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Excerpt from itsukushimajinja.jp/en/route.html:
A Noh stage was first donated to Itsukushima Shrine by Mori Motonari (1497-1571). The present stage was built by Asano Tsunanaga in 1680. Thatched with cypress bark, the stage has an independent fue-bashira (the pillar near the flute player) separate from the wall and a larger area for the chorus. Including the hashigakari (bridge) and the dressing room, roofed with sawara cypress shingles, the Noh stage is designated as an important cultural property. Shin Noh (Noh dedicated to deities) is performed here every year from April 16 to 18.
Hashigakari is the bridge between the stage and the dressing room.
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Excerpt from miyajima.or.jp/english/spot/spot_other.html:
Designated as a National Important Cultural Property on August 29, 1910
Hokoku Shrine is dedicated to the warlord Toyotomi Hideyoshi (one of the three unifiers of Japan in the 16th century) and his loyal aid Kato Kiyomasa. The reason for building this structure is clearly stated in a letter by Ankokuji Ekei, head monk of Ankokuji Temple. In 1587, Ekei asked Daiganji Temple, the temple in charge of construction and repair work in Miyajima including Itsukushima Shrine, to build a Buddhist library in which the chanting of Senbu-kyo sutras could be held every month. As there is no board ceiling or outer gate, it is believed that the construction of the building was not completed.
Originally, Amida Buddha and two subordinate Buddhist saints, Anan and Kasho-sonja, were enshrined in the Buddhist altar until the early Meiji era. Since that time, however, the altar has been used in Shinto rituals.
The building is called Senjokaku (Hall of One Thousand Tatami Mats), reflecting its standing as the largest structure on Miyajima Island. The shrine was a popular landmark in Miyajima where many people came to relax and cool themselves and to buy popular souvenirs such as tooth picks, and a variety of legends and traditions have been created here.
The fact that this structure, unique among the buildings belonging to Itsukushima Shrine, is unpainted and that its exact date of founding is recorded makes it a valuable gauge of the passage of time. The traces of weathering on its pillars and floor boards can be used to determine the approximate age of any other wooden structure on Miyajima.
A piece of wood used as a measuring device in the reconstruction work of the O-Torii in 1873 hangs on a pillar under the floor of the south part of the shrine. Countless votive picture tablets that had been hanging on the walls of Itsukushima Shrine buildings until the mid Meiji era decorate the walls inside the hall.
The shrine did not yet exist at the time of the Battle of Itsukushima in 1555 when the Mori clan defeated the Sue clan to unify the Chugoku region. The headquarters of the Sue clan was located on this hill, which was then called To-no-oka (Pagoda Hill). Starting in the Meiji era, the hill was developed through the establishment of stone steps, among other additions.
Excerpt from www.japan-experience.com/all-about-japan/miyajima/temples...:
Its bare appearance may not intrigue you at first. Only unfinished walls and a hundred pillars. Although the building is pretty, there is something missing. But once inside, look up: the gigantic ceiling is covered with a mosaic of paintings whose subjects are as varied as the styles and periods of implementation. Medieval battles, Buddhist representations, landscapes and animals in a modern style, the eye does not know where to turn.
Excerpt from www.mtr.com.hk/en/customer/community/art_archi_wanchai.html:
Art in station architecture
Artwork Title:
This is Wan Chai
Artist Name:
Jevan Chowdhury
Location:
Wan Chai Station
Artwork Completion Date:
March 2020
Concept:
“This is Wan Chai” is an observation of the theatrical stage that everyday life presents, as seen through the lens of magical realism. Images of Wan Chai’s iconic heritage are enriched by the performances of over 40 principal, soloist, coryphée and corps de ballet dancers from the Hong Kong Ballet as well as members of the public. Spanning a length of approximately 150 metres, the artwork reimagines and reinvents the station as a public space at the heart of the local community. In this way, the station is transformed into a living stage of choreographed street scenes that commuters play their part in as they pass through.
“This is Wan Chai” is part of the “Moving Cities” series. Commissioned by MTR Corporation and jointly initiated with Hong Kong Design Centre, it was made in collaboration with Hong Kong Ballet, Treacle Media, UK’s Department for International Trade and Conran + Partners. Moving Cities is part of an on-going global inventory of film and photographic work in which world cities are transcribed through dance.
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Read the second chapter of Neo Chronicles of Adair on the official Fantasy Faire blog to discover the treasures awaiting you at this year's Fantasy Faire Quest: The Language of Birds!
Many thanks to Aznana Shieldmaiden for working together with me on this shoot. ♥
Photo taken at Fairelands Junction, created by Saiyge Lotus.
Devocional | Se debe saber al recibir al Señor: ¿Qué es la encarnación?
Dios Todopoderoso dice: “La ‘encarnación’ es la aparición de Dios en la carne; Él obra en medio de la humanidad creada a imagen de la carne. Por tanto, para que Dios se encarne, primero debe ser carne, una carne con una humanidad normal; esto, como mínimo, es el requisito previo más básico. De hecho, la implicación de la encarnación de Dios es que Él vive y obra en la carne; Dios se hace carne en Su misma esencia, se hace hombre”.
“El Dios encarnado se llama Cristo y Cristo es la carne vestida con el Espíritu de Dios. Esta carne es diferente a cualquier hombre que es de la carne. La diferencia es porque Cristo no es de carne y hueso; Él es la personificación del Espíritu. Tiene tanto una humanidad normal como una divinidad completa. Su divinidad no la posee ningún hombre. Su humanidad normal sustenta todas Sus actividades normales en la carne, mientras que Su divinidad lleva a cabo la obra de Dios mismo”.
Se puede ver que la encarnación de Dios significa que Su Espíritu se materializa en una carne que tiene a la vez una humanidad y pensamiento normales, mediante este cuerpo obra y habla entre el hombre. Aunque Dios encarnado se aparece como una persona común, tiene tanto una humanidad normal como una divinidad completa, es decir, esencialmente es Dios, así que solo Él puede expresar la verdad, salvar a la gente y hacer la obra de Dios mismo.
Ahora el Señor ha vuelto por medio de la encarnación, es Dios Todopoderoso. Esto cumple las palabras del Señor Jesús: “Vosotros también estad preparados, porque el Hijo del Hombre vendrá a la hora que no esperéis” (Lucas 12:40).
Las escrituras tomadas de LA BIBLIA DE LAS AMERICAS® (LBLA) Copyright © 1986, 1995, 1997 por The Lockman Foundation usado con permiso. www.LBLA.com.
Petite promenade sur l'Ile Bonaventure via le sentier Paget et visite de la colonie de fous de Bassan.
Excerpt from miyajima.or.jp/english/spot/spot_other.html:
Designated as a National Important Cultural Property on August 29, 1910
Hokoku Shrine is dedicated to the warlord Toyotomi Hideyoshi (one of the three unifiers of Japan in the 16th century) and his loyal aid Kato Kiyomasa. The reason for building this structure is clearly stated in a letter by Ankokuji Ekei, head monk of Ankokuji Temple. In 1587, Ekei asked Daiganji Temple, the temple in charge of construction and repair work in Miyajima including Itsukushima Shrine, to build a Buddhist library in which the chanting of Senbu-kyo sutras could be held every month. As there is no board ceiling or outer gate, it is believed that the construction of the building was not completed.
Originally, Amida Buddha and two subordinate Buddhist saints, Anan and Kasho-sonja, were enshrined in the Buddhist altar until the early Meiji era. Since that time, however, the altar has been used in Shinto rituals.
The building is called Senjokaku (Hall of One Thousand Tatami Mats), reflecting its standing as the largest structure on Miyajima Island. The shrine was a popular landmark in Miyajima where many people came to relax and cool themselves and to buy popular souvenirs such as tooth picks, and a variety of legends and traditions have been created here.
The fact that this structure, unique among the buildings belonging to Itsukushima Shrine, is unpainted and that its exact date of founding is recorded makes it a valuable gauge of the passage of time. The traces of weathering on its pillars and floor boards can be used to determine the approximate age of any other wooden structure on Miyajima.
A piece of wood used as a measuring device in the reconstruction work of the O-Torii in 1873 hangs on a pillar under the floor of the south part of the shrine. Countless votive picture tablets that had been hanging on the walls of Itsukushima Shrine buildings until the mid Meiji era decorate the walls inside the hall.
The shrine did not yet exist at the time of the Battle of Itsukushima in 1555 when the Mori clan defeated the Sue clan to unify the Chugoku region. The headquarters of the Sue clan was located on this hill, which was then called To-no-oka (Pagoda Hill). Starting in the Meiji era, the hill was developed through the establishment of stone steps, among other additions.
Excerpt from www.japan-experience.com/all-about-japan/miyajima/temples...:
Its bare appearance may not intrigue you at first. Only unfinished walls and a hundred pillars. Although the building is pretty, there is something missing. But once inside, look up: the gigantic ceiling is covered with a mosaic of paintings whose subjects are as varied as the styles and periods of implementation. Medieval battles, Buddhist representations, landscapes and animals in a modern style, the eye does not know where to turn.
Excerpt from www.mtr.com.hk/en/customer/community/art_archi_syp_st_sce...:
Art in station architecture
Artwork Title:
Street Scenes of Sai Ying Pun
Artist Name:
Tse Ming-chong and Hong Kong Youth Arts Foundation (Hong Kong)
Artwork Location:
Sai Ying Pun Station - Entrance/ Exit B1 and B2 Concourse
Form of Artwork:
Digital Printing on Self Adhesive Vinyl Film
Artwork Completion Date:
March 2015
Artist's Concept:
"Street Scenes of Sai Ying Pun" is a community arts project led by the Hong Kong Youth Arts Foundation and local photographer and artist Tse Ming-chong.
In recent years, the historical district of Sai Ying Pun has undergone huge changes. To help document these changes and create an archive of memories for the community, over thirty young people worked with the artist to create photo collages combining over 450 pieces of monochrome photos. The artwork depicts the unique and vibrant character of the neighbourhood and records the traditional shops, the heritage buildings and the daily lives of the local residents.
Excerpt from www.mtr.com.hk/en/customer/community/art_archi_wanchai.html:
Art in station architecture
Artwork Title:
This is Wan Chai
Artist Name:
Jevan Chowdhury
Location:
Wan Chai Station
Artwork Completion Date:
March 2020
Concept:
“This is Wan Chai” is an observation of the theatrical stage that everyday life presents, as seen through the lens of magical realism. Images of Wan Chai’s iconic heritage are enriched by the performances of over 40 principal, soloist, coryphée and corps de ballet dancers from the Hong Kong Ballet as well as members of the public. Spanning a length of approximately 150 metres, the artwork reimagines and reinvents the station as a public space at the heart of the local community. In this way, the station is transformed into a living stage of choreographed street scenes that commuters play their part in as they pass through.
“This is Wan Chai” is part of the “Moving Cities” series. Commissioned by MTR Corporation and jointly initiated with Hong Kong Design Centre, it was made in collaboration with Hong Kong Ballet, Treacle Media, UK’s Department for International Trade and Conran + Partners. Moving Cities is part of an on-going global inventory of film and photographic work in which world cities are transcribed through dance.
A handsome Dark-sided Flycatcher in Bidadari.
Enrich yourself in my blog: Bidadari, Haven For Wildlife Amidst The City
*Note: More pics of Birds in my Wild Avian Friends Album.
Le cincle plongeur est un oiseau à queue courte. La tête, la nuque et le haut du dos sont brun-roux. Le dos est gris-ardoise foncé, avec un aspect écaillé.
Le menton, la gorge et la poitrine sont d'un blanc pur, séparés de l'abdomen foncé par une bande couleur châtain.
Le bec est noirâtre. Les yeux sont foncés avec une paupière claire, et une membrane nictitante blanchâtre visible quand il cligne des yeux. Cette membrane protège ses yeux quand il est immergé. Les pattes et les doigts sont roses.
Les deux sexes sont semblables.
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Pack includes 5 poses.
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• 12 beautiful colors
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Powder Pack July Lelutka released on 17th.
Preview : powderpacksl.com/july-2018/
Order in world : maps.secondlife.com/secondlife/The%20Last%20Forever/93/11...
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Skin : Essences Anastasia @ Powder Pack Lelutka July
*Shape, eyebrow shape including
Lipgloss : .euphoric ~Supershine Lipgloss Applier ~[LeLutka] @ Powder Pack Letuka July
Eye applier : .euphoric ~Supershine Eyes Applier ~[LeLutka] @ Powder Pack Letuka July
Eye lashes : . MILA . Volume Eyelashes [LeLutka applier] @ Powder Pack Letuka July
Shape : own work (based included shape)
Head : LeLutka Bento Head-SIMONE
Hair : [KUNI] Bonnie @ Sense event
Necklace : KUNGLERS - Cibele necklace @ Sense event
www.virtualtourist.com/travel/Europe/Greece/Prefecture_of...
One of the most intense elements of the image of Kavala is its citadel. While it stands on the top of the peninsula of Virgin Mary (Panagia) it is tied up in a harmonious total with the houses of the homonymous historical district that extended all around it in tiers. It is interesting to watch the course of the fortress in time.
The name “Christoupolis” first appears in texts of the beginning of the 9th century. The change of the city’s name should not be linked to its abandonment, but to its reorganisation as a fortress of the Byzantine state. The role of Christoupolis as a fortress is particularly emphasized in Byzantine texts: «the Christoupolis fortress as on the one side was very powerful thanks to its construction... on the other side as a bolster lies down… it leads through Thrace, and thirdly as it is onshore and it could easily enter into alliances” (Ioannes Cantacuzenus, 1,4 Bonnae edition). The citadel (fortress) standing dominatingly on the top of the hill of the peninsula, at a height of approximately 70 metres, was reconstructed upon the remnants of the older Byzantine castle, in two phases: first, at the beginning of 1425 in view of the imminent attack of the Venetian fleet, the Ottomans built the “new walls”, obviously the parts that had been destroyed during the siege and occupation of Christoupolis (1390-1391). Secondly, in approximately 1530 the walls were repaired once again, at a larger extent and more assiduous intervention. At this time, the exterior surrounding walls of the citadel were built, with the addition of which the fortress was extended considerably and increased its defensive puissance. More specifically, the exterior surrounding walls of the citadel must have been built during the years 1530 -1536, at the era where Suleiman the Magnificent decided to enforce its defence in several coastline positions (e.g. Thessaloniki – the White Tower). The exterior surrounding walls linked the citadel with the half destroyed then perimetrical walls of the peninsula and also fortified the lowest side of the hill, towards the harbour. The two entrance gates of the citadel are found here also: the First (in the place of an older Byzantine gate), is found at the end of today’s Kapsali street and is equipped with a «zematistra» (scalding spot – from where the defenders threw boiling oil onto the enemies).
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www.youtube.com/watch?v=6c1BThu95d8
gabbyjaws.blogspot.com/2025/03/she-comes-in-colors.html
SCANDALIZE MALIA OUTFIT
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LaraX
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12 different colors. Pony with the HUd
Eyeshadow: Guapa - Sabrina Eyeshadow - Lel Evox Marketplace // Mainstore
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Intensities 100 - 70 - 50.
Can be worn separately.
Brow Slit: [Belantti] Brow Slit x Tres Chic Event
4 different styles Left and Right.
Nails: ..::Le Mew::.. Cupid's Problem Nails [add] x Blue Event
Compatible for Reborn - Belleza GenX Classic & Curvy - Lara & LaraX - Kupra - Bombshell - Legacy - Nhumana - BBL - MUneca.
Testimonio cristiano | ¿Quién fue el que rescató su matrimonio?
Ella tenía una figura agraciada y parecía tan bonita como una flor, se casó con un hombre que era alto y bien parecido. Después de se casaron, descubrió que él no era un hombre bueno, no tomó el camino correcto y la golpeó... Ella se divorció de él. Más tarde, ella buscó un hombre sencillo y amable, y se casó con él, pero no le gustaba su apariencia de ese hombre y no importaba lo que él hiciera, ella no era capaz de aceptarlo por completo. Su matrimonio entró en crisis otra vez... Después de que creyera en Dios, por la guía de la Palabra de Dios, ¿cómo confió en Dios para salvar su matrimonio que estaba a punto de derrumbarse?
Ver más haga clic aquí: www.kingdomsalvation.org/es/testimonies/rescued-her-marri...
Raindale in Santa Inc. 2024 (Dec,1-Jan,2)
Hisa or Marketplace
www.youtube.com/watch?v=rgc_LRjlbTU
gabbyjaws.blogspot.com/2025/01/one-night-in-bangkok.html
SKBW Lux Outfit
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SW Jheris Mo Pearl Gold earrings
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LM ✈ Shop: maps.secondlife.com/secondlife/Tableau/185/104/23
➤ HAIR: [monso] Greta Hair for @ Collabor88
LM Collabor88: maps.secondlife.com/secondlife/8%208/77/173/1088
LM ✈ Shop: maps.secondlife.com/secondlife/Sweet%20Isle/196/108/21
GIRL ON THE RIGHT:
➤ OUTFIT: _CandyDoll_ Stormy Release
LM ✈ Shop: maps.secondlife.com/secondlife/CandyDoll/128/128/2
➤ HAIR: Stealthic - Prevail @ Access
LM Access: maps.secondlife.com/secondlife/ACCESS/70/129/22
LM ✈ Shop: maps.secondlife.com/secondlife/Rapture/155/129/22
DRECO:
➤ YOKAI:
- YOKAI - Cozy Cats @ Access
- YOKAI - Plush Zoo @ Collabor88
LM Access: maps.secondlife.com/secondlife/ACCESS/70/129/22
LM Collabor88: maps.secondlife.com/secondlife/8%208/77/173/1088
LM ✈ Shop: maps.secondlife.com/secondlife/Reef%20Island/92/29/22
➤ OPOSSUM: Aardvark : Opossum Over It @ Access
LM Access: maps.secondlife.com/secondlife/ACCESS/70/129/22
LM ✈ Shop: maps.secondlife.com/secondlife/Great%20Staughton/85/133/44
➤ Tardfish:
- .Tardfish. Munchin'Bear @ Access
LM Access: maps.secondlife.com/secondlife/ACCESS/70/129/22
LM ✈ Shop: maps.secondlife.com/secondlife/Great%20Staughton/85/133/44
➤ BackBone:
- BackBone Cuddle Corner @ Equal10
LM Equal10: maps.secondlife.com/secondlife/equal10/80/98/93
LM ✈ Shop: maps.secondlife.com/secondlife/BackBone/111/178/2106
➤ [HARMONY]:
- [HARMONY] - Sex Bomb Neon //Add
LM ✈ Shop: maps.secondlife.com/secondlife/Sakaw/210/51/3495
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Thanks to all my Follower and my great Sponsors ❤