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Excerpt from english.cha.go.kr/html/HtmlPage.do?pg=/royal/RoyalPalaces...:
If one passes the garden at the rear of the Juhamnu Pavilion and walks down along the slope of the hill leading into the stairway, the person can find a square pond on the opposite side and a pavilion on the north bank of the pond. This is the Aeryeonjeong, which is composed of only 1 kan. Looking out of the windows of the pavilion, one can enjoy a wonderful view. It looks like just a framed picture, owing to the decorations attached to the upper part of the pillars. Of course, the mood of the picture depends on the season. In particular, the stone structure, through which water comes into the pond, is opposite excellent in beauty and technique of design.
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S H I M M CCCXXI Black Fair
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Ι.Μ.Παναγίας Πελεκητής H.M.Virgin Mary Rusticated
on my blog ΛΟΓΕΙΚΩΝ Logikon
Παναγία Πελεκητή: Η «βασίλισσα» των Αγράφων
Είναι ένα από τα μοναστήρια που ξεχωρίζουν. Το τοπίο, η αρχιτεκτονική του, η ιστορία του καθιστούν την Ιερά Μονή της Παναγίας Πελεκητής προσκυνηματικό κέντρο. Βρίσκεται κτισμένη πάνω από την τεχνητή λίμνη Πλαστήρα στην Καρδίτσα και υπάγεται διοικητικά στη Μητρόπολη Φαναριοφερσάλων. Σύμφωνα με τα τελευταία ιστορικά στοιχεία, κτίστηκε πριν από περίπου πέντε αιώνες σε μια απόκρημνη, βραχώδη πλαγιά των Αγράφων, σε υψόμετρο 1.400 μέτρων, βορειοδυτικά του χωριού Καρίτσα.
Η ιστορία της Ιεράς Μονής Παναγίας Πελεκητής έχει συνδεθεί με την πορεία της περιοχής, η οποία συμμετείχε σε όλους τους αγώνες του Έθνους. Κατά την επανάσταση του 1821 η Καρίτσα καταστράφηκε από τους Τούρκους, ενώ το 1943 από τους Γερμανούς. Οι μοναχοί της μονής ήταν εκ των πρωταγωνιστών κατά την απελευθέρωση της Καρίτσας από τους Τούρκους, δημιουργώντας μια διαφορετική σχέση με τους κατοίκους.
Από την ίδρυσή της η μονή δέσποζε στα εκκλησιαστικά πράγματα της περιοχής αφού είχε αναγνωριστεί ως σταυροπηγιακή το 1606 από τον Οικουμενικό Πατριάρχη Ραφαήλ Β΄.
Πελεκητή ονομάστηκε καθώς τα κελιά της δημιουργήθηκαν μέσα στους βράχους σε τέσσερα επίπεδα, όπου οι μοναχοί ζούσαν και λειτουργούσαν το μοναστήρι, ενώ υπήρχε ακόμη και κρυφό σχολειό.
Ο Πορφύριος
Όπως αναφέρει ο Φώτης Κερασιώτης, που έχει ασχοληθεί με την ιστορία της μονής, η ίδρυσή της άρχισε πιθανότατα στα τέλη του 15ου αιώνα από τον Πνευματικό Πορφύριο και ολοκληρώθηκε το 1529 στη σημερινή της μορφή από τον νέο Οσιομάρτυρα Δαμιανό, ο οποίος ιστορείται ως «κτήτωρ» σε δύο τοιχογραφίες της. Το μοναστήρι αγιογραφήθηκε στα μέσα του 17ου αιώνα και έχει δύο ναούς, τον Ναό της Αναλήψεως του Χριστού και τον Ναό της Παναγιάς Φανερωμένης (το Καθολικό).
Το Καθολικό είναι ο κεντρικός και αρχαιότερος ναός, αφιερωμένος στην Ανάληψη του Κυρίου. Είναι μονόκλιτη βασιλική με νάρθηκα, στεγασμένη με κυλινδρική καμάρα, με ενισχυτικό τόξο στο μέσο. Σύμφωνα με σχετική επιγραφή που υπάρχει εντός του ναού, αγιογραφήθηκε το 1654 από τους αγιογράφους Ιωάννη, Νικόλαο Ιερέα και Ιάκωβο Ιερομόναχο.
Ο δεύτερος ναός είναι αφιερωμένος στην Παναγία Φανερωμένη. Είναι αθωνικού ρυθμού, με τρούλο και πλευρικούς χορούς, χωρίς εσωτερικούς κίονες. Οι τοιχογραφίες, όπως προκύπτει από σχετική επιγραφή που υπάρχει επάνω από τη θύρα εισόδου, ιστορήθηκαν το 1666. Ανιστορήθηκαν το 1674 από τον αγιογράφο Ιάκωβο και τον γιο του Δημήτριο.
Γνωστή είναι η μικρή αλλά θαυματουργή εικόνα της Παναγίας Πελεκητής, στην οποία έχει ζωγραφιστεί η Παναγία με τον Χριστό στην αγκαλιά της. Η εικόνα δυστυχώς εκλάπη και αναζητείται για να επιστραφεί στη φυσική της θέση, το μοναστήρι. Ο Ευρυτάνας ιστορικός Πάνος Βασιλείου το 1929 έγραψε τα εξής: «Εκτός της αρίστης Βυζαντινής τέχνης σε τοιχογραφίες, υπάρχει εδώ μια εικόνα (ελαιογραφία 0,04Χ0,03) της Παναγίας με τον Χριστό στην αγκαλιά της, έργο Ραφαηλικής τέχνης. Δεν εξηγείται πώς η μικροσκοπική αυτή εικονίτσα, που θεωρείται και σαν παλαιότερη, αλλά θαυματουργός, βρέθηκε εδώ πάνω. Φέρει χρονολογία 1654.
Η τεχνοτροπία της θυμίζει τον Χριστό του Πρωτάτου του Αγίου Όρους, το γνωστό έργο του Πανσέληνου. Μάλιστα ήταν η εικονίτσα τούτη στολισμένη με 20 πολύτιμες πέτρες από τις οποίες οι 16 αφαιρέθηκαν από… αγνώστους, χωρίς φυσικά τούτου να σημειωθεί σε κανένα, ως τα σήμερα, αστυνομικό δελτίο. Μένουν ακόμα, ευτυχώς, 4 ερυθρόχρωμες πετρούλες στο επαργυρωμένο περίβλημά της που έχει μέγεθος 0,21Χ0,23 μ. και που φέρει επάνω του σκαλισμένα αγγελούδια. Μια απέραντη καλοσύνη ζωγραφίζεται στο χαμογελαστό πρόσωπο της Παναγίας, της οποίας το παιδάκι παρουσιάζει κάτι το αληθινά Θείο και αξιοθαύμαστο για τη χαρούμενη εκφραστικότητά του. Η θαυμάσια αυτή εικόνα της Παναγίας της Πελεκητής θυμίζει Αναγέννηση».
Το μοναστήρι λόγω της περίτεχνης κατασκευής του και της ένδοξης ιστορίας του έχει ανακηρυχθεί «Ιστορικό Διατηρητέο Μνημείο». Δυστυχώς, όμως, από τον πλούτο των εκκλησιαστικών κειμηλίων και της σπάνιας βιβλιοθήκης του ελάχιστα, σήμερα, διασώζονται.
Το μοναστήρι πανηγυρίζει στις 15 Αυγούστου, της Κοιμήσεως της Θεοτόκου. Τα τελευταία χρόνια, ύστερα από σημαντικές πρωτοβουλίες των τοπικών φορέων και άλλων παραγόντων, εξευρέθηκαν τα απαραίτητα χρηματικά ποσά και το μοναστήρι έχει ανακαινισθεί και αξιοποιηθεί, συγκεντρώνοντας πλήθος προσκυνητών από ολόκληρη την ελληνική επικράτεια.
Όταν οι μοναχοί μετακίνησαν τα σύνορα το 1831
Εντύπωση προκαλεί και το εξής περιστατικό: Μετά τη δημιουργία του ελληνικού Κράτους, το 1831, η Καρύτσα (είναι το χωριό κάτω από το μοναστήρι) και ο Μπελεκομύτης βρέθηκαν εκτός ελληνικών συνόρων γιατί καθορίστηκαν επί του Καρυτσιώτη ποταμού, ενώ αυτά τα δύο χωριά βρίσκονται μετά τον ποταμό. Τότε οι μοναχοί μαζί με τους κατοίκους των δύο χωριών μετακίνησαν αυθαίρετα τα σύνορα και τα τοποθέτησαν μετά το μοναστήρι, στο οροπέδιο του Καραμανώλη.
Panagia Pelekiti(rusticated): The "Queen" of Agrafa
It is one of the monasteries that stand out. The landscape, architecture, history make the Holy Monastery of Panayia Pelekiti a pilgrimage center. It is built above the artificial lake Plastira in Karditsa and is administratively subordinated to the Cathedral of Fanariers. According to the latest historical data, it was built about five centuries ago on a steep rocky slope of Agrafa, at an altitude of 1,400 meters, northwest of Karitsa village.
The history of the Holy Monastery of Panagia Pelekiti has been linked to the course of the region, which participated in all the struggles of the Nation. During the revolution of 1821 Karitsa was destroyed by the Turks, while in 1943 by the Germans. The monks of the monastery were among the protagonists in the liberation of Karitsa from the Turks, creating a different relationship with the inhabitants.
Since its founding, the monastery has dominated the ecclesiastical things of the region since it was recognized as a cruciform in 1606 by the Ecumenical Patriarch Raffael II.
Pelekiti was named as its cells were created in the rocks on four levels, where the monks lived and functioned the monastery, while there was even a hidden school.
Porphyrios
According to Fotis Kerassiotis, who has dealt with the history of the monastery, it was probably founded at the end of the 15th century by the Spiritual Porphyry and was completed in 1529 in its present form by the new Omar Martyr Damianos, who is described as a "builder" In two frescoes. The monastery was hagiographed in the middle of the 17th century and has two temples, the Church of the Ascension of Christ and the Church of Panagia Faneromeni (the Catholic).
The Katholikon is the central and most ancient temple, devoted to Ascension of the Lord. It is a one-aisled basilica with a narthex, sheltered by a cylindrical arch, with a reinforcement bow in the middle. According to a relevant inscription inside the temple, it was painted in 1654 by hagiographers Ioannis, Nicholas Priest and Iacob Ieromonas.
The second temple is dedicated to Panagia Faneromeni. It is of the Athonian style, with dome and side dances, without internal columns. The frescoes, as indicated by a relevant inscription above the entrance door, were discovered in 1666. They were painted in 1674 by the icon-painter Iakovos and his son Dimitrios.
Known is the small but miraculous icon of Panagia Pelekiti, in which the Virgin Mary is painted with Christ in her arms. The picture is unfortunately stolen and sought to be returned to its natural place, the monastery. Evrytanas historian Panos Vassiliou wrote in 1929: "In addition to the excellent Byzantine art in frescoes, there is an icon (oil painting 0,04x0,03) of the Virgin Mary with Christ in her arms, a work of Raphael art. It is not explained how this tiny icon, which is considered as an old but miraculous icon, was found here. It dates back to 1654.
The style reminiscent of the Christ of the Protaton of Mount Athos, the well-known work of the Full Moon. In fact, this icon was embellished with 20 precious stones, of which 16 were removed from ... strangers, of course not to mention to anyone, as today, a police record. There are still, fortunately, 4 red-colored petals in its silver-plated casing, which is 0.21 x 0.23 m in size and carved on it with carved angels. An immense kindness is painted on the smiling face of Our Lady, whose child presents something truly divine and admirable for his joyful expressiveness. This magnificent icon of Virgin Mary Pelekite reminds Renaissance. "
The monastery, due to its elaborate construction and its glorious history, has been declared "Historic Preserved Monument". Unfortunately, however, the wealth of ecclesiastical heirlooms and its rare library are scarcely preserved today.
The monastery celebrates on August 15, the Assumption of the Virgin Mary. In recent years, after significant initiatives by local actors and other actors, the necessary money has been found and the monastery has been renovated and exploited, gathering crowds of pilgrims from all over Greece.
When the monks moved the border in 1831
The following incident is also impressed: After the Greek State was founded in 1831, Karytsa (the village under the monastery) and Belekomytis were found outside the Greek border because they were established on the river Karytsiotis, and these two villages are afterwards River. Then the monks, along with the inhabitants of the two villages, arbitrarily moved the borders and placed them after the monastery, on the plateau of Karamanolis.
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WILD FASHION Candice includes earrings
sizes include Erica, GenX, Curvy, Kupra, LaraX, Legacy, Peach, Reborn, Waifu w/20 Texture hud
WILD Fashion & Beauty
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Stealthic Barbwire
an lar [poses] The Jane series
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i ' ll never forget boy .. :"x
Em van~ khoc' moi~ khi ngi~ den' a .. Tai sao e lai. hao' huc' khi nhin` thay' a vei ?/
E da~ rat' co' gag' tro~ thah ng duy nhat' kua~ a .. A hiu~ trai tim e ko ??/ Bay jo no dag rat' dau don' vi ty tan vo~ ..
Nc' mat' roi .. roi .. tham' uot' moi e r .. :"( E fai lam ji dey ,, khi ko the~ xoa' bo~ hih bog kua a trog tam tri' e??/ :(( :((
E khoc' that nhiu vi a do' .. " khoc' bao dem " ..
E cuoi` that nhiu vi a .. tat ca boi vi a ..
E da~ tin vao ty vi a ca~ do' ..
Va bay jo e da~ mat' .. mat' tat ca~ that r .. :"(
E lag. im .. Nget. tho~ .. Va co don* ..
i miss u .. i need u .. Nho' a trog ca~ jac' mo* .. i'm with u ..
i miss u .. i need u .. Hay~ de~ tjan way tro~ lai .. i wanna hug u again my boy .. :"x
Nhớ lắm những phút vui đùa...Giờ đây đợi chờ những ngày mưa...Như Ngày Xưa.... :">
Trog tim em đây lại 1 lần nữa......Muốn Đc Có Anh...:"x " Có trong vòng tay..."
Có lẽ sẽ đến 1 ngày nào đó...Em lại có anh ...
Hạnh phúc ở nơi đâu?/ Ý Trí ở nơi đâu?/
Cảm giác khi e có a bây jo`...Ở nơi đâu?
Tình yêu đâu phải cái thứ tình cảm...ngày 1 ngày 2..
" Muốn yêu rồi cho - Hết yêu rồi bỏ no' "
-- May' tieg' trc' dey con noi w e la : " a cg mun zui cg e " - Ma may' tieg' sau a lai thay doi~
Chak la loi~ do e r .. Nhug co' dag' ko a ?/ - E fai tu*. hieu den' bao jo nua~ dey a ?/ --
-- E ko the~ hiu~ noi~ .. Tai sao a lam vei w 1 ng dag y a .. va y a nhiu hon moi~ ngay nua~ .. Ty that. su*. a dah cho e la the' nay sao ??/ - Sao luc' nao e kug~ la ng lam sai het' vei .. E fan boi a sao hay e lua gat tc kua a ?/ -- Eya , vi e mun dc a y thg* chu' ko fai~ nhu bay jo --
Thank you all for visits and comments.
=================================================
Les chutes du Trümmelbach -Oberland bernois - Suisse
truemmelbachfaelle.ch/e/index.html
Un grondement et un mugissement assourdissants provenant de l'intérieur de la montagne, des masses d'eau écumantes et bouillonnantes: voilà comment se présentent les chutes du Trümmelbach, les plus grandes cascades souterraines d'Europe situées dans la vallée de Lauterbrunnen, appelée aussi la vallée des 72 cascades.
Les chutes du Trümmelbach sont les seules cascades glaciaires souterraines du monde à être accessibles par un ascenseur, des galeries. des tunnels, des chemins et des plates-formes. Elles regroupent l'ensemble des eaux de fonte des glaciers de la Jungfrau qui s'écoulent vers la vallée. Leur débit peut atteindre 20'000 litres d'eau à la seconde et charrier plus de 20'000 tonnes de cailloux par année, provoquant ainsi un grondement sourd permanent au coeur de la montagne.
Les chutes du Trümmelbach font partie des 72 cascades de la vallée de Lauterbrunnen, tout comme les impressionnantes chutes du Staubbach.Une randonnée sans dénivelé important mène de Lauterbrunnen à Stechelberg en longeant les falaises verticales, hautes parfois de plusieurs centaines de mètres, du haut desquelles les eaux bouillonnantes se précipitent vers la vallée.
Source : www.myswitzerland.com/fr-ch/cascades-du-truemmelbach-eaux...
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WRONG - BENTO STATIC MALE POSES - 153
My 1nd contribution to the #NoshsHoodChallenge3
Here is the link to the city block:
maps.secondlife.com/secondlife/Willow%20Grove/189/55/507
At Noshinima's Neighborhood
The Challenge At Noshinima's Neighborhood: The City Block
This is the third of my challenges taking place at my brand new, bigger parcel, also named Noshinima's Neighborhood. This setup was a nightmare to work on, and after weeks of work and a lot of lindens spend, I have finally came up with a new challenge for all of you and it is now ready for visitors. This is a new concept I am showcasing on my Flickr, where I challenge 50 great artists to do a photo shoot in the backdrop I created at my home sim.
For the third challenge, I created a large New York style city block, complete with all the different types of retail store outlets you would find at in your typical downtown stroll along downtown. There are clothing stores, supermarkets, pizzerias flower shops and all types of different settings that can be potentially found in just one city block. This also comes with a fairly realistic street view complete with cars and trucks. I am challenging the names tagged in this post to do a shoot within my city block anywhere they like and however they like.
Rules and details:
1) I (Noshinima Midas) tag 50 names of great photographers on Second Life. Said photographers that choose to participate in the challenge can come over to my parcel, Noshinima's Neighborhood (link below) and do an image anywhere in my city. You will be allowed two hours to use any posestands or props that you would like to add and are allowed to bring any friends you want to join you in your shoot. You are also allowed to make the shoot as safe or as adult as you like. The only rule is that you do the shoot within the city block. Take your time to have a look around to see where in the block would make a great place for your image.
2) Upload the finished image onto Flickr and place the hashtag #NoshsHoodChallenge3 on either the title or the description.
3) YOU MUST TAG 10 PEOPLE THAT YOU WOULD LIKE TO SEE TAKE THIS CHALLENGE ON YOUR UPLOAD OF YOUR SHOOT! NO MORE, NO LESS! I have had several people during previous challenges that have not followed this simple rule so I am making it ALLCAPS to get the point across. Link them to this post and explain the rules to them as well. They must also tag 10 of their friends that they would like to see do this challenge if they themselves choose to participate as well. You must tag people that are actual active photographers on Second Life. Tagging pages dedicated to advertising a store, tagging real life photographers and tagging empty profiles does not count and is against the rules. Also, although you are permitted to do this if you desire, tagging me and tagging yourself will not count towards the number of 10 photographers you are tagging.
I am available every day. If anyone has any questions, comments or would like help in their shoots, be sure to contact me on Flickr or Second Life.
To everyone tagged, remember that once you do the shoot from the city, you must tag 10 names that you would also like to see do this challenge and use the hashtag #NoshsHoodChallenge3
Here is the link to the city block:
Visit Noshinima's Neighborhood in Secondlife
Just a disclaimer. This is not a contest. It is simply a challenge for anyone to use my parcel in their photography as they see fit. Use any creative tactics you choose.
PS. The images shown on this post are pictures taken from the city block as examples of what my parcel looks like. I will post them all individually soon as examples of shoots done at my parcel.
PPS. I want to also add that while this challenge has officially started today, the city parcel itself is not yet completed. I am still working on adding small touches and details to make the parcel stand out. You may find empty rooms in the parcel but I will work on filling them up as soon as possible. Please excuse the otherwise unfinished and unorganized look of my city block.
Good luck to all those that choose to participate in the challenge. I am looking to see your creativity on display within the city block.
Love,
Noshinima Midas ;)
Escuchar esta canción：
es.easternlightning.org/videos/God-perfects-those-who-lov...
Himno cristiano | Dios sólo perfecciona a los que realmente lo aman
I
Si deseas que Dios te perfeccione,
aprende a vivirlo todo en el presente, ya sea bueno o malo.
Aprende a ser iluminado en todo lo que enfrentas.
Debes beneficiarte de eso.
Si deseas que Dios te perfeccione,
no te transformes en alguien pasivo.
Ponte del lado de Dios, debes entenderlo así.
No lo mires desde la perspectiva del hombre.
Si deseas que Dios te perfeccione,
prueba esta forma de vivir,
y tu corazón absorberá las cargas de tu vida,
vivirás siempre en la luz de Su presencia,
no te desviarás fácilmente en tu práctica,
y se te abrirán perspectivas muy grandes.
Hay tantas oportunidades de que Dios te perfeccione
si lo amas de verdad.
Hay tantas posibilidades de que Dios te perfeccione
si estás decidido a ser ganado y perfeccionado por Él,
a recibir Su herencia y Su bendición.
...
De “Seguir al Cordero y cantar nuevos cánticos”
Escuchar más: Escuchar música cristiana
Excerpt from www.gpsmycity.com/attractions/kruispoort-32707.html:
Kruispoort, Brugge
Kruispoort or "Cross Gate" is the best preserved among Brugge's medieval gates. It was erected around 1297 when a second city wall was built around the city. At first, there were eight gates that served as entrances to the city of which only four survive today. The present Kruispoort is not the original one but a structure constructed in 1402. In the 1780s, the city walls were demolished as Brugge started expanding. Four of the gates were left intact to give visitors an idea of how heavily fortified Brugge was in the middle ages.
Kruispoort consists of two tall towers connected by an overhead passage. The passage and the towers have windows through which bullets were fired at the enemy. Initially, there were two bridges and a front gate that have disappeared over time. A drawbridge and two large doors were quickly closed as soon as guards could see the enemy approaching. The interior is preserved in its original condition and visitors can see the seats of the guards on each floor. Holy Roman Emperor Charles V, Napoleon, and the German army all entered Brugge through Kruispoort. The gate looks magnificent at night when it is illuminated.
España - Murcia - Cartagena - Museo Naval
www.fundacionmuseonaval.com/museonavalcartagena.html
El Museo Naval de Cartagena es un museo militar ubicado en el puerto de la ciudad y que presenta exposiciones relacionadas con la construcción naval. Es filial del Museo Naval de Madrid.
Historia
El Museo Naval de Cartagena, fue inaugurado el 8 de julio de 1986. El antiguo edificio de estilo modernista fue construido a cargo de la dirección del arquitecto Lorenzo Ros en 1926. En principio este edificio fue dedicado a la Escuela de Aprendices de la Sociedad Española de Construcción Naval que, en 1947, cambió su nombre para llamarse Empresa Nacional Bazán. También, durante algunos años, se convirtió en el colegio Nuestra Señora del Rosario. Por último la Armada recuperó el edificio, y cambió las funciones del mismo para convertirlo en el museo naval, siendo inaugurado el 8 de julio de 1986.
Desde el año 2012, el museo, trasladado a una nueva sede ubicada en el puerto, en el antiguo Cuartel de Instrucción de Marinería (CIM), se encuentra en un edificio histórico de mediados del siglo XVIII obra del ingeniero militar Mateo Vodopich y situado frente a la Dársena de Botes, en plena fachada marítima de la ciudad. Desde su construcción, en 1786, este edificio ha pasado por diferentes usos, como Centro Penitenciario del Estado (1824), Presidio (1910) o, tras la Guerra Civil, como Cuartel de Instrucción de Marinería. Tras el convenio firmado por el Ministerio de Defensa, la Comunidad Autónoma de la Región de Murcia y la Universidad Politécnica de Cartagena (2005) se establece el uso compartido entre Universidad y Museo Naval. El espacio destinado al Museo se ubica en la mitad sur de la planta baja del edificio.
La colección se extiende entre sus salas, el vestíbulo y los pasillos:
Vestíbulo: Se puede destacar la maqueta del buque escuela Juan Sebastián de Elcano, y la imagen de la Virgen del Carmen, son dos emblemas de la Armada Española, además de objetos variados.
Pasillos: Allí se puede observar en exposición la munición y las máscaras utilizadas en la primera mitad de siglo.
Sala Arsenal: En esta sala se pueden observar: planos, herramientas de carpintería y herrería de ribera, talleres de jarcia y velas, elementos de maniobra y modelos de barcos de vela, restos de los navíos “Ntra. Sra. de Atocha” y “Santa Margarita”, documentos de principio de siglo.
Sala Infantería de Marina: En esta sala se recogen cuadros que muestran las acciones y batallas en las que participó la infantería de marina a lo largo de su historia. También hay fotografías de la infantería de marina y una sección dedicada a sus bandas de música, armas y uniformes.
Sala cartografía y navegación: Se exponen copias de manuscritos de mapas, cartas y objetos tales como: un timón de un vapor de guerra del siglo XIX, telégrafos, sextantes, publicaciones de navegación, una colección de bitácoras, dos navíos y una urca.
La sala del buceo en la Armada: Refleja la historia del buceo en la Armada teniendo así diversos objetos sobre este tema y su evolución.
Sala siglo XIX: Muestra la agitación ocurrida en el siglo XIX en Cartagena, trata temas políticos, campañas militares a Cuba, y hasta restos del bombardeo sufrido en Cartagena en 1873.
Sala armamento: Esta sala expone el armamento de la Armada, así se encontrarán: armas, municiones, artificios y pertrechos.
Sala banderas y uniformes: Se exponen banderas que están ligadas a la antigua Zona Marítima del Mediterráneo, así como uniformes y modelos de navíos
Sala de Sanidad Naval: Se puede encontrar diversos objetos del antiguo hospital de monjas: un Sagrado Corazón, retratos de médicos, héroes de guerra, documentación antigua; reales cédulas, ordenanzas del Colegio de Cirugía, uniformes del siglo xviii, maquetas.
Sala Isaac Peral
Situada en el antiguo taller de fundición del Arsenal, edificio de mediados del siglo xix, en la Sala Isaac Peral se exhibe el prototipo de torpedero submarino diseñado y construido por este insigne cartagenero. En este edificio, anexo al Edificio CIM, en cuyo frente sur se sitúa el Museo Naval de Cartagena, también se encuentra la sala dedicada a la Historia del Arma Submarina y la colección de modelismo naval Julio Castelo - Fundación Mapfre.
Esta sala, dedicada a Isaac Peral, como su nombre indica, incluye una sección, Legado Isaac Peral, en la que se exponen planos documentos y objetos personales que forman parte del Patrimonio Nacional, además de pinturas, maquetas del submarino y un retrato de Isaac Peral.
Este edificio acoge, así mismo, distintos elementos relacionados con la Historia del Arma Submarina Española.
Sala historia del arma submarina: Se exponen objetos que muestran el desarrollo de la flota submarina española: torpedos, hélices, cuadros fotografías, vajillas, cuberterías, periscopios, timones.
Sala de submarinos: En esta sala se exponen maquetas de casi todos los submarinos que participaron en la armada, objetos tales como: baterías, planos de submarinos, campanas de recuperación, de salvamento, torpedos y la Cámara de Oficiales del submarino Narciso Monturiol (S-35).
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→ Style on Me
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Excerpt from miyajima.or.jp/english/spot/spot_other.html:
Designated as a National Important Cultural Property on August 29, 1910
Hokoku Shrine is dedicated to the warlord Toyotomi Hideyoshi (one of the three unifiers of Japan in the 16th century) and his loyal aid Kato Kiyomasa. The reason for building this structure is clearly stated in a letter by Ankokuji Ekei, head monk of Ankokuji Temple. In 1587, Ekei asked Daiganji Temple, the temple in charge of construction and repair work in Miyajima including Itsukushima Shrine, to build a Buddhist library in which the chanting of Senbu-kyo sutras could be held every month. As there is no board ceiling or outer gate, it is believed that the construction of the building was not completed.
Originally, Amida Buddha and two subordinate Buddhist saints, Anan and Kasho-sonja, were enshrined in the Buddhist altar until the early Meiji era. Since that time, however, the altar has been used in Shinto rituals.
The building is called Senjokaku (Hall of One Thousand Tatami Mats), reflecting its standing as the largest structure on Miyajima Island. The shrine was a popular landmark in Miyajima where many people came to relax and cool themselves and to buy popular souvenirs such as tooth picks, and a variety of legends and traditions have been created here.
The fact that this structure, unique among the buildings belonging to Itsukushima Shrine, is unpainted and that its exact date of founding is recorded makes it a valuable gauge of the passage of time. The traces of weathering on its pillars and floor boards can be used to determine the approximate age of any other wooden structure on Miyajima.
A piece of wood used as a measuring device in the reconstruction work of the O-Torii in 1873 hangs on a pillar under the floor of the south part of the shrine. Countless votive picture tablets that had been hanging on the walls of Itsukushima Shrine buildings until the mid Meiji era decorate the walls inside the hall.
The shrine did not yet exist at the time of the Battle of Itsukushima in 1555 when the Mori clan defeated the Sue clan to unify the Chugoku region. The headquarters of the Sue clan was located on this hill, which was then called To-no-oka (Pagoda Hill). Starting in the Meiji era, the hill was developed through the establishment of stone steps, among other additions.
Excerpt from www.japan-experience.com/all-about-japan/miyajima/temples...:
Its bare appearance may not intrigue you at first. Only unfinished walls and a hundred pillars. Although the building is pretty, there is something missing. But once inside, look up: the gigantic ceiling is covered with a mosaic of paintings whose subjects are as varied as the styles and periods of implementation. Medieval battles, Buddhist representations, landscapes and animals in a modern style, the eye does not know where to turn.
Excerpt from www.mtr.com.hk/en/customer/community/art_archi_life_in_me...:
Life in Mei Foo-Now and Then by Ng Yuen Wa
The sixteen panels will be divided into two main parts according to their themes, one part is about the past of Mei Foo and the other illustrates the life of the Mei Foo residents at the present moment. These two main parts can be subdivided into four groups, each group consisting of four panels:
The first group, On the Night of the Mid-Autumn Festival , depicts how the Mei Foo residents used to share their love and joy at the podium under the full moon at the Mid-Autumn Festival.;
The second group, centred on the theme of Memory of the Seashore, brings the viewers back to a time when there was a wonderful seashore at the Mei Foo Sun Chuen. With a touch of nostalgia, this group of works highlights the sublime seascape and the serene atmosphere of the Mei Foo Sun Chuen.
The Mei Foo residents depicted in the third group, Apartment in the Starry Metropolitan, enjoy the glittering night scene of this prosperous metropolitan – Hong Kong – through gazing out of their apartment windows, while they are resting in their apartments after a day of work.
In Mei Foo, a piece of land has been reclaimed from the sea and a park with different kinds of recreational facilities is built on the reclamation area. The fourth group of work, entitled A Delightful Weekend, focuses on the recreational activities of the Mei Foo residents taking place in the park.
Mount Utsayantha got its name from the legend of a local Indian maiden, Utsayantha – which means "beautiful spring." She was said to have borne a child whose father was white, something that made her father, the chief, so furious he buried a tomahawk in the white man's skull and rowed with the baby to the center of a nearby lake and drowned it. Utsayantha followed her father to the lake and in her despair, drowned herself too. Upon discovering what she had done, the legend says the chief recovered her body and carried her up the mountain, where he buried her. Her grave site was believed to have been discovered in 1862, and although many doubt its authenticity, a monument was placed at the site in 1936.
for more information: from www.utsayantha.com/html/history.html
La Segunda venida de Cristo | Ya se han cumplido 7 profecías. ¿Has recibido el regreso del Señor?
Ahora es el final de los últimos días. Muchos hermanos y hermanas, que verdaderamente creen en el Señor y esperan que regrese, deben tener tales preguntas: Jesucristo ha dicho: "Y he aquí, yo vengo presto" (Apocalipsis 22:12). Él nos ha prometido que volverá. ¿Ya regresó? ¿Cómo podemos saber si ha regresado o no?
1. El amor de los creyentes se vuelve frío
Mateo 24:12 registra: "Y por haberse multiplicado la maldad, la caridad de muchos se resfriará". Hoy en día, en las denominaciones y religiones, los creyentes codician el mundo en general, y pocos se dedican a trabajar para el Señor. Algunos de ellos se dedican a negocios, otros están ocupados abriendo fábricas para ganar dinero. Además, los pastores y los ancianos se traman unos a otros, tienen celosas disputas entre ellos. Incluso forman facciones, roban ofrendas y cometen adulterio. Por lo tanto, los seguidores se vuelven cada vez más fríos en su fe y amor y las iglesias se vuelven más desoladas ahora.
...
Leer más: www.biblia-es.org/7-profecias-se-han-cumplido.html
También te podría interesar leer: Estudio bíblico sobre la segunda venida de Cristo
Las señales antes del fin han aparecido, ¿cómo recibir el regreso del Señor?
Hace 2000 años, los seguidores del Señor le preguntaron: “Cuál será la señal de tu venida y de la consumación de este siglo?” (Mateo 24:3). El Señor Jesús respondió: “Y habréis de oír de guerras y rumores de guerras. ¡Cuidado! No os alarméis, porque es necesario que todo esto suceda; pero todavía no es el fin. Porque se levantará nación contra nación, y reino contra reino, y en diferentes lugares habrá hambre y terremotos. Pero todo esto es solo el comienzo de dolores” (Mateo 24:6-8). Hoy en día, cada vez tienen lugar más desastres en todo el planeta. Se suceden terremotos, epidemias, hambrunas, guerras e inundaciones. A finales de 2019 surgió un nuevo tipo de coronavirus en Wuhan, China. Su velocidad de transmisión es alarmante: en apenas unos meses aparecieron casos en todo el país y China se sumió inmediatamente en el caos. Multitud de provincias, municipios y aldeas están siendo puestos sucesivamente en cuarentena conforme el número de muertes continúa aumentando. Además, el virus se ha propagado a más de 20 países de todo el mundo. Para colmo, entre septiembre de 2019 y enero de 2020, los incendios forestales en Australia destruyeron más de 5900 edificios y mataron más de mil millones de animales. En enero de 2020, dicho continente se vio azotado por la mayor lluvia torrencial en un siglo, la cual provocó unas inundaciones que mataron muchos animales de agua dulce. Ese mismo mes, decenas de miles de personas se quedaron sin hogar a consecuencia de las inundaciones en Indonesia. También tuvieron lugar la erupción de un volcán en Filipinas, la peor plaga de langostas en África en 25 años y un terremoto de magnitud 6,4 en Sinkiang… La lista es interminable. Se han cumplido las profecías bíblicas de la venida del Señor. Es lógico pensar que el Señor ha regresado. Entonces, ¿por qué aún no hemos recibido Su venida? ¿No nos sumiremos en la gran tribulación si esto continúa? ¿Y qué deberíamos hacer para recibir la venida del Señor?
¿Cómo vendrá el Señor?
Muchas personas han leído estas palabras en la Biblia: “He aquí, viene con las nubes” (Apocalipsis 1:7). “Verán al Hijo del Hombre que viene sobre las nubes del cielo con poder y gran gloria” (Mateo 24:30). Tienen por seguro que el Señor vendrá con las nubes. Sin embargo, ¿por qué no hemos contemplado esa visión todavía? ¿Es este el único medio por el que vendrá el Señor? En realidad, hemos pasado por alto una cosa importante acerca de la venida del Señor. En las Escrituras también se profetiza una venida de Dios en secreto, como en: “He aquí, vengo como ladrón” (Apocalipsis 16:15). “Pero a medianoche se oyó un clamor: ‘¡Aquí está el novio! Salid a recibirlo’” (Mateo 25:6). “Por eso, también vosotros estad preparados, porque a la hora que no pensáis vendrá el Hijo del Hombre” (Matthew 24:44). “Porque como el relámpago al fulgurar resplandece desde un extremo del cielo hasta el otro extremo del cielo, así será el Hijo del Hombre en su día. Pero primero es necesario que Él padezca mucho y sea rechazado por esta generación” (Lucas 17:24-25).
Las referencias de las Escrituras a “como ladrón” y “a medianoche se oyó un clamor” indican que, cuando el Señor regrese en los últimos días, lo hará silenciosamente, en secreto. ¿Y a qué se refiere “Hijo del Hombre”? Sin duda, un “Hijo del Hombre” nace de una persona, con una madre y un padre, y de carne y hueso. El Señor Jesús, por ejemplo, se encarnó en la imagen de una persona normal que vive entre los hombres. Por tanto, vemos que “Hijo del Hombre” alude a Dios encarnado; el Espíritu no puede denominarse Hijo del Hombre. Además, las Escrituras también dicen que “Pero primero es necesario que Él padezca mucho y sea rechazado por esta generación”. Este pasaje de las Escrituras deja claro que, cuando el Señor regrese, soportará mucho sufrimiento y será rechazado por esta generación. Todos sabemos que Dios solamente podría ser rechazado al encarnarse en el Hijo del Hombre, ya que Dios encarnado es demasiado corriente y la gente no lo conoce; lo considera una persona corriente y, en consecuencia, Él sufre grandes penalidades. No obstante, si el Señor se apareciera al hombre como Espíritu, todos los hombres, fueran buenos o malos, creyentes o incrédulos, e incluso opositores a Dios, caerían en tierra ante Él en adoración, pues ¿quién podría rechazar a Dios entonces? ¿Y cómo habría de sufrir Dios? Esto demuestra que el Señor de los últimos días se aparece a la humanidad como Hijo encarnado del Hombre.
Continuará… www.kingdomsalvation.org/es/testimonies/el-fin-se-acerca....
Las escrituras tomadas de LA BIBLIA DE LAS AMERICAS® (LBLA) Copyright © 1986, 1995, 1997 por The Lockman Foundation usado con permiso. www.LBLA.com.
Raw Unedited, shot on location at Mayfair.
Special notice for designers of Skin Fair 2014 and Saviad Spring Fair 2014 in link.
Stylecard here: narikookawa.blogspot.com/2014/03/i-need-to-get-back-home-...
shakilynsblogs.blogspot.com/2021/02/my-korner-489-is-it-l...
BLOG NAME: Is It Love?
DESIGNERS: Arty Creation, Toksik, L&B Swear, Monso, Avada, TaoX TaTToo & ACT5 Poses
Love is the feeling you get when you like something as much as your motorcycle and I like him and his bike so it's love!
Today's Feature:
MOTORCYCLE: King Road Electra by Arty Crea
AND
Today I'm wearing:
TOP: toksik - Fuego Shirt (Plum)
SKIRT: toksik - Fuego Skirt (Plum)
BOOTS: L&B Swear Bianca Suede Boots - Fatpack
HAIR: [monso] Billie Hair @ Fameshed
NAILS: Avada~ Stiletto Nails - The Lovers @Vanity
TATTOO: TaoX TaTToo - Kenza
MALE POSE: ACT5-520-Male Lean with Phone Pose
King Road Electra is ACS 7.02 scripted for a very pleasant ride. 6 color options for the body, 6 for the upper fork and 2 for the exhaust. Permissions are Mod, copy and no transfer.
Fuego top and skirt are rigged for Freya, Isis, Hourglass and Maitreya and come in single colors or fatpacks. Sold separately.
Bianca boots are rigged for Maitreya, Freya, Isis, Hourglass and Physique. They come in 2 heights, regular with or without socks or thigh high.
Billie hair comes with two styles and is available in 3 color sets (black&red, brown&blonde and mix&pop. Showing browne&blonde.
Lovers nails are rigged for Belleza, Kupra, Legacy, Maitreya, Signature, Slink & Tonic and come with applier hud with 5 patterns.
TaoX TaTToo has appliers for Omega, Signature, Slink, TMP, Vista Hands and BOM. Comes in black or color. See My Korner #275 for full tattoo.
Links:
Arty Creation Mainstore
maps.secondlife.com/secondlife/Magical%20Moon/89/133/240
Arty Creation Marketplace
marketplace.secondlife.com/stores/103783
Toksik Mainstore
maps.secondlife.com/secondlife/Rapture/91/80/107
Toksik Marketplace
marketplace.secondlife.com/stores/178729
L&B Swear Mainstore
maps.secondlife.com/secondlife/Evocative/127/149/31
L&B Swear Marketplace
marketplace.secondlife.com/stores/6435
Fameshed
maps.secondlife.com/secondlife/FaMESHed/228/227/801
Monso Mainstore
maps.secondlife.com/secondlife/Sweet%20Isle/196/108/23
Monso Marketplace
marketplace.secondlife.com/stores/105079
Vanity Event
maps.secondlife.com/secondlife/Scandalize%20Land/47/202/2073
Avada Mainstore
maps.secondlife.com/secondlife/Elmira/136/134/27
Avada Marketplace
marketplace.secondlife.com/stores/147505
TaoX TaTToo Mainstore
maps.secondlife.com/secondlife/TaoX%20TaTToo/149/128/37
TaoX TaTToo Marketplace
marketplace.secondlife.com/stores/69954
ACT5 Poses Marketplace
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Photo Taken Here
Excerpt from www.mtr.com.hk/en/customer/community/art_archi_life_in_me...:
Life in Mei Foo-Now and Then by Ng Yuen Wa
The sixteen panels will be divided into two main parts according to their themes, one part is about the past of Mei Foo and the other illustrates the life of the Mei Foo residents at the present moment. These two main parts can be subdivided into four groups, each group consisting of four panels:
The first group, On the Night of the Mid-Autumn Festival , depicts how the Mei Foo residents used to share their love and joy at the podium under the full moon at the Mid-Autumn Festival.;
The second group, centred on the theme of Memory of the Seashore, brings the viewers back to a time when there was a wonderful seashore at the Mei Foo Sun Chuen. With a touch of nostalgia, this group of works highlights the sublime seascape and the serene atmosphere of the Mei Foo Sun Chuen.
The Mei Foo residents depicted in the third group, Apartment in the Starry Metropolitan, enjoy the glittering night scene of this prosperous metropolitan – Hong Kong – through gazing out of their apartment windows, while they are resting in their apartments after a day of work.
In Mei Foo, a piece of land has been reclaimed from the sea and a park with different kinds of recreational facilities is built on the reclamation area. The fourth group of work, entitled A Delightful Weekend, focuses on the recreational activities of the Mei Foo residents taking place in the park.
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maps.secondlife.com/secondlife/Ravenhurst/192/138/22
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maps.secondlife.com/secondlife/Buckler/171/26/2094
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~ Photo Booth by Foxcity - Florals (Pink)
maps.secondlife.com/secondlife/FOXCITY/183/73/22
~ Pose by Foxcity - Refresh
maps.secondlife.com/secondlife/FOXCITY/183/73/22
~ Picture taken at Sunny's Photo Studio
maps.secondlife.com/secondlife/Sunny%20Photo%20Studio/211...
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