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willowgrovedaycamp.com/willows.html
The Willows at Willow Grove Day Camp is a camp for 3 and 4 year old children. This unique camp experience offers your child an early opportunity to learn and socialize with children their own age.
During the first week of camp, lots of fun was had as the children and counselors got to know each other. “Sun and Surf” was our first week theme. The children really enjoyed decorating their bucket and shovel memo pads during Arts and Crafts. Along with this activity, the Polar Bears and Penguins enthusiastically participated in Nature, Gymnastics, Dance, Tennis and Soccer. We are looking forward to the next seven weeks of fun-filled activities.
Willow Grove Day Camp provides summer fun for kids who live in Willow Grove, Abington, Blue Bell, Hatboro, Horsham, Huntingdon Valley, Lafayette Hill, Philadelphia, Plymouth Meeting, Southampton and the surrounding areas. For more information on the Willows and Willow Grove Day Camp please visit: willowgrovedaycamp.com/willows.html
Believed to be in Public Domain From Library of Congress, Prints and Photographs Collections. More on copyright: What does "no known restrictions" mean?
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For information from Creative Commons on proper licensing for images believed to already be in the public domain please-- click here. By using this image from this site, you are acknowledging that you have read all the information in this description and accept responsibility for any use by you or your representatives. You are accepting responsibility for conducting any additional due diligence that may be necessary to ensure your proper use of this image.
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Based on information from the source, this image is believe to be in the public domain. It is up to the user to make their own determination. Additional information is provided below, usually the entire online file, to assist you in doing so. Public domain images SHOULD NOT BE ATTRIBUTED TO PINGNEWS. Please attribute the repository and the originator. If you can add "via pingnews" or a link back to this site it is appreciated. While it may appear with this image, the attribution license does not apply to pingnews in this instance as we are neither the creator of nor the archive for this work.
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Public Domain. Additional source description and credit info from the Library of Congress:
TITLE: The war of wealth
CALL NUMBER: POS - TH - 1895 .W37, no. 1 (C size) [P&P]
REPRODUCTION NUMBER: LC-USZC4-591 (color film copy transparency)
LC-USZ6-380 (b&w film copy neg.)
RIGHTS INFORMATION: No known restrictions on publication.
MEDIUM: 1 print (poster) : lithograph, color ; 77 x 102 cm.
CREATED/PUBLISHED: Cin'ti ; N.Y. : Strobridge Lith. Co., c1895.
CREATOR:
Strobridge & Co. Lith.
RELATED NAMES:
Litt, Jacob.
Dazey, Charles Turner, 1855-1938.
NOTES:
Created and "copyright 1895 by The Strobridge Lith Co, Cin'ti. -- N.Y."
Jacob Litt, proprietor.
By C.T. Dazey, author of In old Kentucky.
Caption: The run on the bank : a crisis in the affairs of the great financial institution. The most animated and realistic scene ever shown on the stage.
N.Y. 6312.
SUBJECTS:
Business panics.
Banks.
Crowds.
Melodramas.
FORMAT:
Theatrical posters American.
Lithographs Color.
PART OF: Theatrical Poster Collection (Library of Congress)
REPOSITORY: Library of Congress Prints and Photographs Division Washington, D.C. 20540 USA
DIGITAL ID: (digital file from intermediary roll copy film) var 0760 hdl.loc.gov/loc.pnp/var.0760
CONTROL #: var1994000815/PP
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That duck is about to get a little beating from the ocean :) Not that it minds, since it's a Common shelduck. The funny thing is that I didn't even notice it when I made the shot - I was focused on freezing the wave :)
Aquele pato está prestes a levar uma pancadinha do oceano :) Não é que se importe, já que é um Pato-branco. O mais engraçado é que nem o vi quando fiz a foto - estava concentrada em apanhar a onda :)
Oeiras - Portugal
Soonest Mended
BY JOHN ASHBERY
Barely tolerated, living on the margin
In our technological society, we were always having to be rescued
On the brink of destruction, like heroines in Orlando Furioso
Before it was time to start all over again.
There would be thunder in the bushes, a rustling of coils,
And Angelica, in the Ingres painting, was considering
The colorful but small monster near her toe, as though wondering whether forgetting
The whole thing might not, in the end, be the only solution.
And then there always came a time when
Happy Hooligan in his rusted green automobile
Came plowing down the course, just to make sure everything was O.K.,
Only by that time we were in another chapter and confused
About how to receive this latest piece of information.
Was it information? Weren’t we rather acting this out
For someone else’s benefit, thoughts in a mind
With room enough and to spare for our little problems (so they began to seem),
Our daily quandary about food and the rent and bills to be paid?
To reduce all this to a small variant,
To step free at last, minuscule on the gigantic plateau—
This was our ambition: to be small and clear and free.
Alas, the summer’s energy wanes quickly,
A moment and it is gone. And no longer
May we make the necessary arrangements, simple as they are.
Our star was brighter perhaps when it had water in it.
Now there is no question even of that, but only
Of holding on to the hard earth so as not to get thrown off,
With an occasional dream, a vision: a robin flies across
The upper corner of the window, you brush your hair away
And cannot quite see, or a wound will flash
Against the sweet faces of the others, something like:
This is what you wanted to hear, so why
Did you think of listening to something else? We are all talkers
It is true, but underneath the talk lies
The moving and not wanting to be moved, the loose
Meaning, untidy and simple like a threshing floor.
These then were some hazards of the course,
Yet though we knew the course was hazards and nothing else
It was still a shock when, almost a quarter of a century later,
The clarity of the rules dawned on you for the first time.
They were the players, and we who had struggled at the game
Were merely spectators, though subject to its vicissitudes
And moving with it out of the tearful stadium, borne on shoulders, at last.
Night after night this message returns, repeated
In the flickering bulbs of the sky, raised past us, taken away from us,
Yet ours over and over until the end that is past truth,
The being of our sentences, in the climate that fostered them,
Not ours to own, like a book, but to be with, and sometimes
To be without, alone and desperate.
But the fantasy makes it ours, a kind of fence-sitting
Raised to the level of an esthetic ideal. These were moments, years,
Solid with reality, faces, namable events, kisses, heroic acts,
But like the friendly beginning of a geometrical progression
Not too reassuring, as though meaning could be cast aside some day
When it had been outgrown. Better, you said, to stay cowering
Like this in the early lessons, since the promise of learning
Is a delusion, and I agreed, adding that
Tomorrow would alter the sense of what had already been learned,
That the learning process is extended in this way, so that from this standpoint
None of us ever graduates from college,
For time is an emulsion, and probably thinking not to grow up
Is the brightest kind of maturity for us, right now at any rate.
And you see, both of us were right, though nothing
Has somehow come to nothing; the avatars
Of our conforming to the rules and living
Around the home have made—well, in a sense, “good citizens” of us,
Brushing the teeth and all that, and learning to accept
The charity of the hard moments as they are doled out,
For this is action, this not being sure, this careless
Preparing, sowing the seeds crooked in the furrow,
Making ready to forget, and always coming back
To the mooring of starting out, that day so long ago.
John Ashbery, “Soonest Mended” from The Double Dream of Spring. Copyright © 1966, 1970 by John Ashbery. Reprinted with the permission of Georges Borchardt, Inc. on behalf of the author.
Source: The Mooring of Starting Out: The First Five Books of Poetry (Ecco Press, 1997)
^ ^ ^.^ ^ ^
On all our tours I encourage our guests to also shoot verticals, not only horizontals. Magazines for instance, are all based on verticals, so if you ever want your picture to grace the cover or to be published on a full page, you'll need to shoot verticals as well.
A little while back I got an email from British Airways, asking whether I had a vertical version of my famous picture The Edge, of an elephant at Victoria Falls. And as a matter of fact I did, I just never processed it. When I started processing the image, I wondered why I hadn't done it earlier - the vertical version seems to make more sense because you can actually see the height of the falls and you can see all the water falling down.
Anyway, British Airways published the shot and I was happy they had given me a good reason to dive into my image library again.
Here's the background story that I wrote for the horizontal version:
-
It's hard enough to make original pictures, but with some subjects it simply borders the impossible.
When I was at Victoria Falls last year, I thought about the billions of photographs that must have been taken there, and I almost decided to just visit the place without my camera. That was until I spoke with some of the local people, who told me that they had seen a bull elephant crossing the Zambezi river the day before. During my research I had not seen any images of the falls with an elephant in it, so I decided to stay a few extra days and try my luck.
The course of the Zambezi is dotted with numerous tree-covered islands, which increase in number as the river approaches the falls. As the dry season takes effect, the islets on the crest become wider and more numerous, and with the water level of the Zambezi dropping, once submerged walkways and fresh foraging possibilities present themselves. This elephant was apparently aware of this.
On the third day I left very early with a small boat to reach my location. On my way to the edge I suddenly saw the lone bull wading through shallow parts of the river, but it was far away and light levels were low, so I decided to continue to the falls. I took some sunrise shots and half an hour later I saw the elephant approaching the falls. I quickly collected my gear and moved carefully towards the edge where the water plummeted into a 360ft chasm - not particularly nice when you're afraid of heights... I set everything up in order to include as much as possible of the falls and made a composition. Luckily the elephant was aware of my preference to shoot into the light, so his position couldn't be better.
After I took the shots, I knew I had just witnessed and captured something very special. Later that day local people confirmed this by telling me that they had never seen an elephant so close to the edge of the falls before - exactly what I wanted to hear!
This image was featured as a double page spread in National Geographic, and won First Prize in the European Wildlife Photographer of the Year Awards.
-
If you would like to join me on our next photo tour in Zambia and learn everything about wildlife photography, please check out my website for more information and tour impression video clips:
Squiver Photo Tours & Workshops
Hope to see you there!
Marsel
©2013 Marsel van Oosten, All Rights Reserved. This image is not available for use on websites, blogs or other media without the explicit written permission of the photographer.
Excerpt from www.amo.gov.hk/en/historic-buildings/monuments/outlying-i...:
Yeung Hau Temple is one of the oldest temples in Tai O. The temple was probably built in 1699 or earlier with reference to the oldest relic at the temple, an iron bell cast in the 38th year of Kangxi reign (1699) of the Qing dynasty dedicated to the deity of Hau Wong.
Yeung Hau Temple has long been patronised not only by fishing folks and fisheries merchants in Tai O, but also by merchants from the neighbouring places and the Qing soldiers along the coast. The temple is also popular for its strong association with the Tai O Dragon Boat Water Parade which is a traditional festive event with a history of over one hundred years and was inscribed onto the third national list of intangible cultural heritage of China in 2011.
The temple compound consists of the main temple building and side halls constructed of grey brick, granite and timber. The main temple building is a Qing vernacular two-hall-three-bay building, with a courtyard covered with a pavilion in-between the two halls. The recessed façade is supported by granite columns. Exquisite historic Shiwan ceramic figurines portraying Chinese folk stories can also be found on the roof ridge of the entrance hall and the two parapet walls of the covered courtyard.
Yeung Hau Temple was declared a monument in 2017.
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Eyeshadow: Zibska - Gauss Eyemakeup (free @Bodyfy Event, ends April 24th)
Dress: NyDesign - Bohemian Long Dress Blossom Edition (0L, LB-Prize)
For these photos, my good friend Hank Grinold built a personal shelter for his 3d design class. It is the comfiest and loveliest thing, tucked away in the corner of the nature reserves on my school's campus. This morning I went on an adventure to find it and when I finally came across it my mind was blown and my heart melted. It is so soft and fond, it really brings me back to my memories of the cotton series.
So I shot the old fashioned way, remote in hand, tripod and my brand new baby. I am really proud of these, it feels so good to incorporate someone else's work with my own.
As his professor called it, a crossing between two disciplines. I am really thrilled.
Believed to be in Public Domain From Library of Congress, Prints and Photographs Collections. More on copyright: What does "no known restrictions" mean?
______________________
For information from Creative Commons on proper licensing for images believed to already be in the public domain please-- click here. By using this image from this site, you are acknowledging that you have read all the information in this description and accept responsibility for any use by you or your representatives. You are accepting responsibility for conducting any additional due diligence that may be necessary to ensure your proper use of this image.
________________
Based on information from the source, this image is believe to be in the public domain. It is up to the user to make their own determination. Additional information is provided below, usually the entire online file, to assist you in doing so. Public domain images SHOULD NOT BE ATTRIBUTED TO PINGNEWS. Please attribute the repository and the originator. If you can add "via pingnews" or a link back to this site it is appreciated. While it may appear with this image, the attribution license does not apply to pingnews in this instance as we are neither the creator of nor the archive for this work.
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Public Domain. Suggested credit: Detroit Publishing/Library of Congress via pingnews. Additional information from source:
TITLE: [Arabs leaving mosque, Tunis, Tunisia]
CALL NUMBER: LOT 13427, no. 035 [item] [P&P]
Check for an online group record (may link to related items)
REPRODUCTION NUMBER: LC-DIG-ppmsc-06043 (digital file from original)
RIGHTS INFORMATION: No known restrictions on reproduction.
MEDIUM: 1 photomechanical print : photochrom, color.
CREATED/PUBLISHED: [ca. 1899].
NOTES:
Title from the Detroit Publishing Co., Catalogue F--Scenic, Architectural and Marine Views, Detroit, Mich. : Detroit Photographic Co., 1899.
Print no. "6246".
Forms part of: Views of architecture and people in Tunisia in the Photochrom print collection.
FORMAT:
Photochrom prints Color 1890-1900.
PART OF: Views of architecture and people in Tunisia
REPOSITORY: Library of Congress Prints and Photographs Division Washington, D.C. 20540 USA
DIGITAL ID: (digital file from original) ppmsc 06043 hdl.loc.gov/loc.pnp/ppmsc.06043
CONTROL #: 2001699400
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Excerpt from www.discoverhongkong.com/ca/explore/unmissable-adventures...:
Auspicious Elephants at Shun Hing Street
In traditional Chinese culture, the elephant is a symbol of good fortune and affluence. The pronunciation of ‘elephant’ (xiàng) is similar to that of ‘auspiciousness’(xiáng), plus the way elephants draw water using their trunks also represents drawing in wealth. At the entrance to the open area of the public housing on Shun Hing Street (facing the Chung Ying Street police post), stands a striking pavilion with red pillars and a green tiled roof. It’s adorned with small golden tiles on the edges, and at the top, two lifelike dragons are guarding a pearl that represents Sha Tau Kok. In the front, there is a pair of elaborately sculpted elephants. Rumour has it that they were set up by a feng shui master to help residents of Sha Tau Kok to draw wealth and fortune from the natural treasure trove of Starling Inlet (water symbolises wealth in Chinese culture). You may touch the elephants for good luck — touch the one with its trunk raised first to bring wealth and fortune, then the one with its trunk lowered to safeguard them. Remember to follow the correct order!
Quelle:
René Descartes am 12. Februar 2011
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"René Descartes [ʀəˈne deˈkaʀt] (latinisiert Renatus Cartesius; * 31. März 1596 in La Haye en Touraine; † 11. Februar 1650 in Stockholm) war ein französischer Philosoph, Mathematiker und Naturwissenschaftler.
Descartes gilt als der Begründer des modernen frühneuzeitlichen Rationalismus, den Spinoza, Malebranche und Leibniz kritisch-konstruktiv weitergeführt haben. Sein rationalistisches Denken wird auch Cartesianismus genannt. Von ihm stammt das berühmte Dictum „cogito ergo sum“ („ich denke, also bin ich“), welches die Grundlage seiner Metaphysik bildet, aber auch das Selbstbewusstsein als genuin philosophisches Thema eingeführt hat. Seine Auffassung bezüglich der Existenz zweier miteinander wechselwirkender, voneinander verschiedener „Substanzen“ – Geist und Materie – ist heute als Cartesianischer Dualismus bekannt und steht im Gegensatz zu den verschiedenen Varianten des Monismus sowie zur dualistischen Naturphilosophie Isaac Newtons, der die Wechselwirkung aktiver immaterieller „Kräfte der Natur“ mit der absolut passiven Materie lehrt (siehe dazu newtonsche Gesetze, Erstes Gesetz der Bewegung).
Descartes ist der Erfinder der sogenannten analytischen Geometrie, welche Algebra und Geometrie verbindet.
Seine naturwissenschaftlichen Arbeiten sind zwar früh durch die newtonsche Physik widerlegt worden – sei es seine Ablehnung des Gravitationsprinzips oder seine Wirbel-Theorie –, Descartes’ Leistungen im naturwissenschaftlichen Bereich dürfen aber nicht unterschätzt werden, da er einer der wichtigsten und strengsten Vertreter des Mechanizismus ist, der die ältere aristotelische Physik überwunden hat.
Sein Ethos der Pflicht und der Selbstüberwindung hat die Literatur der französischen Klassik des 17. Jahrhunderts, insbesondere Pierre Corneille, Nicolas Boileau, Jacques-Bénigne Bossuet und Jean de la Bruyère, beeinflusst." Quelle und weitere Informationen: Wikipedia: René Descartes
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weiterführende Links:
Homepage: www.gutenberg.org/browse/authors/d#a44
Wiki-Videos:
eyeplorer: eyeplorer.com/map/de/Ren%C3%A9+Descartes/
Excerpt from www.amo.gov.hk/en/historic-buildings/monuments/kowloon/mo...:
Kowloon Union Church, one of the earliest inter-denominational churches in Hong Kong, was built by the London Missionary Society with financial support from Sir Paul Chater. The foundation stone was laid on 27 May 1930 by the then Colonial Secretary, W.T. Southorn, and the church was officially opened on 10 April 1931 by the then Governor Sir William Peel. During the Japanese Occupation, the church ceased to function and the building was converted into a horse stable by the Japanese army and suffered severe looting and damage. The church was opened again for public worship with a rededication service held on 19 October 1947 and continues to serve the community until now.
The church possesses “Perpendicular Gothic” architectural features, with pitched Chinese-tiled roof, red load-bearing brick walls and contrasting grey granite steps and window surrounds. A semi-circular apse and an attached three-storey battlemented tower are built at the two ends of the church respectively.
The square battlemented tower with pointed arch doorway surround and foundation stone at the base is designed to serve as the main entrance to the church. It is of fair-face red brickwork with carved granite ornaments and trimmings. There is also a concrete flat roof topped with a crenelated low parapet wall.
The windows of the church are set in decorative granite framing in the form of trefoil-headed tracery. The window frames are of wrought-iron and there are angular carved hoods above the windows. The windows of top floor of the battlemented tower are with stone louvers. The elegant double hammer-beam timber roof trusses with carved granite corbel supports are a rare and dominant feature of the spacious interior of the main hall of the church.
Kowloon Union Church was declared a monument in 2017.
La venida de Cristo | Dios llega calladamente entre nosotros
Dios Todopoderoso dice: “Dios guarda silencio y nunca se nos ha aparecido, sin embargo, Su obra nunca se ha detenido. Ve todas las tierras y manda a todas las cosas y contempla todas las palabras y obras del hombre. Su gestión es conducida por pasos, y de acuerdo a Su plan. Este avanza en silencio, sin un efecto dramático, pero Sus pisadas avanzan cada vez más cerca de la humanidad, y Su tribunal se despliega en el universo a la velocidad de la luz, inmediatamente seguido por el descenso de Su trono entre nosotros. ¡Qué escena tan majestuosa es esta; qué cuadro tan imponente y solemne! Como una paloma, como un león rugiente, el Espíritu llega entre todos nosotros. Es sabio, es justo y majestuoso; Él llega entre nosotros en silencio, dueño de la autoridad y lleno de amor y compasión” (“Contemplando la aparición de Dios en Su juicio y Su castigo”).
Lee el texto completo: www.kingdomsalvation.org/es/recital-christ-expression-030...
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Palabras de Dios | Escapa de la influencia de las tinieblas y Dios te ganará
"¿Cuál es la influencia de las tinieblas? Aquello a lo que se llama influencia de las tinieblas es la esclavitud de Satanás, la influencia de Satanás; es una influencia que tiene un aura de muerte.
…… Si los hombres son incapaces de practicar las palabras de Dios, siempre lo engañan actuando de una forma superficial con Él y sin creer en Su existencia, tales personas están viviendo bajo la influencia de las tinieblas. Todos los hombres que no han recibido la salvación de Dios están viviendo bajo el campo de acción de Satanás, es decir, viven todos bajo la influencia de las tinieblas. Quienes no creen en Dios viven bajo el campo de acción de Satanás. Incluso aquellos que creen en la existencia de Dios pueden no estar necesariamente viviendo en la luz de Dios, porque los que creen en Él, no necesariamente pueden estar viviendo dentro de las palabras de Dios ni ser hombres que necesariamente sean capaces de obedecer a Dios. El hombre sólo cree en Dios y debido a su fracaso en conocer a Dios, él sigue viviendo dentro de las viejas normas, viviendo dentro de palabras muertas, viviendo en una vida que es oscura e incierta, no estando purificado del todo por Dios ni ganado por completo por Dios. Por tanto, aunque no hace falta decir que quienes no creen en Dios están viviendo bajo la influencia de las tinieblas; incluso quienes sí creen en Dios, aun así pueden estar viviendo bajo la influencia de las tinieblas, porque el Espíritu Santo no ha llevado a cabo obra alguna en ellos. Los que no han recibido la gracia de Dios ni Su misericordia, así como los que no pueden ver la obra del Espíritu Santo, viven todos bajo la influencia de las tinieblas; quienes sólo disfrutan de la gracia de Dios, pero no lo conocen, también viven la mayor parte del tiempo bajo la influencia de las tinieblas. Si un hombre cree en Dios, pero gasta la mayor parte de su vida bajo la influencia de las tinieblas, entonces la existencia de ese hombre ha perdido su significado, por no mencionar a quienes no creen en la existencia de Dios."
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il Circolo Arci RISING LOVE il 15 APRILE 2010 dalle 21.00
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Expò dal 15 al 25 Aprile 2010
Vernissage giovedì 15 Aprile ore 21.00
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Main sponsor della serata ATTACKIT
Skate Like Canvas Vol.I Group Show (gli artisti e i paesi di provenienza):
“#” (ITALIA), AGONISTICO (ITALIA), ARAD BERT (ISRAELE), ARTESTENCIVA (BRASILE), ASPE (ITALIA), BEN MERRELL (USA), BIODPI (ITALIA), BOL23 (ITALIA), BRAHMAN (ITALIA), BR1–999 (ITALIA), CARLOS ILLUSTRATION (USA), CINASKI (ITALIA), CRISTIANO ABDE (EGITTO), DAMA (ITALIA), DIAMOND (ITALIA), DIANA KOEHNE (GERMANIA), DOES (OLANDA), DOWNER (USA), EITEL (GERMANIA), EMANUEL KLEE (GERMANIA), ERIK SCHUESSLER (USA), FELIPE BEDOYA (COLOMBIA), FIDIA (ITALIA), GAWD (CANADA), GIANLUCA FASCETTO (ITALIA), GRAFFITI (ARGENTINA), GRAPHIC WISH (ITALIA), GRAVE INDUSTRIES (UK), GRECO (ITALIA), JAMES HICKS (USA), JASON RUDOLPH PEÑA (USA), JB ROCK (ITALIA), LOVE QUIET (ITALIA), LUCA ZAMPRIOLO (ITALIA), KIMMINGS (UK), KIV (ITALIA), KLINGRATRON (UK), KRAMERJEIRA (BRASILE), KRAYON (ITALIA), KULT (GERMANIA), LUKE DA DUKE (OLANDA), MAD DOG (ITALIA), MARCO REA (ITALIA), MATT JONES (UK), MASON STORM (UK), MICHELE ANGELO (SPAGNA-ITALIA), MR.G (ITALIA), MR.KLEVRA (ITALIA), NICK ALIVE (BRASILE), NOHJCOLEY (USA), OMINO71 (ITALIA), ORMA (ITALIA), ORLANDO MIANI (ITALIA), PARS PROTOTO (GERMANIA), PAUME SARIN (FRANCIA), PIXEL PANCHO (SPAGNA-ITALIA), RATACRUDA (PERU), ROBERTO GOODMAN (ITALIA), ROBOF (ITALIA), SHIGEO SATO (GIAPPONE), SINERO (GERMANIA), SONE (ITALIA), STEVE HAMILTON AKA SHAM (USA), STICKEE (UK), TEDDY KILLER (ITALIA), THE YOUNG (GERMANIA), TONY PEREZ (USA), TRUFF (BRASILE), VAN DER MOSER (ITALIA) e tanti altri
gabbyjaws.blogspot.com/2024/12/bells-bows-gifts-trees.html
www.youtube.com/watch?v=Cjl_D5qCPXA
[Aura Designs] Day 12 Advent Calendar - WQ Heart Dress
Free to group members
Boots sold separately - [Aura Designs] Shimmer Boots
Aura Design
maps.secondlife.com/secondlife/Crystal%20Cascade/193/164/23
marketplace.secondlife.com/stores/239631
Lyrium Lin poses
S-CLUB KATY
LaraX
Excerpt from www.hospitalitynet.org/announcement/41007033/the-pearle-h...:
The Pearle Hotel and Spa announced today it will open on Burlington's vibrant waterfront (3 Elizabeth Street) on November 1st, 2021.
The urban retreat just steps from Lake Ontario is designed by the award-winning design firm Studio Munge and emulates a modern lake house with elegant white oak panelling, tranquil views of the lake and the heart of downtown. Through thoughtful design, the 151 guest rooms and all public spaces reflect the richness of the changing Canadian seasons.
The luxurious, full-service spa is reminiscent of the arrival of spring, with a curated offering of rejuvenating treatments. Adjoining the spa, a Hammam steam room, an indoor swimming pool, and a state-of-the-art fitness facility adds to the guest experience.
The Pearle Hotel and Spa is home to two inventive, farm-driven dining options, with much of their offerings grown on Pearle Hospitality's own farm located 20 minutes down the road. Inspired by the vibrant, casual days of summer, The Pearle Hotel's restaurant Isabelle headed by Executive Chef Ben Heaton (formerly Patria, Mira, Byblos), has an expansive lakeside terrace with a weather-friendly patio destined to be a space for sharing and connecting with loved ones. The hotel will also house the fourth location of the popular Earth to Table: Bread Bar for high quality ingredient dishes and coffee with more casual cafe seating.
The hotel's exclusive event floor features elegantly designed event space totalling 10,000 square feet. With show stopping floor-to-ceiling windows, hand-blown fixtures by local artisans, and breathtaking lake views, The Pearle Hotel and Spa is the perfect venue for any event, from executive retreats to weddings — memorable moments are guaranteed.
The Pearle Hotel and Spa is inspired by the Ciancone family matriarch, grandmother Pearle, whose work ethic and spirit of hospitality remain deeply admired by her family today. Elegant and free of formality, The Pearle Hotel and Spa embodies and honours the founders' grandmother Pearle.
Man cannot discover new oceans unless he has the courage to lose sight of the shore.
L’uomo non può scoprire nuovi oceani finché non avrà il coraggio di perdere di vista la riva.
(André Gide)
Scras: Hexed - Scars Cross Eyes BOM EVOX Tintable @ MENSELECTED
Combo: VUK. Pietro Combo @ Alpha
- VUK. Head Tattoo /// Sick
- VUK. Head Tattoo /// Chaos
- VUK. Pietro HairBase // Tintable
Jacket: VUK. Tau Jacket
Sunglass: BONDI . Billie Sunglasses .
Bracelets: Badwolf - Conan Bracelets @ Astral Dreams
www.ilovetheworld.es/tour/islas/islas.html
Desierto y oasis en el sur de Gran Canaria
Las Dunas de Maspalomas es un espacio natural único en las Islas Canarias por su belleza y la variedad de ecosistemas que alberga. Protegido por el Gobierno de Canarias como reserva natural especial, sus 400 hectáreas engloban una excelente playa, un campo de dunas vivas de arena orgánica, un bosque de palmeras y una laguna salobre. Esta mezcla de desierto y oasis se encuentra en la costa del extremo sur de Gran Canaria y está rodeada de los afamados establecimientos hoteleros del gran núcleo turístico de Maspalomas.
Qué hacer en las Dunas de Maspalomas
Para conocer mejor este paraje natural, conviene visitar su centro de información y el mirador, ambos ubicados en el Hotel Riu Palace, en el sector nordeste de Maspalomas conocido como Playa del Inglés. Desde allí sale un sendero cuyo ramal número 3 atraviesa los distintos tipos de dunas de la reserva y llega hasta la extensa y soleada playa de Maspalomas. Desde allí se puede ir a observar la abundante vida salvaje de la Charca y disfrutar de la refrescante sombra del Palmeral.
www.holaislascanarias.com/espacios-naturales/gran-canaria...
Thanks a lot for your time, your likes and your comments.
You can also find me in TEXTURE | FLICKR | BLOG | FACEBOOK | 500px | INSTAGRAM | PHOTOγράφος
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Copyright© *Τhemida Zidrou* ©All rights reserved
🌸Credit : BLACKWOLF'S PERFECTION BLOG
February 18 - March 8
SPONSOR: [ZEX]
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gabbyjaws.blogspot.com/2024/12/blue-christmas.html
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JIAN Emperor Penguin, chick
LaraX
e.marie Morena earrings
WINGSDG ES0430
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Head: LeLUTKA Avalon Head
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OUTFIT:
SHOES:
: CULT : Jacinta Fatpack For Anthology event
HAIR:
Stealthic- Heist
COFFEE:
:::ChicChica::: Black coffee with cig
→Sweet Art→Daddy's Glasses →Lewd Station
→Sweet Art→Hiya Animations Set→Lewd Station
→Not Found→Love Milk Face Addon→Mainstore
→Not Found→Ethereal Essence Love Milk Addon→Mainstore
→ViSion→Evie Set→Mainstore
Hurricanes are the most powerful weather event on Earth. The 2022 Atlantic hurricane season extends from June 1 to November 30.
Faster than a cheetah, the fastest animal on land, hurricanes produce winds of 74 miles an hour (119 kilometers per hour) or more.
In this image from 2021, the crew aboard the International Space Station snapped this image of Hurricane Sam as it churned in the Atlantic Ocean while the station orbited 259 miles above Trinidad and Tobago.
Image Credit: NASA
#NASA #MarshallSpaceFlightCenter #MSFC #space #earth #hurricane #HurricaneSam #iss #InternationalSpaceStation
More about the International Space Station
To follow NASA astronauts on twitter, click here.
Excerpt from www.mtr.com.hk/en/customer/community/art_huh_lost_found.html:
Art in station architecture
Lost and Found
Artwork Title:
Lost and Found
Artist Name:
Jaffa Lam (Hong Kong)
Artwork Location:
Hung Hom
Artist's Concept:
“Lost and Found” is a multiple-part work that weaves through an imaginative journey at Hung Hom Station.
At the platform, a series of ossified luggage, in a variety of styles commonly used in different eras, stand as a timeline at the historical terminal for cross-border transit. Moving on, passengers run into maze-like patterns flanking the escalators. The images are in fact the archetypal nylon canvas bags. What can possibly be found in these bags and cases? What have they lost?
Next to seating, lost properties, cast in recycled aluminium from scrap ships and vehicles, await to be found at the station: a crumpled handkerchief, an empty bottle, a tattered cap… look forward to a reunion with an armless watch and a lost shoe of a child.
“Let memory stay, and don’t get lost—here and now,” says the artist.
lesclairsdelunederoxaane.blogspot.com/2020/10/homeless.html
Lingerie Style| Elegance Boutique @ Fameshed X╰☆╮Choinel lingerie set╰☆╮
Poses| :studiOneiro:╰☆╮Boudoir set╰☆╮
Photographer : Roxaane Fyanucci - Les clairs de lune de Roxaane
lesclairsdelunederoxaane.blogspot.fr/ www.facebook.com/lesclairsdelunederox/?fref=ts fr.pinterest.com/fyanucci/ twitter.com/RFyanucci www.tumblr.com/blog/roxaanefyanuccy plus.google.com/u/0/105300544617797133478 500px.com/roxaanefyanucci www.bloglovin.com/…/les-clairs-de-lune-de-roxaane-1…
www.instagram.com/roxaanefyanucci_/ More quality here : www.flickr.com/photos/roxaanefyanucci_