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How to switch from NetworkManager to systemd-networkd on Linux
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Since 2004, Linz Art University has offered an “Interface Cultures” master’s degree program in which students learn scientific and, above all, artistic ways of working with all possible—and impossible—forms of communication with machines and devices. From the very outset, this program founded by Christa Sommerer (AT) and Laurent Mignonneau (FR) has offered students the opportunity to showcase their work in conjunction with Ars Electronica and thereby to reach very large audiences.
Photo showing instructor Martin Kaltenbrunner (AT) at the opening.
credit: rubra
Northern Ireland Housing Executive contractors move in to demolish the peace wall at the Top of the Crumlin Road opposite Holy Cross Church on 25/02/2016
Since 2004, Linz Art University has offered an “Interface Cultures” master’s degree program in which students learn scientific and, above all, artistic ways of working with all possible—and impossible—forms of communication with machines and devices. From the very outset, this program founded by Christa Sommerer (AT) and Laurent Mignonneau (FR) has offered students the opportunity to showcase their work in conjunction with Ars Electronica and thereby to reach very large audiences.
Photo showing Reinhar Kannonier (AT) - rector University of Art and Design Linz.
credit: rubra
Since 2004, Linz Art University has offered an “Interface Cultures” master’s degree program in which students learn scientific and, above all, artistic ways of working with all possible—and impossible—forms of communication with machines and devices. From the very outset, this program founded by Christa Sommerer (AT) and Laurent Mignonneau (FR) has offered students the opportunity to showcase their work in conjunction with Ars Electronica and thereby to reach very large audiences.
Photo showing instructor Christa Sommerer (AT) at the opening.
credit: rubra
Art and utility—not necessarily a harmonious pairing. An essential element of artistic freedom is the right to think up and make things that are at first glance totally useless. Designers and technologists are the ones who helpfully intervene in human-machine coexistence. But only artistic confrontations that break out of the confines of practical considerations produce what is truly unexpected and really new. The eminently useful useless is thus the driving force behind the development of the works featured in this exhibition by Linz Art University’s Interface Cultures program.
Instructors: Christa Sommerer (AT), Laurent Mignonneau (FR), Martin Kaltenbrunner (AT), Marlene Hochrieser (AT), Michaela Ortner (AT)
picture showing FMR1, a project by Fabrizio Lamoncha (ES), Ioan Ovidiu Cernei (RO), Maša Jazbec (SI).
credit: rubra
Art and utility—not necessarily a harmonious pairing. An essential element of artistic freedom is the right to think up and make things that are at first glance totally useless. Designers and technologists are the ones who helpfully intervene in human-machine coexistence. But only artistic confrontations that break out of the confines of practical considerations produce what is truly unexpected and really new. The eminently useful useless is thus the driving force behind the development of the works featured in this exhibition by Linz Art University’s Interface Cultures program.
Instructors: Christa Sommerer (AT), Laurent Mignonneau (FR), Martin Kaltenbrunner (AT), Marlene Hochrieser (AT), Michaela Ortner (AT)
picture showing FMR1, a project by Fabrizio Lamoncha (ES), Ioan Ovidiu Cernei (RO), Maša Jazbec (SI).
credit: rubra
L'HUD di gioco, prima beta con quasi tutto. Il contagiri è ancora in preliminare, aspetta di essere provato e montato..
Universal interface board. This interface has many drivers and can be connected to one of the multiple type boards from Terasic like the DE1, DE0, DE0-nano and the CPLD MAX-II board.
This interface has also a 4x20 char LCD display, 6 extra buttom knobs, transistior output, powersupply from 7.5V to 5V and to 3.3V.
Playful Interface Cultures
This year‘s presentation by students in the Interface Cultures program showcases newly emerging artistic skill profiles at the nexus of interactive media technology and interface technology.
credit: rubra
Art and utility—not necessarily a harmonious pairing. An essential element of artistic freedom is the right to think up and make things that are at first glance totally useless. Designers and technologists are the ones who helpfully intervene in human-machine coexistence. But only artistic confrontations that break out of the confines of practical considerations produce what is truly unexpected and really new. The eminently useful useless is thus the driving force behind the development of the works featured in this exhibition by Linz Art University’s Interface Cultures program.
Instructors: Christa Sommerer (AT), Laurent Mignonneau (FR), Martin Kaltenbrunner (AT), Marlene Hochrieser (AT), Michaela Ortner (AT)
picture showing FMR1, a project by Fabrizio Lamoncha (ES), Ioan Ovidiu Cernei (RO), Maša Jazbec (SI).
credit: rubra
Here's my washing, 4 buttons on the left, 3 controls poorly labeled. The buttons work as expected, but the other 3 controls work at random, their outcome is a bit like lotto, you really don't know what is going to happen. I think they tried to put 3 controls on this machine to make is simpler, worse still the setting are so close together on one dial it makes the machine very unusable. This machine drives me nuts. Next time you buy a washing machine dont be sold on features. Have a look at the controls, if you cannot figure it dont buy it. Look for simple controls hopefully with lights, my Fisher and Pykel washing machine has LED's to say what settings I have selected and how long the wash cycle will be. This way I know the machine I will do what I have told it.
Universal interface board. This interface has many drivers and can be connected to one of the multiple type boards from Terasic like the DE1, DE0, DE0-nano and the CPLD MAX-II board.
This interface has also a 4x20 char LCD display, 6 extra buttom knobs, transistior output, powersupply from 7.5V to 5V and to 3.3V.
International festival of contemporary dance, IIC, Delhi; Groups from Australia, Israel, India and Taiwan
Game On by Theatre of Rhythm and Dance, Australia
Concept & Direction: Annalouise Paul Choreography: Annalouise Paul and Miranda Wheen
Classical Indian Tabla: Bobby Singh Contemporary Dance Miranda Wheen
StatEL rend l’analyse des vos données simple et didactique. Les boîtes de dialogues de StatEL sont toutes conçues pour être les plus explicites possibles, en vous prenant « par la main », et en vous permettant de comprendre ce que vous faîtes.
Pour télécharger la version démonstration de StatEL, veuillez visitez notre site : www.adscience.fr
Interface explicite (2nd exemple)
Pour télécharger la version démonstration de StatEL, veuillez visitez notre site : www.adscience.fr
One of these challenges in developing tram trains is the wheel-rail interface. This is key to the vehicles’ safe operation and a major driver for the ongoing life-cycle maintenance costs of the system. These differing conditions require an interface design which maintains vehicle dynamic stability on straight track, whilst allowing adequate curving performance and derailment resistance in the city centre – a classic engineering compromise in railway vehicle dynamics.
The wheel design work was complicated by the very different rail head shapes of the two systems; the Stagecoach Super Tram (SST) network having a very flat rail head profile, whilst the worn Network Rail (NR) sections typically have a much smaller effective rail head shape.
This necessitates compromise in the wheel and tread design with significant simulation work being carried out to optimise the new wheel profile shape. This allows wheel-rail contact stress and wear rates to be minimised on both systems, whilst also maintaining safety against derailment. The wheel profile was also required to operate under differing wheelset geometry conditions, requiring a special stepped-wheel flangeback to maintain safe passage through NR and SST switches and crossings and checked curves.
The new profile will now be subject to inspection by the SST project team and the Rail Safety and Standards Board (RSSB). Tram Train test running will begin once the new wheel profile is approved for running on the mainline.