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One of these challenges in developing tram trains is the wheel-rail interface. This is key to the vehicles’ safe operation and a major driver for the ongoing life-cycle maintenance costs of the system. These differing conditions require an interface design which maintains vehicle dynamic stability on straight track, whilst allowing adequate curving performance and derailment resistance in the city centre – a classic engineering compromise in railway vehicle dynamics.
The wheel design work was complicated by the very different rail head shapes of the two systems; the Stagecoach Super Tram (SST) network having a very flat rail head profile, whilst the worn Network Rail (NR) sections typically have a much smaller effective rail head shape.
This necessitates compromise in the wheel and tread design with significant simulation work being carried out to optimise the new wheel profile shape. This allows wheel-rail contact stress and wear rates to be minimised on both systems, whilst also maintaining safety against derailment. The wheel profile was also required to operate under differing wheelset geometry conditions, requiring a special stepped-wheel flangeback to maintain safe passage through NR and SST switches and crossings and checked curves.
The new profile will now be subject to inspection by the SST project team and the Rail Safety and Standards Board (RSSB). Tram Train test running will begin once the new wheel profile is approved for running on the mainline.
International festival of contemporary dance, IIC, Delhi; Groups from Australia, Israel, India and Taiwan
Game On by Theatre of Rhythm and Dance, Australia
Concept & Direction: Annalouise Paul Choreography: Annalouise Paul and Miranda Wheen
Classical Indian Tabla: Bobby Singh Contemporary Dance Miranda Wheen
StatEL rend l’analyse des vos données simple et didactique. Les boîtes de dialogues de StatEL sont toutes conçues pour être les plus explicites possibles, en vous prenant « par la main », et en vous permettant de comprendre ce que vous faîtes.
Pour télécharger la version démonstration de StatEL, veuillez visitez notre site : www.adscience.fr
Interface explicite (2nd exemple)
Pour télécharger la version démonstration de StatEL, veuillez visitez notre site : www.adscience.fr
Playful Interface Cultures
This year‘s presentation by students in the Interface Cultures program showcases newly emerging artistic skill profiles at the nexus of interactive media technology and interface technology.
credit: rubra
Art and utility—not necessarily a harmonious pairing. An essential element of artistic freedom is the right to think up and make things that are at first glance totally useless. Designers and technologists are the ones who helpfully intervene in human-machine coexistence. But only artistic confrontations that break out of the confines of practical considerations produce what is truly unexpected and really new. The eminently useful useless is thus the driving force behind the development of the works featured in this exhibition by Linz Art University’s Interface Cultures program.
Instructors: Christa Sommerer (AT), Laurent Mignonneau (FR), Martin Kaltenbrunner (AT), Marlene Hochrieser (AT), Michaela Ortner (AT)
picture showing iWilson, a project by Veronika Pauser (AT).
credit: rubra
Since 2004, Linz Art University has offered an “Interface Cultures” master’s degree program in which students learn scientific and, above all, artistic ways of working with all possible—and impossible—forms of communication with machines and devices. From the very outset, this program founded by Christa Sommerer (AT) and Laurent Mignonneau (FR) has offered students the opportunity to showcase their work in conjunction with Ars Electronica and thereby to reach very large audiences.
Photo showing instructor Christa Sommerer (AT) at the opening.
credit: rubra
Icons, widgets and user interface design and styling for Pebble Beach Systems, Broadcast Automation.
Interface criada para uma adaptação de Robinson Crusoé em jogo para PS3 e XBOX. Aqui é demonstrada a tela do mapa da ilha.
Since 2004, Linz Art University has offered an “Interface Cultures” master’s degree program in which students learn scientific and, above all, artistic ways of working with all possible—and impossible—forms of communication with machines and devices. From the very outset, this program founded by Christa Sommerer (AT) and Laurent Mignonneau (FR) has offered students the opportunity to showcase their work in conjunction with Ars Electronica and thereby to reach very large audiences.
Photo showing Reinhar Kannonier (AT) - rector University of Art and Design Linz.
credit: rubra
You are looking at a 250 meter roll of 60"(ish) interfacing. It was so tall I had to step out of my studio to get it all in the frame. But it's huge, huge! However, it is also cheap. It's made by a fantastic company in Germany and is far, far, far better than anything I've purchased or seen at any stores in person (this includes trips to the garment district in NY). And the best part about it, is how inexpensive it is. And this is why, if you're making goods to sell at retail you have to invest in wholesale products.
The most similar item I've found is made by a company named Pellon, it is their #30. If I purchase an entire 20" wide bolt with my wholesale discount it comes to about $30 for a 15 yard bolt, or about $2 a yard. Not too bad, right? Well, this is 60" wide, so the equivalent of 3 bot widths. And by purchasing an entire roll it is $.95 per meter/yard. 95-cents for 3 times as much interfacing. And since it is so wide, I have far less wasted interfacing. So, as some would say, this is a good thing.
Another self portrait, but now the computer interface gets through the picture. This is me on Mac OS 9
Art and utility—not necessarily a harmonious pairing. An essential element of artistic freedom is the right to think up and make things that are at first glance totally useless. Designers and technologists are the ones who helpfully intervene in human-machine coexistence. But only artistic confrontations that break out of the confines of practical considerations produce what is truly unexpected and really new. The eminently useful useless is thus the driving force behind the development of the works featured in this exhibition by Linz Art University’s Interface Cultures program.
Instructors: Christa Sommerer (AT), Laurent Mignonneau (FR), Martin Kaltenbrunner (AT), Marlene Hochrieser (AT), Michaela Ortner (AT)
picture showing FMR1, a project by Fabrizio Lamoncha (ES), Ioan Ovidiu Cernei (RO), Maša Jazbec (SI).
credit: rubra
The interface of this ATM thinks I should be able to withdraw up to € 999,999,999,999.—. I think so, too. Unfortunately, my balance disagrees.
Maybe they have taken the event of a hyperinflation into account?
It was a lot more difficult than I thought trying to come up with an exciting macro of computer hardware. Maybe I was using the wrong hardware.
On One software's PhotoFrame 4 got a new interface. The old one was pretty good, this one is way better.
Since 2004, Linz Art University has offered an “Interface Cultures” master’s degree program in which students learn scientific and, above all, artistic ways of working with all possible—and impossible—forms of communication with machines and devices. From the very outset, this program founded by Christa Sommerer (AT) and Laurent Mignonneau (FR) has offered students the opportunity to showcase their work in conjunction with Ars Electronica and thereby to reach very large audiences.
Photo showing instructor Christa Sommerer (AT) at the opening.
credit: rubra
StatEL rend l’analyse des vos données simple et didactique. Les boîtes de dialogues de StatEL sont toutes conçues pour être les plus explicites possibles, en vous prenant « par la main », et en vous permettant de comprendre ce que vous faîtes.
Pour télécharger la version démonstration de StatEL, veuillez visitez notre site : www.adscience.fr
This was from a VCR model (possibly 1970s-era) that allowed recording - likely a luxurious feature at the time. The unit was probably four feet across and half a foot tall.
The Design revolution spreads through financial-services based tech companies in India. An intensive, comprehensive, deeply-researched, and impeccably-executed 5 half-day design workshop. On-site in Noida at the office of Indus Valley Partners (IVP.in). The topics include user-interface design, user-personas, color-theory, typography, interaction design, use-case scenarios, user psychology, design trend analysis, usability, and several other advanced and sophisticated topics. An overwhelming experience that transformed everyone it touched in that conference room: Senior Software Engineers, Associate Software Engineers, Software Enigineers, Team Lead , Tech Lead, UX Designers, Implementation Lead, Product Manager.
Indus Valley Partners is the largest specialist solutions firm focused exclusively on the Alternative Asset Management industry.
IVP play a key role supporting their clients in their pursuit of alpha by analyzing their portfolio data, institutionalizing their fund platforms and reducing their non-investment risks.
Founded in 2000, IVP currently have 380 professionals, working across 4 time-zones with over 15 years of in-depth domain expertise and insight.
IVP's array of world-class solutions have won numerous awards across the alternative asset management industry.
The Design Workshop, conducted by Niyam Bhushan, Digital Dionysus,24th, 27th, 28th, 31st, Aug and 1st Sept , 2015, NOIDA, is the third of a series of ongoing workshops.