View allAll Photos Tagged interface
I was attempting to bake banana bread the other day, but not being the baking type I didn't have any scales. That's when I noticed that on the inside of my pack of butter they had printed gradations in 25g intervals so you could measure the butter out yourself.
Now from a usability perspective this is a fantastic addition. I doubt it'll increase sales of Lurpak butter by a statistically notable amount which makes its existence even more impressive!
Did the board spend months deciding whether to add this in or not? did somebody in marketing sweat blood convincing their bosses this was a good idea? Maybe the designers just slipped it in themselves, hoping nobody would notice. However this came about I salute you, you buttery disciples of food usability.
StatEL rend l’analyse des vos données simple et didactique. Les boîtes de dialogues de StatEL sont toutes conçues pour être les plus explicites possibles, en vous prenant « par la main », et en vous permettant de comprendre ce que vous faîtes.
Pour télécharger la version démonstration de StatEL, veuillez visitez notre site : www.adscience.fr
Interface explicite (2nd exemple)
Pour télécharger la version démonstration de StatEL, veuillez visitez notre site : www.adscience.fr
$6.50yd - 22"
Woven interfacing is known for adding strength and stability with minimal stretch to fabrics. Use it for all kinds of tailoring and garment construction.
StatEL rend l’analyse des vos données simple et didactique. Les boîtes de dialogues de StatEL sont toutes conçues pour être les plus explicites possibles, en vous prenant « par la main », et en vous permettant de comprendre ce que vous faîtes.
Pour télécharger la version démonstration de StatEL, veuillez visitez notre site : www.adscience.fr
Interface explicite (2nd exemple)
Pour télécharger la version démonstration de StatEL, veuillez visitez notre site : www.adscience.fr
The interface of this ATM thinks I should be able to withdraw up to € 999,999,999,999.—. I think so, too. Unfortunately, my balance disagrees.
Maybe they have taken the event of a hyperinflation into account?
This was from a VCR model (possibly 1970s-era) that allowed recording - likely a luxurious feature at the time. The unit was probably four feet across and half a foot tall.
Icons, widgets and user interface design and styling for Pebble Beach Systems, Broadcast Automation.
Spain, Andalucia, Huelva, Ayamonte, Restaurant, Mother and child, Outdoor type.
Best viewed: LARGE.
An installation by Andrew Bever, James Fuller and Faysal Mroueh.
Mixed media, light dependant resistors, photography, super 8mm film loops, cyanotype prints and sound, controlled by arduino interface.
"A set of three mysterious documents found their way to me today. The nature of these documents leads me to question whether I simply stumbled upon them at random, independent of any pre-determined and intended action of an unknown group or person… or whether they were sent to me specifically, laid out before me in such a way that it would be impossible for me to ignore them, that I was meant to come across them.”
Through torn out diary entries littered amongst the clutter of the room, this installation tells the story of an obsessive eccentric who builds three strange machines based on interpretations of mysterious blueprints and the crazed suicide cult he encounters along the way. One machine is a large tank filled with reflective liquid that is struck with metal hitters, another is a cylindrical structure that when peered into, reveals a beautiful and delicate praxinoscope animation of a boat at sea, and finally, the last a transmission aerial that listens and watches the other two machines in action and relays the information into the sky. Viewers enter and explore the total environment, the workshop-like space (and photographic darkroom) of a character desperately struggling for meaning, their shadows triggering the machines as they are invited to piece together the over-arching narrative through anchoring text and media.
Interface criada para uma adaptação de Robinson Crusoé em jogo para PS3 e XBOX. Aqui é demonstrada a tela do mapa da ilha.
International festival of contemporary dance, IIC, Delhi; Groups from Australia, Israel, India and Taiwan
Game On by Theatre of Rhythm and Dance, Australia
Concept & Direction: Annalouise Paul Choreography: Annalouise Paul and Miranda Wheen
Classical Indian Tabla: Bobby Singh Contemporary Dance Miranda Wheen
Velcro, contracted from the French words velours and crochet, was invented by Swiss engineer George de Mestral in 1941.
Another self portrait, but now the computer interface gets through the picture. This is me on Mac OS 9
Iron on the interfacing (if desired). Learn more on my blog Maggie Muggins Designs. (maggiemugginsdesigns.blogspot.com)
International festival of contemporary dance, IIC, Delhi; Groups from Australia, Israel, India and Taiwan
Game On by Theatre of Rhythm and Dance, Australia
Concept & Direction: Annalouise Paul Choreography: Annalouise Paul and Miranda Wheen
Classical Indian Tabla: Bobby Singh Contemporary Dance Miranda Wheen
This was captured from the startup of an online animation. Nothing like knowing the percent loaded to the one ten-thousandth of one percent.
The entire load took perhaps 25 seconds.
StatEL rend l’analyse des vos données simple et didactique. Les boîtes de dialogues de StatEL sont toutes conçues pour être les plus explicites possibles, en vous prenant « par la main », et en vous permettant de comprendre ce que vous faîtes.
Pour télécharger la version démonstration de StatEL, veuillez visitez notre site : www.adscience.fr
International festival of contemporary dance, IIC, Delhi; Groups from Australia, Israel, India and Taiwan
International Co-production between Idan Cohen and Sapphire Creations Dance
Company Dancers Musician and Composer: Mayookh Bhaumik. Israeli
choreographer: Idan
Cohen Dancers: Ran Ben Dror, Noa Shiloh, Koushik Das, Ankita Duttagupta Collab: Idan
Cohen and Sapphire Creations Dance Company
INTERFACE 2014 Digital Health International Summit is Sanotron’s third annual summit. It is a two-day event designed to engage, inform, inspire and connect digital health innovators and other health stakeholders from Canada and from around the world.
Facial Feature Controlled Robotics; Artificial Autonomics, Artificial Touch & Robotic Interface, For Paralysis Victims.
MRISAR Creator and R&D Team Member John Siegel, testing his team’s prototype Facial Feature Controlled Robotic Arm in 2003. His team’s 1990's circa, original innovative R & D in "Facial Feature Controlled Technology" and "Artificial Sense of Touch Technology" (Adaptive Technology prototypes for the disabled), has helped pioneer those fields! Their work was presented before and published by ICORR 99 and Stanford University. Since then, they have become the most versatile Robotics R & D Team in the world.
This experiment uses only three facial movements to utilizes fourteen functions that control a five range of motion robotic arm, while relating it’s status through a visual indicator console. This design is easy to control and allows multitasking. We condensed it’s circuits and power distribution by designing an unusual circuit which takes simple signals from sensors on a patient’s face and integrates them through a matrix of wires, relays and electronics which relate Boolean logic and power distribution in both directions and on one set of common paths.
MRISAR’s R & D Team, who have Designed, Fabricated & Marketed the Earth’s Largest Selection of "Internationally Renowned & Awarded" World-Class Robotics Exhibits & Devices; and “Hands On” Scientific, Technological & Interactive Art Exhibits. Our innovative, interactive, inexpensive, durable & easy to maintain creations incorporate interactive technologies & designs for people with disabilities and other special needs. They also provide their own Educational Kits & Materials for K thru 12/College & University level curriculums.
Their Exhibit Sales Customers include World-Class Science Centers, Museums, Universities, NASA, Royalty, Foreign & Domestic Governments, the Film Industries for inclusion in media productions, etc. We specialize in Cybernetics, Bionics, Mechatronics, Autonomics, Animatronics & Teleoperated devices.
Their Humanitarian & Environmental Research & Development has been presented before and/or published and awarded by: the United Nations, NASA-Emhart, Stanford, Cambridge, ICORR, ROMAN, IEEE, Discover Awards, International Federation of Robotics (IFR), etc. Their 1990's circa, original innovative R & D in "Facial Feature Controlled Technology" and "Artificial Sense of Touch Technology" (Adaptive Technology prototypes for the disabled), has helped pioneer those fields! They were the only company in the world to be awarded an entire chapter regarding their work in the International Federation of Robotics (IFR) “World Robotics; Service Robotics, 2011”.
In 2010 MRISAR purchased a disused school on the plains of North Dakota and relocated to it. Profit from their International Exhibit Sales helps fund their Humanitarian R&D and the transformation of the 36,000 sq. ft. complex, surrounded by 10 acres in North Dakota, into a World-Class “Interactive, Robotics, Technology, Invention, Art & Nature Center”.