View allAll Photos Tagged interface
Diseño de Interfase para juegos de salon, en este caso un tragamonedas programado en SilverLigth. Trabajo realizado junto con Division Ip un grupo de desarrolladores argentinos.
Luke Patrick Brennan, Biomedical Engineering MSE Undergraduate and Priyan Weerappuli, Biomedical Engineering Graduate Student and Founder/Executive Director of The Open Source Science Project, in a join project with Dr. James Moon's lab is studying the structural and functional properties of neutrophil extracellular traps. These immune structures are produced by neutrophils in response to contact with various pathogens (e.g. bacteria). The devices will be used to simulate the flow environment within a blood vessel to better understand how these structures behave when released into the vasculature.
Photo by Robert Coelius
Multimedia Producer, Communications & Marketing, Michigan Engineering | @UMengineering
The analysis of eye tracking data gathered during hundreds of missions has allowed us to determine a key behaviour to be taken into account when designing a site: the top zone of an interface is very little noticed and/or only later on during the visit of the website.
This week, I would like to explain the reasons behind this behaviour.
By analyzing the behaviour of thousands of users during missions I worked on, I have observed that a very large majority of users sit similarly behind their computer screen.
more info on www.simplifyinginterfaces.com
This is what happens when you re-activate your Twitter account. I guess it's a gentle slap on the wrist, apparently the account returns 100% to normal within 24 hrs.
It is a remarkable player, better than anything I had in the past... The music sounds so real and life-like when feed into Sennheiser HD800 w/ stock cable. Ironically, this digital stream player also sounds almost analogue in its own right, no tweaks required! However, the GUI is poor if compared to the interface on Squeezebox which is a no-brainer, it took me some time to really figure it out :$
Brother MFC-790CW Color Inkjet All-in-One with Touchscreen LCD Display and Wireless Interface
Product Details
Product Dimensions: 10 x 21.9 x 18.1 inches ; 23.2 pounds
Shipping Weight: 24 pounds
Shipping: Currently, item can be shipped only within the U.S.
ASIN: B001ISIK9Q
Item model number:MFC-790cw
The Brother MFC-790CW Color AiO with 4.2-Inch TouchScreen Color LCD Display and Wireless Interface prints, copies, scans, faxes, and more in one sleek, compact device. And with built-in wireless networking, you can easily set up the printer to work with all the computers on your network in your home or office.
Built-In 4.2-Inch Touchscreen for Easy Menu Navigation
The MFC-790CW features a 4.2-inch touchscreen that makes it easy to navigate menus and preview faxes, as well as preview and edit photos directly without a computer. You can edit and print photos directly by using either the built-in media card slot or by connecting a PictBridge-enabled camera or USB flash memory. The media card slot supports compact flash, memory stick, memory stick pro, SD, SDHC, xD, and xD TypeM/TypeH.
Print Top-Quality Photos and Documents Fast
The MFC-790CW prints both documents and photos at up to 6000 x 1200 dpi and can reach speeds of up to 33 ppm black and 27 ppm color. The printer has two separate trays: a 100-sheet tray for documents, and a separate 20-sheet bypass tray for 4 x 6-inch photos. The printer supports paper sizes up to legal size (8 x 14 inches) and can print borderless photos. It uses separate ink cartridges for each color, so you only replace the color that runs out.
Built-In Networking Lets Everyone Use the Printer
The printer has both wired and wireless networking built in, making it simple to set up the printer to be shared by everyone in your office or home. The built-in wireless supports 802.11b/g and features one-button wireless setup for simplicity. Security standards supported include SSID, WEP 64/128-bit, WPA-PSK, and WPA2-PSK. For those without wireless, there is also a 10/100 Base-TX Ethernet port.
Copy and Scan with the Same Device
The MFC-790CW lets you copy and scan as well as print from the same device. The stand-alone copier doesn''t require a PC and can make both black-and-white and color copies at a speed of 22 cpm black and 20 cpm color. It can scale copies from 25 to 400 percent of the original, and it supports sorting and 2-in-1/4-in-1 copying. A 15-sheet automatic document feeder lets you scan and copy pages unattended.
The flatbed scanner has a maximum optical resolution of 1200 x 2400 dpi at 36-bit color depth for high-quality scans. It works with both Mac OS and Windows, and it includes Scansoft PaperPort v11 SE with OCR software for Windows and Presto! PageManager software for Mac.
Send and Receive Faxes Unattended
The high-speed Super G3 33.6K bps fax modem lets you send and receive black-and-white and color faxes at up to three seconds per page. A 15-sheet auto document feeder lets you send faxes unattended. In addition to functioning as a stand-alone fax, this unit also works as a PC fax.
Other handy features include a built-in telephone handset, which adds the convenience of a full duplex speakerphone, and a built-in digital answering machine that holds up to 29 minutes of messages.
The MFC-790CW measures 18.1 x 7.1 x 14.8 inches (WxHxD) and weighs 18.5 pounds. It is Energy Star certified and is backed by a one-year warranty.
Overview
MFC-790CW comes with an easy-to use, intuitive and interactive wide 4.2" Touchscreen. 15-page auto document feeder is perfect for unattended faxing, copying or scanning of multi-page documents. Flexible wireless (802.11b/g) or wired (Ethernet) network connection. Fast print speeds at up to 33ppm Black/27ppm Color. Professional quality results at up to 6000 x 1200dpi resolution. Handy built-in digital answering machine, full-duplex speaker phone and handset. Also, includes high speed Super G3 33.6Kbps fax modem. Direct photo printing on demand from media card slots, USB direct/PictBridge Interface. 4-ink cartridge system ¿ replace only the cartridge that needs to be replaced.
Note:-Toners, Drum, Copiers, and Printers CANNOT be returned if opened and used.
For More Details:- www.poppopofficemachines.com/brother-mfc-790cw-color-inkj...
Newscoop’s overhauled interface now looks and feels like the 21st century newsroom should. Sleek, modern styling and a workflow designed by journalists makes life that much easier.
Some results of my "physical constructive discussion". The audience is claying the human figure that would correspond ideally with a given (natural) user interface.
Photos by Aldo Hoeben taken at Design by Fire 2010
Tenth edition of the Dive Into User-Interface Design and UX workshop, in New Delhi. Conducted by Niyam Bhushan. Powered by NASSCOM 10,000Startups. On 26-27 Feb 2015. Venue kindly hosted by cks.in
"..will computers enhance or limit our brains in the 21st Century.
From advanced prosthetics to a revolutionary new treatment for Parkinsons, Brain-Computer Interfaces have been central to a recent number of huge medical breakthroughs. But with companies like Neurosky now producing ‘Brain Sensors for Everybody’, the technology is increasingly moving into the mainstream; entering the realms of gaming, marketing and beyond. This event will look at the new wave of technology that can interact with our brains, exploring potential applications and considerations for the future."
Speakers included: Prof Kevin Warwick, Dr Anders Sandberg, the Future of Humanity Institute, Oxford University and Emlyn Clay of Openvivo. Chair was Louise Marston.
DanSync is an interactive artwork that allows audience to manipulate real time human body movements with a custom-built table controller. DanSync was created for two collaborative performance installations entitled “Memory Station” and “Interface”, at Lasalle College of the Arts Singapore.
The intention of DanSync is to explore the human body movements by giving the audience control over the dancer’s movement. Vibrations will be activated where the lights are lit on the dancer’s body so as to notify her of the audience’s interaction
Interface is a collaborative project that explores the relationship of interactive media with dance performance. Based on extensive research of specific sites, custom-made technology is designed to respond to body movements or specific spaces and are translated to audio-visual expressions.
In each dance work by Level 2 BA(Hons) Dance student-choreographers, interactive technology serves as a choreographic tool and expressive media for this performance-installation.
Dancers - Anita Anton, Eva Tey, Samantha Lau, Lim Ming Zhi, Zhou Yiru
Media artists - Mui Rui YI, Benjamin Low, Mithru Vigneshwara, Adam Aw, Zac Ong
Mentor - Melissa Quek and Andreas Schlegel
This is the interface I built for my upcoming installation at the Toca Me conference 2009 in Munich.
Typical of the weather this time of year - a colourful mix of rain, wind
and sunny spells. Makes for some nice and interesting skies sometimes.
The client want something different from their competitor, so i try to be a 'bad boy' here.
I use grunge style and blend it with simple & clean layout to make it easy for user to browse the site.
June 14th, 2020. 20:30 - 22:00 Hong Kong / 13:30 - 15:00 London
H508, PMQ, 35 Aberdeen Street, Central, Hong Kong
Link to stream: bit.ly/Mars_Mind
We are going to Mars.
From lower gravity, no breathable air, temperature colder than Antarctica, radiation, lack of water and soil to grow food, lack of communication infrastructure, lack of life... the first Martians will have to rely on the latest in science and technology to survive and thrive on the Red Planet. We will have to intentionally redesign our bodies and minds to survive and thrive in our new environment.
Current progress in neuroscience, artificial intelligence and genetics suggests the quantified human body is about to expand our ability. From 2020, all the way to 2100, the young designers imagine our future as a multi planetary species.
Students from Design+, Bachelor of Arts & Science, Faculty of Architecture , The University of Hong Kong
www.arch.hku.hk/programmes_/design/
CHEUNG Anson
DENG Wendy Shuwen
FERNANDES Erika Anna
GURKA Tanya Marie
HEMNANI Bhavisha Anil
HEUNG Winnie Tsz Kwan
HUYNH Duy
MA Matthew Tsun Tik
TSE Fergal Yau Wai
WONG Carson Yan Shun
WONG Chun Yan Oscar
YU Nomy Jia Ning
Mentor: Cesar Jung-Harada
Special thanks to Dzera Kaytati, Dr Martin Dinov, Dr Frank White,
Dr Robert Zubrin, Dr Nelly Ben Hayoun, The London Mars Society, Maaind
Original photo of Mars by NASA
La 1re fois que j'ai rempli le formulaire, j'ai inscrit 10 (pour 10 kg) et lorsque j'ai eu le devis pour l'envoi du colis à 23 euros, cela m'a surpris! Je suis revenu sur ce formulaire et ensuite compris que la valeur demandée était en grammes et non pas en kilo. J'imagine que mon subconscient a vu l'image "kg" de gauche et a complètement zappé le libellé à droite.
belle confusion :)
voici le formulaire: www.laposte.fr/Particulier/Utiliser-nos-outils-pratiques/...
Art and utility—not necessarily a harmonious pairing. An essential element of artistic freedom is the right to think up and make things that are at first glance totally useless. Designers and technologists are the ones who helpfully intervene in human-machine coexistence. But only artistic confrontations that break out of the confines of practical considerations produce what is truly unexpected and really new. The eminently useful useless is thus the driving force behind the development of the works featured in this exhibition by Linz Art University’s Interface Cultures program.
Instructors: Christa Sommerer (AT), Laurent Mignonneau (FR), Martin Kaltenbrunner (AT), Marlene Hochrieser (AT), Michaela Ortner (AT)
picture showing QmusiQ, a project by Irmgard Falkinger-Reiter (AT).
credit: rubra
The portfolio interface with z depth switching and scaling image selection. Tonal sonic palette for haptic feedback
Photos courtesy of Honda
2012 Honda CR-V EX-L AWD Pandora Radio interface
Read Honda Unveils New CR-V on LotPro.com. LotPro's own Steve Cypher gives his impressions of the new 2012 Honda CR-V.
Browse more New Hondas & 2011 Honda CR-Vs at LotPro.com.
Усовершенствование панели настроек оборудования подключаемого к Openbravo POS для задания параметров параллельных портов. Подробности в Теме 153.
Waldo Canyon Fire, Colorado Springs, CO, July, 2012; aerial photograph of the Wildland, Urban Interface
A significant increase in ceramic (incl. zirconium oxide and aluminum oxide) restorations has been noted in recent years, as has the steady rise of metal free restorations. A trend which will continue to gather force. CLEARFIL™ ESTHETIC CEMENT has been developed against this background. CLEARFIL™ ESTHETIC CEMENT is available in 5 color shades which can be used with CLEARFIL™ CERAMIC PRIMER to offer strong adhesion to esthetic materials.
The cement offers a dual-curing system; the self-curing system reduces the polymerization stress in the adhesion interface due to the self-etching primer “ED Primer II” including accelerators, and the light-curing generates good marginal sealing of the restoration and high wear resistance of the cement surface. The practical TRY IN PASTEs in identical colors allow you to test the color you wish to use for the restoration. The TRY IN PASTE can be easily and quickly washed away. The practical automix syringe automatically mixes the two pastes of the cement. The cement can be applied directly in the restoration causing nearly no air bubbles.
International festival of contemporary dance, IIC, Delhi; Groups from Australia, Israel, India and Taiwan
International Co-production between Idan Cohen and Sapphire Creations Dance
Company Dancers Musician and Composer: Mayookh Bhaumik. Israeli
choreographer: Idan
Cohen Dancers: Ran Ben Dror, Noa Shiloh, Koushik Das, Ankita Duttagupta Collab: Idan
Cohen and Sapphire Creations Dance Company