View allAll Photos Tagged interface
DanSync is an interactive artwork that allows audience to manipulate real time human body movements with a custom-built table controller. DanSync was created for two collaborative performance installations entitled “Memory Station” and “Interface”, at Lasalle College of the Arts Singapore.
The intention of DanSync is to explore the human body movements by giving the audience control over the dancer’s movement. Vibrations will be activated where the lights are lit on the dancer’s body so as to notify her of the audience’s interaction
Interface is a collaborative project that explores the relationship of interactive media with dance performance. Based on extensive research of specific sites, custom-made technology is designed to respond to body movements or specific spaces and are translated to audio-visual expressions.
In each dance work by Level 2 BA(Hons) Dance student-choreographers, interactive technology serves as a choreographic tool and expressive media for this performance-installation.
Dancers - Anita Anton, Eva Tey, Samantha Lau, Lim Ming Zhi, Zhou Yiru
Media artists - Mui Rui YI, Benjamin Low, Mithru Vigneshwara, Adam Aw, Zac Ong
Mentor - Melissa Quek and Andreas Schlegel
Diseño de Interfase para juegos de salon, en este caso un tragamonedas programado en SilverLigth. Trabajo realizado junto con Division Ip un grupo de desarrolladores argentinos.
Concrete sounds from hair-dryer, washing machine, toaster, electric knive and some funny gadgets are played and sequenced in real time with a home-made Arduino-based interface.
In this performance, Val Macé become then a real orchestra conductor of an instrumental ensemble featuring any home devices connected to his interface.
Performance duration : about 10-15 minutes.
-
Une musique concrète, produite par un sèche-cheveux, une machine à laver, un grille-pain, un couteau électrique ou quelques gadgets amusants, est jouée et séquencée en temps réel grâce à une interface plutôt vintage basée sur Arduino.
Pour cette performance, Val Macé devient le véritable chef d'orchestre d'un ensemble instrumental composé de tout appareil connecté à son interface.
Durée de la performance : 10 à 15 minutes.
The user presses buttons on the front of the case to step-advance the cartridge-holder along the rail, until the yellow/black arrow (first photo) points to one of the menu items (second photo) then presses another button to 'select' the item. It works, but it's odd.
Art and utility—not necessarily a harmonious pairing. An essential element of artistic freedom is the right to think up and make things that are at first glance totally useless. Designers and technologists are the ones who helpfully intervene in human-machine coexistence. But only artistic confrontations that break out of the confines of practical considerations produce what is truly unexpected and really new. The eminently useful useless is thus the driving force behind the development of the works featured in this exhibition by Linz Art University’s Interface Cultures program.
Instructors: Christa Sommerer (AT), Laurent Mignonneau (FR), Martin Kaltenbrunner (AT), Marlene Hochrieser (AT), Michaela Ortner (AT)
picture showing QmusiQ, a project by Irmgard Falkinger-Reiter (AT).
credit: rubra
NYU student, Jeff Han (above, in black shirt), gave a demonstration at the 2006 TED conference in Monterey.
He showed a multi-touch interface that ran on a 36 inch rear projection screen. It included the two-finger, swell and shrink technology that later became associated with the iPhone. His demo at TED can be seen here:
www.youtube.com/watch?v=QKh1Rv0PlOQ
The dynamic section on the 3-D map starts at counter, 6:35.
The YouTube video is about 10 minutes. There is a shorter and better version of this demo in the film on the 2006 TED conference:
www.netflix.com/Movie/The_Future_We_Will_Create_Inside_th...
Source for the above photo:
Newscoop’s overhauled interface now looks and feels like the 21st century newsroom should. Sleek, modern styling and a workflow designed by journalists makes life that much easier.
International festival of contemporary dance, IIC, Delhi; Groups from Australia, Israel, India and Taiwan
Game On by Theatre of Rhythm and Dance, Australia
Concept & Direction: Annalouise Paul Choreography: Annalouise Paul and Miranda Wheen
Classical Indian Tabla: Bobby Singh Contemporary Dance Miranda Wheen
Never seen an electronic display for a juice container before. While the size of cups is nice, not sure what the asterisk or pound key do (escape? quit?)
Art and utility—not necessarily a harmonious pairing. An essential element of artistic freedom is the right to think up and make things that are at first glance totally useless. Designers and technologists are the ones who helpfully intervene in human-machine coexistence. But only artistic confrontations that break out of the confines of practical considerations produce what is truly unexpected and really new. The eminently useful useless is thus the driving force behind the development of the works featured in this exhibition by Linz Art University’s Interface Cultures program.
Instructors: Christa Sommerer (AT), Laurent Mignonneau (FR), Martin Kaltenbrunner (AT), Marlene Hochrieser (AT), Michaela Ortner (AT)
picture showing iWilson, a project by Veronika Pauser (AT).
credit: rubra
Typical of the weather this time of year - a colourful mix of rain, wind
and sunny spells. Makes for some nice and interesting skies sometimes.
Art and utility—not necessarily a harmonious pairing. An essential element of artistic freedom is the right to think up and make things that are at first glance totally useless. Designers and technologists are the ones who helpfully intervene in human-machine coexistence. But only artistic confrontations that break out of the confines of practical considerations produce what is truly unexpected and really new. The eminently useful useless is thus the driving force behind the development of the works featured in this exhibition by Linz Art University’s Interface Cultures program.
Instructors: Christa Sommerer (AT), Laurent Mignonneau (FR), Martin Kaltenbrunner (AT), Marlene Hochrieser (AT), Michaela Ortner (AT)
picture showing iWilson, a project by Veronika Pauser (AT).
credit: rubra
The client want something different from their competitor, so i try to be a 'bad boy' here.
I use grunge style and blend it with simple & clean layout to make it easy for user to browse the site.
Expanded Interfaces
Mediencampus der Hochschule Darmstadt und School of Art & Design am Cork Institute of Technology
This year‘s presentation by students in the Interface Cultures program showcases newly emerging artistic skill profiles at the nexus of interactive media technology and interface technology.
credit: rubra
The guys even went so far as to rebrand the UI. AFAIK, they are still building the "toast branch" of the SOHO code.
La 1re fois que j'ai rempli le formulaire, j'ai inscrit 10 (pour 10 kg) et lorsque j'ai eu le devis pour l'envoi du colis à 23 euros, cela m'a surpris! Je suis revenu sur ce formulaire et ensuite compris que la valeur demandée était en grammes et non pas en kilo. J'imagine que mon subconscient a vu l'image "kg" de gauche et a complètement zappé le libellé à droite.
belle confusion :)
voici le formulaire: www.laposte.fr/Particulier/Utiliser-nos-outils-pratiques/...
The portfolio interface with z depth switching and scaling image selection. Tonal sonic palette for haptic feedback
International festival of contemporary dance, IIC, Delhi; Groups from Australia, Israel, India and Taiwan
International Co-production between Idan Cohen and Sapphire Creations Dance
Company Dancers Musician and Composer: Mayookh Bhaumik. Israeli
choreographer: Idan
Cohen Dancers: Ran Ben Dror, Noa Shiloh, Koushik Das, Ankita Duttagupta Collab: Idan
Cohen and Sapphire Creations Dance Company
Усовершенствование панели настроек оборудования подключаемого к Openbravo POS для задания параметров параллельных портов. Подробности в Теме 153.
The humidifier was kind enough to give me brush(left, white stuff), which can wash the motor unit, yet not enough for a humidifier that has to be washed everyday.
Isn't there a humidifier to have a simple structure for wash?
Interface para aplicativo mobile de leitura e envio de e.mails.
Cliente: nTime Mobile Solutions *2006
A web interface designed by me for my s e n t i n e l t y p e fonts. It's a branding communications effort that doubles as a visual index. Site visitors can point to
any font name and click. Includes Index, About, Contact & Biblia (written articles)
links.
The squiggles are from a woodcut by Albrecht Dürer.
This interface has yet to be launched on the internet.
You are looking at a 250 meter roll of 60"(ish) interfacing. It was so tall I had to step out of my studio to get it all in the frame. But it's huge, huge! However, it is also cheap. It's made by a fantastic company in Germany and is far, far, far better than anything I've purchased or seen at any stores in person (this includes trips to the garment district in NY). And the best part about it, is how inexpensive it is. And this is why, if you're making goods to sell at retail you have to invest in wholesale products.
The most similar item I've found is made by a company named Pellon, it is their #30. If I purchase an entire 20" wide bolt with my wholesale discount it comes to about $30 for a 15 yard bolt, or about $2 a yard. Not too bad, right? Well, this is 60" wide, so the equivalent of 3 bot widths. And by purchasing an entire roll it is $.95 per meter/yard. 95-cents for 3 times as much interfacing. And since it is so wide, I have far less wasted interfacing. So, as some would say, this is a good thing.