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This year‘s presentation by students in the Interface Cultures program showcases newly emerging artistic skill profiles at the nexus of interactive media technology and interface technology.
credit: rubra
larger photo: www.flickr.com/photos/cshym74/3572404682/
Interface Message Processor
Developed for the Advanced Research Projects Agency by Bolt Beranek and Newman Inc.
The Origins of the Internet
“When the Soviet Union launched the Sputnik satellite in 1957, the US government responded with dramatically increased support of technology research and development, much of it funded through the new Advanced Research Projects Agency (ARPA). In 1966 Bob Taylor of ARPA’s computer research division obtained funding for a network called ARPANET to link computers so that resources and results could be shared more easily. He hired Larry Roberts of MIT to manage the project, which was based on newly-invented packet-switching technology. At the end of the 1969 the ARPANET began operating with four nodes: University of California at Los Angeles and Santa Barbara, Stanford Research Institute, and University of Utah. That original ARPANET gradually grew into the Internet, which 30 years later had about 43 million nodes.
The early Internet, used primarily by engineers and scientists, was not at all user-friendly. As e-mail and file transfer protocols and programs matured, non-specialists started to use it. In 1989, Tim Berners-Lee of the CERN high-energy physics lab in Europe proposed a protocol for the exchange of online documents which became the basis for the World Wide Web. The development in 1993 of the graphical browser Mosaic by Marc Andreessen and his team at the National Center for Supercomputing Applications (NCSA) made the web accessible to everyone and led to its explosive growth. Marc Andreessen and entrepreneur Jim Clark founded Netscape in 1994 to create a web browser based on the Mosaic project. Netscape Navigator quickly dominated the early browser market.”
Computer History Museum
Mountain View, CA
(7113)
The media consumption experience is poised to transform, and fast. Technologies that have been tinkered with for years, ranging from virtual and augmented reality to sensors and robotics, are finally on the tipping point of mass commercialization. As the physical and digital worlds converge, how will these technologies shape how people interact with digital media?
On November 18, 2014, NYC Media Lab and Razorfish hosted the second occasion of Future Interfaces, an evening "science fair" on the future of human-computer interaction and digital media. More than 300 guests came to go hands-on with 30 demos from startups and universities to see what's on the verge of commercialization, what’s still in the lab, and what advances will change the nature of media and communications in the future.
To learn more about the event and to see a full list of participating demos, visit www.nycmedialab.org/events/future-interfaces/
»Lights!Director« is an application for multi-touch surfaces to set lights and compose pictures on a stage in a new, redefined way. More information coming soon.
International festival of contemporary dance, IIC, Delhi; Groups from Australia, Israel, India and Taiwan
International Co-production between Idan Cohen and Sapphire Creations Dance
Company Dancers Musician and Composer: Mayookh Bhaumik. Israeli
choreographer: Idan
Cohen Dancers: Ran Ben Dror, Noa Shiloh, Koushik Das, Ankita Duttagupta Collab: Idan
Cohen and Sapphire Creations Dance Company
The media consumption experience is poised to transform, and fast. Technologies that have been tinkered with for years, ranging from virtual and augmented reality to sensors and robotics, are finally on the tipping point of mass commercialization. As the physical and digital worlds converge, how will these technologies shape how people interact with digital media?
On November 18, 2014, NYC Media Lab and Razorfish hosted the second occasion of Future Interfaces, an evening "science fair" on the future of human-computer interaction and digital media. More than 300 guests came to go hands-on with 30 demos from startups and universities to see what's on the verge of commercialization, what’s still in the lab, and what advances will change the nature of media and communications in the future.
To learn more about the event and to see a full list of participating demos, visit www.nycmedialab.org/events/future-interfaces/
The media consumption experience is poised to transform, and fast. Technologies that have been tinkered with for years, ranging from virtual and augmented reality to sensors and robotics, are finally on the tipping point of mass commercialization. As the physical and digital worlds converge, how will these technologies shape how people interact with digital media?
On November 18, 2014, NYC Media Lab and Razorfish hosted the second occasion of Future Interfaces, an evening "science fair" on the future of human-computer interaction and digital media. More than 300 guests came to go hands-on with 30 demos from startups and universities to see what's on the verge of commercialization, what’s still in the lab, and what advances will change the nature of media and communications in the future.
To learn more about the event and to see a full list of participating demos, visit www.nycmedialab.org/events/future-interfaces/
This is the interface that goes into the a580's battery compartment. For obvious reasons, it will not be used in my final project, but I thought some folks would like to see what it looks like inside.
The media consumption experience is poised to transform, and fast. Technologies that have been tinkered with for years, ranging from virtual and augmented reality to sensors and robotics, are finally on the tipping point of mass commercialization. As the physical and digital worlds converge, how will these technologies shape how people interact with digital media?
On November 18, 2014, NYC Media Lab and Razorfish hosted the second occasion of Future Interfaces, an evening "science fair" on the future of human-computer interaction and digital media. More than 300 guests came to go hands-on with 30 demos from startups and universities to see what's on the verge of commercialization, what’s still in the lab, and what advances will change the nature of media and communications in the future.
To learn more about the event and to see a full list of participating demos, visit www.nycmedialab.org/events/future-interfaces/
Icons, widgets and user interface design and styling for Pebble Beach Systems, Broadcast Automation.
This is what happens when you re-activate your Twitter account. I guess it's a gentle slap on the wrist, apparently the account returns 100% to normal within 24 hrs.
The multi-mount interface of MSR SuperFly works well with the EasyClic plus mount of the Campingaz canister.
The media consumption experience is poised to transform, and fast. Technologies that have been tinkered with for years, ranging from virtual and augmented reality to sensors and robotics, are finally on the tipping point of mass commercialization. As the physical and digital worlds converge, how will these technologies shape how people interact with digital media?
On November 18, 2014, NYC Media Lab and Razorfish hosted the second occasion of Future Interfaces, an evening "science fair" on the future of human-computer interaction and digital media. More than 300 guests came to go hands-on with 30 demos from startups and universities to see what's on the verge of commercialization, what’s still in the lab, and what advances will change the nature of media and communications in the future.
To learn more about the event and to see a full list of participating demos, visit www.nycmedialab.org/events/future-interfaces/
My existing Nokia carkit interface, which I originally bought to connect my Nokia CK-7W bluetooth carkit to my 2006 Cooper Checkmate. This is just the interface, it does not contain the actual carkit (which is another small black box).
The media consumption experience is poised to transform, and fast. Technologies that have been tinkered with for years, ranging from virtual and augmented reality to sensors and robotics, are finally on the tipping point of mass commercialization. As the physical and digital worlds converge, how will these technologies shape how people interact with digital media?
On November 18, 2014, NYC Media Lab and Razorfish hosted the second occasion of Future Interfaces, an evening "science fair" on the future of human-computer interaction and digital media. More than 300 guests came to go hands-on with 30 demos from startups and universities to see what's on the verge of commercialization, what’s still in the lab, and what advances will change the nature of media and communications in the future.
To learn more about the event and to see a full list of participating demos, visit www.nycmedialab.org/events/future-interfaces/
The Tickle is an acoustic interface for sound. It’s designed as the missing input device for physical modeling synthesis. Vibrations are captured on the surface and fed into digital resonators. It responds naturally to hitting or scratching, even bowing on the edge, making the interaction embodied, intuitive, and intimate.
Credit: The Center for Haptic Audio Interaction Research (CHAIR)
Interface para aplicativo mobile de leitura e envio de e.mails.
Cliente: nTime Mobile Solutions *2006
International festival of contemporary dance, IIC, Delhi; Groups from Australia, Israel, India and Taiwan
Game On by Theatre of Rhythm and Dance, Australia
Concept & Direction: Annalouise Paul Choreography: Annalouise Paul and Miranda Wheen
Classical Indian Tabla: Bobby Singh Contemporary Dance Miranda Wheen
Plex Interface for music, local video files, and steaming content like Hulu and Netflix Watch Instantly.
I've been looking for the perfect bag interfacing for years, like 8 years, actually. I started out buying the Pellon #30 stuff I could get at my local fabric store, then realized it was expensive enough I should start buying it wholesale. So I did that for a while and my local distributor went out of business. Shortly thereafter I went to New York City and spent some time scouting in the fashion district looking for bag hardware and interfacing and a few other things. I came across a roll of interfacing that was a little thinner than I would have preferred but had the crispness I was interested. And instead of the measly 20" bolts (like Pellon comes in), this new roll was 48" wide. I was in heaven. No more having tons of 2-4" wide strips that were hard to find a use for. However, the company I had ordered my interfacing was went out of business and there was no information on the roll to help me know who the manufacturer was. I remember when I originally purchased it I'd asked where it was made and the older gentleman writing up my order shrugged his shoulders and asked "Why?" I replied that I was trying to only source materials that I could be sure were sweatshop free. He laughed and wished me good luck and continued writing up my order.
So while I used all 250 yards of that bolt, and it took me about 2 years to do, I never felt comfortable about not knowing where it came from. So when I ran out of my thin interfacing I decided to contact the company I get my thick interfacing from. I'd heard from a different distributor of their products that they'd stopped making lightweight, but I figured it was worth a shot.
I was thrilled to find out that not only did they sell it, but they sent me a very large sample. I got to cutting it out and fell in love with it. It's 60" wide, so it is kinda bulky to work with. But it was the perfect texture, drape, thickness, etc.
And purchasing this roll reminded me why it is so important to purchase wholesale materials. This entire 60-inch wide, 250-yard roll cost me $267, including shipping. I paid less than $1.07 per yard for this interfacing. The most similar product you can find at fabric or craft stores is the Pellon I used to purchase. That is 20" wide and costs around $2 a yard. So, 1 yard of my new stuff = $1.07. 1 yard of equivalent square footage of Pellon = $6+ per yard. I save $5 per yard by purchasing wholesale.
Icons, widgets and user interface design and styling for Pebble Beach Systems, Broadcast Automation.
Eureka! This new EM Spectrum exhibit takes advantage of twin 4K UHD screens and all of the coding, user interface, graphic design, and content is entirely new.
For this exhibit, we developed custom software which allows visitors to view both terrestrial and celestial objects across different wavelengths. The exhibit runs on an Ideum 100” dual 4K UHD Pano multitouch table. All of the content was developed specifically for the application. Ideum conducted a multispectral photo shoot for terrestrial objects and helped collect the latest celestial images. We worked with Science World in Vancouver to find appropriate images for the exhibit and collaborated on the content and text descriptions.
The 8K EM spectrum imaging exhibit will debut in the Eureka! Gallery at Science World at Telus World of Science in Vancouver in late February 2015. You can learn more about the Pano 100” multitouch table or the EM Spectrum exhibiton the Ideum website.
The media consumption experience is poised to transform, and fast. Technologies that have been tinkered with for years, ranging from virtual and augmented reality to sensors and robotics, are finally on the tipping point of mass commercialization. As the physical and digital worlds converge, how will these technologies shape how people interact with digital media?
On November 18, 2014, NYC Media Lab and Razorfish hosted the second occasion of Future Interfaces, an evening "science fair" on the future of human-computer interaction and digital media. More than 300 guests came to go hands-on with 30 demos from startups and universities to see what's on the verge of commercialization, what’s still in the lab, and what advances will change the nature of media and communications in the future.
To learn more about the event and to see a full list of participating demos, visit www.nycmedialab.org/events/future-interfaces/