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Testimonio cristiano en español 2020 | He visto el rollo abierto

 

🎬🎬 www.kingdomsalvation.org/es/videos/i-have-seen-the-opened...

 

El protagonista es un cristiano devoto que conoce bien la Biblia y a menudo oye decir a su pastor que todas las palabras de Dios están en la Biblia y que no hay palabras de Dios fuera de ella. Cuando se entera de que el Señor ha regresado y declarado nuevas palabras, se aferra a sus nociones y no quiere buscarlo ni estudiarlo. Sin embargo, pronto comprueba que, por medio del estudio de la obra de Dios Todopoderoso de los últimos días y de la lectura de Sus palabras, sus familiares y amigos han logrado entender muchas verdades. Por envidia, decide estudiarlo. Tras leer muchas de las palabras de Dios Todopoderoso, tiene la certeza de que en realidad son el rollo profetizado en el Apocalipsis, lo que el Espíritu Santo dice a las iglesias. También comprende que la Biblia solo contiene una pequeña parte de las palabras de Dios y que la gente no debería limitar la obra y las palabras de Dios a lo que contiene la Biblia. Entonces no tiene dudas de que Dios Todopoderoso es el regreso del Señor Jesús y acepta Su obra de los últimos días.

 

Ver más: Películas cristianas en español

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Escucha la voz de Dios para dar la bienvenida al regreso del Señor

 

Dios dice: “Las palabras del Dios encarnado inician una nueva era, guían a toda la humanidad, revelan misterios y le muestran al ser humano la dirección de avance en una nueva era. La iluminación obtenida por el hombre no es sino simple práctica o conocimiento. No puede guiar a toda la humanidad a una nueva era ni revelar el misterio de Dios mismo. Después de todo, Dios es Dios, y el hombre es hombre. Dios tiene la esencia de Dios, y el hombre la del hombre” y “Él está muy consciente de la esencia del hombre; puede poner de manifiesto todas las clases de prácticas que pertenecen a todas las clases de personas. Incluso es mejor en poner de manifiesto el carácter corrupto y el comportamiento rebelde humanos. No vive entre las personas mundanas, pero está consciente de la naturaleza de los mortales y de todas las corrupciones de las personas mundanas. Eso es lo que Él es. Aunque no trata con el mundo, conoce las reglas para tratar con el mundo porque entiende completamente la naturaleza humana. Conoce acerca de la obra del Espíritu que los ojos del hombre no pueden ver y que los oídos del hombre no pueden escuchar, tanto del día de hoy como del pasado. Esto incluye una sabiduría que no es una filosofía de vida y una fascinación que a las personas les es difícil entender. Eso es lo que Él es, abierto a las personas pero también escondido de las personas. Lo que Él expresa no es lo que una persona extraordinaria es, sino los atributos y el ser inherente del Espíritu”.

Extracto de “La Palabra manifestada en carne

 

La palabra de Dios nos dice que reconozcamos la voz de Dios de cuatro maneras:

1. Las palabras ser publicado por Dios son todas verdades, pueden ser vidas a las humanas y pueden proporcionar al necesario a las personas, para que las personas tenga el camino a practicar.

2. Todas las palabras de Dios tienen autoridad y poder, y son expresiones de carácter de Dios.

3. Las palabras de Dios pueden revelar los misterios de la obra gestión de Dios.

4. Las palabras ser publicado por Dios pueden revelar la corrupción humana y los pensamientos humanos.

 

Si pueden escuchar la voz de Dios, está directamente relacionado con si podemos dar la bienvenida al Señor sea llevado al reino celestial.

  

Excerpt from www.amo.gov.hk/en/historic-buildings/monuments/hong-kong-...:

 

Tung Wah Coffin Home

 

Situated on Sandy Bay Road, Tung Wah Coffin Home was established in 1899. It is believed that the predecessor of Tung Wah Coffin Home was a coffin home near the slaughter house in Kennedy Town, which was established in 1875 with funds from the Man Mo Temple in Sheung Wan. Its management was later handed over to Tung Wah Hospital. In 1899, Tung Wah Coffin Home was officially named when a plot of land in Sandy Bay was granted by the Government for rebuilding the coffin home.

 

Taking advantage of Hong Kong’s entrepot status, its geographic location at the doorway to mainland China, and the close connections of Tung Wah Hospital’s board members with overseas organisations and global business network, the coffin home was able to provide a repatriation service for those deceased abroad by providing a temporary depository at the coffin home, from where the deceased could then be returned to their birth place for burial. This service eventually allowed the coffin home became the centre of a global charity hub during the last century.

 

Tung Wah Coffin Home now consists two halls, 72 rooms, gateways, pavilion and gardens built in different periods. Its buildings reflect a variety of architectural styles, ranging from traditional Chinese vernacular architecture to modern Western-style elements, and others that are a hybrid of both. Tung Wah Coffin Home underwent a large scale restoration project between 2003 and 2004, with a view to restore the coffin home’s elements to their original architectural styles. The restoration project won the Award of Merit in the 2005 UNESCO Asia-Pacific Heritage Awards and the Award of Honor in the Heritage Preservation and Conservation Awards offered by the Antiquities and Monuments Office in the same year.

 

Tung Wah Coffin Home was declared a monument in 2020.

Excerpt from www.mtr.com.hk/en/customer/community/art_archi_wanchai.html:

 

Art in station architecture

 

Artwork Title:

This is Wan Chai

 

Artist Name:

Jevan Chowdhury

 

Location:

Wan Chai Station

 

Artwork Completion Date:

March 2020

 

Concept:

“This is Wan Chai” is an observation of the theatrical stage that everyday life presents, as seen through the lens of magical realism. Images of Wan Chai’s iconic heritage are enriched by the performances of over 40 principal, soloist, coryphée and corps de ballet dancers from the Hong Kong Ballet as well as members of the public. Spanning a length of approximately 150 metres, the artwork reimagines and reinvents the station as a public space at the heart of the local community. In this way, the station is transformed into a living stage of choreographed street scenes that commuters play their part in as they pass through.

 

“This is Wan Chai” is part of the “Moving Cities” series. Commissioned by MTR Corporation and jointly initiated with Hong Kong Design Centre, it was made in collaboration with Hong Kong Ballet, Treacle Media, UK’s Department for International Trade and Conran + Partners. Moving Cities is part of an on-going global inventory of film and photographic work in which world cities are transcribed through dance.

The Story Behind The Cherry Blossom Festival In Bound Brook Park In Newark, New Jersey By Mark Di Ionno | NJ Advance Media for NJ.com

 

www.nj.com/news/2016/03/the_story_behind_branch_brook_par...

 

The explosion of pink buds and their floral scent bombs are just days away at Essex County's Branch Brook Park.

 

The cherry blossom trees will flower over a period of three weeks - 5,000 in all, in 18 different varieties - in hues from snow white to vibrant pink.

 

The annual Branch Brook Cherry Blossom Festival is a yearly celebration of spring, but it began 40 years ago as testament to hope and renewal.

 

It was 1976 - less than a decade after the 1967 riots - when one particular Newarker wanted to restore a little piece of beauty from her childhood and bring some happy pink back to the worn and weary park.

 

She is Kathleen P. Galop, who grew up in the North Ward and Forest Hill, and became a corporate lawyer for Prudential and a historic preservation expert.

 

"Kathleen Galop started the Cherry Blossom Festival," said Dan Salvante, Essex County's parks and recreation director. "She made it happen."

 

"I don't like to tie everything to 1967," Galop said. "But I thought celebrating the blossoms would be something positive. It would give the city a sense of renewal."

 

There were fewer than a 1,000 trees then, but the census now stands at 5,000. Since taking office in 2002, Essex County Executive Joe DiVincenzo has been determined to have Branch Brook overtake Washington, D.C., as the cherry blossom tree capital of the nation, and it has.

 

MORE: Recent Mark Di Ionno columns

 

The often-repeated assertion that the 360-acre park has more cherry blossom trees than Washington, D.C., appears to be true; the official site website of the National Cherry Blossom Festival says there are 3,750 trees in the Tidal Basin area, where 700,000 people come to see the blooms each spring.

 

"To me, it's all about quality life, civic pride and economic development," DiVincenzo said. "We get 100,000 people for our Cherry Blossom Festival. They come here, they eat in restaurants, they spend money."

 

Like Galop, DiVincenzo grew up with a love of the park and the trees.

 

"We didn't go on vacations," DiVincenzo said. "Vacation was in Branch Brook Park. We'd take pictures by the cherry trees."

 

But the cherry blossom trees weren't always part of the Branch Book Park allure. They weren't even included in the original Olmsted plan.

 

Frederick Law Olmsted, the father of American landscape design, favored open meadows and clusters of natural forest, not ornamental trees. His sons followed that vision when they were commissioned to design the Essex County park in 1900.

 

The result rivaled their father's greatest creations - Central Park in Manhattan, Prospect Park in Brooklyn, and other magnificent urban landscapes from Mount Royal Park in Montreal to the U.S. Capitol grounds in Washington.

 

It was Caroline Bamberger Fuld - yes, that Bamberger - who introduced the cherry blossom trees to Branch Brook Park in the 1920s. During a trip to Japan, she became enamored with the beauty of the robust, flowering trees. When she returned home, she donated more than 2,000 to the park.

 

Bamberger, who started the department store chain with her brother Louis, "wanted Newark to have more cherry blossom trees than Washington," said Galop, who wrote the labor-intensive applications for the park to be placed on the national and state historic registries. "I think Washington had 2,000 so she ordered 2,001."

 

Bamberger brought in so many trees, the park had to be extended north of Heller Parkway into Belleville. The Branch Brook Park Cherry Blossom Visitors Center is Newark in this northern part of the park.

 

"The trees are generally short-lived, with a life expectancy of 40 years, but we still have some from the original collection," said Paul Cowie, the arborist who manages the Branch Brook cherry blossom tree collection.

 

Those trees, which Cowie called "monsters," are the thick-trunked, wide-wingspan varieties in the northern part of the park near the visitors center.

 

Two years after DiVincenzo took office, he ordered an official count of the Branch Brook cherry blossom collection. The number was surprisingly low.

 

"When we finished the inventory, there were only 987 trees left," said Cowie. "That spurred the restoration of the population."

 

With the help of the Branch Brook Alliance, a park "friends group" of corporate and private donors, the county was able to go on a cherry blossom tree-buying spree. The latest phase was a $651,000 expenditure for 1,100 trees last year.

 

"This is the seventh phase of the plantings," Cowie said last week as a crew put in a fresh delivery of 100 trees, to replace some of the 1,100 that didn't thrive.

 

DiVincenzo said the magic of the Branch Brook park collection is not just in the number but in the variety.

 

"We have more varieties than anybody," he said.

 

Eighteen, to be exact, said Cowie.

 

They range from the early-blooming Okame, which are popping their bright pink buds now, to the late-blooming Kwanzan, which burst big, dark pink double flowers.

 

The park has abundant white blossoms of the Snow Goose variety, and many weeping trees called Higans, which are most popular with tourists, because the branches arc and cascade to the ground.

 

Perhaps the best part, though, is the trees have not disrupted the original Olmsted design. They decorate the park, not overpower it.

 

"I think what's been done there is in keeping with the parks natural setting and beauty," Galop said.

 

(The Branch Brook Park Cherry Blossom Festival runs from April 9 to 24 this year. For information call (973) 268-3500 or visit essexcountynj.org):

 

www.nj.com/news/2016/03/the_story_behind_branch_brook_par...

 

By Mark Di Ionno | NJ Advance Media for NJ.com

The explosion of pink buds and their floral scent bombs are just days away at Essex County's Branch Brook Park.

 

The cherry blossom trees will flower over a period of three weeks - 5,000 in all, in 18 different varieties - in hues from snow white to vibrant pink.

 

The annual Branch Brook Cherry Blossom Festival is a yearly celebration of spring, but it began 40 years ago as testament to hope and renewal.

 

It was 1976 - less than a decade after the 1967 riots - when one particular Newarker wanted to restore a little piece of beauty from her childhood and bring some happy pink back to the worn and weary park.

 

She is Kathleen P. Galop, who grew up in the North Ward and Forest Hill, and became a corporate lawyer for Prudential and a historic preservation expert.

 

"Kathleen Galop started the Cherry Blossom Festival," said Dan Salvante, Essex County's parks and recreation director. "She made it happen."

 

"I don't like to tie everything to 1967," Galop said. "But I thought celebrating the blossoms would be something positive. It would give the city a sense of renewal."

 

There were fewer than a 1,000 trees then, but the census now stands at 5,000. Since taking office in 2002, Essex County Executive Joe DiVincenzo has been determined to have Branch Brook overtake Washington, D.C., as the cherry blossom tree capital of the nation, and it has.

 

The often-repeated assertion that the 360-acre park has more cherry blossom trees than Washington, D.C., appears to be true; the official site website of the National Cherry Blossom Festival says there are 3,750 trees in the Tidal Basin area, where 700,000 people come to see the blooms each spring.

 

"To me, it's all about quality life, civic pride and economic development," DiVincenzo said. "We get 100,000 people for our Cherry Blossom Festival. They come here, they eat in restaurants, they spend money."

 

Like Galop, DiVincenzo grew up with a love of the park and the trees.

 

"We didn't go on vacations," DiVincenzo said. "Vacation was in Branch Brook Park. We'd take pictures by the cherry trees."

 

But the cherry blossom trees weren't always part of the Branch Book Park allure. They weren't even included in the original Olmsted plan.

 

Frederick Law Olmsted, the father of American landscape design, favored open meadows and clusters of natural forest, not ornamental trees. His sons followed that vision when they were commissioned to design the Essex County park in 1900.

 

The result rivaled their father's greatest creations - Central Park in Manhattan, Prospect Park in Brooklyn, and other magnificent urban landscapes from Mount Royal Park in Montreal to the U.S. Capitol grounds in Washington.

 

It was Caroline Bamberger Fuld - yes, that Bamberger - who introduced the cherry blossom trees to Branch Brook Park in the 1920s. During a trip to Japan, she became enamored with the beauty of the robust, flowering trees. When she returned home, she donated more than 2,000 to the park.

 

Bamberger, who started the department store chain with her brother Louis, "wanted Newark to have more cherry blossom trees than Washington," said Galop, who wrote the labor-intensive applications for the park to be placed on the national and state historic registries. "I think Washington had 2,000 so she ordered 2,001."

 

Bamberger brought in so many trees, the park had to be extended north of Heller Parkway into Belleville. The Branch Brook Park Cherry Blossom Visitors Center is in Newark in this northern part of the park.

 

"The trees are generally short-lived, with a life expectancy of 40 years, but we still have some from the original collection," said Paul Cowie, the arborist who manages the Branch Brook cherry blossom tree collection.

 

Those trees, which Cowie called "monsters," are the thick-trunked, wide-wingspan varieties in the northern part of the park near the visitors center.

 

Two years after DiVincenzo took office, he ordered an official count of the Branch Brook cherry blossom collection. The number was surprisingly low.

 

"When we finished the inventory, there were only 987 trees left," said Cowie. "That spurred the restoration of the population."

 

With the help of the Branch Brook Alliance, a park "friends group" of corporate and private donors, the county was able to go on a cherry blossom tree-buying spree. The latest phase was a $651,000 expenditure for 1,100 trees last year.

 

"This is the seventh phase of the plantings," Cowie said last week as a crew put in a fresh delivery of 100 trees, to replace some of the 1,100 that didn't thrive.

 

DiVincenzo said the magic of the Branch Brook park collection is not just in the number but in the variety.

 

"We have more varieties than anybody," he said.

 

Eighteen, to be exact, said Cowie.

 

They range from the early-blooming Okame, which are popping their bright pink buds now, to the late-blooming Kwanzan, which burst big, dark pink double flowers.

 

The park has abundant white blossoms of the Snow Goose variety, and many weeping trees called Higans, which are most popular with tourists, because the branches arc and cascade to the ground.

 

Perhaps the best part, though, is the trees have not disrupted the original Olmsted design. They decorate the park, not overpower it.

 

"I think what's been done there is in keeping with the parks natural setting and beauty," Galop said.

 

(The Branch Brook Park Cherry Blossom Festival runs from April 9 to 24 this year. For information call (973) 268-3500 or visit essexcountynj.org)

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Excerpt from www.amo.gov.hk/en/historic-buildings/monuments/hong-kong-...:

 

Tung Lin Kok Yuen is situated at No. 15, Shan Kwong Road, Happy Valley, Hong Kong, being a Buddhist monastery founded in 1935 by Lady Clara Ho Tung and her husband Sir Robert Ho Tung. The name of the monastery was derived from the couple’s name Sir Robert Ho Tung and Lady Clara (Dharma name Lin Kok).

 

Lady Clara was a Buddhist and lay patron who had a passionate desire to spread the wisdom and practice of Buddhism as well as to promote the education of women. She founded the Po Kok Free School and the Po Kok Buddhist Institute in Hong Kong in the early 1930s to provide education for women and training for nuns. After Tung Lin Kok Yuen was first built, it housed both the School and the Buddhist Institute. As it is located in the residential area of Happy Valley, Tung Lin Kok Yuen marked the emergence of an urban monastery model in Hong Kong, as contrasted to the traditional monastery setting in the mountains.

 

With its arrowhead-shaped building plan, Tung Lin Kok Yuen’s appearance resembles a “giant ship” symbolising one of Mahayana Buddhism’s concepts of ferrying all beings to the “other shore”, or in other words enlightenment itself. The architect responsible for the building design was Fung Tsun, and Venerable Shi Ai Ting provided extensive advice for details which embody the Buddhist doctrine. While Tung Lin Kok Yuen adopted Western structural forms, it retained traditional Chinese designs in both its interior and exterior decorations such as flying eaves, brackets and glazed tile roofs. Following the traditional Chinese layout for a Buddhist monastery, it had a Skanda Hall, the Grand Buddha Hall and a Tripitaka Library in designated sequence. On each side of the Grand Buddha Hall were the Dharma Bell and the Dharma Drum. Behind the Grand Buddha Hall there was a courtyard which was redeveloped in 1954 into a three-storied Lin Kok Memorial Building. This was also designed by Fung Tsun to be integrated with the original building in the same style of architecture. The first floor of the Lin Kok Memorial Building now houses the Bhaisajyaguru Buddha Hall.

 

Tung Lin Kok Yuen was declared a monument in 2017.

Excerpt from temple.bongeunsa.org/public_html_en/intro/buddhist.asp:

 

Jinyeomun Gate

 

The first main entrance of the temple compound is called the One-lined Pillar Gate. At the Bongeunsa Temple, it is also called the Jinyeomun. Jinyeo means "as it is" and the ultimate truth without any discrimination. So, entering the Jinyeomun means searching for the Real Truth.

¿Qué es el arrepentimiento sincero? ¿Únicamente orar a Dios y admitir los propios pecados?

 

Las palabras relevantes de Dios:

 

Toda persona, en mayor o menor medida, ha cometido transgresiones. Cuando no sabes que algo es una transgresión, lo consideras con cierta confusión en tu mente o, tal vez, continúas aferrándote a tus propias opiniones, prácticas y formas de comprensión, pero, un día, ya sea a través de hablar con tus hermanos y hermanas o por una revelación de Dios, te das cuenta de que es una transgresión, una ofensa contra Dios. ¿Qué actitud vas a tener, entonces? ¿Seguirás firme, razonando y discutiendo, aferrándote a tus propias ideas, creyendo que lo que estás haciendo es conforme a la verdad? Esto incluye tu actitud hacia Dios. ¿Qué actitud tuvo David con respecto a sus transgresiones? (Remordimiento). Remordimiento: ya no volvería a cometerlas. Entonces, ¿qué hizo? Oró pidiéndole a Dios que lo castigara: “¡Si vuelvo a cometer este error, que Dios me castigue y haga que me muera!”. Esa fue su decisión; era verdadero remordimiento. ¿Puede la gente común lograr esto? En el caso de las personas comunes, está bien si no tratan de discutir o admiten tácitamente su responsabilidad, pero, en su corazón, todavía piensan: “Espero que nadie vuelva a mencionar esto. Me sentiría humillado”. ¿Es esto verdadero remordimiento? Para arrepentirte de verdad, debes descartar el mal que hayas hecho en el pasado, dejarlo y no volver a hacerlo. Bueno, ¿qué se debe hacer entonces? ¿Servirá solo descartar el mal, no hacerlo y no pensar en ello? ¿Cuál es tu actitud hacia Dios? ¿Cómo tomarás el hecho de que Dios te exponga? (Aceptaremos el castigo de Dios). Aceptar el castigo de Dios, Su juicio y Su castigo, es una parte. La otra es aceptar el escrutinio de Dios mientras aceptas Su castigo. Cuando hayas aceptado ambas partes, ¿cuál será tu determinación? Cuando te encuentres con circunstancias y asuntos de ese tipo en el futuro, ¿qué harás? Sin verdadero remordimiento, uno no puede descartar un mal, y, en cualquier lugar, en cualquier momento, podría volver a lo mismo de siempre, a hacer el mismo mal, a cometer la misma transgresión y el mismo error una y otra vez. ¿No es esta la actitud que uno tiene hacia la verdad? Esto revela la actitud del hombre hacia la verdad y hacia Dios. Entonces, ¿qué puede hacer alguien para desechar por completo una transgresión? ¿Practicar la verdad? Uno debe tener la actitud correcta hacia la verdad. ¿Y qué actitud debe tener alguien y cómo debe practicar para demostrar su actitud correcta hacia la verdad? ¿Qué harás si caes en la tentación cuando te encuentres con este problema nuevamente? Una palabra: “¡Alejarte!”. Al mismo tiempo, uno debe tomar la determinación de ser castigado por Dios si vuelve a cometer el mismo tipo de error. Hacerlo es odiar el problema desde el fondo del corazón, verlo como lo más abominable; como algo malo, algo que ofende a Dios, una mancha eterna. La Biblia dice: “El prudente ve el mal y se esconde, mas los simples siguen adelante y son castigados” (Proverbios 22:3). Eso no es simplicidad; es estupidez, lisa y llanamente. “Alejarte”: ¿cómo es como forma de práctica? (Es buena). Sin embargo, ¿acaso no hay ocasiones en las que uno no puede mantenerse alejado? ¿Qué vas a hacer, entonces? Debes orar a Dios con fervor en tu corazón y pedirle que disponga las cosas. Algunas pruebas también son tentaciones. ¿Por qué permite Dios que te sucedan tales cosas? No ocurren por casualidad; es Dios que te hace exigencias y te pone a prueba. Si no aceptas la prueba de Dios y tratas de ignorarla, ¿no revela esto tu actitud hacia Él? Que le des la espalda a las circunstancias que Dios dispone para ti y a las pruebas que pone en tu camino, ¿no habla de la actitud del hombre hacia Dios, así como que tengas una actitud impertinente, y que no ores ni busques ni intentes encontrar en esas circunstancias y pruebas la senda de práctica? Hay quienes dicen: “No he tenido esos pensamientos y no tengo esa intención”. Si no tienes intención, ¿cuál es tu actitud hacia Dios? Algunas actitudes son deliberadas e intencionadas, mientras que otras, no. ¿Cuál es la tuya? ¿Alguien que es impertinente y no toma a Dios en serio es alguien que ama la verdad? Está establecido que quien trata a la verdad y a Dios como juegos de niños, como aire vacío, no es alguien que ama la verdad.

 

Extracto de La comunión de Dios

 

Continuará… www.kingdomsalvation.org/es/true-repentance-1.html#sw=ora...

 

Para conocer más: Cómo aprender a orar

 

Unas citas bíblicas son tomadas de LA BIBLIA DE LAS AMERICAS® (LBLA) Copyright © 1986, 1995, 1997 por The Lockman Foundation usado con permiso. www.LBLA.com.

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Devocionales diarios | ¿Cómo leer la Biblia para poder obtener la obra del Espíritu Santo? Aquí hay 3 formas

 

Xiao Xiao (Francia)

 

La lectura de la Biblia es una obligación diaria para los cristianos, además de indispensable en la senda hacia la verdad y la madurez en la vida espiritual. El Señor Jesús dijo: “Escrito está: ‘No solo de pan vivirá el hombre, sino de toda palabra que sale de la boca de Dios’” (Mateo 4:4). Es evidente que leer las palabras de Dios con frecuencia y valorarlas con el corazón es obligación de todo cristiano, pero ¿cómo debemos leer la Biblia para recibir la guía del Espíritu Santo y lograr resultados positivos? Esta es una cuestión de suma importancia para nosotros. Es probable que todos hayamos leído la Escritura de la siguiente manera. A veces somos capaces de recibir el esclarecimiento y la guía de Dios y de entender Su voluntad y Sus exigencias; nuestro espíritu se conmueve y tenemos fe y determinación para practicar las palabras de Dios en la vida diaria. Cada vez nos gusta más asistir a reuniones, orar y leer la Escritura y durante ese tiempo, además, maduramos en la vida espiritual. Sin embargo, algunas veces no disfrutamos la lectura de la Biblia y no percibimos el esclarecimiento ni la iluminación del Espíritu Santo. Sólo entendemos el significado literal de los pasajes bíblicos y nos falta sentido de la voluntad y las exigencias de Dios; no sabemos defender las palabras de Dios en la vida diaria y no maduramos espiritualmente. En ocasiones puede que hasta nos entre sueño leyendo la Biblia y cada vez tengamos menos ganas de hacerlo, de asistir a reuniones y de orar. Esto puede ser muy confuso. Si leemos la Biblia como siempre, ¿por qué se dan dos resultados totalmente distintos? ¿Cómo podemos leer la Biblia para obtener resultados positivos? A fin de recibir luz a partir de la lectura de la Biblia, comprendiendo estos tres principios podemos acercarnos más a Dios y recibir Su esclarecimiento y guía con facilidad.

 

Continuará… www.kingdomsalvation.org/es/testimonies/como-entender-la-...

 

Las escrituras tomadas de LA BIBLIA DE LAS AMERICAS® (LBLA) Copyright © 1986, 1995, 1997 por The Lockman Foundation usado con permiso. www.LBLA.com.

 

¿Quiere saber si sus formas de leer la Biblia son correctas? ¿Cómo leer la Biblia para entender mejor la voluntad de Dios? Haga clic en este enlace para sacar la respuesta.

 

👉 www.messenger.com/t/kingdomsalvationes/

   

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June 22, 2020 - Amherst Nebraska

 

Prints Available...Click Here

All Images are also available for...

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Watch the Video from this storm chase day on Flickr Click Here

 

Almost late June 2020, and the severe weather season has been just down right horrible for anything of photographic value this year. I mean this when I say Chase Locally. Due to Health issues, Truck maintenance issues, Equipment Issues, Camera Issues... With all that has been going on in my life, I've had to pick my chasing days and nights carefully this year. To be 100% Honest... I'm just happy I get to chase! Never let bad things set you back when the opportunity presents itself. That's my motto!

 

Luckily I had all my gear ready to go when when had strong severe thunderstorms develop in north central Nebraska and they were cresting southward down to south central Nebraska. My home turf.

 

This time of year is when everything changes weather wise here in south central Nebraska. Monsoons down in the southwest part of the US are firing and that usually means for us no storms. Not in 2020. Even though we had a late start to severe weather season here... mother nature hasn't let me down so far. She has remained active in my neck of the woods.

 

All the storms this day were outflow boundary generated storms. Meaning no tornadoes this day. Though I did capture 1 funnel, you'll see this in the video. Though with outflow dominate storms shelf clouds form and they can be more than picturesque. Its what I was hunting for this day! Oh did I get some and then some!

 

*** Please NOTE and RESPECT the Copyright ***

 

Copyright 2020

Dale Kaminski @ NebraskaSC Photography

All Rights Reserved

 

This image may not be copied, reproduced, published or distributed in any medium without the expressed written permission of the copyright holder.

 

#ForeverChasing

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gabbyjaws.blogspot.com/2024/06/i-cant-help-falling.html

 

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Excerpt from temple.bongeunsa.org/public_html_en/intro/buddhist.asp:

 

Panjeon (Tripitaka Hall)

 

Panjeon was built in 1855 by the Venerable Yeonggi and a great scholar and calligrapher Kim Jeong-hee whose pen name was Chusa to preserve the wooden blocks of the 81 volumes of the Avatamsaka Sutra. Added later were the wooden blocks of the Vimalakirti Sutra, the Collection of Poems written by hermit Hansanja, the Initial Self-Discipline by monk Jinul and the printing of Sakyamuni Buddha's feet among others. Currently 3,438 wooden blocks are well kept in this hall. This is the oldest building in the Bongeunsa Temple where the Vairocana Buddha is enshrined. The hanging board of Panjeon and the wooden blocks of the Avatamsaka Sutra have been designated as the Tangible Cultural Property No. 83 and No. 84 of the Seoul City. The hanging board features the last work of Chusa Kim Jeong-hee as a calligrapher of the Joseon Dynasty.

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