View allAll Photos Tagged html
Credits: bluemoodstyle.blogspot.com/2026/01/blog-post_26.html
⫘⫘⫘⫘⫘⫘ ৎ✿୭ ⫘⫘⫘⫘⫘⫘
✿ LELUTKA HEAD
✿ EBODY REBORN
⫘⫘⫘⫘⫘⫘ ৎ✿୭ ⫘⫘⫘⫘⫘⫘
▶S̱PƆŊS̱ƆɌ:: ➺ Sintiklia - Hair Kanako SINTIKLIA - Lewd Station event
✿4 STYLES
✿HEAD 1/2 FITTED
✿UNRIGGED / RESIZED
✿BANDS ADD-ONS
✿HAIRPING/HUD/TINT
⫘⫘⫘⫘⫘⫘ ৎ✿୭ ⫘⫘⫘⫘⫘⫘
▶S̱PƆŊS̱ƆɌ:: ➺ Tardfish. Chompy Stuffy TARDFISH
✿ANIMESH ACCESORY
✿CLICKABLE
⫘⫘⫘⫘⫘⫘ ৎ✿୭ ⫘⫘⫘⫘⫘⫘
▶S̱PƆŊS̱ƆɌ:: ➺ GOTHCORE EVENT
⫘Open 24th ~ 12th
➺ ➺ [ SUM ] H34RT Eyes SUM
✿EVOX
✿CATWA
✿GENUS
✿BOM
gabbyjaws.blogspot.com/2024/11/scandalize-lust-fatpack.html
SCANDALIZE LUST FATPACK
LM: maps.secondlife.com/secondlife/Scandalize/93/158/102
Bondi Jennie Drink
E. Beauty Caren skin
LaraX
Lel EvoX Avalon
Wasabi BFF hair
RAWR! Aurora earrings
Excerpt from jproc.ca/haida/40mm_bofors.html:
The Bofors 40 mm gun, is an anti-aircraft cannon designed in the 1930s by the Swedish arms manufacturer AB Bofors. It was one of the most popular medium-weight anti-aircraft systems during World War II and used by most of the western Allies as well as some captured systems being used by the Axis powers. A small number of these weapons saw action as late as the Persian Gulf War.
These 40 mm, Bofors anti-aircraft guns were installed between 1946 and 1947, on top of the original twin 20 mm OERLIKON power mountings. This was an RCN innovation. The mounting operated hydraulically, with the fluid being supplied by the pumps forward of the after funnel on the Bofor deck, and aft of the helm at the Emergency Steering position. The mounting moved in response to the movement of the fire control "joystick". These guns used to have a Mark II Gun sight, but they are missing.
The design of the gun is such that it had a very high rate of fire due to the fact that the vertical block in the breech, opened upon recoil of the gun, so that the casing was ejected almost immediately after firing. This resulted in a rate of fire of 120 rounds per minute. The rounds were loaded into the breech in "clips" of four and by a crew of four. They were: Trainer/Aimer, Breechworker, Layer, and Loader. The ammunition used was high explosive, and was not fused. The gun could elevate to 70 degrees, and could depress to 0 degrees which allowed it to be used against close in surface contacts which were below the arc of fire of the twin 4 inch guns. The Boffins was very useful in Korea for blowing up floating mines.
HAIDA was fitted with the Mk VII Bofors. In Wikipedia, Mk VII is defined as "a single barreled, hydraulically powered mounting that superseded the Mark III and entered service in 1945.
www.youtube.com/watch?v=Y8-iXBVUJec
gabbyjaws.blogspot.com/2024/12/you-for-christmas.html
{Le'La} Joy Xmas Outfit ♥Christmas Promo♥
Demo available InWorld store
30 Colors Outfit
Dress | Sleeves | Gloves | Boots | Hat | Cape | Lights
Animated blinking Light - 10 Color Options
Multiple Colors Combination via HUD
FitMesh for mesh avatars
sizes Outfit
☻ 4 Fitted Mesh for Maitreya/Petite- Larax/Larax petite
☻ 3 Fitted Mesh for Legacy/perky/Bombshell
☻ 2 Fitted Mesh for Ebody Reborn/Waifus
☻ 1 Fitted Mesh for Kupra
☻ 1 Fitted Mesh for Erika
Free Demo available InWorld store - Please try the Demo before buy
- No Refunds For Products with Demo
Thank you
♥~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~♥
Thank you! for your purchase.
♥~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~♥
Need any help feel free to drop a NC to miamilu InWolrd
LM: maps.secondlife.com/secondlife/LeLa%20Island/117/120/2302
MP: marketplace.secondlife.com/stores/170498
Flickr: www.flickr.com/photos/135399508@N05
Facebook: www.facebook.com/groups/343571729606756/
Blog: leladesignssl.blogspot.com/
WINGSDG ERO415
Lyrium Bea Static 2 curvy
Excerpt from www.visitourchina.com/macao/attraction/lou-lim-ieoc-garde...:
Chinese name: 盧廉若公園
Location: Estrada de Adolfo Loureiro, in northern Macau Peninsular, Macau.
Located in the middle of Macau Peninsular at the northern foot of Guia Hill, Lou Lim Ieoc Garden (in Portuguese: Jardim Lou Lim Ieoc) covers an area of 1.78 hectares with scenic landscapes. This elegant garden was modeled after Suzhou Lion Grove Garden, one of the four most famous classic gardens in Suzhou, being the only one with Suzhou classical garden style in Macau. Lou Lim Ieoc Garden was once named "Entertainment Garden" and hailed as one of three famous gardens of Macau many years ago. And in 1992, it was rated as one of Macau’s eights sights. Lou Lim Ieoc Garden is a great place for sightseeing as it has quaint moon gate, shady walkways, grotesque rocks of man-made hills, bamboo groves, towering banyan tress, winding corridors, elegant pavilions, spattering waterfalls, ponds with green lotus, etc. The waterside pavilion is the centerpiece of Lou Lim leoc Garden. Despite it is a traditional Chinese architecture, some western architectural elements are embedded in, such as the external wall painted in light yellow, the favorite color of Portuguese, gothic porticoes, white European-style carvings at the top of porticoes. The barrier close to the pond is painted red, China’s favorite color. This building reflects the fusion of oriental and western cultures.
It was initially a vegetable plot and was purchased by a Macau Turpan, whose son Lou Lim leoc spent a large sum of money to convert it into a private garden. Lou Lim Ieoc Garden was the largest private garden in Macau. The construction started 1904 and took 21 years to finish. The garden was changed hand due to the Lu family’s bankruptcy, until it was purchased by Macau government in 1970s. After renovation it was opened to the public in 1974. At the turn of 21st century, Lou Lim Ieoc Garden was famed as the show place of Cantonese opera. Sun Yat-sen, the forerunner of Chinese democratic revolution, once stayed in this garden to meet celebrities of China, Macau and Portugal, and revolutionists.
Bước cùng tôi - Bụi là lá la
Bước cùng tôi
1st verse:
Không còn lụy bi…
…Nơi những thi vị
Át đi suy nghĩ…
Ước đời đôi khi…
Nước rời đôi mi…
Bước với tôi đi … tôi sẽ cho bạn thấy
Nơi thời gian trôi đi cùng khẽ gió tràn đầy …
Những tia nắng vẫn thầm thì với những con người chăm chỉ
Nơi cuộc sống ko cầu kì với những cung cách hoa mĩ
Thứ xa xỉ…nơi bạn đang sống là niềm tin
Còn nơi tôi sống đầy những con người luôn mong mỏi chờ bình minh
Đừng giật mình…khẽ thôi(suỵt)… thế giới bạn đang ngủ
Hãy thức tỉnh… để tôi …kéo bạn ra khỏi giấc mộng du
Thật công phu để làm bạn thức dậy
Nhưng ko đủ để cho mọi người thức dậy
Hãy bước với tôi đi, tôi sẽ cho bạn thấy
Và hãy bước vs tôi đi, tôi sẽ làm đổi thay
Nơi tôi sống đầy tiếng cười, nơi tôi “trồng” những tình người
Nơi hàng cây trông mát rượi chào đón những ngày xanh tươi
Nơi ko có những cánh rừng trọc đang gầm rú ngồi khóc…
Nơi ko có những tang tóc sau những lời trách móc (ko bốc đồng)
Hook:
Hãy bước với tôi đi…đừng mang theo những hối hận
Hãy bước với tôi đi…vì tôi chỉ đến vài đôi lần
Hãy nắm tay tôi đi… rồi bước tiếp cùng đôi chân
Hãy nắm tay tôi đi…đừng để tôi trôi dần
Nếu bạn có mệt mỏi, thì hãy nhắm mắt lại
Tôi sẽ dẫn đường chỉ lối đưa bạn đến vs ngày mai
Nhưng xin đừng thay đổi, đừng bắt tôi quay lại
Và cũng xin đừng tự hỏi …… tôi là ai
2nd verse :
Liếc với sự thật, và cứ thế là say (cố chấp)
Say ko định mức, rồi say trong tù đày
Với những lời nói bốc phét trên cái gọi là internet
Giả điếc với những tiếng gọi của tâm hồn đang khóc thét
Thế giới phát triển tỉ lệ nghịch vs đạo đức
Mà tỉ lệ thuận vs những bốc đồng nên cứ giết người rồi cướp giật
Lặp lại thời chiến tranh…tàn sát nhau ko suy nghĩ
Nhưng ko phải bằng bom đạn mà là sự ích kỉ
Tình người đâu ?? sao lại bỏ đói nhau ???
Hay là lại để những con tàu sau đó lênh láng biển dầu ??
Bước với tôi đi cùng nhau đặt dấu chấm hỏi
Trước lối tôi đi sẽ là những câu trả lời
Còn đâu những vẻ đẹp của cuộc sống đơn sơ?
Và còn đâu vẻ đẹp tinh khiết của bông hoa dại khi chớm nở?
Thẫn thờ với những vết nhơ vấy lên giấc mơ bị đập vỡ
Tại sao ta chỉ thẫn thờ đứng nhìn đôi chân ta lầm lỡ?...
Hook:
Hãy bước với tôi đi…đừng mang theo những hối hận
Hãy bước với tôi đi…vì tôi chỉ đến vài đôi lần
Hãy nắm tay tôi đi… rồi bước tiếp cùng đôi chân
Hãy nắm tay tôi đi…đừng để tôi trôi dần
Nếu bạn có mệt mỏi, thì hãy nhắm mắt lại
Tôi sẽ dẫn đường chỉ lối đưa bạn đến vs ngày mai
Nhưng xin đừng thay đổi, đừng bắt tôi quay lại
Và cũng xin đừng tự hỏi …… tôi là ai
Outro:
…Bởi vì tôi là…ước mơ của bạn…và thế giới đẹp đẽ của tôi…cũng nằm trong ánh mắt bạn…trái đất đang gào tên bạn…sự thật đang thét tên bạn…hãy bước cùng tôi đi…hãy bước cùng Bụi đi …
P/s: lần đầu tiên mẹ bụi khen bài này hay =x sướng
gabbyjaws.blogspot.com/2024/11/lela-abigail-outfit-70-off...
{Le'La} Abigail Outfit >70% off<
Demo available InWorld store
30 Color Outfit
Top | Skirt | Jacket | Panty | Heels
Multiple Colors Combination via HUD
FitMesh for mesh avatars
sizes Outfit
☻ 4 Fitted Mesh for Maitreya/Petite- Larax/Larax petite
☻ 2 Fitted Mesh for Legacy/perky
☻ 2 Fitted Mesh for Ebody Reborn/Waifus
☻ 1 Fitted Mesh for Kupra
☻ 1 Fitted Mesh for Erika
☻ 2 Fitted Mesh for Genx Classic & Curvy
IMPORTANT
↳ Always try DEMO before buying, please! ♥
↳ No Refunds For Products with DEMO available.
STORE INFO
↳ Mainstore
↳ Marketplace
↳ Facebook Page
↳ PrimFeed
↳ Instagram: @miamilu.lela
CSS :
body, html {
background: #ffffff url(www.google.com/logos/high-resolution/elmo-1200x800.jpg);
background-position: center;
background-attachment: fixed;
background-repeat: repeat;
}
body {
background: none;
padding-left: 405px;
padding-right: 5px;
overflow-x:hidden;
font-family: "Trebuchet MS", Helvetica, sans-serif;
font-size: 9pt;
}
#page_title {
overflow: hidden;
opacity:0; width: 0;
}
h1 {
font-size: 22px;
font-weight: bold;
text-shadow: 1px 1px 1px white;
color: #9754cf !important;
}
#top_login {
padding: 2px 10px 0px 0px !important;
margin: 0px 0px 0px 0px;
background-image: url(www.google.com/logos/high-resolution/elmo-1200x800.jpg);
background-color: none;
background-repeat: repeat;
color: white !important;
}
#sign_up {
padding: 0px 3px 0px 3px !important;
margin: 0px 0px 0px 0px !important;
position: relative !important;
}
#alert_beacon {
text-shadow: 1px 1px 1px white;
color: #9e59d4 !important;
}
/*bm----- Updater Responses and new Plurks -------bm*/
#updater {
padding: 2px;
margin-top: -10px;
text-transform: none;
border:0;
color: #fff;
background: url(www.google.com/logos/high-resolution/elmo-1200x800.jpg);
right: 10px; left: auto;
-moz-border-radius:12px;
-webkit-border-radius:12px;
-khtml-border-radius:12px;
}
#updater .text {
border:0;
color: #fff;
font-size: 11px;
}
#updater a {
color: #ffffff;
font-weight: bold;
text-transform: none;
}
#updater a:hover {
color:#9754cf;
text-transform: none;
font-weight: bold;
}
#plurk-dashboard a, #footer a, #top_login a, #top_bar a {
font-family: "Trebuchet MS", Helvetica, sans-serif;
text-shadow: 1px 1px 1px white;
color: black !important;
}
#top_login a:hover {
border:0;
text-decoration: normal;
color: #fff;
}
/*bm -------KARMA--------bm*/
#karma, .karma_hover {
font-family: "Trebuchet MS", Helvetica, sans-serif;
text-shadow: 2px 2px 2px white;
color: #754cbf;
font-weight:bold;
}
.karma_arrow {
filter:alpha(opacity=0);
-moz-opacity:.0;
opacity:.0;
}
/*bm ----- TIMELINE ------ bm*/
#timeline_holder {
padding-left: 210px;
padding-right: 215px;
position: relative;
background: none;
background-color: transparent; background-repeat: no-repeat !important;
background-position: 100% 100%;
border: 0px solid #CCCCCC;
-webkit-box-shadow: 2px 2px 10px rgba(0, 0, 0, 0.6);
-moz-box-shadow: 2px 2px 10px rgba(0, 0, 0, 0.6);
box-shadow: 2px 2px 10px rgba(0, 0, 0, 0.6);
-o-box-shadow: 2px 2px 10px rgba(0, 0, 0, 0.6);
-khtml-box-shadow: 2px 2px 10px rgba(0, 0, 0, 0.6);
}
#bottom_line {
font-size: 11px;
margin-top: -2px;
border-top:0px solid #b9aeab;
border-bottom: 1px solid transparent;
background: url(www.google.com/logos/high-resolution/elmo-1200x800.jpg);
position: relative;
top: 365px !important;
right: 215px;
left: 0px;
}
.bottom_start , .bottom_end {color:#c3c3c3 !important;font-weight:bold;font-size:11px ; }
.cmp_arrow_right{background:transparent url(www.google.com/logos/high-resolution/elmo-1200x800.jpg) 0px 0 no-repeat;width:36px;font-size:1px;height:32px;}
.cmp_back_to_today{background:transparent url(www.google.com/logos/high-resolution/elmo-1200x800.jpg) 0 0 no-repeat;width:36px;font-size:1px;height:32px;}
textarea#input_small, textarea#input_big {
-moz-border-radius:10px;
-webkit-border-radius:10px;
-khtml-border-radius:10px;
color: #7a3fb7 !important;
}
textarea#input_big, textarea#input_permalink {
background: transparent;
border-bottom: 1px solid #fff;
border-top: transparent;
order-left: transparent;
border-right: transparent;
}
.mini_form {
color: black;
font-weight: bold;
text-shadow: 1px 1px 1px white;
-moz-border-top-left-radius: 10px 10px;
-webkit-border-top-left-radius: 10px 10px;
-khtml-border-top-left-radius: 10px 10px;
-moz-border-top-right-radius: 10px 10px;
-webkit-border-top-right-radius: 10px 10px;
-khtml-border-top-right-radius: 10px 10px;
}
.p_img img {
-moz-border-radius:5px;
-webkit-border-radius:5px;
-khtml-border-radius:5px;
}
.emoticon, .p_img {
-webkit-transition-duration: 500ms;
-moz-transition-duration: 500ms;
-khtml-transition-duration: 500ms;
}
.emoticon:hover, .p_img:hover {
-webkit-transform: rotate(390deg) scale(1.2);
-moz-transform: rotate(390deg) scale(1.2);
-khtml-transform: rotate(390deg) scale(1.2);
}
.info_box {
-moz-border-bottom-left-radius: 10px 10px;
-webkit-border-bottom-left-radius: 10px 10px;
-khtml-border-bottom-left-radius: 10px 10px;
-moz-border-bottom-right-radius: 10px 10px;
-webkit-border-bottom-right-radius: 10px 10px;
-khtml-border-bottom-right-radius: 10px 10px;
}
#emoticons_show img {
border: 0px !important;
}
#emoticons_show, #emoticons_tabs ul li {
background-image: url(www.google.com/logos/high-resolution/elmo-1200x800.jpg) !important;
background-repeat: repeat;
border: 1px solid grey;
padding: 2px 2px 2px 2px !important;
-moz-border-radius: 8px;
-webkit-border-radius: 8px;
-khtml-border-radius: 8px;
}
.day_bg .div_inner {
background: url(www.google.com/logos/high-resolution/elmo-1200x800.jpg) no-repeat Bottom;
width: 80px; border: none;
}
.response_count {
background: transparent;
color: #9a56d1 !important;
padding: 2px 2px 2px 2px;
-moz-border-radius:3px;
-webkit-border-radius:3px;
-khtml-border-radius:3px;
}
.new .response_count {
background: #9a56d1;
border: 0px solid #ffffff;
color: #ffffff !important;
padding-left: 4px;
padding-right: 4px;
padding-top: 1px;
padding-bottom: 3px;
}
.plurk_box .list .empty {
text-shadow: 1px 1px 1px white;
}
.plurk_box .list {
background-color: white !important;
-moz-border-radius:10px;
-webkit-border-radius:10px;
-khtml-border-radius:10px;
}
.plurk_box .caption {
background: rgb(72,72,72);
color: rgb(231,231,231);
-moz-border-radius:10px;
-webkit-border-radius:10px;
-khtml-border-radius:10px;
}
.qualifier {
text-shadow: 1px 1px 1px black;
color: white;
padding: 0px 1px 0px 1px;
-moz-border-radius:4px;
-webkit-border-radius:4px;
-khtml-border-radius:4px;
}
.plurk_cnt {
text-shadow: 1px 1px 1px white;
padding: 0px 0px 0px 0px !important;
border: 1px solid #CCCCCC;
opacity: .9;
-moz-border-radius:10px;
-webkit-border-radius:10px;
-khtml-border-radius:10px;
}
.plurk_cnt table {
-moz-border-radius:10px;
-webkit-border-radius:10px;
-khtml-border-radius:10px;
}
#filter_tab a {
background-image: url(www.google.com/logos/high-resolution/elmo-1200x800.jpg);
background-repeat: repeat;
background-color: none !important;
border: 0px solid #CCCCCC !important;
color: white;
text-shadow: 1px 1px 1px black;
opacity: 1 !important;
-moz-border-bottom-left-radius:8px;
-webkit-border-bottom-left-radius:8px;
-khtml-border-bottom-left-radius:8px;
-moz-border-bottom-right-radius:8px;
-webkit-border-bottom-right-radius:8px;
-khtml-border-bottom-right-radius:8px;
}
#filter_tab .off_tab {
background: none !important;
border: 0px solid #CCCCCC !important;
text-shadow: 1px 1px 1px black;
}
/*bm -------LOADING------- bm*/
.list .loading {
position:absolute;
height:120px;
background:transparent url(www.google.com/logos/high-resolution/elmo-1200x800.jpg) no-repeat 50% 50%;
}
.loading img {
filter:alpha(opacity=0);
opacity:.0;
}
/*bm----- PANE PLURK ----bm*/
#dashboard_holder {
position: relative;
width:100% !important;
color: white;
}
.plurkaction {
-moz-border-radius:8px;
-webkit-border-radius:8px;
-khtml-border-radius:8px;
border: 0px solid #CCCCCC;
color: yellow;
-webkit-box-shadow: 2px 2px 10px rgba(0, 0, 0, 0.6);
-moz-box-shadow: 2px 2px 10px rgba(0, 0, 0, 0.6);
box-shadow: 2px 2px 10px rgba(0, 0, 0, 0.6);
-o-box-shadow: 2px 2px 10px rgba(0, 0, 0, 0.6);
-khtml-box-shadow: 2px 2px 10px rgba(0, 0, 0, 0.6);
background-image: url(www.google.com/logos/high-resolution/elmo-1200x800.jpg);
background-repeat: repeat;
background-color: transparent;
}
.plurkaction .qual_holder {
text-shadow: 1px 1px 1px white;
font-weight: bold;
color: #FFFFFF;
}
.plurkaction,#toggle_tab li.tt_selected,#plurk-dashboard,#more_options_link{
border: 0px solid #9754cf;
background: url(www.google.com/logos/high-resolution/elmo-1200x800.jpg);
color:#c3c3c3 !important;
}
.share_search {
position:relative;
bottom: 10px;
padding-right: 50%;
}
#more_options_holder, #more_options_holder table td {
color: white !important;
text-shadow: 1px 1px 1px black !important;
background: none !important;
}
#reply_box {
background-image: url(www.google.com/logos/high-resolution/elmo-1200x800.jpg);
background-repeat: repeat;
background-color: transparent;
color: #CCCCCC;
}
/*bm -------Dashboard------- bm*/
#plurk-dashboard table, #plurk-dashboard td {
color: white !important;
text-shadow: 1px 1px 1px black;
}
#plurk-dashboard {
-moz-border-radius:8px;
-webkit-border-radius:8px;
-khtml-border-radius:8px;
border:0 !important;
background: transparent !important;
-webkit-box-shadow: 2px 2px 10px rgba(0, 0, 0, 0.6);
-moz-box-shadow: 2px 2px 10px rgba(0, 0, 0, 0.6);
box-shadow: 2px 2px 10px rgba(0, 0, 0, 0.6);
-o-box-shadow: 2px 2px 10px rgba(0, 0, 0, 0.6);
-khtml-box-shadow: 2px 2px 10px rgba(0, 0, 0, 0.6);
background-color: transparent;
}
#plurk-dashboard h2{
color: #9754cf;
background: transparent !important;
font-family: "Trebuchet MS", Helvetica, sans-serif;
font-size: 24px;
border-bottom: 0px solid #83DF45;
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.dash-segment {
min-height : 60px;
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hubungan : berpacaran dengan iandpartII
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/*bm--- FOOTER ---bm*/
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/*bm----- Remove Plurk Creature -----bm*/
div#dynamic_logo img {
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right: 300px !important;
padding-right: 215px;
background: url(www.google.com/logos/high-resolution/elmo-1200x800.jpg) no-repeat scroll left top;
}
div#logo img[IMG]http://www.google.com/logos/high-resolution/elmo-1200x800.jpg[/IMG] {
height: 200px;
width: 0px;
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background: url(www.google.com/logos/high-resolution/elmo-1200x800.jpg) no-repeat scroll left top;
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div#dynamic_logo img[IMG]http://www.google.com/logos/high-resolution/elmo-1200x800.jpg[/IMG], div#logo img[IMG]http://www.google.com/logos/high-resolution/elmo-1200x800.jpg[/IMG] {
opacity:0;filter:alpha(opacity=0);zoom:1
}
/*bm------ End Plurk Creature Removal ------bm*/
Sponsor Ink. ShitStorm Tattoos ♥
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Blog leonie-snow-style.blogspot.de/2018/02/post-54-moon-child....
Tattoo - LACONIC/ORTIZ TATTOO BOM
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Bracelet - **RealEvil** Beloved Bracelet Male @ Santa Inc
Short - .:.: TRIVIUM :.:. CHICO MALO SHORTS
(Kario & Legacy)
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TRIVIUM - maps.secondlife.com/secondlife/Venus/42/91/2001
The Mens Dept - maps.secondlife.com/secondlife/TMD/124/168/22
Santa Inc - maps.secondlife.com/secondlife/Dracul/227/104/21
Today I visited Strokestown House, Co. Roscommon.
I had planned an exterior shoot of the Strokestown area for a particular project and left blue sky in Boyle. However, half way to Strokestown, the cloud decended and bleached my beautiful sky! My proposed shots needed a rich blue sky - not gonna happen today. Rather than be content with a wasted journey, I thought on my feet and put some energy into an interior project instead, this turned out to be Strokestown House.
If you have not yet visited this place - you should. I found the staff extremely helpful and accommodating. I am grateful to Catherine, John and Ronan for their help. I was allowed to photograph as much as I pleased in all public-access areas. I didn't go mad though, I focused on 'light illuminating the interior'. It took me almost two hours to take eight shots.
Interiors can be difficult to shoot if you wish to convey the natural beauty of window light. Straight off - it is next to impossible to achieve without multiple exposures.
I usually spend a bit of time looking first, camera hand held - standing, eye-level, squat, even sometimes lie on the floor. What lens to use. Get it right in the frame, verticals/horizontals - are they parallel to the edges of the frame, what is the subject here ... details.
Once I've found my spot, I get the tripod and compose the shot, I have no problem (where possible) moving objects to different positions within the frame to get what I want. Then its camera settings. I always shoot in RAW.
For this shot; ISO 100. White Balance Cloudy (there was zero colour adjustment made to this image during processing). Aperture set to f/16 for sharpness all the way through. For the lens I was using (Nikkor 17-55mm 2.8G) I find best performance at f/16 or 18 aperture not at f/22 as you might expect. I used a cable release and set the camera 'mirror-lock to 'up' position to avoid camera shake. Finally, I experiment with shutter speed settings to determine the exposure for Highlights (so as to retain detail in the bright window) - 0.6seconds. I subsequently took three more exposures to cover mid-tones and shadows - 1.6, 3.0 and 5.0 seconds. Bang, bang, bang. Ya, ya, I know, sounds painful but believe me, if you want to learn about your camera you need to experiment. If you don't want to spend ages fixing mistakes in Photoshop, try getting in right in the camera as much as possible.
In CS2, the RAW files were processed for tone and contrast only. Layers were blended and the image finished with a mild touch of sharpening using a high-pass filter.
FA tomorrow, 15:00 (spanish time-Madrid) in my place: babycatfacedollies.blogspot.com.es/2016/05/ray.html
Soonest Mended
BY JOHN ASHBERY
Barely tolerated, living on the margin
In our technological society, we were always having to be rescued
On the brink of destruction, like heroines in Orlando Furioso
Before it was time to start all over again.
There would be thunder in the bushes, a rustling of coils,
And Angelica, in the Ingres painting, was considering
The colorful but small monster near her toe, as though wondering whether forgetting
The whole thing might not, in the end, be the only solution.
And then there always came a time when
Happy Hooligan in his rusted green automobile
Came plowing down the course, just to make sure everything was O.K.,
Only by that time we were in another chapter and confused
About how to receive this latest piece of information.
Was it information? Weren’t we rather acting this out
For someone else’s benefit, thoughts in a mind
With room enough and to spare for our little problems (so they began to seem),
Our daily quandary about food and the rent and bills to be paid?
To reduce all this to a small variant,
To step free at last, minuscule on the gigantic plateau—
This was our ambition: to be small and clear and free.
Alas, the summer’s energy wanes quickly,
A moment and it is gone. And no longer
May we make the necessary arrangements, simple as they are.
Our star was brighter perhaps when it had water in it.
Now there is no question even of that, but only
Of holding on to the hard earth so as not to get thrown off,
With an occasional dream, a vision: a robin flies across
The upper corner of the window, you brush your hair away
And cannot quite see, or a wound will flash
Against the sweet faces of the others, something like:
This is what you wanted to hear, so why
Did you think of listening to something else? We are all talkers
It is true, but underneath the talk lies
The moving and not wanting to be moved, the loose
Meaning, untidy and simple like a threshing floor.
These then were some hazards of the course,
Yet though we knew the course was hazards and nothing else
It was still a shock when, almost a quarter of a century later,
The clarity of the rules dawned on you for the first time.
They were the players, and we who had struggled at the game
Were merely spectators, though subject to its vicissitudes
And moving with it out of the tearful stadium, borne on shoulders, at last.
Night after night this message returns, repeated
In the flickering bulbs of the sky, raised past us, taken away from us,
Yet ours over and over until the end that is past truth,
The being of our sentences, in the climate that fostered them,
Not ours to own, like a book, but to be with, and sometimes
To be without, alone and desperate.
But the fantasy makes it ours, a kind of fence-sitting
Raised to the level of an esthetic ideal. These were moments, years,
Solid with reality, faces, namable events, kisses, heroic acts,
But like the friendly beginning of a geometrical progression
Not too reassuring, as though meaning could be cast aside some day
When it had been outgrown. Better, you said, to stay cowering
Like this in the early lessons, since the promise of learning
Is a delusion, and I agreed, adding that
Tomorrow would alter the sense of what had already been learned,
That the learning process is extended in this way, so that from this standpoint
None of us ever graduates from college,
For time is an emulsion, and probably thinking not to grow up
Is the brightest kind of maturity for us, right now at any rate.
And you see, both of us were right, though nothing
Has somehow come to nothing; the avatars
Of our conforming to the rules and living
Around the home have made—well, in a sense, “good citizens” of us,
Brushing the teeth and all that, and learning to accept
The charity of the hard moments as they are doled out,
For this is action, this not being sure, this careless
Preparing, sowing the seeds crooked in the furrow,
Making ready to forget, and always coming back
To the mooring of starting out, that day so long ago.
John Ashbery, “Soonest Mended” from The Double Dream of Spring. Copyright © 1966, 1970 by John Ashbery. Reprinted with the permission of Georges Borchardt, Inc. on behalf of the author.
Source: The Mooring of Starting Out: The First Five Books of Poetry (Ecco Press, 1997)
^ ^ ^.^ ^ ^
el.godfootsteps.org/videos/one-who-holds-sovereignty-over...
Εκκλησιαστικοί ύμνοι
Στο απέραντο σύμπαν, όλα τα ουράνια σώματα κινούνται με ακρίβεια στην τροχιά τους. Κάτω από τον ουρανό, όλα τα βουνά, τα ποτάμια και οι λίμνες είναι οριοθετημένα και όλα τα πλάσματα ζουν και αναπαράγονται κατά τη διάρκεια των τεσσάρων εποχών σύμφωνα με τους νόμους της ζωής.... Τα πάντα έχουν σχεδιαστεί με τέτοια λεπτότητα — υπάρχει ο Ισχυρός Θεός που κυβερνά και οργανώνει τα πάντα; Από τότε που ερχόμαστε σε αυτόν τον κόσμο κλαίγοντας, παίζουμε διαφορετικούς ρόλους στη ζωή. Μεταβαίνουμε από τη γέννηση στο γήρας, στην ασθένεια, στον θάνατο, ζούμε μεταξύ χαράς και λύπης.... Από πού προέρχονται πράγματι οι άνθρωποι και πού πράγματι οδεύουμε; Ποιος κυβερνά τη μοίρα μας; Από την αρχαιότητα ως τη σύγχρονη εποχή, μεγάλα έθνη έχουν ακμάσει, δυναστείες έχουν έλθει και παρέλθει, και οι χώρες και οι λαοί έχουν προοδεύσει και χάθηκαν στον ρου της ιστορίας.... Όπως οι νόμοι της φύσης, έτσι και οι νόμοι της εξέλιξης της ανθρωπότητας περιέχουν άπειρα μυστήρια. Θα θέλατε να μάθετε τις απαντήσεις σε αυτά; Το ντοκιμαντέρ Αυτός που κυριαρχεί επί των πάντων θα σας καθοδηγήσει για να φτάσετε στη ρίζα τους, για να αποκαλύψετε όλα αυτά τα μυστήρια!
νέα ιερουσαλήμ
Πηγή εικόνας: Εκκλησία του Παντοδύναμου Θεού
Όροι Χρήσης： el.godfootsteps.org/disclaimer.html
Excerpt from www.mtr.com.hk/en/customer/community/art_archi_hku_our_me...:
Art in station architecture
Artwork Title:
Our Memories of the Western District — Kennedy Town
Artist Name:
Photo winners from local community and MTR Corporation (Hong Kong)
Artwork Location:
Kennedy Town Station - Concourse
Form of Artwork:
Digital Printing on Glass
Artwork Completion Date:
December 2014
Artist's Concept:
The photographic competition entitled "Our Memories of the Western District" was the inaugural activity of the West Island Line Community Art Programme. Unique images of the Kennedy Town area were captured by local residents and the winning photographs from the champion, 1st runner-up, 2nd runner-up and merit award recipients were selected as the theme images for use in Kennedy Town Station. These photographic images were then pixelated using thousands of images collected from the community and then combined with monochrome graphics to create a panoramic collage, reflecting the uniqueness and culture of Western District with traditional buildings and daily life of the local community.
Excerpt from www.discoverhongkong.com/ca/explore/unmissable-adventures...:
Auspicious Elephants at Shun Hing Street
In traditional Chinese culture, the elephant is a symbol of good fortune and affluence. The pronunciation of ‘elephant’ (xiàng) is similar to that of ‘auspiciousness’(xiáng), plus the way elephants draw water using their trunks also represents drawing in wealth. At the entrance to the open area of the public housing on Shun Hing Street (facing the Chung Ying Street police post), stands a striking pavilion with red pillars and a green tiled roof. It’s adorned with small golden tiles on the edges, and at the top, two lifelike dragons are guarding a pearl that represents Sha Tau Kok. In the front, there is a pair of elaborately sculpted elephants. Rumour has it that they were set up by a feng shui master to help residents of Sha Tau Kok to draw wealth and fortune from the natural treasure trove of Starling Inlet (water symbolises wealth in Chinese culture). You may touch the elephants for good luck — touch the one with its trunk raised first to bring wealth and fortune, then the one with its trunk lowered to safeguard them. Remember to follow the correct order!
The aspidistra is no longer with us. I killed it!
Read how it happened: I killed the aspidistra!
Leed lo que le pasó: Yo maté la aspidistra
For Mah Sponsored: Black Fair - NOeditiON - [Hipster Style] - Sabotage.. Thanks You So Much Enjoy!!
Link Info Blog: thesecretdressing.blogspot.com.ar/2017/04/1238.html
Excerpt from www.discoverhongkong.com/ca/explore/discover-sha-tau-kok....:
Located in Hong Kong’s North District and right next to Shenzhen’s Yantian District, Sha Tau Kok was designated as part of the Frontier Closed Area in 1951. Since then, Sha Tau Kok has been accessible only to individuals with a closed area permit. Back in the days when Sha Tau Kok was closed to non-residents, visiting the border town also required a guarantee from a local resident. As it begins to open gradually, Sha Tau Kok has become a great choice for weekend getaways.
The first phase of the opening of Sha Tau Kok began in June 2022, followed by the second phase starting January 2024. Visitors can board a kaito ferry to explore Sha Tau Kok and enjoy the area’s beautiful scenery, unique attractions and local delicacies, either independently or through local tours. You can also take a ferry to nearby islands and areas, such as Lai Chi Wo, Kat O, Ap Chau and Hong Kong UNESCO Global Geopark.
The opening of Sha Tau Kok
•The daily quota of visitors with the Tourism Closed Area Permit is set at 2,300 individuals, and 700 group visitors on weekends and public holidays. There is no quota limit for groups on weekdays.
•Individual travellers must enter Sha Tau Kok by public transport, with the addition of ferry services to Sha Tau Kok from Lai Chi Wo/Ap Chau/Kat O. Private cars are NOT allowed.
•Area: Sha Tau Kok (excluding Chung Ying Street).
•Opening hours: Every day from 7am to 9pm.
Palabras de Dios | Escapa de la influencia de las tinieblas y Dios te ganará
"¿Cuál es la influencia de las tinieblas? Aquello a lo que se llama influencia de las tinieblas es la esclavitud de Satanás, la influencia de Satanás; es una influencia que tiene un aura de muerte.
…… Si los hombres son incapaces de practicar las palabras de Dios, siempre lo engañan actuando de una forma superficial con Él y sin creer en Su existencia, tales personas están viviendo bajo la influencia de las tinieblas. Todos los hombres que no han recibido la salvación de Dios están viviendo bajo el campo de acción de Satanás, es decir, viven todos bajo la influencia de las tinieblas. Quienes no creen en Dios viven bajo el campo de acción de Satanás. Incluso aquellos que creen en la existencia de Dios pueden no estar necesariamente viviendo en la luz de Dios, porque los que creen en Él, no necesariamente pueden estar viviendo dentro de las palabras de Dios ni ser hombres que necesariamente sean capaces de obedecer a Dios. El hombre sólo cree en Dios y debido a su fracaso en conocer a Dios, él sigue viviendo dentro de las viejas normas, viviendo dentro de palabras muertas, viviendo en una vida que es oscura e incierta, no estando purificado del todo por Dios ni ganado por completo por Dios. Por tanto, aunque no hace falta decir que quienes no creen en Dios están viviendo bajo la influencia de las tinieblas; incluso quienes sí creen en Dios, aun así pueden estar viviendo bajo la influencia de las tinieblas, porque el Espíritu Santo no ha llevado a cabo obra alguna en ellos. Los que no han recibido la gracia de Dios ni Su misericordia, así como los que no pueden ver la obra del Espíritu Santo, viven todos bajo la influencia de las tinieblas; quienes sólo disfrutan de la gracia de Dios, pero no lo conocen, también viven la mayor parte del tiempo bajo la influencia de las tinieblas. Si un hombre cree en Dios, pero gasta la mayor parte de su vida bajo la influencia de las tinieblas, entonces la existencia de ese hombre ha perdido su significado, por no mencionar a quienes no creen en la existencia de Dios."
Recomendación: La advertencia de Dios
Εισαγωγή
Ύμνος των λόγων του Θεού | Λατρεύουμε τον Θεό με Πνεύμα και Αλήθεια «Το Αποτέλεσμα που Επιτυγχάνεται Γνωρίζοντας τον Θεό» | Χριστιανικά τραγούδια【Α Καπέλα】
Κάποια μέρα,
θα νιώσεις ότι ο Δημιουργός
δεν αποτελεί πλέον γρίφο,
ότι ο Δημιουργός ποτέ δε σου έχει κρυφτεί,
ότι ο Δημιουργός
πότε δεν έχει αποκρύψει το πρόσωπό Του από εσένα,
ότι ο Δημιουργός δεν είναι καθόλου μακριά από εσένα,
ότι ο Δημιουργός δεν είναι πλέον Αυτός που συνεχώς ποθείς στις σκέψεις σου
αλλά δεν μπορείς να αγγίξεις με τα αισθήματά σου,
ότι υπαρκτά και αληθινά στέκει φρουρός εξ αριστερών και εκ δεξιών σου,
τροφοδοτεί τη ζωή σου και ελέγχει το πεπρωμένο σου, ελέγχει το πεπρωμένο σου.
Δε βρίσκεται στον μακρινό ορίζοντα, ούτε έχει κρυφτεί ψηλά στα σύννεφα.
Είναι εκεί στο πλευρό σου και κυριαρχεί στο είναι σου,
Είναι όλα όσα έχεις και Είναι το μόνο που έχεις.
Ένας τέτοιος Θεός
σου επιτρέπει να Τον αγαπάς από καρδίας,
να προσκολληθείς πάνω Του, να Τον κρατάς κοντά σου, να Τον θαυμάζεις,
Να φοβάσαι μη τυχόν Τον χάσεις,
Και να είσαι απρόθυμος πλέον να Τον απαρνηθείς, απρόθυμος να Τον παρακούς άλλο
μήτε άλλο να Τον αποφεύγεις ή να Τον κρατάς σε απόσταση.
Το μόνο που θέλεις είναι να νοιάζεσαι γι’ Αυτόν, να Τον υπακούς,
ν’ ανταποδίδεις όλα όσα σου δίνει και να παραδοθείς στην κυριαρχία Του.
Δεν αρνείσαι άλλο να καθοδηγηθείς,
να τροφοδοτηθείς, να προστατευθείς και να σε φυλάει Αυτός,
δεν αρνείσαι πλέον ότι σου επιτάσσει και ορίζει για εσένα,
ότι σου επιτάσσει και ορίζει για εσένα.
Το μόνο που θέλεις είναι να Τον ακολουθείς, να περπατάς πλάι Του εξ αριστερών ή εκ δεξιών Του,
να Τον ακολουθείς, να περπατάς πλάι Του εξ αριστερών ή εκ δεξιών Του,
το μόνο που θέλεις είναι να Τον αποδεχθείς σαν Τον ένα και μοναδικό Κύριο σου,
το μόνο που θέλεις είναι να Τον αποδεχθείς σαν Τον ένα και μοναδικό Κύριο σου,
Τον ένα και μοναδικό Θεό.
Εσύ πλέον δεν
Εσύ πλέον δεν
Εσύ πλέον δεν
Εσύ πλέον δεν
αρνείσαι να καθοδηγηθείς, τροφοδοτηθείς, να προστατευθείς και να σε φυλάει Αυτός.
πλέον δεν αρνείσαι
πλέον δεν αρνείσαι
πλέον δεν αρνείσαι
πλέον δεν αρνείσαι
ότι σου επιτάσσει και ορίζει για εσένα, ότι σου επιτάσσει και ορίζει για εσένα.
Το μόνο που θέλεις είναι να Τον ακολουθείς, να περπατάς πλάι Του εξ αριστερών ή εκ δεξιών Του,
να Τον ακολουθείς, να περπατάς πλάι Του εξ αριστερών ή εκ δεξιών Του,
το μόνο που θέλεις είναι να Τον αποδεχθείς σαν τον ένα και μοναδικό Κύριο σου,
το μόνο που θέλεις είναι να τον αποδεχθείς σαν τον ένα και μοναδικό Κύριο σου, τον ένα και μοναδικό Θεό σου.
Το μόνο που θέλεις είναι να Τον ακολουθείς, να περπατάς πλάι Του εξ αριστερών ή εκ δεξιών Του,
να Τον ακολουθείς, να περπατάς πλάι Του εξ αριστερών ή εκ δεξιών Του,
το μόνο που θέλεις είναι να Τον αποδεχθείς σαν τον ένα και μοναδικό Κύριο σου,
το μόνο που θέλεις είναι να Τον αποδεχθείς σαν τον ένα και μοναδικό Κύριο σου,
τον ένα και μοναδικό Θεό σου.
από το βιβλίο «Ο Λόγος Ενσαρκώνεται»