palace and Nelsons Column. The hardest of all taxi driver tests in the world is how many have described “The London Knowledge” a reputation which very few would argue with.
Copyright Ian Boulton 2015. All rights reserved
Mamiya RB67 Pro S
Mamiya Sekor 180mm f/4.5
ilford HP5+ developed with LC29 6.5 min 20deg 1+19
The skulls are from my Cousin, his hobby is to make handmade anatomical human skulls made of plaster. His facebook page: SkullPorn
The Khajuraho Group of Monuments is a group of Hindu and Jain temples in Madhya Pradesh, India, about 175 kilometres southeast of Jhansi. They are one of the UNESCO World Heritage Sites in India. The temples are famous for their nagara-style architectural symbolism and their erotic sculptures.
Most Khajuraho temples were built between 950 and 1050 by the Chandela dynasty. Historical records note that the Khajuraho temple site had 85 temples by 12th century, spread over 20 square kilometers. Of these, only about 20 temples have survived, spread over 6 square kilometers. Of the various surviving temples, the Kandariya Mahadeva Temple is decorated with a profusion of sculptures with intricate details, symbolism and expressiveness of ancient Indian art.
The Khajuraho group of temples were built together but were dedicated to two religions - namely Hinduism and Jainism - suggesting a tradition of acceptance and respect for diverse religious views among Hindus and Jains.
LOCATION
Khajuraho group of monuments are located in the Indian state of Madhya Pradesh, in Chhatarpur district, about 620 kilometres southeast of New Delhi. The temples are in a small town also known as Khajuraho, with a population of about 20,000 people (2001 Census).
Khajuraho is served by Civil Aerodrome Khajuraho (IATA Code: HJR), with services to Delhi, Agra, Varanasi and Mumbai. The site is also linked by Indian Railways service, with the railway station located approximately six kilometres from the monuments entrance.
The monuments are about 10 kilometres off the east-west National Highway 75, and about 50 kilometres from the city of Chhatarpur, that is connected to Bhopal - the state capital - by the SW-NE running National Highway 86.
HISTORY
The Khajuraho group of monuments was built during the rule of the Rajput Chandela dynasty. The building activity started almost immediately after the rise of their power, throughout their kingdom to be later known as Bundelkhand. Most temples were built during the reigns of the Hindu kings Yashovarman and Dhanga. Yashovarman's legacy is best exhibited by Lakshmana temple. Vishvanatha temple best highlights King Dhanga's reign. The largest and currently most famous surviving temple is Kandariya Mahadeva built in the reign of King Ganda from 1017-1029 CE. The temple inscriptions suggest many of the currently surviving temples were complete between 970 to 1030 CE, with further temples completed during the following decades.
The Khajuraho temples were built about 35 miles from the medieval city of Mahoba, the capital of the Chandela dynasty, in the Kalinjar region. In ancient and medieval literature, their kingdom has been referred to as Jijhoti, Jejahoti, Chih-chi-to and Jejakabhukti.
Khajuraho was mentioned by Abu Rihan-al-Biruni, the Persian historian who accompanied Mahmud of Ghazni in his raid of Kalinjar in 1022 CE; he mentions Khajuraho as the capital of Jajahuti. The raid was unsuccessful, and a peace accord was reached when the Hindu king agreed to pay a ransom to Mahmud of Ghazni to end the attack and leave.
Khajuraho temples were in active use through the end of 12th century. This changed in the 13th century, after the army of Delhi Sultanate, under the command of the Muslim Sultan Qutb-ud-din Aibak, attacked and seized the Chandela kingdom. About a century later, Ibn Battuta, the Moroccan traveller in his memoirs about his stay in India from 1335 to 1342 CE, mentioned visiting Khajuraho temples, calling them “Kajarra” as follows:
...near (Khajuraho) temples, which contain idols that have been mutilated by the Moslems, live a number of yogis whose matted locks have grown as long as their bodies. And on account of extreme asceticism they are all yellow in colour. Many Moslems attend these men in order to take lessons (yoga) from them.
— Ibn Battuta, about 1335 CE, Riḥlat Ibn Baṭūṭah, Translated by Arthur Cotterell
Central Indian region, where Khajuraho temples are, remained in the control of many different Muslim dynasties from 13th century through the 18th century. In this period, some temples were desecrated, followed by a long period when they were left in neglect. In 1495 CE, for example, Sikandar Lodi’s campaign of temple destruction included Khajuraho. The remoteness and isolation of Khajuraho protected the Hindu and Jain temples from continued destruction by Muslims. Over the centuries, vegetation and forests overgrew, took over the temples.
In the 1830s, local Hindus guided a British surveyor, T.S. Burt, to the temples and they were thus rediscovered by the global audience. Alexander Cunningham later reported, few years after the rediscovery, that the temples were secretly in use by yogis and thousands of Hindus would arrive for pilgrimage during Shivaratri celebrated annually in February or March based on a lunar calendar. In 1852, Maisey prepared earliest drawings of the Khajuraho temples.
NOMENCLATURE
The name Khajuraho, or Kharjuravāhaka, is derived from ancient Sanskrit (kharjura, खर्जूर means date palm, and vāhaka, वाहक means "one who carries" or bearer). Local legends state that the temples had two golden date-palm trees as their gate (missing when they were rediscovered). Desai states that Kharjuravāhaka also means scorpion bearer, which is another symbolic name for deity Shiva (who wears snakes and scorpion garlands in his fierce form).
Cunningham’s nomenclature and systematic documentation work in 1850s and 1860s have been widely adopted and continue to be in use. He grouped the temples into the Western group around Lakshmana, Eastern group around Javeri, and Southern group around Duladeva.
Khajuraho is one of the four holy sites linked to deity Shiva (the other three are Kedarnath, Kashi and Gaya). Its origin and design is a subject of scholarly studies. Shobita Punja has proposed that the temple’s origin reflect the Hindu mythology in which Khajuraho is the place where Shiva got married; with Raghuvamsha verse 5.53, Matangeshvara honoring ‘’Matanga’’, or god of love.
DESCRIPTION
The temple site is within Vindhya mountain range in central India. An ancient local legend held that Hindu deity Shiva and other gods enjoyed visiting the dramatic hill formation in Kalinjar area. The center of this region is Khajuraho, set midst local hills and rivers. The temple complex reflects the ancient Hindu tradition of building temples where gods love to play.
The temples are clustered near water, another typical feature of Hindu temples. The current water bodies include Sib Sagar, Khajur Sagar (also called Ninora Tal) and Khudar Nadi (river). The local legends state that the temple complex had 64 water bodies, of which 56 have been physically identified by archeologists so far.
All temples, except one (Chaturbhuja) face sunrise - another symbolic feature that is predominant in Hindu temples. The relative layout of temples integrate masculine and feminine deities and symbols highlight the interdependence. The art work symbolically highlight the four goals of life considered necessary and proper in Hinduism - dharma, kama, artha and moksha.
Of the surviving temples, 6 are dedicated to Shiva and his consorts, 8 to Vishnu and his affinities, 1 to Ganesha, 1 to Sun god, 3 to Jain Tirthanks. For some ruins, there is insufficient evidence to assign the temple to specific deities with confidence.
An overall examination of site suggests that the Hindu symbolic mandala design principle of square and circles is present each temple plan and design. Further, the territory is laid out in three triangles that converge to form a pentagon. Scholars suggest that this reflects the Hindu symbolism for three realms or trilokinatha, and five cosmic substances or panchbhuteshvara. The temple site highlights Shiva, the one who destroys and recycles life, thereby controlling the cosmic dance of time, evolution and dissolution. The temples have a rich display of intricately carved statues. While they are famous for their erotic sculpture, sexual themes cover less than 10% of the temple sculpture. Further, most erotic scene panels are neither prominent nor emphasized at the expense of the rest, rather they are in proportional balance with the non-sexual images. The viewer has to look closely to find them, or be directed by a guide. The arts cover numerous aspects of human life and values considered important in Hindu pantheon. Further, the images are arranged in a configuration to express central ideas of Hinduism. All three ideas from Āgamas are richly expressed in Khajuraho temples - Avyakta, Vyaktavyakta and Vyakta.
The Beejamandal temple is under excavation. It has been identified with the Vaidyanath temple mentioned in the Grahpati Kokalla inscription.
Of all temples, the Matangeshvara temple remains an active site of worship. It is another square grid temple, with a large 2.5 metres high and 1.1 metres diameter lingam, placed on a 7.6 metres diameter platform.
The most visited temple, Kandariya Mahadev, has an area of about 6,500 square feet and a shikhara (spire) that rises 116 feet. Jain templesThe Jain temples are located on east-southeast region of Khajuraho monuments. Chausath jogini temple features 64 jogini, while Ghantai temple features bells sculptured on its pillars.
ARCHITECTURE OF THE TEMPLES
Khajuraho temples, like almost all Hindu temple designs, follow a grid geometrical design called vastu-purusha-mandala. This design plan has three important components - Mandala means circle, Purusha is universal essence at the core of Hindu tradition, while Vastu means the dwelling structure.
The design lays out a Hindu temple in a symmetrical, concentrically layered, self-repeating structure around the core of the temple called garbhagriya, where the abstract principle Purusha and the primary deity of the temple dwell. The shikhara, or spire, of the temple rises above the garbhagriya. This symmetry and structure in design is derived from central beliefs, myths, cardinality and mathematical principles.
The circle of mandala circumscribe the square. The square is considered divine for its perfection and as a symbolic product of knowledge and human thought, while circle is considered earthly, human and observed in everyday life (moon, sun, horizon, water drop, rainbow). Each supports the other. The square is divided into perfect 64 sub-squares called padas.
Most Khajuraho temples deploy the 8x8 padas grid Manduka Vastupurushamandala, with pitha mandala the square grid incorporated in the design of the spires. The primary deity or lingas are located in the grid’s Brahma padas.
The architecture is symbolic and reflects the central Hindu beliefs through its form, structure and arrangement of its parts. The mandapas as well as the arts are arranged in the Khajuraho temples in a symmetric repeating patterns, even though each image or sculpture is distinctive in its own way. The relative placement of the images are not random but together they express ideas, just like connected words form sentences and paragraphs to compose ideas. This fractal pattern that is common in Hindu temples. Various statues and panels have inscriptions. Many of the inscriptions on the temple walls are poems with double meanings, something that the complex structure of Sanskrit allows in creative compositions. All Khajuraho temples, except one, face sunrise, and the entrance for the devotee is this east side.Above the vastu-purusha-mandala of each temple is a superstructure with a dome called Shikhara (or Vimana, Spire). Variations in spire design come from variation in degrees turned for the squares. The temple Shikhara, in some literature, is linked to mount Kailash or Meru, the mythical abode of the gods.In each temple, the central space typically is surrounded by an ambulatory for the pilgrim to walk around and ritually circumambulate the Purusa and the main deity. The pillars, walls and ceilings around the space, as well as outside have highly ornate carvings or images of the four just and necessary pursuits of life - kama, artha, dharma and moksa. This clockwise walk around is called pradakshina. Larger Khajuraho temples also have pillared halls called mandapa. One near the entrance, on the east side, serves as the waiting room for pilgrims and devotees. The mandapas are also arranged by principles of symmetry, grids and mathematical precision. This use of same underlying architectural principle is common in Hindu temples found all over India. Each Khajuraho temple is distinctly carved yet also repeating the central common principles in almost all Hindu temples, one which Susan Lewandowski refers to as “an organism of repeating cells”.
CONSTRUCTION
The temples are grouped into three geographical divisions: western, eastern and southern.
The Khajuraho temples are made of sandstone, with a granite foundation that is almost concealed from view. The builders didn't use mortar: the stones were put together with mortise and tenon joints and they were held in place by gravity. This form of construction requires very precise joints. The columns and architraves were built with megaliths that weighed up to 20 tons. Some repair work in the 19th Century was done with brick and mortar; however these have aged faster than original materials and darkened with time, thereby seeming out of place.
The Khajuraho and Kalinjar region is home to superior quality of sandstone, which can be precision carved. The surviving sculpture reflect fine details such as strands of hair, manicured nails and intricate jewelry.
While recording the television show Lost Worlds (History Channel) at Khajuraho, Alex Evans recreated a stone sculpture under 4 feet that took about 60 days to carve in an attempt to develop a rough idea how much work must have been involved. Roger Hopkins and Mark Lehner also conducted experiments to quarry limestone which took 12 quarrymen 22 days to quarry about 400 tons of stone. They concluded that these temples would have required hundreds of highly trained sculptors.
CHRONOLOGY
The Khajuraho group of temples belong to Vaishnavism school of Hinduism, Saivism school of Hinduism and Jainism - nearly a third each. Archaeological studies suggest all three types of temples were under construction at about the same time in late 10th century, and in use simultaneously. Will Durant states that this aspect of Khajuraho temples illustrates the tolerance and respect for different religious viewpoints in the Hindu and Jain traditions. In each group of Khajuraho temples, there were major temples surrounded by smaller temples - a grid style that is observed to varying degrees in Hindu temples in Angkor Wat, Parambaran and South India.
The largest surviving Saiva temple is Khandarya Mahadeva, while the largest surviving Vaishnava group includes Chaturbhuja and Ramachandra.
Kandariya Mahadeva Temple plan is 109 ft in length by 60 ft, and rises 116 ft above ground and 88 ft above its own floor. The central padas are surrounded by three rows of sculptured figures, with over 870 statues, most being half life size (2.5 to 3 feet). The spire is a self repeating fractal structure.
ARTS AND SCULPTURE
The Khajuraho temples feature a variety of art work, of which 10% is sexual or erotic art outside and inside the temples. Some of the temples that have two layers of walls have small erotic carvings on the outside of the inner wall. Some scholars suggest these to be tantric sexual practices. Other scholars state that the erotic arts are part of Hindu tradition of treating kama as an essential and proper part of human life, and its symbolic or explicit display is common in Hindu temples. James McConnachie, in his history of the Kamasutra, describes the sexual-themed Khajuraho sculptures as "the apogee of erotic art": "Twisting, broad-hipped and high breasted nymphs display their generously contoured and bejewelled bodies on exquisitely worked exterior wall panels. These fleshy apsaras run riot across the surface of the stone, putting on make-up, washing their hair, playing games, dancing, and endlessly knotting and unknotting their girdles....Beside the heavenly nymphs are serried ranks of griffins, guardian deities and, most notoriously, extravagantly interlocked maithunas, or lovemaking couples."
The temples have several thousand statues and art works, with Kandarya Mahadeva Temple alone decorated with over 870. Some 10% of these iconographic carvings contain sexual themes and various sexual poses. A common misconception is that, since the old structures with carvings in Khajuraho are temples, the carvings depict sex between deities; however the kama arts represent diverse sexual expressions of different human beings. The vast majority of arts depict various aspects the everyday life, mythical stories as well as symbolic display of various secular and spiritual values important in Hindu tradition. For example, depictions show women putting on makeup, musicians making music, potters, farmers, and other folks in their daily life during the medieval era. These scenes are in the outer padas as is typical in Hindu temples.
There is iconographic symbolism embedded in the arts displayed in Khajuraho temples. Core Hindu values are expressed in multitude of ways. Even the Kama scenes, when seen in combination of sculptures that precede and follow, depict the spiritual themes such as moksha. In the words of Stella Kramrisch,
This state which is “like a man and woman in close embrace” is a symbol of moksa, final release or reunion of two principles, the essence (Purusha) and the nature (Prakriti).
— Stella Kramrisch, 1976
The Khajuraho temples represent one expression of many forms of arts that flourished in Rajput kingdoms of India from 8th through 10th century CE. For example, contemporary with Khajuraho were the publications of poems and drama such as Prabodhacandrodaya, Karpuramanjari, Viddhasalabhanjika and Kavyamimansa. Some of the themes expressed in these literary works are carved as sculpture in Khajuraho temples. Some sculptures at the Khajuraho monuments dedicated to Vishnu include the Vyalas, which are hybrid imaginary animals with lions body, and are found in other Indian temples. Some of these hybrid mythical art work include Vrik Vyala (hybrid of wolf and lion) and Gaja Vyala (hybrid of elephant and lion). These Vyalas may represent syncretic, creative combination of powers innate in the two.
TEMPLE NAME - DEITY - YEAR COMPLETED
Chausath Yogini - Devi, 64 Yoginis - 885
Brahma - Vishnu - 925
Lalgun Mahadev - Shiva - 900
Matangeshwar - Shiva - 1000
Varaha - Vishnu - 950
Lakshmana - Vaikuntha Vishnu - 939
Parshvanath - Parshvanath - 954
Visvanatha - Shiva - 999
Devi Jagadambi - Devi, Parvati - 1023
Chitragupta - Sun, Chitragupta - 1023
Kandariya Mahadeva - Shiva - 1029
Vamana - Vamana - 1062
Adinath Jain Temple - Rishabha - 1027
Javeri - Vishnu - 1090
Chaturbhuja - Vishnu - 1110
Duladeo (Duladeva) - Shiva - 1125
Ghantai - Jain Tirthankara - 960
Vishnu-Garuda - Vishnu - 1000
Ganesha - Shiva - 1000
Hanuman - Hanuman - 922
Mahishasuramardini - Devi - 995
Note: this photo was It was published in an undated (Jan 2010) Squidoo blog titled "Fastest Way to Lose Weight." And it was published as an illustration in an undated (Jan 2010) Squidoo blog titled "Free Printable Exercise Log - Get in Shape for 2010!" It was also published as an illustration in an undated (Feb 2010) Body Building Supplements blog with the same caption as the one I used for this Flickr page. And it was published in a Mar 27, 2010 Health Knowledge blog with the same title as the caption that I used for this Flickr page. It was also published on an Apr 5, 2010 weight-loss blog, with the same title as the caption that I used for this Flickr page. And it was published in an Apr 19, 2010 Peruvian blog titled "¡Qué buena vida!" It was also published in an Aug 5, 2010 blog titled "South Beach Diet Exercise - Does It Work?" And it was published in an undated (late Nov 2010) blog titled "Im young, is there a good chance of losing the skin on my tummy after weight loss?" and another undated (late Nov 2010) blog titled "Pros & Cons Of The Weight Loss Product Alli Capsules."
Moving into 2011, the photo was published in a Jan 3, 2011 blog titled "Cool Weight Loss Products images." And it was published in a Jan 4, 2011 blog titled "Fast Weight Loss – How Real Americans Can Lose Weight at Home." It was also published in a Jan 9, 2011 blog titled "Milk may help you lose weight!" And it was published in an Apr 9, 2011 "Weight Loss for Idiots" blog titled "Bioslim – A Natural Weight Loss Supplements." It was also published in a Jul 5, 2011 "Business Insider" blog titled "14 Tips And Tricks For Overcoming Anxiety And Fear." And it was published in an Oct 16, 2011 blog titled "The Lifehacker Workout – Easy to follow, and stick to…" It was also published in an Oct 29, 2011 blog titled "Here Are 7 Ways The Crappy Economy Has Actually Improved Our Lives." And it was published in a Nov 1, 2011 blog titled "Calme Muscle Construct Diet plans photos."
Moving into 2012, the photo was published in a Jan 6, 2012 blog titled "Ejercicios para adelgazar piernas." It was also published in an Apr 16, 2012 blog titled "New York State: a (relatively) healthy place to live." And it was published in a May 16, 2012 blog titled "On Facebook All Day? 6 Worst Habits For Your Heart!," as well as a Jun 22, 2012 blog titled "Dieting and Exercising." It was also published in a Jul 22, 2012 blog titled "Pack On More Muscle With These Muscle Building Tips! " And it was published in an Aug 6, 2012 blog titled "What You Should Know About Muscle Building," as well as an Aug 29, 2012 blog titled "Muscle Building Advice That Anyone Can Try Out." It was also published in an Oct 8, 2012 blog titled "Great Guide On How You Could Get Bigger Muscles ," as well as an Oct 18, 2012 blog titled "Great Tips For Packing On Some Muscle." And it was published in a Nov 11, 2012 blog titled "Does it really matter if you Jog first thing in the morning, or later in the day?" It was also published in a Dec 23, 2012 blog titled "How To Build Muscle And Start Looking Great."
Moving into 2013, the photo was published in a Jan 1, 2013 blog titled "Solid Advice For Building A More Muscular Physique." It was also published in a Jan 7, 2013 blog titled "Tips For Achieving Your Weight Training Goals." And it was publshed in a Jan 10, 2013 blog titled "Three Ways To “Possibly” Lose Weight," as well as a Jan 22, 2013 blog titled "Bodybuilding Is Easy By Using This Advice." It was also published in a Jan 28, 2013 blog titled "Try Out Some Of These Weight Training Tips!" And it was published in a Feb 19, 2013 blog titled "Put On More Size With This Muscle Building Advice." It was also published in an undated (late Feb 2013) blog from Singapore, titled "Calisthenics: A Surprising Alternative to Weight Training." And it was published in a Feb 28, 2013 blog titled "Muscle Development Tips For A Bigger And Better Body!", as well as a Mar 3, 2013 blog titled "Check Out Some Of These Bodybuilding Tips!" It was also published in an undated (early Apr 2013) blog titled "Proven Weight Training Tips For A Better Body" And it was published in an Apr 2, 2013 blog titled "Obsessions With the Body; Do They Produce Health?" It was also published in an Apr 7, 2013 blog titled "Increase Your Muscle Mass With These Tips!."
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For the past several years, my family has spent a week, in early January, at the Club Med village in Punta Cana, on the southwestern shore of the Dominican Republic. (Our first visit to Club Med was back in 1985, and some photos of last year's trip can be seen here.)
This year's visit coincided with the awful earthquake that struck Port-au-Prince, Haiti -- about 260 miles away, on the eastern coast of the island of Hispaniola. From what I understand, the fault line went straight west, in our direction, but then cut south at approximately the border between Haiti and the Dominican Republic. In any case, none of the vacationers at Club Med felt even the slightest tremor; we got all of our news of the ensuing events just like everyone else, by watching CNN. But because we expected the capitol city of Santo Domingo to be chaotic and congested with relief efforts, I decided to skip a daylong trip that I had tentatively planned to photograph the churches and markets of what turns out to be the oldest city in the Western hemisphere (settled in 1497 by Christopher Columbus' brother).
In recent years, most of my photographic efforts have focused on the vacationers who fill the beaches and pool -- especially the children, who come from Canada, France, Venezuela, and various other parts of the world besides the United States. So I decided to focus on something else this year, and ... well, you can judge the results for yourself...
The Dhammakaya is the body of enlightenment of the Lord Buddha and “vijja” is the true knowledge; together, “vijja Dhammakaya” means the true and supreme knowledge illuminated by the Dhammakaya vision. This knowledge is the core principle of Buddhism that will lead to extinguishing of suffering and attainment of the state of supreme bliss known is Nibbana. for Ceremony, at Wat Phra Dhammakaya, Pathum Thani, read more at www.dhammakaya.net/blog/2013/09/18/96-Years-of-Dhammakaya...
leave this heart of clay
beautiful sculpture, woman seated with books table cloth pillars
Posted by Second Life Resident Torley Linden. Visit Bonin.
Wilyakali lies in the east of the state of South Australia, crossing into New South Wales, including the town of Broken Hill. The Wilyakali people traditionally visited the Paakantji people on the Menindee Lakes in the Darling Riverine Plains Bioregion each year.
The three Major language groups for the Broken Hill Region are the Paakantji, Mayyankapa, and Nyiimpaa.
Wilyakali and Danggali both lie east of the Ngadjuri language and north of the upper River Murray languages.
Wilyakali and Danggali are part of the Darling River Language Group or Paakantyi / Paakantji language group. This is a group of closely related languages in South Australia and New South Wales, which can be subdivided into two groups: the “Northern Dialects” and the “Southern Dialects.” Wilyakali and Danggali are both part of the “Southern Dialects.”
Other “Southern Dialects” include Pulaali, Southern Pankantyi, Pantyikali, Wanyuparlku and Marrawarra. Some of these languages have been recorded more than others. Although each language has its own distinguishing features, they are so similar they can be understood by speakers of other languages in this group. Therefore, the following reference list will include Southern Paakantyi references that may be helpful. The language name is noted in square brackets after each reference, when known.
Today the Wilyakali people are still the main Aboriginal group in Broken Hill, though there are a number of Aboriginal people that come from other language groups.
The Aboriginal people of Broken Hill have established working parties to pursue their vision of a better future. They continue to look after their traditional lands and are joint managers of the Mutawintji National Park which is the first national park handed back to the traditional owners in New South Wales. There are many strong elders who continue to maintain and pass on their traditional knowledge to their young people and, today, share their stories with the wider community.
Source: Mobile Language Team & Aboriginal Housing Office.
me as Patchouli Knowledge from Touhouvania (Koumajou Densetsu II)
photo by Butterfly Dreams (facebook.com/ButterflyDreamsCosplay)
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DO NOT USE WITHOUT PERMISSION!
Sharing just with FULL credit of cosplayer's and photographer's name and website link !!!!
Shot at night inside the "body of knowledge" statue at the Goethe university in Frankfurt.
This picture has no post processing, only desaturated.
Don't use this picture with my permission.
© Insanur Rahaman Joty
insanur.rahaman@gmail.com
+8801912041376
Knowledge is everywhere, it depends on your observation and your will.