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While driving south through Jackson County Oregon on the I-5 corridor, you’ll come across the Siskiyou Mountain Range. The Siskiyou Mountains form a clear delineation between the Rogue River and Klamath River Watersheds. Instead of running north to south as do most major mountain ranges in the world, the Siskiyou Mountains run east to west. The east-west orientation of these mountains acts as a land bridge connecting the Coast Range and the Cascades creating great habitat and wildlife connectivity in the region.
While hard to tell from looking at the mountains from the highway, thousands of homes are located in the Wilderness Urban Interface (WUI). Jackson and Josephine counties have more homes located in the WUI areas than any other counties in the western US. The abundance of homes located in the WUI combined with the limited, often exclusive access of ingress & egress of these areas led to the West Bear area being determined as the #1 highest priority for community safety in the entire Rogue Basin Cohesive Wildfire Strategy. The strategy covers approximately 4.5 million acres of the Rogue Basin and prescribes prioritized treatments for approximately 1.2 million acres over the next 20 years.
The Almeda Fire of 2020 destroyed much of the cities of Talent and Phoenix Oregon. Thousands of homes, structures, and business were lost. Fortunately, major loss of life was avoided. The Alameda fire along with the Labor Day fires of 2022 served as a sobering reminder of the future potential for uncharacteristically severe wildfires and their effects on life, property, communities, wildlife habitat, water, and other resources.
In response to the need, multiple Federal and state agencies and NGOs came together to develop the Lomakatsi West Bear All Lands Forest Restoration Project and received funding through the Regional Conservation Partnership Program (RCPP). This project sponsored by Lomakasti Restoration Project received approximately $2.5 in funding for fuels reduction work and was leveraged by another $2.5 Million in funding from FEMA and Sustainable Northwest, a local nonprofit. Since the original funding was received, other funding sources, both public and private, have been added to the project area (including for the City of Jacksonville). The total funding for this project stands at approximately $11 Million making this one of the highest leveraged RCPP projects in the country.
This project allows NRCS, Oregon Department of Forestry, BLM, NGOs, and municipalities to coordinate efforts to implement strategic landscape level fuels reduction treatments on approximately 40-50% of the roughly 27,000 acre designated landscape. The overall goals of the project include reducing risk of uncharacteristically severe wildfire, improve community safety and emergency response, improve and protect wildlife habitat (including for threatened and endangered species), and supporting healthier and more resilient forest conditions. Individual projects are ranked and prioritized for funding-based adjacency to public roads, strategic ridgetops, adjacency to other previous/planned fuels reduction treatments, and other factors that help determine the highest value projects bringing the most public benefit. Additionally, project partners have implemented pre and post treatment monitoring to help determine treatment efficacy and help guide the implementation of future treatments.
Local NRCS staff in the Central Point Field Office (Peter Winnick, District Conservationist and Callum Knights, Soil Conservationist) work directly with local private, non-industrial forest landowners to plan and implement strategic fuels reduction projects. Forest Management planning and practice implementation, like the ones Tucker Teutsch, private forest landowner, has created on his family property use conservation practices including tree thinning, slash treatment, and the creation of patch openings
Another tangible benefit of the project and working at the landscape level is the connection between neighbors and communities that it helps to create. Multiple Firewise and other community-based groups exist and have expanded through the entire project area. These groups help raise awareness of the issues and risks associated with wildfire, help to create plans for future collaborative work, and increase preparedness in the case of a wildfire. Teutsch hopes his neighbors and community will also participate in similar planning and strategic fuels reduction work. He is a passionate about sharing his knowledge and advocacy for creating more fire safe landscapes and communities.
West Bear RCPP project partners include Lomakatsi Restoration Project, Sustainable Northwest, Oregon Department of Forestry, Rogue Forest Partners, OSU (Southern Oregon Research and Extension), US Fish and Wildlife Partners Program, the Bureau of Land Management, and The Nature Conservancy.
Diseño de Interfase para juegos de salon, en este caso un tragamonedas programado en SilverLigth. Trabajo realizado junto con Division Ip un grupo de desarrolladores argentinos.
Art and utility—not necessarily a harmonious pairing. An essential element of artistic freedom is the right to think up and make things that are at first glance totally useless. Designers and technologists are the ones who helpfully intervene in human-machine coexistence. But only artistic confrontations that break out of the confines of practical considerations produce what is truly unexpected and really new. The eminently useful useless is thus the driving force behind the development of the works featured in this exhibition by Linz Art University’s Interface Cultures program.
Instructors: Christa Sommerer (AT), Laurent Mignonneau (FR), Martin Kaltenbrunner (AT), Marlene Hochrieser (AT), Michaela Ortner (AT)
picture showing QmusiQ, a project by Irmgard Falkinger-Reiter (AT).
credit: rubra
Web design powered by wordpress, here´s the link www.syg.cl , this web site will be abaible very soon.
NYU student, Jeff Han (above, in black shirt), gave a demonstration at the 2006 TED conference in Monterey.
He showed a multi-touch interface that ran on a 36 inch rear projection screen. It included the two-finger, swell and shrink technology that later became associated with the iPhone. His demo at TED can be seen here:
www.youtube.com/watch?v=QKh1Rv0PlOQ
The dynamic section on the 3-D map starts at counter, 6:35.
The YouTube video is about 10 minutes. There is a shorter and better version of this demo in the film on the 2006 TED conference:
www.netflix.com/Movie/The_Future_We_Will_Create_Inside_th...
Source for the above photo:
Newscoop’s overhauled interface now looks and feels like the 21st century newsroom should. Sleek, modern styling and a workflow designed by journalists makes life that much easier.
International festival of contemporary dance, IIC, Delhi; Groups from Australia, Israel, India and Taiwan
Game On by Theatre of Rhythm and Dance, Australia
Concept & Direction: Annalouise Paul Choreography: Annalouise Paul and Miranda Wheen
Classical Indian Tabla: Bobby Singh Contemporary Dance Miranda Wheen
Never seen an electronic display for a juice container before. While the size of cups is nice, not sure what the asterisk or pound key do (escape? quit?)
Art and utility—not necessarily a harmonious pairing. An essential element of artistic freedom is the right to think up and make things that are at first glance totally useless. Designers and technologists are the ones who helpfully intervene in human-machine coexistence. But only artistic confrontations that break out of the confines of practical considerations produce what is truly unexpected and really new. The eminently useful useless is thus the driving force behind the development of the works featured in this exhibition by Linz Art University’s Interface Cultures program.
Instructors: Christa Sommerer (AT), Laurent Mignonneau (FR), Martin Kaltenbrunner (AT), Marlene Hochrieser (AT), Michaela Ortner (AT)
picture showing iWilson, a project by Veronika Pauser (AT).
credit: rubra
Typical of the weather this time of year - a colourful mix of rain, wind
and sunny spells. Makes for some nice and interesting skies sometimes.
Art and utility—not necessarily a harmonious pairing. An essential element of artistic freedom is the right to think up and make things that are at first glance totally useless. Designers and technologists are the ones who helpfully intervene in human-machine coexistence. But only artistic confrontations that break out of the confines of practical considerations produce what is truly unexpected and really new. The eminently useful useless is thus the driving force behind the development of the works featured in this exhibition by Linz Art University’s Interface Cultures program.
Instructors: Christa Sommerer (AT), Laurent Mignonneau (FR), Martin Kaltenbrunner (AT), Marlene Hochrieser (AT), Michaela Ortner (AT)
picture showing iWilson, a project by Veronika Pauser (AT).
credit: rubra
The client want something different from their competitor, so i try to be a 'bad boy' here.
I use grunge style and blend it with simple & clean layout to make it easy for user to browse the site.
Expanded Interfaces
Mediencampus der Hochschule Darmstadt und School of Art & Design am Cork Institute of Technology
This year‘s presentation by students in the Interface Cultures program showcases newly emerging artistic skill profiles at the nexus of interactive media technology and interface technology.
credit: rubra
An excellent talk from Phil Hawksworth at FullFrontal:
"We all love to see exciting and innovative "interface shizzle" driven by JavaScript and the ever increasing rendering capabilities of modern browsers, but are we getting these at the expense of the Web? This talk will explore the good, the bad, and the fugly of rich interfaces, while examining how and why we should take care not to damage the Web."
[slides] [ubelly writeup]
The guys even went so far as to rebrand the UI. AFAIK, they are still building the "toast branch" of the SOHO code.
La 1re fois que j'ai rempli le formulaire, j'ai inscrit 10 (pour 10 kg) et lorsque j'ai eu le devis pour l'envoi du colis à 23 euros, cela m'a surpris! Je suis revenu sur ce formulaire et ensuite compris que la valeur demandée était en grammes et non pas en kilo. J'imagine que mon subconscient a vu l'image "kg" de gauche et a complètement zappé le libellé à droite.
belle confusion :)
voici le formulaire: www.laposte.fr/Particulier/Utiliser-nos-outils-pratiques/...
John Soukar, L S & A Undergraduate is studying Cellular & Molec Biology with J. Scott VanEpps' lab
Photo by Robert Coelius
Robert Coelius
Multimedia Producer, Communications & Marketing, Michigan Engineering | @UMengineering
The portfolio interface with z depth switching and scaling image selection. Tonal sonic palette for haptic feedback
International festival of contemporary dance, IIC, Delhi; Groups from Australia, Israel, India and Taiwan
International Co-production between Idan Cohen and Sapphire Creations Dance
Company Dancers Musician and Composer: Mayookh Bhaumik. Israeli
choreographer: Idan
Cohen Dancers: Ran Ben Dror, Noa Shiloh, Koushik Das, Ankita Duttagupta Collab: Idan
Cohen and Sapphire Creations Dance Company
Усовершенствование панели настроек оборудования подключаемого к Openbravo POS для задания параметров параллельных портов. Подробности в Теме 153.