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International festival of contemporary dance, IIC, Delhi; Groups from Australia, Israel, India and Taiwan

 

Game On by Theatre of Rhythm and Dance, Australia

Concept & Direction: Annalouise Paul Choreography: Annalouise Paul and Miranda Wheen

Classical Indian Tabla: Bobby Singh Contemporary Dance Miranda Wheen

One of these challenges in developing tram trains is the wheel-rail interface. This is key to the vehicles’ safe operation and a major driver for the ongoing life-cycle maintenance costs of the system. These differing conditions require an interface design which maintains vehicle dynamic stability on straight track, whilst allowing adequate curving performance and derailment resistance in the city centre – a classic engineering compromise in railway vehicle dynamics.

The wheel design work was complicated by the very different rail head shapes of the two systems; the Stagecoach Super Tram (SST) network having a very flat rail head profile, whilst the worn Network Rail (NR) sections typically have a much smaller effective rail head shape.

This necessitates compromise in the wheel and tread design with significant simulation work being carried out to optimise the new wheel profile shape. This allows wheel-rail contact stress and wear rates to be minimised on both systems, whilst also maintaining safety against derailment. The wheel profile was also required to operate under differing wheelset geometry conditions, requiring a special stepped-wheel flangeback to maintain safe passage through NR and SST switches and crossings and checked curves.

The new profile will now be subject to inspection by the SST project team and the Rail Safety and Standards Board (RSSB). Tram Train test running will begin once the new wheel profile is approved for running on the mainline.

 

Interface for users to choose different sound sets with a fairy wand.

StatEL rend l’analyse des vos données simple et didactique. Les boîtes de dialogues de StatEL sont toutes conçues pour être les plus explicites possibles, en vous prenant « par la main », et en vous permettant de comprendre ce que vous faîtes.

 

Pour télécharger la version démonstration de StatEL, veuillez visitez notre site : www.adscience.fr

 

Interface explicite (2nd exemple)

Pour télécharger la version démonstration de StatEL, veuillez visitez notre site : www.adscience.fr

businessman pushing interface with social icons

StatEL rend l’analyse des vos données simple et didactique. Les boîtes de dialogues de StatEL sont toutes conçues pour être les plus explicites possibles, en vous prenant « par la main », et en vous permettant de comprendre ce que vous faîtes.

 

Pour télécharger la version démonstration de StatEL, veuillez visitez notre site : www.adscience.fr

 

Interface explicite (2nd exemple)

Pour télécharger la version démonstration de StatEL, veuillez visitez notre site : www.adscience.fr

The interface of this ATM thinks I should be able to withdraw up to € 999,999,999,999.—. I think so, too. Unfortunately, my balance disagrees.

 

Maybe they have taken the event of a hyperinflation into account?

This is taken From My Terrace in Malad,Mumbai. i simply like the triplet during the night.

RS232 Interface für Casio FX-850P/FX-880P

 

Mehr Infos dazu in meinem Block:

manib.bplaced.net/blog/?page_id=236

This was from a VCR model (possibly 1970s-era) that allowed recording - likely a luxurious feature at the time. The unit was probably four feet across and half a foot tall.

Another example of database in DIVA

 

DIVA v.0.15.

More info on: diva.3dvrm.com

Art and utility—not necessarily a harmonious pairing. An essential element of artistic freedom is the right to think up and make things that are at first glance totally useless. Designers and technologists are the ones who helpfully intervene in human-machine coexistence. But only artistic confrontations that break out of the confines of practical considerations produce what is truly unexpected and really new. The eminently useful useless is thus the driving force behind the development of the works featured in this exhibition by Linz Art University’s Interface Cultures program.

 

Instructors: Christa Sommerer (AT), Laurent Mignonneau (FR), Martin Kaltenbrunner (AT), Marlene Hochrieser (AT), Michaela Ortner (AT)

 

picture showing FMR1, a project by Fabrizio Lamoncha (ES), Ioan Ovidiu Cernei (RO), Maša Jazbec (SI).

 

credit: rubra

Icons, widgets and user interface design and styling for Pebble Beach Systems, Broadcast Automation.

with an interface this good who needs content?

Interface criada para uma adaptação de Robinson Crusoé em jogo para PS3 e XBOX. Aqui é demonstrada a tela do mapa da ilha.

Here's the screen that appears once you've pressed "Fast Cash" on the previous screen.

 

Eagle-eyed viewers will notice something troublesome in combination with the previous screen. Non-eagle-eyed viewers, however, may want to look at the two screens overlaid on one another.

 

(Full blog post here.)

International festival of contemporary dance, IIC, Delhi; Groups from Australia, Israel, India and Taiwan

 

Game On by Theatre of Rhythm and Dance, Australia

Concept & Direction: Annalouise Paul Choreography: Annalouise Paul and Miranda Wheen

Classical Indian Tabla: Bobby Singh Contemporary Dance Miranda Wheen

Excellent kitchen product from the company

Velcro, contracted from the French words velours and crochet, was invented by Swiss engineer George de Mestral in 1941.

 

Used on www.wipo.int/ipadvantage/en/details.jsp?id=2658

Another self portrait, but now the computer interface gets through the picture. This is me on Mac OS 9

International festival of contemporary dance, IIC, Delhi; Groups from Australia, Israel, India and Taiwan

 

Game On by Theatre of Rhythm and Dance, Australia

Concept & Direction: Annalouise Paul Choreography: Annalouise Paul and Miranda Wheen

Classical Indian Tabla: Bobby Singh Contemporary Dance Miranda Wheen

left icon: "select all mails", right icon: "select all read mails".

Nice interface, huh? ;-)

 

This was captured from the startup of an online animation. Nothing like knowing the percent loaded to the one ten-thousandth of one percent.

 

The entire load took perhaps 25 seconds.

International festival of contemporary dance, IIC, Delhi; Groups from Australia, Israel, India and Taiwan

 

International Co-production between Idan Cohen and Sapphire Creations Dance

Company Dancers Musician and Composer: Mayookh Bhaumik. Israeli

 

choreographer: Idan

Cohen Dancers: Ran Ben Dror, Noa Shiloh, Koushik Das, Ankita Duttagupta Collab: Idan

Cohen and Sapphire Creations Dance Company

Interface

1996 Fall Winter Collection

Balloon drop componenents. Gravity is to the left in all of this series of nine photos. Documentation is available at:

 

www.energykitesystems.net/Lift/hgh/TadEareckson/index.html

 

or from:

 

TadErcksn-at-aol-dot-com

thewholetapa

© 2009 tapa | all rights reserved

The Protek joystick interface for the Sinclair Spectrum. The PCB plugs into the edge connector on the rear of the Spectrum.

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