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The new contactless interface.
Inconsistent design, no indication that this is a contactless interface, no point or area to touch, lack of feedback when touching, inconsistent numeric layout on keypad, lack of feedback on keypad. Argh.
Concrete sounds from hair-dryer, washing machine, toaster, electric knive and some funny gadgets are played and sequenced in real time with a home-made Arduino-based interface.
In this performance, Val Macé become then a real orchestra conductor of an instrumental ensemble featuring any home devices connected to his interface.
Performance duration : about 10-15 minutes.
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Une musique concrète, produite par un sèche-cheveux, une machine à laver, un grille-pain, un couteau électrique ou quelques gadgets amusants, est jouée et séquencée en temps réel grâce à une interface plutôt vintage basée sur Arduino.
Pour cette performance, Val Macé devient le véritable chef d'orchestre d'un ensemble instrumental composé de tout appareil connecté à son interface.
Durée de la performance : 10 à 15 minutes.
avero delivered the corporate identity, interface design and a movie for an SAP recruiting platform.
opening interface menu, as the interface is rotated a hidden button is revealed adding to the mystery and discovery moments in the game.
Since 2004, Linz Art University has offered an “Interface Cultures” master’s degree program in which students learn scientific and, above all, artistic ways of working with all possible—and impossible—forms of communication with machines and devices. From the very outset, this program founded by Christa Sommerer (AT) and Laurent Mignonneau (FR) has offered students the opportunity to showcase their work in conjunction with Ars Electronica and thereby to reach very large audiences.
Photo showing Gerfried Stocker (AT) (artistic director Ars Electronica) at the opening.
credit: rubra
ReacTIVision tags used to create a tangible interface to show 500 individual student portfolio's. Karsten Schmidt (AKA Toxi) taking care of business. Early stage prototype.
International festival of contemporary dance, IIC, Delhi; Groups from Australia, Israel, India and Taiwan
Game On by Theatre of Rhythm and Dance, Australia
Concept & Direction: Annalouise Paul Choreography: Annalouise Paul and Miranda Wheen
Classical Indian Tabla: Bobby Singh Contemporary Dance Miranda Wheen
A demonstrative rather than actual representation of a potential drawing tool for the finished site.
INTERFACE TO GOD
Kunsthalle zu Kiel.
Collaboration with BjarneMelgaard and Snorre Ruch [music]. 2 CD’s, picture disc, four posters, 6 huge PVC banners, floor-texts, three tents with three videos
(Vortex, Nullo, Anim RMX), 132 page catalogue: Societé Anonyme.
©Halvor Bodin/Bjarne Melgaard/Snorre Ruch 2002
High res cover art from Business Lessons from a Radical Industrialist, launching in paperback on March 29
Ray C. Anderson, chairman and founder, Interface, Inc.
International festival of contemporary dance, IIC, Delhi; Groups from Australia, Israel, India and Taiwan
International Co-production between Idan Cohen and Sapphire Creations Dance
Company Dancers Musician and Composer: Mayookh Bhaumik. Israeli
choreographer: Idan
Cohen Dancers: Ran Ben Dror, Noa Shiloh, Koushik Das, Ankita Duttagupta Collab: Idan
Cohen and Sapphire Creations Dance Company
Streamlining e a Mulher Moderna - Interface Cozinha
Projeto Interdisciplinar - Terceiro Semestre
Universidade Anhembi Morumbi
créditos: lih menito, renan godoy e carlos junior.
Since 2004, Linz Art University has offered an “Interface Cultures” master’s degree program in which students learn scientific and, above all, artistic ways of working with all possible—and impossible—forms of communication with machines and devices. From the very outset, this program founded by Christa Sommerer (AT) and Laurent Mignonneau (FR) has offered students the opportunity to showcase their work in conjunction with Ars Electronica and thereby to reach very large audiences.
Photo showing Christa Sommerer (AT), Reinhard Kannonier (AT) (rector University of Art and Design Linz and Gerfried Stocker (AT) (artistic director Ars Electronica) at the opening (from left to right).
credit: rubra
The main station building entrance hasn't changed much in the years since it opened. With that much perimeter fence, it's good to see they recognise the usefulness of gateways.
This interface feels clumsy. For example:
- the 'Hour', 'Min' and 'Menu' buttons (at the bottom) are grouped together and different shapes,
- branding and superfluous information to prominent, e.g., 'Made in Japan' and 'Tiger' and
- the display navigation column headers are too cramped to be easily legible.
A little photoshopping shows how I wish my stove controls were laid out. A simple, cheap rearrangement groups the oven controls together and allows easier differentiation between front and rear burner controls.
voce sabe que o cd ficou obsoleto como mídia quando tem qe carregar um
monte deles de um lado pro outro. Você sabe que tem alguma coisa em
obsolecencia na sala quando a maneira mais simples de se ligar o dvd,
em uma casa onde ninguêm é engenheiro ou algum geek de carteirinha,
voce tem que passar por esse labirinto de aparelhos...