View allAll Photos Tagged interface
International festival of contemporary dance, IIC, Delhi; Groups from Australia, Israel, India and Taiwan
Game On by Theatre of Rhythm and Dance, Australia
Concept & Direction: Annalouise Paul Choreography: Annalouise Paul and Miranda Wheen
Classical Indian Tabla: Bobby Singh Contemporary Dance Miranda Wheen
StatEL rend l’analyse des vos données simple et didactique. Les boîtes de dialogues de StatEL sont toutes conçues pour être les plus explicites possibles, en vous prenant « par la main », et en vous permettant de comprendre ce que vous faîtes.
Pour télécharger la version démonstration de StatEL, veuillez visitez notre site : www.adscience.fr
Interface explicite (2nd exemple)
Pour télécharger la version démonstration de StatEL, veuillez visitez notre site : www.adscience.fr
Playful Interface Cultures
This year‘s presentation by students in the Interface Cultures program showcases newly emerging artistic skill profiles at the nexus of interactive media technology and interface technology.
credit: rubra
Art and utility—not necessarily a harmonious pairing. An essential element of artistic freedom is the right to think up and make things that are at first glance totally useless. Designers and technologists are the ones who helpfully intervene in human-machine coexistence. But only artistic confrontations that break out of the confines of practical considerations produce what is truly unexpected and really new. The eminently useful useless is thus the driving force behind the development of the works featured in this exhibition by Linz Art University’s Interface Cultures program.
Instructors: Christa Sommerer (AT), Laurent Mignonneau (FR), Martin Kaltenbrunner (AT), Marlene Hochrieser (AT), Michaela Ortner (AT)
picture showing iWilson, a project by Veronika Pauser (AT).
credit: rubra
Since 2004, Linz Art University has offered an “Interface Cultures” master’s degree program in which students learn scientific and, above all, artistic ways of working with all possible—and impossible—forms of communication with machines and devices. From the very outset, this program founded by Christa Sommerer (AT) and Laurent Mignonneau (FR) has offered students the opportunity to showcase their work in conjunction with Ars Electronica and thereby to reach very large audiences.
Photo showing instructor Christa Sommerer (AT) at the opening.
credit: rubra
iMAL, Brussels, 13-14 June
During two days, artists, researchers and thinkers shared their experience and thoughts about urban media and interventions, the smart city and other techno-urban utopias, participation and engagement of citizens, urban devices and interfaces, augmented reality, ...
Icons, widgets and user interface design and styling for Pebble Beach Systems, Broadcast Automation.
Interface Amnesty set up a temporary shopfront and car boot in Blackburn for people to hack interfaces and devices to make art and music.
The event was part of the Abandon Normal Devices Festival 2010. To find out more about the event and the festival, check out our website: www.andfestival.org.uk
... or check out the SoundNetwork website (the organisers of Interface Amnesty): soundnetwork.org.uk/
International festival of contemporary dance, IIC, Delhi; Groups from Australia, Israel, India and Taiwan
International Co-production between Idan Cohen and Sapphire Creations Dance
Company Dancers Musician and Composer: Mayookh Bhaumik. Israeli
choreographer: Idan
Cohen Dancers: Ran Ben Dror, Noa Shiloh, Koushik Das, Ankita Duttagupta Collab: Idan
Cohen and Sapphire Creations Dance Company
Interface criada para uma adaptação de Robinson Crusoé em jogo para PS3 e XBOX. Aqui é demonstrada a tela do mapa da ilha.
You are looking at a 250 meter roll of 60"(ish) interfacing. It was so tall I had to step out of my studio to get it all in the frame. But it's huge, huge! However, it is also cheap. It's made by a fantastic company in Germany and is far, far, far better than anything I've purchased or seen at any stores in person (this includes trips to the garment district in NY). And the best part about it, is how inexpensive it is. And this is why, if you're making goods to sell at retail you have to invest in wholesale products.
The most similar item I've found is made by a company named Pellon, it is their #30. If I purchase an entire 20" wide bolt with my wholesale discount it comes to about $30 for a 15 yard bolt, or about $2 a yard. Not too bad, right? Well, this is 60" wide, so the equivalent of 3 bot widths. And by purchasing an entire roll it is $.95 per meter/yard. 95-cents for 3 times as much interfacing. And since it is so wide, I have far less wasted interfacing. So, as some would say, this is a good thing.
Velcro, contracted from the French words velours and crochet, was invented by Swiss engineer George de Mestral in 1941.
Another self portrait, but now the computer interface gets through the picture. This is me on Mac OS 9
Iron on the interfacing (if desired). Learn more on my blog Maggie Muggins Designs. (maggiemugginsdesigns.blogspot.com)
The interface of this ATM thinks I should be able to withdraw up to € 999,999,999,999.—. I think so, too. Unfortunately, my balance disagrees.
Maybe they have taken the event of a hyperinflation into account?
Singer discusses new technology with an officer and DOD civilian at an Air Force facility. Advances such as artificial intelligence and brain-machine interfacing will change the way the Army conducts war. (Photo courtesy of P.W. Singer)
Photo showing an impression of Gallery Performances, Agora Digitalis, The Wild State 2020 Campus exhibition.
Agora Digitalis is the Interface Cultures’ meeting point during the 2020 Campus Exhibition. The general idea behind it is to create an informal setting where students, (future) makers and future students can meet and become acquainted with Interface Cultures. Agora Digitalis is a physical and virtual place where everyone should be able to share and express their ideas. It is planned as a place for informal learning and critical debate about developments in the arts, technology and science. This year’s State of Intimacy edition will undoubtedly reflect on our recent online experiences and it might also, in its slipstream, revisit recent techno-utopian ideals.
For further information please visit:
ars.electronica.art/keplersgardens/en/gallery-performance...
Credit: vog.photo
This was from a VCR model (possibly 1970s-era) that allowed recording - likely a luxurious feature at the time. The unit was probably four feet across and half a foot tall.