To learn how to install Expose in Vista visit:

osnovice.blogspot.com/2007/08/expose-in-windows-vista.html

A little HTML email piece that was just completed for an upcoming internal event here at Simmons. Mad props to Shaun for a good part of the inspiration on this. I'm loving that folded paper banner look.

Best viewed at the original size

Any thoughts, suggestions and such are, as always, welcome and much appreciated.

Believed to be in Public Domain From Library of Congress, Prints and Photographs Collections. More on copyright: What does "no known restrictions" mean?

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Public Domain. Suggested credit: Grabill/Library of Congress via pingnews. Additional information from source:

TITLE: "Hostile Indian camp"

CALL NUMBER: LOT 3076-2, no. 3636 [P&P]

Check for an online group record (may link to related items)

REPRODUCTION NUMBER: LC-DIG-ppmsc-02512 (digital file from original print)

LC-USZ62-532 (b&w film copy neg.)

No known restrictions on reproduction.

SUMMARY: Bird's-eye view of a large Lakota camp of tipis, horses, and wagons--probably on or near Pine Ridge Indian Reservation.

MEDIUM: 1 photographic print.

CREATED/PUBLISHED: 1891.

CREATOR:

Grabill, John C. H., photographer.

NOTES:

Copyright deposit.

Title transcribed from item.

Forms part of the John C. H. Grabill Collection.

SUBJECTS:

Indian encampments--South Dakota--1890-1900.

Tipis--South Dakota--1890-1900.

Plains--South Dakota--1890-1900.

Indians of North America--Structures--South Dakota--1890-1900.

Teton Indians--Structures--1890-1900.

Pine Ridge Indian Reservation (S.D.)--1890-1900.

FORMAT:

Photographic prints 1890-1900.

Aerial views 1890-1900.

REPOSITORY: Library of Congress Prints and Photographs Division Washington, D.C. 20540

DIGITAL ID: (digital file from original print) ppmsc 02512 hdl.loc.gov/loc.pnp/ppmsc.02512

(scan of b&w film copy neg.) cph 3a04461 hdl.loc.gov/loc.pnp/cph.3a04461

CARD #: 99613796

instructions here

Mandarin Duck (Aix galericulata)

Woody duck

Kowloon Park

Hong-Kong

View On Black and Large

Located in the central zone of Tsim Sha Tsui in Hong Kong, Kowloon Park is one of the largest parks in Kowloon, covering an area of about 13.5 hectares (about 33 acres). It is said to be the 'green lung' at the centre of city.

The park was opened by the then Governor, Sir David Trench on June 24th. In 1989, it was rebuilt, funded by the former Royal Hong Kong Jockey Club at a cost of about HK$300 million.

The park was built in a classical Chinese style, and is visited by many tourists. Flowers and trees are plenty in the park. There is an attractive variety of rarely-seen beautiful birds and flowers.

The park boasts an abundance of scenic spots and enough establishments for tourists to enjoy themselves. The scenic spots mainly include the Maze Garden, Color Garden, Chinese Garden, Roof Gardens, Banyan Court and Bird Lake. And the establishments comprise a mini soccer pitch, the Fitness Trail, Children's Playground, Discovery Playground, Sculpture Walk & Sculpture Garden, a piazza, an aviary, a swimming pool and a sports center. The swimming pool is one of the best equipped in Hong Kong and can hold 1,500 people.

From 07:30 to 09:30 on Fridays, the park provides the activity of watching birds for tourists free of charge. The gathering point is at the arcade of the park. And from 14:30 to 16:30 on Sundays, there are free performances on the Sculpture Walk, including lion/dragon dance and different disciplines of martial arts. Additionally, from 13:00 to 19:00 on Sundays and public holidays, at the loggia of the park exit, there are many stalls selling Chinese traditional handworks, calligraphy and many other souvenirs.

Next to the park is the Park Lane Shopper's Boulevard which imitates the American style. The shops there mainly sell the clothes from the native or abroad, which are very popular with the young people. After shopping, you can go to the park and find a comfortable place for a rest.

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Camera: Canon EOS 30D

Exposure: 0.008 sec (1/125)

Aperture: f/5.6

Focal Length: 47 mm

ISO Speed: 200

Exposure Bias: 0 EV

Flash: Off

File Size: 1776 kB

File Type: JPEG

MIME Type: image/jpeg

Image Width: 2984

Image Height: 2094

Encoding Process: Baseline DCT, Huffman coding

Bits Per Sample: 8

Color Components: 3

X-Resolution: 350 dpi

Y-Resolution: 350 dpi

Orientation: Horizontal (normal)

Software: Digital Photo Professional

Date and Time (Modified): 2009:04:07 10:40:36

YCbCr Positioning: Centered

Rating: 0

Custom Rendered: Normal

Exposure Mode: Manual

White Balance: Manual

Scene Capture Type: Standard

Gamma: 2.2

Exposure Program: Manual

Date and Time (Original): 2009:04:07 10:40:36

Date and Time (Digitized): 2009:04:07 10:40:36

Color Space: sRGB

Focal Plane X-Resolution: 3959.322034 dpi

Focal Plane Y-Resolution: 3959.322034 dpi

Viewing Conditions Illuminant Type: D50

Measurement Observer: CIE 1931

Measurement Flare: 0.999%

Measurement Illuminant: D65

el.kingdomsalvation.org/age-of-kingdom-age-of-word.html

Δευτέρα Παρουσία

Ο Θεός λέει:«Στην Εποχή της Βασιλείας, ο Θεός χρησιμοποιεί τον λόγο για να αναγγείλει μια νέα εποχή, να αλλάξει τα μέσα του έργου Του και να επιτελέσει το έργο όλης της εποχής. Αυτή είναι η θεμελιώδης αρχή, σύμφωνα με την οποία ο Θεός εργάζεται στην Εποχή του Λόγου. Ενσαρκώθηκε για να μιλήσει από διαφορετικές οπτικές γωνίες, επιτρέποντας στον άνθρωπο να δει αληθινά τον Θεό, ο οποίος είναι ο Λόγος που εμφανίζεται στη σάρκα, και η σοφία και το θαύμα Του. Αυτό το έργο επιτελείται ώστε να επιτύχει πιο καλύτερα τους στόχους της κατάκτησης του ανθρώπου, της τελείωσης του ανθρώπου και της εξόντωσης του ανθρώπου. Αυτό είναι το πραγματικό νόημα της χρήσης του λόγου για την επιτέλεση του έργου στην Εποχή του Λόγου. Μέσω του λόγου, ο άνθρωπος καταφέρνει να γνωρίσει το έργο του Θεού, τη διάθεση του Θεού, την ουσία του ανθρώπου και σε τι οφείλει να εισέλθει ο άνθρωπος. Μέσω του λόγου, ολοκληρώνεται το σύνολο του έργου που ο Θεός επιθυμεί να επιτελέσει στην Εποχή του Λόγου. Μέσω του λόγου, ο άνθρωπος αποκαλύπτεται, αποκλείεται και δοκιμάζεται. Ο άνθρωπος έχει δει τον λόγο, έχει ακούσει τον λόγο και έχει επίγνωση της ύπαρξης του λόγου. Ως αποτέλεσμα, ο άνθρωπος πιστεύει στην ύπαρξη του Θεού. Ο άνθρωπος πιστεύει στην παντοδυναμία και τη σοφία του Θεού, καθώς και στην καρδιά του Θεού που είναι γεμάτη αγάπη για τον άνθρωπο, και στην επιθυμία Του να σώσει τον άνθρωπο. Μολονότι η λέξη «λόγος» είναι απλή και συνηθισμένη, ο λόγος που προέρχεται από το στόμα του ενσαρκωμένου Θεού συγκλονίζει ολόκληρο το σύμπαν. Ο λόγος Του μεταμορφώνει την καρδιά του ανθρώπου, τις αντιλήψεις και την παλαιά διάθεση του ανθρώπου, καθώς και την παλαιά εμφάνιση ολόκληρου του κόσμου. Μέσα από τις διάφορες εποχές, μόνο ο Θεός της σημερινής εποχής εργάζεται κατ’ αυτόν τον τρόπο, και μόνο Αυτός μιλά και σώζει τον άνθρωπο κατ’ αυτόν τον τρόπο. Εφεξής, ο άνθρωπος ζει υπό την καθοδήγηση του λόγου, ποιμαίνεται και εφοδιάζεται από τον λόγο. Ζει στον κόσμο του λόγου, ζει μέσα στο ανάθεμα και τις ευλογίες του λόγου του Θεού και υπάρχουν ακόμα περισσότεροι άνθρωποι που ζουν υπό την κρίση και την παίδευση του λόγου. Αυτός ο λόγος και αυτό το έργο είναι όλα χάριν της σωτηρίας του ανθρώπου, την επίτευξη του θελήματος του Θεού και την αλλαγή της αρχικής εμφάνισης του κόσμου της παλαιάς δημιουργίας. Ο Θεός δημιούργησε τον κόσμο με τον λόγο, οδηγεί τους ανθρώπους σε όλο το σύμπαν με τον λόγο, κατακτά και τους σώζει με τον λόγο. Εν τέλει, θα χρησιμοποιήσει τον λόγο για να θέσει τέλος σε ολόκληρο τον παλαιό κόσμο. Μόνο τότε θα ολοκληρωθεί πλήρως το σχέδιο διαχείρισης. Καθ’ όλη τη διάρκεια της Εποχής της Βασιλείας, ο Θεός χρησιμοποιεί τον λόγο για να επιτελέσει το έργο Του και να επιτύχει τα αποτελέσματα του έργου Του. Δεν κάνει τερατουργίες ούτε κάνει θαύματα. Απλώς επιτελεί το έργο Του μέσω του λόγου. Εξαιτίας του λόγου, ο άνθρωπος τρέφεται και εφοδιάζεται. Εξαιτίας του λόγου, ο άνθρωπος κερδίζει τη γνώση και την αληθινή εμπειρία. Ο άνθρωπος στην Εποχή του Λόγου έχει πράγματι λάβει εξαιρετικές ευλογίες. Ο άνθρωπος δεν υποφέρει από πόνους της σάρκας και απλώς απολαμβάνει την πλούσια προσφορά του λόγου του Θεού. Δεν χρειάζεται να αναζητήσει ή να ταξιδέψει, και βλέπει με άνεση την εμφάνιση του Θεού, Τον ακούει να μιλάει προσωπικά, λαμβάνει την προσφορά Του και να Τον βλέπει προσωπικά να επιτελεί το έργο Του. Ο άνθρωπος στο παρελθόν δεν ήταν σε θέση να τα απολαύσει αυτά, και δεν θα μπορούσε ποτέ να λάβει αυτές τις ευλογίες....»

από το βιβλίο «Ο Λόγος Ενσαρκώνεται»

Εισαγωγή

σύσταση：Αγία Γραφή

Πηγή εικόνας: Εκκλησία του Παντοδύναμου Θεού

Όροι Χρήσης： el.kingdomsalvation.org/disclaimer.html

brokeslshopaholic.blogspot.com/2012/04/pastel-mix.html

Mémoire2cité il existe de nos jours, de nombreux photographes qui privilégient la qualité artistique de leurs travaux cartophiles. A vous de découvrir ces artistes inconnus aujourd’hui, mais qui seront peut-être les grands noms de demain. archipostcard.blogspot.com/search?updated-max=2009-02-13T... - museedelacartepostale.fr/periode-semi-moderne/ - archipostalecarte.blogspot.com/ - museedelacartepostale.fr/blog/ - museedelacartepostale.fr/exposition-permanente/ - www.queenslandplaces.com.au/category/headwords/brisbane-c... - collection-jfm.fr/t/cartes-postales-anciennes/france#.XGe... - www.cparama.com/forum/la-collection-de-cpa-f1.html - www.dauphinomaniac.org/Cartespostales/Francaises/Cartes_F... - furtho.tumblr.com/archive

le Logement Collectif* 50,60,70's, dans tous ses états..Histoire & Mémoire d'H.L.M. de Copropriété Renouvellement Urbain-Réha-NPNRU., twitter.com/Memoire2cite tout içi sig.ville.gouv.fr/atlas/ZUS/ - media/InaEdu01827/la-creatio" rel="noreferrer nofollow">fresques.ina.fr/jalons/fiche-media/InaEdu01827/la-creatio Bâtir mieux plus vite et moins cher 1975 l'industrialisation du bâtiment et ses innovations : www.dailymotion.com/video/xyjudq?playlist=x34ije la préfabrication en usine www.dailymotion.com/video/xx6ob5?playlist=x34ije , le coffrage glissant www.dailymotion.com/video/x19lwab?playlist=x34ije ... De nouvelles perspectives sont nées dans l'industrie du bâtiment avec les principes de bases de l'industrialisation du bâtiment www.dailymotion.com/video/x1a98iz?playlist=x34ije ,

www.dailymotion.com/video/xk6xui?playlist=x34ije , www.dailymotion.com/video/xk1dh2?playlist=x34ije : mécanisation, rationalisation et élaboration industrielle de la production. Des exemples concrets sont présentés afin d'illustrer l'utilisation des différentes innovations : les coffrages outils, coffrage glissant, le tunnel, des procédés pour accélérer le durcissement du béton. Le procédé dit de coffrage glissant est illustré sur le chantier des tours Pablo Picasso à Nanterre. Le principe est de s'affranchir des échafaudages : le coffrage épouse le contour du bâtiment, il s'élève avec la construction et permet de réaliser simultanément l'ensemble des murs verticaux. Au centre du plancher de travail, une grue distribue en continu le ferraillage et le béton. Sur un tel chantier les ouvriers se relaient 24h / 24 , www.dailymotion.com/video/xwytke?playlist=x34ije , www.dailymotion.com/video/x1bci6m?playlist=x34ije

Le reportage se penche ensuite sur la préfabrication en usine. Ces procédés de préfabrication en usine selon le commentaire sont bien adaptés aux pays en voie de développement, cela est illustré dans le reportage par une réalisation en Libye à Benghazi. Dans la course à l'allégement des matériaux un procédé l'isola béton est présenté. Un chapitre sur la construction métallique explique les avantage de ce procédé. La fabrication de composants ouvre de nouvelles perspectives à l'industrie du bâtiment.

Lieux géographiques : la Grande Borne 91, le Vaudreuil 27, Avoriaz, Avenue de Flandres à Paris, tours Picasso à Nanterre, vues de la défense, Benghazi Libye

www.dailymotion.com/playlist/x34ije_territoiresgouv_cinem... - mémoire2cité - le monde de l'Architecture locative collective et bien plus encore - mémoire2cité - Bâtir mieux plus vite et moins cher 1975 l'industrialisation du bâtiment et ses innovations : www.dailymotion.com/video/xyjudq?playlist=x34ije la préfabrication en usine www.dailymotion.com/video/xx6ob5?playlist=x34ije , le coffrage glissant www.dailymotion.com/video/x19lwab?playlist=x34ije ... De nouvelles perspectives sont nées dans l'industrie du bâtiment avec les principes de bases de l'industrialisation du bâtiment www.dailymotion.com/video/x1a98iz?playlist=x34ije ,

Le Joli Mai (Restauré) - Les grands ensembles BOBIGNY l Abreuvoir www.youtube.com/watch?v=eUY9XzjvWHE … et la www.youtube.com/watch?v=hK26k72xIkU … www.youtube.com/watch?v=xCKF0HEsWWo …

Genève Le Grand Saconnex & la Bulle Pirate - architecte Marçel Lachat -

Un film de Julien Donada içi www.youtube.com/watch?time_continue=1&v=4E723uQcpnU … … .Genève en 1970. pic.twitter.com/1dbtkAooLM è St-Etienne - La muraille de Chine, en 1973 ce grand immeuble du quartier de Montchovet, existait encore photos la Tribune/Progres.

www.youtube.com/watch?v=AJAylpe8G48 …, - la tour 80 HLM située au 1 rue Proudhon à Valentigney dans le quartier des Buis Cette tour emblématique du quartier avec ces 15 étages a été abattu par FERRARI DEMOLITION (68). VALENTIGNEY (25700) 1961 - Ville nouvelle-les Buis 3,11 mn www.youtube.com/watch?v=C_GvwSpQUMY … - Au nord-Est de St-Etienne, aux confins de la ville, se dresse une colline Montreynaud la ZUP de Raymond Martin l'architecte & Alexandre Chemetoff pour les paysages de St-Saens.. la vidéo içi * Réalisation : Dominique Bauguil www.youtube.com/watch?v=Sqfb27hXMDo … … - www.dailymotion.com/video/xk6xui?playlist=x34ije , www.dailymotion.com/video/xk1dh2?playlist=x34ije : mécanisation, rationalisation et élaboration industrielle de la production. Des exemples concrets sont présentés afin d'illustrer l'utilisation des différentes innovations : les coffrages outils, coffrage glissant, le tunnel, des procédés pour accélérer le durcissement du béton. Le procédé dit de coffrage glissant est illustré sur le chantier des tours Pablo Picasso à Nanterre. Le principe est de s'affranchir des échafaudages : le coffrage épouse le contour du bâtiment, il s'élève avec la construction et permet de réaliser simultanément l'ensemble des murs verticaux. Au centre du plancher de travail, une grue distribue en continu le ferraillage et le béton. Sur un tel chantier les ouvriers se relaient 24h / 24 , www.dailymotion.com/video/xwytke?playlist=x34ije , www.dailymotion.com/video/x1bci6m?playlist=x34ije

Le reportage se penche ensuite sur la préfabrication en usine. Ces procédés de préfabrication en usine selon le commentaire sont bien adaptés aux pays en voie de développement, cela est illustré dans le reportage par une réalisation en Libye à Benghazi. Dans la course à l'allégement des matériaux un procédé l'isola béton est présenté. Un chapitre sur la construction métallique explique les avantage de ce procédé. La fabrication de composants ouvre de nouvelles perspectives à l'industrie du bâtiment.

la Grande Borne 91, le Vaudreuil 27, Avoriaz, Avenue de Flandres à Paris, tours Picasso à Nanterre, vues de la défense, Benghazi Libye 1975 Réalisateur : Sydney Jézéquel, Karenty

la construction des Autoroutes en France - Les liaisons moins dangereuses 1972 www.dailymotion.com/video/xxi0ae?playlist=x34ije - Ministère de l'Équipement et de l'Aménagement du Territoire - Dotation par la France d'autoroutes modernes "nécessité vitale" pour palier à l'inadaptation du réseau routier de l'époque voué à la paralysie : le reportage nous montre des images d'embouteillages. Le ministre de l'Équipement et de l'Aménagement du Territoire dans les deux gouvernements de Pierre Messmer, de 1972 à 1974, Olivier Guichard explique les ambitions du programme de construction qui doit atteindre 800 km par ans en 1978. L'ouverture de section nouvelles va bon train : Nancy / Metz par exemple. Le reportage nous montre l'intérieur des bureaux d'études qui conçoivent ces autoroute dont la conception est assistée par ordinateurs dont le projet d'ensemble en 3D est visualisé sur un écran. La voix off nous informe sur le financement de ces équipements. Puis on peut voir des images de la construction du pont sur la Seine à Saint Cloud reliant l'autoroute de Normandie au périphérique, de l'échangeur de Palaiseau sur 4 niveau : record d'Europe précise le commentaire. Le reportage nous informe que des sociétés d'économies mixtes ont étés crées pour les tronçons : Paris / Lille, Paris / Marseille, Paris / Normandie. Pour accélérer la construction l’État a eu recours à des concessions privées par exemple pour le tronçon Paris / Chartres. "Les autoroutes changent le visage de la France : artères économiques favorisant le développement industriel elles permettent de revitaliser des régions en perte de vitesse et de l'intégrer dans le mouvement général de l'expansion" Sur le plan européen elles vont combler le retard de la France et réaliser son insertion. Images de l'inauguration de l'autoroute entre Paris et Bruxelles par le président Georges Pompidou. Le reportage rappel que l'autre fonction capitale des autoroute est de favoriser la sécurité. La question de la limitation de vitesse est posée au ministre de l’Équipement, qui n'y est favorable que sur certains tronçons. Un des facteur de sécurité selon le commentaire est l'humanisation des autoroutes : aires de repos, restaurants, signalisation touristiques... "Rien n'est impossible aux techniques modernes" nous apprend la voix off qui prend comme exemple le déplacement sur rail de 65 mètres d'un château classé afin de faire passer l'autoroute Lille / Dunkerque.Durée : 4 minutes 30 secondes

Sur les routes de France les ponts renaissent 1945 reconstruction de la France après la Seconde Guerre mondiale www.dailymotion.com/video/xuxrii?playlist=x34ije , Quelques mois après la fin de la Seconde Guerre mondiale, un triste constat s'impose : 5 944 passages sont coupés, soit plus de 110 km de brèches ; de nombreuses villes se trouvent isolées.Les chantiers s'activent dans toute la France pour "gagner la bataille des communications routières". Mais outre la pénurie de main d’œuvre, il faut faire face au manque de matériaux (béton, métal) et donc déployer des trésors d'imagination pour reconstruire les ponts détruits. Si le savoir faire des tailleurs de pierre est exploité, le plus spectaculaire est le relevage des ponts, comme le pont de Galliéni à Lyon, où 7 à 800 tonnes d'acier sont sorti de l'eau avec des moyens de l'époque. En avril 1945, il reste 5 700 ponts à reconstruire soit 200 000 tonnes d'acier, 600 000 tonnes de ciment, 250 000 m3 de bois, 10 millions de journées d'ouvrier, prix de l'effort de reconstruction.1945

Auteurs / réalisateurs : images : G.Delaunay, A.Pol, son : C.Gauguier Production : Direction Technique des Services des Ponts et Chaussées / Ministère des Travaux Publics et des Transports Support original : 16 mm noir et blanc Durée : 14 min Thèmes principaux : infrastructures-ouvrages d'art Mot clés : chantier, pont, Reconstruction, restauration, béton précontraint, ministère des travaux publics et des transportsLieux : Lyon, Tournon, Caen - Le Bosquel, un village renait 1947 l'album cinématographique de la reconstruction, réalisation Paul de Roubaix production ministère de la Reconstruction et de l'Urbanisme, village prototype, architecte Paul Dufournet, www.dailymotion.com/video/xx5tx8?playlist=x34ije - Demain Paris 1959 dessin animé présentant l'aménagement de la capitale dans les années 60, Animation, dessin animé à vocation pédagogique visant à promouvoir la politique d’aménagement suivie dans les années 60 à Paris. Un raccourci historique sur l’extension de Paris du Moyen Âge au XIXe siècle (Lutèce, œuvres de Turgot, Napoléon, Haussmann), ce dessin animé retrace la naissance de la banlieue et de ses avatars au XXe siècle. Il annonce les grands principes d’aménagement des villes nouvelles et la restructuration du centre de Paris (référence implicite à la charte d’Athènes). Le texte est travaillé en rimes et vers. Une chanson du vieux Paris conclut poétiquement cette vision du futur. Thèmes principaux : Aménagement urbain / planification-aménagement régional Mots-clés : Banlieue, extension spatiale, histoire, quartier, ville, ville nouvelle Lieu géographique : Paris 75 Architectes ou personnalités : Eugène Haussmann, Napoléon, Turgot Réalisateurs : André Martin, Michel Boschet Production : les films Roger Leenhardt

www.dailymotion.com/video/xw6lak?playlist=x34ije - Rue neuve 1956 la reconstruction de la France dix ans après la fin de la seconde guerre mondiale, villes, villages, grands ensembles réalisation : Jack Pinoteau , Panorama de la reconstruction de la France dix ans après la fin de la seconde guerre mondiale, ce film de commande évoque les villes et villages français détruits puis reconstruits dans un style respectant la tradition : Saint-Malo, Gien, Thionville, Ammerschwihr, etc. ainsi que la reconstruction en rupture avec l'architecture traditionnelle à Châtenay-Malabry, Arles, Saint Étienne, Évreux, Chambéry, Villeneuve-Saint-Georges, Abbeville, Le Havre, Marseille, Boulogne-sur-Mer, Dunkerque. Le documentaire explique par exemple la manière dont a été réalisée la reconstruction de Saint-Malo à l'intérieur des rempart de la vieille ville : "c'est la fidélité à l'histoire et la force du souvenir qui a guidé l'architecte". Dans le même esprit à Gien, au trois quart détruite en 1940, seul le château construit en 1494 pour Anne de Beaujeu, fille aînée de Louis XI, fut épargné par les bombardements. La ville fut reconstruite dans le style des rares immeubles restant. Gien est relevé de ses ruines et le nouvel ensemble harmonieux est appelé « Joyau de la Reconstruction française ». Dans un deuxième temps est abordé le chapitre de la construction des cités et des grands ensembles, de l’architecture du renouveau qualifiée de "grandiose incontestablement". S’il est précisé "on peut aimer ou de ne pas aimer ce style", l’emporte au final l’argument suivant : les grands ensembles, c'est la campagne à la ville, un urbanisme plus aéré, plus vert." les films caravelles 1956, Réalisateur : Jack Pinoteau (connu pour être le metteur en scène du film Le Triporteur 1957 qui fit découvrir Darry Cowl) www.dailymotion.com/video/xuz3o8?playlist=x34ije , Film d'archive actualités de 1952 Reconstruction de la France sept ans après la fin de la seconde guerre mondiale état des lieux de la crise du logement , Actualités de 1952. Sept ans après la fin de la seconde guerre Mondiale état des lieux de la reconstruction de la France et de la crise du logement à l’œuvre, pénurie de logement, logements insalubres. Les actualités montrent des images d'archives de la destruction de la France, les Chars de la division Leclerc qui défilent sur les Champs Elysees. Le commentaire dénonce la lenteur de la reconstruction et notamment des manifestations qui ont eu lieue à Royan afin d''accélérer la reconstruction de la ville détruite.Le film montre à Strasbourg, Mulhouse, des réalisation moderne de grands ensembles et des images d'archive de la reconstruction du Havre de Saint Nazaire.Le film se termine à Marseille sur les réalisation nouvelles autour du vieux port puis on assiste à l'inauguration de la Cité Radieuse par le ministre de la Reconstruction et de l'Urbanisme Eugène Claudius-Petit en présence de son architecte Le Corbusier à qui le ministre remet la cravate de commandeur de la légion d'honneur. www.dailymotion.com/video/xk1g5j?playlist=x34ije Brigitte Gros - Urbanisme - Filmer les grands ensembles 2016 - par Camille Canteux chercheuse au CHS -Centre d'Histoire Sociale - Jeanne Menjoulet - Ce film du CHS daté de 2014 www.youtube.com/watch?v=VDUBwVPNh0s … L'UNION SOCIALE POUR L'HABITAT le Musée des H.L.M. musee-hlm.fr/ union-habitat.org/ - EXPOSITION :LES 50 ANS DE LA RESIDENCe SALMSON POINT-Du JOUR www.salmsonlepointdujour.fr/pdf/Exposition_50_ans.pdf - Sotteville Construction de l’Anjou, le premier immeuble de la Zone Verte sottevilleaufildutemps.fr/2017/05/04/construction-de-limm... - www.20minutes.fr/paris/diaporama-7346-photo-854066-100-an... - www.ladepeche.fr/article/2010/11/02/940025-140-ans-en-arc... dreux-par-pierlouim.over-blog.com/article-chamards-1962-9... missionphoto.datar.gouv.fr/fr/photographe/7639/serie/7695...

www.decorobra.com/como-organizar-la-sala-de-estudio.html

La sala de estudio es un ambiente muy importante de su casa que no sólo deben lucir bien... debe ser también funcional, tener la configuración correcta y el ambiente adecuado. Un cuarto de estudio debe ser un espacio amplio y elegante donde usted pueda pasar tiempo, hacer tareas o simplemente estudiar y reflexionar.

Si se propone crear una sala de estudio en el hogar, es recomendable que tenga en cuenta algunos puntos claves, como quién va a utilizar el espacio (adultos, jóvenes), qué tipo de actividades concretas usted va a realizar en la sala, que organización le dará a los muebles para que sea un espacio funcional, etc.

La puesta en marcha de una sala de estudio requiere de un buen tamaño de escritorio con un ordenador de sobremesa. Esto le será muy útil también si tu trabajo no requiere movilidad. Si está ejecutando un negocio desde casa, entonces debe prestar atención a las necesidades de almacenamiento y las herramientas de comunicaciones como máquinas de fax.

La sala de estudio es también el lugar perfecto para exhibir su colección de libros en estanterías diseñadas para lucir una biblioteca de estilo tradicional, siempre combinadas con el resto del mobiliario utilizado.

Además debe procurar que los colores y diseños de los muebles sean de su agrado. Hablando de colores, antes de escoger un color para su cuarto de estudio, es muy importante echar un vistazo a sus preferencias y sus toques personales. Por ejemplo, la combinación de blancos con algunos tonos azules será bastante neutra y agradable. Luego debe enfocarse en la decoración pensando en todo tipo de adornos y accesorios que vayan a ser de su utilidad. Respecto a los muebles básicos no olvide colocar un escritorio, silla cómoda, lámpara de mesa, tablero para escribir sus tareas, y hasta puede agregar una pizarra. La iluminación ideal sería una lámpara de escritorio que sea de luz blanca. No se recomiendan lámparas con luz de colores, ya que esto esfuerza la vista.

[gallery link="file"]

CIF CENTRAL SECTION CHAMPIONSHIP

Liberty High School - Wednesday, May 14, 2008

www.andynoise.com/valley08.html

Central Section Grand Masters

At Liberty

Team standings--unavailable.

400 relay--1. Bakersfield (Hunt, Turner, Johnson, Norwood), 42.28; 2. Clovis East (Bourbon, Scott, Smith, Woods), 42.58; 3. Redwood (Stewart, Ray, Root, Coles), 43.07; 4. Central (Newsome, Bigelow, Hammack, Phillips), 43.15. 1,600--1. Chris Schwartz, Foot, 4:15.80; 2. Jonathan Sanchez, Buch, 4:17.48; 3. Eric Battles, CW, 4:20.34; 4. Jesse Arellano, Mad, 4:21.56. 110H--1. Ethan DeJongh, MtW, 14.49; 2. Sean Johnson, Buch, 14.66; 3. Jon Funch, CW, 14.81; 4. Isiah Crunk, Wash, 15.17. 400--1. Maurice Lewis, Ed, 49.08; 2. Isiah Purvis, Lib, 49.13; 3. Daniel Lozano, Stock, 49.35; 4. Jelani Hendrix, Ed, 49.62. 100--1. Brendon Bigelow, Central, 10.62; 2. Emmanuel Turner, Bak, 10.81; 3. Matt Sumlin, Gar, 10.91; 4. Chris Lopez, GW, 10.98. 800--1. Anthony Mitchell, North, 1:54.19; 2. Aric Champagne, MtW, 1:54.97; 3. Andrew Campbell, CW, 1:55.69; 4. Arturo Ramirez, Centennial, 1:55.83. 300H--1. DeJongh, MtW, 37.93; 2. Cody Alves, Sel, 37.94; 3. James Smith, CE, 39.03; 4. Sean Johnson, Buch, 39.28. 200--1. Brendon Bigelow, Central, 21.29; 2. Isiah Purvis, Lib, 21.96; 3. Mario Navarette, Sanger, 22.04; 4. Chris Lopez, GW, 22.29. 3,200--1. Chris Schwartz, Foot, 9:24.19; 2. Jonathan Sanchez, Buch, 9:24.99; 3. Jon Ross, CE, 9:26.42; 4. Danny Vartanien, Buch, 9:26.42. 1,600 relay--1. Edison (Hendrix, Carter, Boughton, Lewis), 3:17.86; 2. Liberty (Hill, Garside, Affentranger, Purvis), 3:18.95; 3. Bakersfield (Miller, Turner, Johnson, Gooden), 3:20.06; 4. Clovis East (Ellis, Defonska, Woods, Smith), 3:22.40. PV--1. Andrew Lohse, Mad, 15-0; 2. Michael Peterson, CE, 15-0J; 3. Jeff Brenner, Cl, 14-6; 4. Frankie Puente, Sel, 14-0. SP--1. Dayshan Ragans, Foot, 60-7; 2. Matt Darr, Fron, 52-8.75; 3. Troy Rush, CW, 52-8.5; 4. Christian Millard, CE, 51-10.5. TJ--1. Johnny Carter, Ridge, 48-3; 2. Tyler Thompson, Shaf, 47-3; 3. Chris Kelly, Ridge, 46-11.5; 4. Jordan Smith, Central, 46-10.5. D--1. Dayshan Ragans, Foot, 199-2; 2. Jacob Budwig, Fowl, 168-8; 3. Niko Gomes, Cl, 164-10; 4. Matt Darr, Fron, 157-7. LJ--1. Kenny Phillips, Central, 23-4; 2. Tyler Thompson, Shaf, 21-11.5; 3. Dillon Root, Red, 21-11; 4. Kevin Norwood, GV, 21-8.75. HJ--1. Kenny Phillips, Central, 6-8; 2. Isiah Griggs, Bak, 6-6; 3. George Robbins, West, 6-4; 4. Jeff Brenner, Cl, 6-4J.

Notes: Top three in each event advance to state meet, May 30-31 in Norwalk. The two wild cards with the best times/marks from all sections also advance.

Girls track

Central Section Grand Masters

At Liberty

Team standings--unavailable.

400 relay--1. Edison (Eng, Scott, Thompson, Sears), 47.16; 2. Bullard (J. Williams, Riddlesprigger, Baisch, L. Williams), 48.17; 3. Tulare Western, 48.73; 4. Bakersfield (Torres, Belt, Brown, Wandick), 48.80. 1,600--1. Saleh Barsarian, Cl, 5:02.98; 2. Meghan Marvin, Cl, 5:03.02; 3. Chloe Allen, CW, 5:04.62; 4. Allison Gonzales, Ex, 5:11.52; 100H--1. Alyssa Monteverde, CW, 14.59; 2. Brianny Williams, Ed, 14.60; 3. Taylor Jackson, Fr, 15.04; 4. Jen Melton, CW, 15.37. 400--1. Breanna Thompson, Ed, 56.64; 2. Dedrea Wyrik, Sun, 57.49; 3. Lasasha Aldredge, Central, 58.12; 4. Taylor Donaldson, Reed, 58.13. 100--1. Megan Del Pino, CW, 11.66; 2. Jenna Prandini, Cl, 11.74; 3. Lynn Williams, Bul, 12.00; 4. Brushay Wandick, Bak, 12.01. 800--1. Allysa Mejia, Reed, 2:17.47; 2. Molly Pahkamaa, ElD, 2:17.73; 3. Katie Fry, Ex, 2:18.74; 4. Ashlee Thomas, Centennial, 2:19.77. 300H--1. Alyssa Monteverde, CW, 43.92; 2. Taylor Jackson, Fron, 44.86; 3. Brianny Williams, Ed, 45.69; 4. Alana Alexander, Centennial, 46.12. 200--1. Megan Del Pino, CW, 23.94; 2. Dominique Whittington, Lem, 24.65; 3. Brushay Wandick, Bak, 24.69; 4. Breanna Thompson, Ed, 24.90. 3,200--1. Jordan Hasay, MP, 10:24.78; 2. Meghan Marvin, Cl, 10:59.96; 3. Chloe Allen, CW, 11:06.19; 4. Corina Mendoza, Mad, 11:32.06. 1,600 relay--1. Edison (Burk, Thompson, Scott, Smith), 3:54.89; 2. Stockdale (Cady, Anderson, Mello, S. Anderson), 3:58.26; 3. Clovis West (Laidley, Capriotti, Del Pino, Monteverde), 3:59.02; 4. Reedley, 3:59.07. D--1. Anna Jelmini, Shaf, 162-5; 2. Alex Collatz, Stock, 148-6; 3. Carey Tuuamalemalo, Taft, 130-9; 4. Janae Coffee, CW, 121-6. LJ--1. Jenna Prandini, Cl, 18-7.25; 2. Lynn Williams, Bul, 18-0.75; 3. Alana Alexander, Centennial, 17-6.75; 4. Ja'Nia Sears, Ed, 17-6.5. HJ--1. Alyssa Monteverde, CW, 5-4; 2. Cristina Muro, GW, 5-2; 3. Katherine Mahr, Buch, 5-2; 4. Marish Riddlesprigger, Bul, 5-2J. SP--1. Anna Jelmini, Shaf, 44-0.75; 2. Destanie Yarbrough, CE, 37-10; 3. Heather Vermillion, Red, 37-9; 4. Tasha Firstone, CW, 36-6.5. TJ--1. Alana Alexander, Centennial, 38-3.75; 2. Jenna Prandini, Cl, 38-3; 3. Goziam Okolie, 36-10.5; 4. Alex Collatz, Stock, 36-2. PV--1. Allison Berryhill, CW, 11-6; 2. Amanda Klinchuch, Lib, 11-6J; 3. Cheree Jones, King, 10-6; 4. Emily Falkenstein, Buch, 10-6J.

Notes: Top three in each event advance to state meet, May 30-31 in Norwalk. The two wild cards with the best times/marks from all sections also advance.

I have not invited Katrina personally for Jackpot's premiere, says Kaizad Gustad! - www.bolegaindia.com/gossips/I_have_not_invited_Katrina_pe...

Esta imagen pertenece a www.odisea2008.com

Referencia post: www.odisea2008.com/2009/11/alfabeto-pictorico.html

Since 2001 we have been trying to find Digiscope solutions, from the perfect camera, adapters, lenses, eyepieces, scopes and mounting systems. Now we have great camera, lenses, eyepieces Super Scopes and mounting systems. To my way of thinking Adapters have always been a challenge and the weakest link in Digiscoping. The Manufactures of the adapters have been camera brand specific, over engineered, or have depended on the filter threads of a camera or camera lens to support totally the weight of the camera. No Good, I promise that no lens manufacture would recommend that. Referring to the term “over engineered” I am referring to adapters like the swing models. Personally I believe that they lack support for the camera and seem to be easily damaged while in the field. The new ATX/STX Swarovski seems to have corrected the major concern of camera support, not depending of the filter threads to support the camera system unlike the DCA or the DA-10 from Kowa what I currently use. I have broken in half 4 lenses in the past years using those systems before I tried Support Brackets like the TSN-DA3. Support brackets are great; the scope, eyepiece, adapter and camera are now one secure solid piece if one can remember to lock everything down. I have to confess that due to my negligence of not checking to see if everything was tightened I have send a Scope in for repair and ruined an expensive DSLR when it smashed on the asphalt road. Weight is another issue. The Kowa TSN-DA3 Digiscope Support Bracket weighs 2.58 pounds. The one I own went to a machine shop and all none structural Aluminum was milled away cutting the weight to just over 2 pounds. Some of my days in the field carry me 8 or more miles walking. So like a back packer every pound counts. Up until now the TSN-DA3 was very important to keep my kit functioning and secure. So I carried that 2 + additional pounds.

At the Space Coast Festival two different people showed me a new Adapter. Angie “just a birder” bought one she is excited and bragging about hers. It was of high quality machined Aluminum that will work with 4/3 camera as well as some DSLR and P&S cameras. A minor sleeve change (inner ring) and it will adapt to any spotting scope eyepiece. It is not expensive and best of all the weight of the camera stresses the scope not the filter threads of the lens. There for a support bracket is not necessary, cutting my carry weight 2+ pounds. I ordered one.

Yesterday I received my Digidapter. I watched the video on www.youtube.com/watch?v=KVGfQTd8UPQl for quick assembly instructions. I inspected it for deficits like over engineering or a key feature not considered. I could not any faults. It was designed for quality, for the speed and smoothness in mounting the camera on a scope coming back to same position each time without adjustment or alignment.

•The fasteners are of the highest quality, brass and stainless.

•The screw design for mounting the camera in the tripod mount is superior.

•The brass stop screws on the mounting plate are designed for finger tightening, no fear of stripping the brass parts from over tightening. The camera comes back to the same spot every time.

•The elevation plate has milled slots so only the provided Allen key is necessary to lock the camera in place.

•The camera does not have to be removed from the Digidapter to replace batteries and flash cards. .

• Coupling the camera to the eyepiece is a breeze. Close tolerance machining and the highest quality anodizing is why it is smooth and easy.

•To change from one scope manufacture to another or if the eyepiece is different in size all that is needed is a different inner ring, all of the other parts will remain the same. This means for those scope owners that would like a functional adapter for a Pentax, Celestron, Vortex or Vanguard scope it is now available at a reasonable price.

•Overall, it is solid and functional, easy to use, returns to the same position with each mounting. No binding, pieces glide together, no effort. Precision and effortless in use, protecting the camera and eyepiece from stress damage. No adapter that I have seen mounts the camera and has it ready to shoot faster, safer and with more precision.

•The Digidapter is the best I have seen.

The big question at the Space Coast Festival was would the new 20mm f/1.7 ll ASPH Lumix lens works with this adapter. That lens is short like a Pancake lens but it is about 2 inches in diameter. I phoned my order to Paul Sayegh the owner and designer of the Digidapter. We spent hours on the phone discussing the 4/3s and some of the unique lenses that this system is creating. I had the lens in hand with a pair of dial calipers. I measured and re-measured the key points of the lens and measurement in relation to the camera. I took and then emailed to Paul the photos of the GX 7 and lens and added the measurement to the photos. After receiving the photos we talked again and at Paul’s request I re-measured everything once more. In three days I received my Digidapter and it was perfect.

Paul is an engineer, a designer, a communicator and a great machinist with an advanced knowledge of stress and tolerances. Paul is a big lens photographer that found Digiscoping and knows the importance of Digiscoping as a tool in photography. Digidapter and Paul Sayegh deserve our support.

Go to digiscopeadapter.com/home.html to see and learn more.

Roy Halpin

Cross-eye stereogram, viewing instructions: www.starosta.com/3dshowcase/ihelp.html

The text 'HTML' graffitied on a fence.

Dentro da panela estava o Cozido mais delicioso que eu algum dia comi, que foi cozinhado lentamente nesta panela de ferro.

tertuliadesabores.blogs.sapo.pt/91500.html

www.scarpeuomodonna.com/scarpe-donna/scarpe-secondo-miche...

Se per curiosità volete fare una prova e chiedere a più di una donna in che modo spenderebbe i propri soldi per una gratificazione personale, potreste rimanere sorpresi. La risposta nella maggior parte dei casi sarà: scarpe. Che siano a stiletto, open toe, ballerine, stivali, sandali, questo accessorio è la passione innata del genere femminile. Dapprima relegate a semplice mezzo per poter camminare, le tendenze nel mondo della calzatura hanno seguito i progressi del mondo femminile all'interno della storia mondiale.

Ora le scarpe parlano della donna che le indossa, diventando sempre di più parte fondamentale nel look che ognuna di noi sceglie per identificarsi. Anzi forse ad oggi le scarpe sono proprio quell'accessorio che fa di ognuna di noi una Donna. Sarà per la scarpetta di Cenerentola, ma ogni volta che una donna indossa un bel paio di scarpe, è come se diventasse un po' "principessa".

Le mode nel settore calzaturiero si sono rincorse e ripetute con accenni sempre attuali al momento storico in cui le scarpe venivano riversate nel mercato. Ma solo negli ultimi decenni le scarpe anche nella moda hanno affermato e conquistato il loro posto in prima fila. Un outfit non sarà mai completo senza un paio di scarpe che ne sottolinei la personalità della donna che lo indossa. Ma veniamo a noi.

Oggi i designers di scarpe subiscono un flusso di contaminazioni da molti settori, dall'arredamento, dal cinema, dalla musica e in commercio si possono trovare stili differenti e forme stravaganti. Nomi di designers di scarpe dapprima sconosciuti, sono diventati famosi a livello mondiale anche grazie a serie televisive come Sex and the City. Chi non ha mai sentito o voluto assolutamente avere un paio di Jimmy Choo? O chi non ha visto ultimamente i programmi di real time dedicati alle mille possibilità di vestirsi, nei quali uno dei diktat più ripetuti è quello di avere assolutamente le scarpe adatte ad ogni momento della giornata, senza mai dimenticare il tacco che alleggerisce e slancia la figura?!

Le tendenze attuali aiutano ogni tipo di donna a trovare la scarpa che meglio la rappresenta. Se siete un tipo romantico e vi piace indossare abiti che richiamino sempre prati fioriti primaverili anche in stagioni non proprio caldissime? Allora non accontentatevi di indossare delle scarpe anonime. Puntate alla perfezione e scegliete tra le proposte dell'ultimo momento come lo stivaletto di seta con zeppa e stampe di fiori di Jil Sander, oppure la scarpa suède e seta di L'Autre Chose.

[caption id="" align="aligncenter" width="400" caption="Jil Sander 2012 - Stivaletti in seta con zeppa e tema floreale"] [/caption]

Siete amanti del lusso e non riuscite a rinunciare a tutto ciò che luccica? Provate il sandalo gioiello di Loriblu, realizzato completamente in pelle di pitone, cinturino staccabile arricchito di diamanti, rubini e diamanti che diventa bracciale. Siete invece delle lavoratrici instancabili ma non per questo volete rinunciare al vostro tocco femminile, pur ostentando uno stile androgino nel vostro outfit? Scegliete tra una francesina di pelle, senza tacco, stringata di Alberto Guardiani oppure la décollettée con fiocco rosso di velluto di Ballin.

[caption id="" align="aligncenter" width="357" caption="Sandali gioiello Loriblu in pelle di pitone"] [/caption]

Qualunque sia il vostro genere o l'occasione d'uso troverete senza alcun sforzo la scarpa che fa per voi, anche semplicemente facendo dapprima una ricerca tramite internet per ridurre al massimo lo spreco di tempo nel cercare il negozio in cui fare shopping.

CIF CENTRAL SECTION CHAMPIONSHIP

Liberty High School - Wednesday, May 14, 2008

www.andynoise.com/valley08.html

Central Section Grand Masters

At Liberty

Team standings--unavailable.

400 relay--1. Bakersfield (Hunt, Turner, Johnson, Norwood), 42.28; 2. Clovis East (Bourbon, Scott, Smith, Woods), 42.58; 3. Redwood (Stewart, Ray, Root, Coles), 43.07; 4. Central (Newsome, Bigelow, Hammack, Phillips), 43.15. 1,600--1. Chris Schwartz, Foot, 4:15.80; 2. Jonathan Sanchez, Buch, 4:17.48; 3. Eric Battles, CW, 4:20.34; 4. Jesse Arellano, Mad, 4:21.56. 110H--1. Ethan DeJongh, MtW, 14.49; 2. Sean Johnson, Buch, 14.66; 3. Jon Funch, CW, 14.81; 4. Isiah Crunk, Wash, 15.17. 400--1. Maurice Lewis, Ed, 49.08; 2. Isiah Purvis, Lib, 49.13; 3. Daniel Lozano, Stock, 49.35; 4. Jelani Hendrix, Ed, 49.62. 100--1. Brendon Bigelow, Central, 10.62; 2. Emmanuel Turner, Bak, 10.81; 3. Matt Sumlin, Gar, 10.91; 4. Chris Lopez, GW, 10.98. 800--1. Anthony Mitchell, North, 1:54.19; 2. Aric Champagne, MtW, 1:54.97; 3. Andrew Campbell, CW, 1:55.69; 4. Arturo Ramirez, Centennial, 1:55.83. 300H--1. DeJongh, MtW, 37.93; 2. Cody Alves, Sel, 37.94; 3. James Smith, CE, 39.03; 4. Sean Johnson, Buch, 39.28. 200--1. Brendon Bigelow, Central, 21.29; 2. Isiah Purvis, Lib, 21.96; 3. Mario Navarette, Sanger, 22.04; 4. Chris Lopez, GW, 22.29. 3,200--1. Chris Schwartz, Foot, 9:24.19; 2. Jonathan Sanchez, Buch, 9:24.99; 3. Jon Ross, CE, 9:26.42; 4. Danny Vartanien, Buch, 9:26.42. 1,600 relay--1. Edison (Hendrix, Carter, Boughton, Lewis), 3:17.86; 2. Liberty (Hill, Garside, Affentranger, Purvis), 3:18.95; 3. Bakersfield (Miller, Turner, Johnson, Gooden), 3:20.06; 4. Clovis East (Ellis, Defonska, Woods, Smith), 3:22.40. PV--1. Andrew Lohse, Mad, 15-0; 2. Michael Peterson, CE, 15-0J; 3. Jeff Brenner, Cl, 14-6; 4. Frankie Puente, Sel, 14-0. SP--1. Dayshan Ragans, Foot, 60-7; 2. Matt Darr, Fron, 52-8.75; 3. Troy Rush, CW, 52-8.5; 4. Christian Millard, CE, 51-10.5. TJ--1. Johnny Carter, Ridge, 48-3; 2. Tyler Thompson, Shaf, 47-3; 3. Chris Kelly, Ridge, 46-11.5; 4. Jordan Smith, Central, 46-10.5. D--1. Dayshan Ragans, Foot, 199-2; 2. Jacob Budwig, Fowl, 168-8; 3. Niko Gomes, Cl, 164-10; 4. Matt Darr, Fron, 157-7. LJ--1. Kenny Phillips, Central, 23-4; 2. Tyler Thompson, Shaf, 21-11.5; 3. Dillon Root, Red, 21-11; 4. Kevin Norwood, GV, 21-8.75. HJ--1. Kenny Phillips, Central, 6-8; 2. Isiah Griggs, Bak, 6-6; 3. George Robbins, West, 6-4; 4. Jeff Brenner, Cl, 6-4J.

Notes: Top three in each event advance to state meet, May 30-31 in Norwalk. The two wild cards with the best times/marks from all sections also advance.

Girls track

Central Section Grand Masters

At Liberty

Team standings--unavailable.

400 relay--1. Edison (Eng, Scott, Thompson, Sears), 47.16; 2. Bullard (J. Williams, Riddlesprigger, Baisch, L. Williams), 48.17; 3. Tulare Western, 48.73; 4. Bakersfield (Torres, Belt, Brown, Wandick), 48.80. 1,600--1. Saleh Barsarian, Cl, 5:02.98; 2. Meghan Marvin, Cl, 5:03.02; 3. Chloe Allen, CW, 5:04.62; 4. Allison Gonzales, Ex, 5:11.52; 100H--1. Alyssa Monteverde, CW, 14.59; 2. Brianny Williams, Ed, 14.60; 3. Taylor Jackson, Fr, 15.04; 4. Jen Melton, CW, 15.37. 400--1. Breanna Thompson, Ed, 56.64; 2. Dedrea Wyrik, Sun, 57.49; 3. Lasasha Aldredge, Central, 58.12; 4. Taylor Donaldson, Reed, 58.13. 100--1. Megan Del Pino, CW, 11.66; 2. Jenna Prandini, Cl, 11.74; 3. Lynn Williams, Bul, 12.00; 4. Brushay Wandick, Bak, 12.01. 800--1. Allysa Mejia, Reed, 2:17.47; 2. Molly Pahkamaa, ElD, 2:17.73; 3. Katie Fry, Ex, 2:18.74; 4. Ashlee Thomas, Centennial, 2:19.77. 300H--1. Alyssa Monteverde, CW, 43.92; 2. Taylor Jackson, Fron, 44.86; 3. Brianny Williams, Ed, 45.69; 4. Alana Alexander, Centennial, 46.12. 200--1. Megan Del Pino, CW, 23.94; 2. Dominique Whittington, Lem, 24.65; 3. Brushay Wandick, Bak, 24.69; 4. Breanna Thompson, Ed, 24.90. 3,200--1. Jordan Hasay, MP, 10:24.78; 2. Meghan Marvin, Cl, 10:59.96; 3. Chloe Allen, CW, 11:06.19; 4. Corina Mendoza, Mad, 11:32.06. 1,600 relay--1. Edison (Burk, Thompson, Scott, Smith), 3:54.89; 2. Stockdale (Cady, Anderson, Mello, S. Anderson), 3:58.26; 3. Clovis West (Laidley, Capriotti, Del Pino, Monteverde), 3:59.02; 4. Reedley, 3:59.07. D--1. Anna Jelmini, Shaf, 162-5; 2. Alex Collatz, Stock, 148-6; 3. Carey Tuuamalemalo, Taft, 130-9; 4. Janae Coffee, CW, 121-6. LJ--1. Jenna Prandini, Cl, 18-7.25; 2. Lynn Williams, Bul, 18-0.75; 3. Alana Alexander, Centennial, 17-6.75; 4. Ja'Nia Sears, Ed, 17-6.5. HJ--1. Alyssa Monteverde, CW, 5-4; 2. Cristina Muro, GW, 5-2; 3. Katherine Mahr, Buch, 5-2; 4. Marish Riddlesprigger, Bul, 5-2J. SP--1. Anna Jelmini, Shaf, 44-0.75; 2. Destanie Yarbrough, CE, 37-10; 3. Heather Vermillion, Red, 37-9; 4. Tasha Firstone, CW, 36-6.5. TJ--1. Alana Alexander, Centennial, 38-3.75; 2. Jenna Prandini, Cl, 38-3; 3. Goziam Okolie, 36-10.5; 4. Alex Collatz, Stock, 36-2. PV--1. Allison Berryhill, CW, 11-6; 2. Amanda Klinchuch, Lib, 11-6J; 3. Cheree Jones, King, 10-6; 4. Emily Falkenstein, Buch, 10-6J.

Notes: Top three in each event advance to state meet, May 30-31 in Norwalk. The two wild cards with the best times/marks from all sections also advance.

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So, here it is, the reason I drove across Norfolk: Trunch in all it's glory And it is glorious.

It has so many fascinating details, each one alone would be reason enough to visit, but together, in a fine village, next to the village pub, and with that font canopy, one of only four such in all of England, and one of two in the county.

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The oldest building in Trunch is St. Botolph's Church. It is mainly 14th. and 15th. Century but there are some fragments of stone in the walls which are believed to have been reused from an earlier Saxon church, which was recorded in the Domesday Book. There is much of interest in the church including a Rood Screen, a hammer beam roof and a rare Font Canopy.

trunchhistory.weebly.com/buildings.html

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The large village of Trunch is located about 5 miles from the north Norfolk coast. In the centre of the village, surrounded by a lovely collection of cottages and the more modern Crossroads Inn, is St Botolph's church. Much of what you see of the church is early 15th century, built upon earlier foundations.

Upon entering the church the first feature you will see is the font, which dates to the mid 14th century. Though the font is attractive, it is the carved and painted font canopy that really makes a visit to Trunch worthwhile.

This is a quite remarkable piece of woodwork, one of only four such canopies surviving in the entire country (the others are at St Peter Mancroft in Norwich, Durham Cathedral, and Luton). The canopy is supported on six beautifully carved legs. The carving detail is exquisite; with fanciful animal figures and foliage and a bit of political commentary, in the shape of a pig wearing a bishop's mitre.

In addition to the font canopy, Trunch features a superb 15th century hammer beam roof, a feature of many churches in Norfolk and Suffolk. Here the carvings of angels are beautifully performed. It is worth bringing along a pair of binoculars or a telescope in order to see the carvings properly.

Much easier to see are the medieval misericords (mercy seats) in the chancel. Each carving is unique; some represent angels, and others are more grotesque in nature. In addition there are some beautifully carved pew ends and a painted medieval rood screen that rivals many more famous churches in detail and colour.

There are 12 niches in the screen, each painted with a depiction of a single figure - 11 disciples plus St Paul. Much of the costume detail is well preserved, but the faces of the figures were destroyed during the upheavals of the Protestant Reformation in the 16th century.

www.britainexpress.com/counties/norfolk/churches/Trunch.htm

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William Earl Warren had the lordship of this town, (fn. 1) of which 3 freemen were deprived; one of them belonged to Herold, late King of England, another to Ralph Stalre, and the 3d to Ketel, who held 90 acres of land, and 14 borderers belonged to it, with 5 carucates among them; there was a church endowed with 10 acres, &c. 3 acres of meadow always valued at 30s. and there were also 5 freemen of Edric in King Edward's time, who had 34 acres of land, with 2 carucates, 2 acres and an half of meadow, always valued at 7s. 4d. (fn. 2)

This town also belonged to the Earl Warren's capital manor of Gimmingham, and paid suit and service to it. In the 34th of Henry III. Maud de Norwich granted by fine, to Richer, son of Nicholas, a messuage, 48 acres of land, a mill, and the sixth part of another in this town, Swathefeld and Bradfeld. In the 15th of Edward I. the Earl Warren claimed a weekly mercate, on Saturday, in this manor; and on the death of John Earl Warren, in the 21st of Edward III. the mercate was valued at 10s. per ann. the manor came after to the Earl of Lancaster, (as is before observed,) and so to John of Gaunt Duke of Lancaster, and King Henry IV. and is still in the Crown, as part of the dutchy of Lancaster.

The tenths were 4l. 10s. deducted 15s.

The Church is dedicated to St. Botolph, and is a regular pile, with a nave, 2 isles, and a chancel covered with lead, and has a tower with 4 bells.

In the chancel, on a little monument,

Lancelotus Thexton cappellanus Regis Edw. VI. sacre theologie baccalaureus, et rector de Trunch obt. 25. Febr. 1588, and this shield of arms, quarterly, in the first and fourth a cross between four lions heads erased, gules, in the 2d and 3d, ermine, fretty, azure.

In a window here, argent, a fess between two chevrons, sable.

On a gravestone

Hic jacet Magr. Robt. Cantell, quo'd. rector isti. ecclie, qui. obt. 1 Sept. Ao. Dni. 1480.

Gravestones

In memory of Thomas Worts, gent. who died November 13, 1693, aged 45, with his arms, three lions rampant, - - - — William Worts. gent. who married Elizabeth, daughter of Riches Brown of Fulmodeston, Esq. died August 25, 1694, aged 60, with the arms of Worts impaling Brown; two bars, between three spears heads, - - -

¶The patronage of the church was granted to the priory of Castleacre, by William Earl Warren, the first on his founding that priory. In the reign of Edward I. the rector had a manse, and 13 acres of land valued at 16 marks, Peter-pence 13d. and the prior of Castleacre had a pension or portion of tithe valued at 40s. the present valor is 10l. 13s. 4d. and pays first fruits, &c. the Norwich registers say that William, the second Earl Warren, granted the patronage, and Eborard Bishop of Norwich, confirmed it; and that Simon the Bishop confirmed the pension in 1268.

www.british-history.ac.uk/topographical-hist-norfolk/vol8...

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Trunch is the largest of the villages between North Walsham and the sea; but as all the industrialisation and tawdry caravan sites are hard against the coast, and Trunch is several miles inland, it has avoided these excesses and retains a great rural charm. It has a magnificent church with lots of fascinating treasures, as well as a shop, a green, a pub run by an ex-professional footballer, and generally all the typical features you expect to find in a large village in deepest rural Norfolk.

The church is perhaps the most interesting of all round about; and, while the large village lends it an urban quality that lacks the charm of, say, the churches of neighbouring Edingthorpe and Crostwight, it has by no means the Victorianised sterility of those at Bacton or Happisburgh.

St Botolph is a big church, and its tight graveyard makes it rather hard to photograph. The whole piece seems to have been rebuilt in the early 15th century, although the chancel may be a little later, and there is a hint of Decorated about the nave. The tower is quite simple, even slight. It builds boldly enough, but at the top of the second stage fades into a simple bell stage, understated, elegant and probably intended. This is not a building that shouts at you. A curiosity is the massive priest porch surrounding the door in the chancel. These are very unusual, although there is another, smaller one at neighbouring Knapton.

The great treasure, of course, is the marvellous font canopy. It is particularly fascinating because of its date, coming in the early 16th century right on the eve of the English protestant reformation. Like all church furnishings at this time - the tombs at Oxborough, for instance - it gives us a hint of what the English renaissance might have been like if it had been allowed to flower. Here, the massive structure tumbles with intricacy; fruit and flowers, leopards and lions peep around the silvery oak of the six octagonal columns which are fluted with interlocking chains of detail. The glory is the massive crown of canopied niches, with the haunting ghosts of crucifixion groups still apparent on three of the faces. The whole thing is at once in perfect harmony with the west end of the church, but exists because it was believed to be beautiful rather than known to be useful.There is only one other font canopy in Norfolk, at St Peter Mancroft in Norwich; Outside of the county there is another at Durham Cathedral, and a fourth at the parish church in Luton - but that is it.

Above the canopy is a rich 15th century hammerbeam roof, by no means as dramatic as that at nearby Knapton, but more beautiful, I think. In the space beneath the tower there is what appears to be a gallery like the plough guild gallery at Cawston. This is not as elaborate, but its oak has silvered and it is painted beautifully with trailing rose foliage.

The benching, unfortunately, is pretty much all 19th century, but along with the font canopy and roof the medieval screen survives. Like the canopy, this is richly ornamented in relief, including a bold dedicatory inscription in diagonal ribbons across the top part of the dado. The twelve figures (11 disciples and St Paul) are boldly placed and coloured, but their faces have been completely vandalised by the 16th century reformers. Low down on the north side of the doorway is a rare surviving carved consecration cross, suggesting that this screen was already installed in the newly built church of the 15th century. The screen had detached buttressing running vertically at intervals in front of it, as at Ludham. They have been almost entirely destroyed, but you can still see the fixings between the panels. It must have been magnificent.

The return stalls in the chancel are pretty much all Victorian, but they retain medieval misericords, and also you can see quatrefoil holes set into a sounding chamber to amplify the singing. There is a very curious memorial above the priest door, featuring the instruments of the passion. I have no idea how old it is.

All of these features would be enough, but part of the attraction of St Botolph is the sense of harmony, the way everything works together. You can add to these the sedilia, the magnificent organ, and the modern design of the glass in the east window. It is a peaceful, inspiring space.

Cottages and houses hem in the graveyard, and in the corner is the modern pub. Incidentally, I don't really know if the bloke who runs it is an ex-professional footballer. But, like many rural Norfolk landlords, he seems to be a cheerful 40-something cockney who serves a decent pint and cheap food - a recommended stop for churchcrawlers.

Simon Knott, April 2005

www.norfolkchurches.co.uk/trunch/trunch.htm

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And the pub is still good.

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CRITICAL RUN IS A DEBATING FORMAT

www.emergencyrooms.org/criticalrun.html

THE 28/03/2012 we debate

IS NAVIGATION A TREAT ?

CAN ART BE CURATED BY A PHONE ?

"IS NAVIGATION BY PHONES AND BANKS A THREAT ?" Critical Run wednesday 28 mars / CPH

The App store has taken over state institutions like staten museum for kunst

Visitors are taking in charge and warmly recommanded to be guided by smartphones or ipods . the team from the museum , curators and directors are employing the word ipad every 3 minutes. their home page sound like they work for FONA .

but Can smart phones or ipad be promoted as inoffensif loving pedagogic tools we should swallow without doubts

is forgetting an active state

is beeing guided a state of apathy .

( i heard once at a DR- news conference that people need to be guided because they are stupid )

should we debate those issues together before to jump

Is the role of the national museum to promotte compagnies that some would also consider as global threat ?

the Critical Run ( run and debate before it is too late ) will take place in Kongenshave 16.15 meet in front t the kids ground ( lejeplads )

we will debate those issues of selectif history and Führung. with a group of artist immigrant in Denmark ( who is guiding whom to where )

every one is welcome with any opinion including hopenhagen believer fona or apple sales man believing in win-win

The Critical Run is in collaboration with BAZART and Critical Run

www.emergencyrooms.org/criticalrun.html

this debate will carry on globally until Documenta Kassel ( " The Next Documenta Should be curated by a phone " .

if you like to be one of the global critical run organisateur please contact : 1@colonel.dk

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and because we are talking about a museum exhibiting Jorn a little news from Guy Debord and ( navigation )

library.nothingness.org/articles/SI/en/display/2

CAN ART BE CURATED BY A PHONE ? / CRITICAL RUN the first CRITICAL RUN will take place in Copenhagen and the last in Kassel @documenta get informed of date :www.facebook.com/BIENNALIST or www.emergencyrooms.org/criticalrun.html if you want to be part of the debate and organise a Critical Run where you are please contact 1@colonel.dk

A DELEGATION OF FOREIGN ARTISTS / CURATORS AND FESTIVAL DIRECTORS LIVING IN DENMARK ARE EXPLORING AND DEBATING "DANISH ART " .

HOW IT WORKS .

A DIFFICULT QUESTION INDEED ....

the 28/03/2012 the DELEGATION visited Charlottenborg and Statens Museum for Kunst, did a Critical Run in between the two instutitions

.a video will follow and regular exploration in on plan COLLABORATION WITH BAZART ...more to come soon ....( new people can take contact ...)

THE DELEGATION :

Saied Masoudian

Neringa Abrutyte

Rene Victor Valqui Vidal

Marina Testa Pedersen

Diallo Ibrahima Sory

Pero Pivas

Branka Pivas Onofri

Faranak Sohi

Marcelo Lerer

Maher Khatib

Shohreh Shahrzad

Antonieta Medeiros Urioste

Maia Hauser

Åsmund Boye Kverneland

Thomas Fleurquin

Victor Monchamp

Ada Ortega Camara

Tijana Miskovic

Ginka Rinkova

Thierry Geoffroy

Elizabeth Löwe Hunter

Maja Spangsberg Jakobsen

Juan Fernando Lope

thank you Maja Spangsberg Jakobsen from Bazart /Peter Lind for the name and Marcello Lerer with cards / t6hanks to Claus Handberg Christensen / and the 2 institutions that welcome us //format : Thierry Geoffroy

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Our Lady & The English Martyrs, Cambridge

stepneyrobarts.blogspot.co.uk/2013/02/our-lady-english-ma...

Yesterday I revisited St Peter for internals and finished of Cambridge, visiting seven Victorian built churches only one of which, Our Lady & The English Martyrs, is worth writing up.

At first sight I wrote OLEM off as a Victorian Gothic monstrosity but as I wandered around the exterior I was struck by the quality of the building and the interior stunned me with lots of rather good glass and impressive architecture (oh and apart from three revisits, Babraham, Guilden Morden and Stow cum Quy, that finished the north west quadrant).

The Church of Our Lady and the English Martyrs, or OLEM, is situated in the heart of the city of Cambridge. An imposing example of the 19th Century Gothic Revival, it was built to the designs of Dunn & Hansom of Newcastle between 1885 and 1890, and founded solely by Mrs Yolande Marie Louise Lyne-Stephens, a former ballet dancer at the Paris Opera and Drury Lane, London, and widow of a wealthy banker. She promised to build the church on the feast of Our Lady of the Assumption, and Monsignor Christopher Scott - the first Rector - also wished to commemorate the Catholic Martyrs who died between 1535 and 1681, over thirty of whom had been in residence at the University.

Designed by architects Dunn and Hansom of Newcastle and built by the Cambridge firm of Rattee and Kett, OLEM is constructed in Casterton, Ancaster and Combe Down Stone. The church is a traditional cruciform structure in the early-decorated style with a large tower at the crossing, a polygonal apse and a west bell tower with a 65-metre spire, visible for miles around Cambridge. Quite often, it is quoted by visitors and local residents as a location point. The approximate internal dimensions of the church are: length 48 meters [156 ft] width across the aisles 16 meters [51 ft] width at the transepts 22 meters [71 ft], the height of the nave 15 meters [71ft].

Inside and over the west door stands the figure of Our Lady of the Assumption crowned with lilies and standing on the crescent moon with the vanquished serpent beneath. The west window shows the English Martyrs arranged in two principal groups, the clergy on the south side with St John Fisher in their midst and the laity on the north grouped round St Thomas More.

Beside the South aisle is an ancient statue of Our Lady with the Child Jesus. This statue is understood to be a gift in 1850 from Emmanuel College, which was built on the site of a Dominican Priory dating back to 1274. The Church of the Black Friars of Cambridge contained a statue of Our Blessed Lady to which much pilgrimage was had. Although unconfirmed this could be that statue.

The Chapel of the Holy Souls with the book of Remembrance is located at the west end of the south aisle. The sculpture above the altar depicts the solace and relief of the Holy Souls in Purgatory through the intercession of Our Lady and the angel who comforted Our Lord in Gethsemane. The Chapel is now appropriately used at the two great Christian celebrations: at Easter for the Empty Tomb indicating the Risen Lord, and at Christmas for the Crib.

The aisle windows were almost completely destroyed when the church was struck by a bomb on 1941, but were subsequently replaced in their original form. They epitomise the various sufferings of the English Martyrs, their being brought before the Council, racked, hung, drawn and quartered in the sight and sympathy of the faithful. The windows of the north aisle portray Carthusians, St Thomas Moore, B. Margaret Pole and others, while the south aisle is made a “Fisher Aisle”, devoted to scenes from the life of St John, Cardinal Bishop of Rochester, who in so many important ways is identified with Cambridge.

The best general impression of the interior is obtained from the gateway in the iron screen dividing the nave from the ante-chapel. The heads of the four great preachers of Our Lady’s Graces are carved in the four corners of the nave. The windows along the nave represent saints connected with the Church in Britain, arranged approximately in chronological order from east to west with a few additional figures in the eastern windows.

The Rood which is between the nave and the sanctuary is of the type known as “Majestas”; the figure of Our Lord, with glorified wounds, robed in alb, stole and pallium [as High Priest] and crowned [as King “reigning from the Tree”]. This was the earliest type of crucifix; the realistic figure, now almost universal, did not come into general use until the beginning of the thirteenth century. The cross, inspired by that at Nuremberg, is about 6 metres high, carved in oak; the figures of Christ and of Our Lady and of Saint John are of Kauri pine. They were carved locally by Mr. B. Maclean Leach and completed and blessed in 1914.

Beyond the present, modern altar is the High Altar with the relics of Saints Felix and Constantia, martyrs of the early Church. The tabernacle and ornaments of the altar are of exquisite French workmanship from Lyons. The baldacchino which covers the High Altar is similar to that over the tomb of Robert the Wise (1275-1343) at Santa Chiara, Naples. It is one of the earliest forms of adornment of a Christian altar. At the top is the figure of Our Lord in glory supported on each side by angels in act of adoration.

The design and the re-ordering of the sanctuary was done by Mr. Gerard Goalen of Harlow after the Second Vatican Council. On 7th April, 1973, Bishop Charles Grant consecrated the present central. The original High Altar has subsequently been used mainly for reservation of the Blessed Sacrament.

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तहेदिल से परमेश्वर की आत्मा को स्पर्श करके लोग परमेश्वर पर विश्वास करते हैं, उससे प्रेम करते हैं, और उसे संतुष्ट करते हैं, और इस प्रकार वे परमेश्वर की संतुष्टि प्राप्त करते हैं; जब वे परमेश्वर के वचनों के संपर्क में आते हैं, तो परमेश्वर का आत्मा का उन पर भावनात्मक प्रभाव पड़ता है। यदि तुम एक उचित आध्यात्मिक जीवन प्राप्त करना चाहते हो और परमेश्वर के साथ एक उचित संबंध स्थापित करना चाहते हो, तो तुम्‍हें पहले उसे अपना हृदय अर्पित करना होगा, और अपने हृदय को उसके सामने शांत करना होगा। अपने पूरे हृदय को परमेश्वर की स्तुति में डुबोकर ही तुम धीरे-धीरे एक उचित आध्यात्मिक जीवन का विकास कर सकते हो। यदि लोग परमेश्वर को अपना हृदय अर्पित नहीं करते हैं और उस पर पूरी तरह विश्वास नहीं करते हैं, और अगर उनका दिल उन्हें महसूस नहीं करता है और वे परमेश्वर के बोझ को अपना बोझ नहीं मानते हैं, तो जो कुछ भी वे कर रहे हैं उससे केवल परमेश्वर को धोखा दे रहे हैं, और ये धार्मिक व्यक्तियों का केवल व्यवहार है—ये परमेश्वर की प्रशंसा प्राप्त नहीं कर सकता है। इस तरह के व्यक्ति से परमेश्वर को कुछ नहीं मिल सकता; इस तरह का व्यक्ति परमेश्वर के काम के पथ में केवल एक विषमता है, परमेश्वर के घर में सजावट के किसी सामान की तरह, जगह लेता हुआ, और बेकार—परमेश्वर के लिए इस तरह का व्यक्ति उपयोगी नहीं है। ऐसे व्यक्ति में, पवित्र आत्मा के काम के लिए कोई अवसर नहीं है, और इससे भी ज़्यादा, ऐसे व्यक्ति में पूर्णता का कोई महत्व नहीं है। ऐसा व्यक्ति एक चलते-फिरते मृत व्यक्ति की तरह है। ऐसे व्यक्ति के भीतर ऐसा कोई भी अंश नहीं बचा है जिसका उपयोग पवित्र आत्मा कर सके—उन सभी का उपयोग शैतान द्वारा किया जा चुका है, उन्हें पूरी तरह शैतान ने दूषित कर दिया है, और उन्हें हटाना परमेश्वर का उद्देश्य है। फिलहाल, पवित्र आत्मा लोगों के गुणों को उजागर करके ही केवल उनका उपयोग नहीं कर रहा है, बल्कि उनकी कमियों में सुधार और परिवर्तन भी कर रहा है। यदि तुम्हारा हृदय परमेश्वर में डूब सकता है और उसके सामने शांत रह सकता है, तो तुम्हारे पास यह अवसर और वह योग्यता होगी कि पवित्र आत्मा तुम्हारा उपयोग करे, पवित्र आत्मा की प्रबुद्धता और रोशनी को तुम प्राप्त करो, और इससे भी ज़्यादा, तुम्हारे पास अवसर होगा कि पवित्र आत्मा तुम्हारी कमियों को दूर करे। जब तुम अपने हृदय को परमेश्वर के सामने अर्पित करते हो, तो सकारात्मक पहलू में, तुम अधिक गहराई से प्रवेश कर सकोगे और समझ के उच्च स्तर पर पहुंच सकोगे; नकारात्मक पहलू में, तुम अपनी गलतियों और कमियों की अधिक समझ प्राप्त कर सकोगे, तुम परमेश्वर की इच्छा की पूर्ति करने के लिए ज़्यादा उत्सुक रहोगे, और तुम निष्क्रिय नहीं, बल्कि सक्रिय रूप से प्रवेश करोगे। इसका मतलब होगा कि तुम एक सही व्यक्ति हो। यह मानते हुए कि तुम्हारा हृदय परमेश्वर के सामने शांत है, तुम पवित्र आत्मा की प्रशंसा प्राप्त करते हो या नहीं और तुम परमेश्वर को ख़ुश कर पाते हो या नहीं, यह इस पर निर्भर करेगा कि क्या तुम सक्रिय रूप से प्रवेश कर सकते हो या नहीं। जब पवित्र आत्मा किसी व्यक्ति को प्रबुद्ध करता है और उसका उपयोग करता है, तो वह उसे कभी भी नकारात्मक नहीं बनाता, बल्कि हमेशा उसे सक्रिय रूप से प्रगति की राह पर ले जाता है। हालांकि उसकी अपनी कमज़ोरियाँ हैं, वह उनके अनुसार जीवन व्यतीत नहीं कर पाता, वह अपने जीवन के विकास की देरी से बच पाता है, और वह परमेश्वर की इच्छा को संतुष्ट करने की अपनी कोशिश को जारी रख पाता है। यह एक ऐसा मानक है जो पर्याप्त रूप से साबित करता है कि तुम पवित्र आत्मा की उपस्थिति प्राप्त कर चुके हो। यदि कोई व्यक्ति हमेशा नकारात्मक रहता है, और अपने बारे में जानने की प्रबुद्धता हासिल करने के बाद भी वह नकारात्मक और निष्क्रिय है, तो वह केवल परमेश्वर की कृपा प्राप्त करता है, लेकिन पवित्र आत्मा उसके साथ नहीं होता। जब कोई व्यक्ति नकारात्मक होता है, तो इसका मतलब है कि उसका हृदय परमेश्वर की तरफ़ मुड़ नहीं पाया है और उसकी आत्मा पर परमेश्वर की आत्मा का असर नहीं हो पाया है। इसे हर किसी को पहचानना चाहिए।

अनुभव से यह देखा जा सकता है कि सबसे महत्वपूर्ण मुद्दों में से एक है परमेश्वर के सामने अपने दिल को शांत करना। यह एक ऐसा मुद्दा है जो लोगों के आध्यात्मिक जीवन से और उनके जीवन के विकास से संबंधित है। तुम्हारा दिल जब परमेश्वर के सामने शांत रहेगा, केवल तभी सत्य की तुम्हारी खोज और तुम्हारे स्वभाव में परिवर्तनों का फल प्राप्त होगा। तुम परमेश्वर के सामने बोझ से दबे हुए आते हो और तुम हमेशा महसूस करते हो कि तुम्हारे जीवन में बहुत कमियाँ हैं, ऐसे कई सत्य हैं जिन्हें तुमको जानना है, ऐसी कई वास्तविकताएं हैं जो तुम्‍हें अनुभव करने की आवश्यकता है, और यह कि तुमको अपनी हर चिंता परमेश्वर की इच्छा पर छोड़ देनी चाहिए—ये बातें हमेशा तुम्हारे दिमाग़ में चलती रहती हैं, और ऐसा लगता है जैसे ये बातें तुम पर इतना दबाव डाल रही हैं कि तुम्हारे लिए साँस लेना मुश्किल हो गया है, और यही वजह है कि तुम्हारा दिल भारी-भारी महसूस करता है (लेकिन एक नकारात्मक तरह से नहीं)। केवल ऐसे लोग ही परमेश्वर के वचनों की प्रबुद्धता को स्वीकार करने और परमेश्वर की आत्मा से प्रेरित होने के योग्य हैं। यह उनके बोझ की वजह से है, क्योंकि उनका दिल भारी-भारी महसूस करता है, और, कहा जा सकता है कि परमेश्वर के सामने जो कीमत वे अदा कर चुके हैं और जिस पीड़ा से वे गुज़र चुके हैं उसके कारण वे उसकी प्रबुद्धता और रोशनी प्राप्त करते हैं, क्योंकि परमेश्वर किसी का विशेष रूप से सत्कार नहीं करता है। लोगों के प्रति अपने व्यवहार में वह हमेशा निष्पक्ष रहता है, लेकिन वह लोगों को जो प्रदान करता है वह उसे मनमाने ढंग से और बिना किसी शर्त के नहीं देता है। यह उसके धर्मी स्वभाव का एक पहलू है। वास्तविक जीवन में, अधिकांश लोग अभी तक इस क्षेत्र को प्राप्त करने से दूर हैं। कम से कम, उनका दिल अभी भी पूरी तरह से परमेश्वर की ओर नहीं झुका है, और इसलिए उनके जीवन स्वभाव में अभी भी कोई बड़ा परिवर्तन नहीं हो पाया है। इसका कारण यह है कि वे केवल परमेश्वर की कृपा के बीच रहते हैं, लेकिन वे अभी भी पवित्र आत्मा के कार्य को हासिल नहीं कर पाए हैं। लोगों का उपयोग करने के लिए परमेश्वर इन मानदंडों का इस्तेमाल करता है: उनका दिल परमेश्वर की ओर झुका होता है, परमेश्वर के वचनों का उनपर बोझ पड़ता है, उनके पास तड़पता हुआ दिल और सत्य को तलाशने का संकल्प होता है। केवल ऐसे लोग ही पवित्र आत्मा के कार्य को प्राप्त कर सकते हैं और अक्सर प्रबुद्धता और रोशनी प्राप्त कर पाते हैं। जिन लोगों का परमेश्वर इस्तेमाल करता है, वे बाहर से तर्कहीन प्रतीत होते हैं और ऐसा लगता है कि दूसरों के साथ वे उचित संबंध नहीं रख पाते, हालांकि वे औचित्य के साथ और न कि लापरवाही के साथ बोलते हैं, और परमेश्वर के सामने हमेशा शांत हृदय रख पाते हैं। लेकिन केवल इसी तरह का व्यक्ति पवित्र आत्मा द्वारा इस्तेमाल किए जाने के लिए पर्याप्त है। जिन "तर्कहीन" व्यक्तियों के बारे में परमेश्वर बात करता है वे कुछ ऐसे दिखते हैं जैसे उनके दूसरों के साथ कोई भी उचित संबंध नहीं हैं, और उनका कोई भी बाहरी प्रेम या दिखावटी अभ्यास नहीं हैं, लेकिन जब वे आध्यात्मिक चीज़ों पर संवाद करते हैं, तो वे अपने दिल को पूरी तरह खोल सकते हैं और निस्वार्थ रूप से दूसरों को वह रोशनी और प्रबुद्धता प्रदान कर सकते हैं जो उन्होंने परमेश्वर के साथ अपने वास्तविक अनुभव से हासिल की है। यही वह तरीका है जिससे वे परमेश्वर के प्रति अपना प्रेम व्यक्त करते हैं और परमेश्वर की इच्छा को पूरा करते हैं। जब दूसरे सभी लोग उनकी निंदा और उपहास कर रहे होते हैं, तो वे बाहर के लोगों, घटनाओं, या चीज़ों द्वारा नियंत्रित नहीं किए जा सकते हैं, और फिर भी परमेश्वर के सामने शांत रह पाते हैं। ऐसे व्यक्ति के पास अपनी स्वयं की अनूठी अंतर्दृष्टि होती है। दूसरे चाहे कुछ भी कहें या करें, उनका दिल कभी भी परमेश्वर से दूर नहीं जाता है। जब दूसरे लोग उत्साहपूर्वक और मज़ाकिया ढंग से बातें करते हैं, तो उनका दिल तब भी परमेश्वर के समक्ष रहता है, परमेश्वर के वचनों पर विचार करता रहता है या उनकी मंशा प्राप्त करने के प्रयास में अपने मन में परमेश्वर को चुपचाप प्रार्थना करता रहता है। वे दूसरों के साथ अपने उचित संबंधों को बनाए रखने के प्रयास को अपने ध्यान का मुख्य केंद्र नहीं बनाते हैं। इस तरह के व्यक्ति का जीवन के बारे में कोई दर्शनशास्त्र नहीं होता है। बाहरी रूप से ऐसा व्यक्ति जीवंत, प्रिय, और मासूम होता है, लेकिन उसके पास शांति की भावना मौजूद रहती है। परमेश्वर जिन व्यक्तियों का उपयोग करता है उनमें कुछ ऐसे ही गुण होते हैं। जीवन का दर्शनशास्त्र या "सामान्य तर्क" जैसी चीज़ें इस प्रकार के व्यक्ति पर असर नहीं करतीं; इस प्रकार के व्यक्ति ने अपना पूरा दिल परमेश्वर के वचनों को समर्पित कर दिया होता है, और उसके दिल में परमेश्वर होता है। यह उस प्रकार का व्यक्ति है जिसे परमेश्वर "तर्कहीन" व्यक्ति के रूप में देखता है और केवल यही वह व्यक्ति है जिसे परमेश्वर द्वारा उपयोग किया जाता है। परमेश्वर द्वारा उपयोग किए जाने वाले व्यक्ति का चिह्न है: चाहे कोई भी समय या जगह हो, उसका दिल हमेशा परमेश्वर के समक्ष रहता है, और दूसरे चाहे जितने ही अनैतिक हों, जितने भी वे वासना और शरीर में लिप्त हों—उसका दिल कभी भी परमेश्वर को नहीं छोड़ता, और वह भीड़ के पीछे कभी भी नहीं जाता। केवल इस प्रकार का व्यक्ति परमेश्वर द्वारा उपयोग के लिए अनुकूल है, और यही वह व्यक्ति है जिसे वास्तव में पवित्र आत्मा द्वारा परिपूर्ण किया जाता है। यदि तुम इस बिंदु तक नहीं पहुंच पा रहे हो, तो तुम परमेश्वर द्वारा प्राप्त होने के, पवित्र आत्मा द्वारा परिपूर्ण होने के लिए योग्य नहीं हैं।

यदि तुम परमेश्वर के साथ एक उचित संबंध बनाना चाहते हो, तो ज़रूरी है कि तुम्हारा दिल उसकी तरफ़ झुके, और इस बुनियाद पर, तुम दूसरों के साथ भी उचित संबंध बनाओगे। यदि परमेश्वर के साथ तुम्हारा उचित संबंध नहीं है, तो चाहे तुम दूसरों के साथ संबंध बनाए रखने की जितनी भी कोशिश कर लो, चाहे तुम जितनी भी मेहनत कर लो या जितनी भी ताक़त लगा दो, वह तब भी जीवन के मानवीय दर्शनशास्त्र का हिस्सा रहेगा। वह तुम लोगों के बीच एक मानवीय दृष्टिकोण और मानवीय दर्शनशास्त्र के माध्यम से अपनी स्थिति बनाकर रख रहा है ताकि वे तुम्हारी प्रशंसा करे। तुम परमेश्वर के वचनों के अनुसार लोगों के साथ उचित संबंध स्थापित नहीं करते हैं। यदि तुम लोगों के साथ अपने संबंधों पर ध्यान केंद्रित नहीं करते हो लेकिन परमेश्वर के साथ एक उचित संबंध बनाए रखते हो, अगर तुम अपने दिल को परमेश्वर को देने के लिए और उसकी आज्ञा का पालने करने के लिए तैयार हो, तो बहुत स्वाभाविक है कि सभी लोगों के साथ तुम्हारे संबंध सही हो जाएंगे। इस तरह से, ये संबंध शरीर के स्तर पर स्थापित नहीं होंगे, बल्कि परमेश्वर का प्रेम इनकी बुनियाद होगा। शरीर के आधार लगभग कोई मेलजोल नहीं होता है, लेकिन उसकी आत्मा में साहचर्य है, और साथ ही साथ प्रेम, आराम और एक दूसरे के लिए आदान-प्रदान की भावना है। यह सब एक ऐसे हृदय पर आधारित होता है, जो परमेश्वर को संतुष्ट करता हो। ये संबंध जीवन के मानवीय दर्शनशास्त्र के आधार पर नहीं बनाए रखे जाते हैं, बल्कि वे बहुत ही स्वाभाविक रूप से परमेश्वर के लिए बोझ के माध्यम से बनते हैं। इसके लिए मानवीय प्रयासों की आवश्यकता नहीं होती—परमेश्वर के वचन के सिद्धांतों के माध्यम से उन पर चला जाता है। क्या तुम परमेश्वर की इच्छा की ओर विचारशील होने के लिए तैयार हो? क्या तुम परमेश्वर के समक्ष "तर्कहीन" के व्यक्ति बनने के लिए तैयार हो? क्या तुम पूरी तरह से अपने दिल को परमेश्वर को देने के लिए और लोगों के बीच अपनी स्थिति के बारे में चिंता न करने के लिए तैयार हो? जिन सभी लोगों के साथ तुम्हारे संपर्क हैं, उनमें से किनके साथ तुम्हारे सबसे अच्छे संबंध हैं? इनमें से किनके साथ तुम्हारे सबसे खराब संबंध हैं? क्या लोगों के साथ तुम्हारे संबंध उचित हैं? क्या तुम सभी लोगों को बराबरी का दर्जा देते हो? क्या दूसरों के साथ तुम्हारे संबंध स्वयं के जीवन के दर्शनशास्त्र के अनुसार बनाए गए हैं, या क्या वे परमेश्वर के प्रेम की बुनियाद पर बने हैं? जब कोई परमेश्वर को अपना दिल नहीं देता, तो उसकी आत्मा सुस्त, सुन्न और बेसुध हो जाती है। इस प्रकार का व्यक्ति परमेश्वर के वचनों को कभी नहीं समझेगा और परमेश्वर के साथ कभी भी उसके संबंध उचित नहीं होंगे; इस तरह का व्यक्ति अपने स्वभाव को कभी भी नहीं बदलेगा। अपने स्वभाव को बदलने की प्रक्रिया में व्यक्ति पूरी तरह से परमेश्वर को अपना दिल अर्पित करता है, और परमेश्वर के वचनों से प्रबुद्धता और रोशनी प्राप्त करता है। परमेश्वर का कार्य किसी के लिए भी सक्रियता से प्रवेश करना संभव कर सकता है, और साथ ही ज्ञान प्राप्त करने के बाद उसे अपने नकारात्मक पहलुओं से मुक्त करने में सक्षम बना सकता है। जब तुम अपना दिल परमेश्वर को समर्पित करते हो, तो तुम अपनी आत्मा के भीतर हल्की-सी प्रत्येक हलचल को समझ पाओगे, और तुम परमेश्वर से प्राप्त हर प्रबुद्धता और रोशनी को जान सकोगे। इसे पकड़ कर रखो, और तुम धीरे-धीरे पवित्र आत्मा द्वारा परिपूर्ण होने की राह में प्रवेश करोगे। तुम्हारा दिल परमेश्वर के समक्ष जितना शांत रह पाएगा, तुम्हारी आत्मा उतनी अधिक संवेदनशील और नाज़ुक रहेगी, और उतनी अधिक तुम्हारी आत्मा पवित्र आत्मा की हलचल को समझ पाएगी, और फिर परमेश्वर के साथ तुम्हारा संबंध अधिक से अधिक उचित होता जाएगा। लोगों के बीच एक उचित संबंध परमेश्वर को अपना दिल सौंपने की नींव पर स्थापित होता है; यह मानवीय प्रयासों के माध्यम से प्राप्त नहीं किया जाता। अपने दिलों में परमेश्वर के बिना, लोगों के बीच के परस्पर आंतरिक संबंध केवल शरीर के स्तर पर रह जाते हैं। वे उचित नहीं होते, बल्कि वासना से आसक्त होते हैं—वे ऐसे रिश्ते होते हैं जिनसे परमेश्वर घृणा करता है, जिनसे वह नफ़रत करता है। यदि तुम कहते हो कि तुम्हारी आत्मा पर प्रभाव हुआ है, लेकिन तुम हमेशा उन लोगों के साथ साहचर्य चाहते हो जो तुमको आकर्षित करते हैं, जिन्हें तुम उत्कृष्ट मानते हो, और वहीं एक दूसरा साधक है जो तुमको आकर्षित नहीं करता है, जिसके बारे में तुम्हारे पूर्वाग्रह हैं और तुम उनके साथ मेलजोल नहीं करते हो, तो यह भी प्रमाण है कि तुम एक भावुक व्यक्ति हो और परमेश्वर के साथ तुम्हारे उचित संबंध नहीं हैं। तुम परमेश्वर को धोखा देने का और अपनी कुटिलता को छिपाने का प्रयास कर रहे हो। अगर तुम कुछ समझ साझा कर पाते हो, लेकिन तुम्हारे इरादे गलत हैं, तो तुम जो कुछ भी करते हो वे केवल मानवीय मानकों से ही अच्छे हैं। परमेश्वर तुम्हारी प्रशंसा नहीं करेगा—तुम शरीर के अनुसार काम कर रहे हो, परमेश्वर के बोझ के अनुसार नहीं। यदि परमेश्वर के सामने तुम अपने दिल को शांत करने में सक्षम हो और उन सभी लोगों के साथ तुम्हारे उचित संबंध हैं जो परमेश्वर से प्रेम करते हैं, केवल तब ही तुम परमेश्वर के उपयोग के लिए उपयुक्त होगे। इस तरह से चाहे तुम दूसरों के साथ जैसे भी जुड़े हो, तुम जीवन के दर्शनशास्त्र के अनुसार नहीं जुड़ोगे, बल्कि यह परमेश्वर के सामने जीना होगा, उसके बोझ के प्रति विचारशील होना होगा। तुम लोगों बीच ऐसे कितने लोग हैं? क्या दूसरों के साथ तुम्हारे संबंध वास्तव में उचित हैं? ये रिश्ते किस बुनियाद पर बने हैं? तुम्हारे भीतर जीवन के कितने दर्शनशास्त्र हैं? क्या तुमने उन्हें त्याग दिया है? यदि तुम्हारा दिल पूरी तरह से परमेश्वर की तरफ़ नहीं झुक पाता है, तो तुम परमेश्वर के नहीं बने हुए—तुम शैतान से आते हो, और अंत में तुम शैतान के पास लौट जाओगे। तुम परमेश्वर के लोगों में से एक होने के योग्य नहीं हो। इन सभी बातों पर तुम्हें सावधानीपूर्वक विचार करने की आवश्यकता है।

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This is the cover photo of my set Spring Celebration 2011 [বসন্ত উথসব ২০১১(Bashanto Uthsob) ]

This Photo was taken on 13th Feb 2011 / 01 Falgun 1417 Bangoli Calender Yr at 4:30 pm , from Rabindro Sorobor [ A open air Cultural Venue ] Dhaka BANGLADESH . All the photos are Candid and with less treatment, The Spring Celebration here in BANGLADESH is Commonly known as Bashanto Uthsob,[ Bashanto is :

A name of Color

A name of most soothing weather

A name of flowery days

and Most Interesting season here in Bangladesh ]

This is the 1st Day of Falgun[ Falgun is a Bangoli Calendar Month ] Every Bangoli Calendar Year on 13th February comes as Our celebration day, Same As Valentine day on 14th Feb , We Follow both the day as our Valentine day, 13th Feb as for Bangoli and 14th Feb as FOR western culture,

The First day of Falgun is memorable for its colorful celebration. People from all age and categories celebrate this day with joy amd Festivities to welcome the spring season . They celebrate this day with folk dances , music, recitations and rallies throughout the country to commemorate the Bashanta Uthsob. Girls ware Yellow sarees and Boys wear Yellow Panjabees to celebrate the day, Most of the youth and children’s Painted their faces to make the day more colorful . At the same time , people hope that the coming days will be full of light and Joy,

The Spring [BASHANTO ] Comes to Bangladesh is the end state of Winter and the beginning of Summer, with new leafs in the branches of trees ,

Beds are full with Flowers in the garden and The Bird [KOKIL] Twitted are all the Happening in Spring [Bashanto ]

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CIF CENTRAL SECTION CHAMPIONSHIP

Liberty High School - Wednesday, May 14, 2008

www.andynoise.com/valley08.html

Central Section Grand Masters

At Liberty

Team standings--unavailable.

400 relay--1. Bakersfield (Hunt, Turner, Johnson, Norwood), 42.28; 2. Clovis East (Bourbon, Scott, Smith, Woods), 42.58; 3. Redwood (Stewart, Ray, Root, Coles), 43.07; 4. Central (Newsome, Bigelow, Hammack, Phillips), 43.15. 1,600--1. Chris Schwartz, Foot, 4:15.80; 2. Jonathan Sanchez, Buch, 4:17.48; 3. Eric Battles, CW, 4:20.34; 4. Jesse Arellano, Mad, 4:21.56. 110H--1. Ethan DeJongh, MtW, 14.49; 2. Sean Johnson, Buch, 14.66; 3. Jon Funch, CW, 14.81; 4. Isiah Crunk, Wash, 15.17. 400--1. Maurice Lewis, Ed, 49.08; 2. Isiah Purvis, Lib, 49.13; 3. Daniel Lozano, Stock, 49.35; 4. Jelani Hendrix, Ed, 49.62. 100--1. Brendon Bigelow, Central, 10.62; 2. Emmanuel Turner, Bak, 10.81; 3. Matt Sumlin, Gar, 10.91; 4. Chris Lopez, GW, 10.98. 800--1. Anthony Mitchell, North, 1:54.19; 2. Aric Champagne, MtW, 1:54.97; 3. Andrew Campbell, CW, 1:55.69; 4. Arturo Ramirez, Centennial, 1:55.83. 300H--1. DeJongh, MtW, 37.93; 2. Cody Alves, Sel, 37.94; 3. James Smith, CE, 39.03; 4. Sean Johnson, Buch, 39.28. 200--1. Brendon Bigelow, Central, 21.29; 2. Isiah Purvis, Lib, 21.96; 3. Mario Navarette, Sanger, 22.04; 4. Chris Lopez, GW, 22.29. 3,200--1. Chris Schwartz, Foot, 9:24.19; 2. Jonathan Sanchez, Buch, 9:24.99; 3. Jon Ross, CE, 9:26.42; 4. Danny Vartanien, Buch, 9:26.42. 1,600 relay--1. Edison (Hendrix, Carter, Boughton, Lewis), 3:17.86; 2. Liberty (Hill, Garside, Affentranger, Purvis), 3:18.95; 3. Bakersfield (Miller, Turner, Johnson, Gooden), 3:20.06; 4. Clovis East (Ellis, Defonska, Woods, Smith), 3:22.40. PV--1. Andrew Lohse, Mad, 15-0; 2. Michael Peterson, CE, 15-0J; 3. Jeff Brenner, Cl, 14-6; 4. Frankie Puente, Sel, 14-0. SP--1. Dayshan Ragans, Foot, 60-7; 2. Matt Darr, Fron, 52-8.75; 3. Troy Rush, CW, 52-8.5; 4. Christian Millard, CE, 51-10.5. TJ--1. Johnny Carter, Ridge, 48-3; 2. Tyler Thompson, Shaf, 47-3; 3. Chris Kelly, Ridge, 46-11.5; 4. Jordan Smith, Central, 46-10.5. D--1. Dayshan Ragans, Foot, 199-2; 2. Jacob Budwig, Fowl, 168-8; 3. Niko Gomes, Cl, 164-10; 4. Matt Darr, Fron, 157-7. LJ--1. Kenny Phillips, Central, 23-4; 2. Tyler Thompson, Shaf, 21-11.5; 3. Dillon Root, Red, 21-11; 4. Kevin Norwood, GV, 21-8.75. HJ--1. Kenny Phillips, Central, 6-8; 2. Isiah Griggs, Bak, 6-6; 3. George Robbins, West, 6-4; 4. Jeff Brenner, Cl, 6-4J.

Notes: Top three in each event advance to state meet, May 30-31 in Norwalk. The two wild cards with the best times/marks from all sections also advance.

Girls track

Central Section Grand Masters

At Liberty

Team standings--unavailable.

400 relay--1. Edison (Eng, Scott, Thompson, Sears), 47.16; 2. Bullard (J. Williams, Riddlesprigger, Baisch, L. Williams), 48.17; 3. Tulare Western, 48.73; 4. Bakersfield (Torres, Belt, Brown, Wandick), 48.80. 1,600--1. Saleh Barsarian, Cl, 5:02.98; 2. Meghan Marvin, Cl, 5:03.02; 3. Chloe Allen, CW, 5:04.62; 4. Allison Gonzales, Ex, 5:11.52; 100H--1. Alyssa Monteverde, CW, 14.59; 2. Brianny Williams, Ed, 14.60; 3. Taylor Jackson, Fr, 15.04; 4. Jen Melton, CW, 15.37. 400--1. Breanna Thompson, Ed, 56.64; 2. Dedrea Wyrik, Sun, 57.49; 3. Lasasha Aldredge, Central, 58.12; 4. Taylor Donaldson, Reed, 58.13. 100--1. Megan Del Pino, CW, 11.66; 2. Jenna Prandini, Cl, 11.74; 3. Lynn Williams, Bul, 12.00; 4. Brushay Wandick, Bak, 12.01. 800--1. Allysa Mejia, Reed, 2:17.47; 2. Molly Pahkamaa, ElD, 2:17.73; 3. Katie Fry, Ex, 2:18.74; 4. Ashlee Thomas, Centennial, 2:19.77. 300H--1. Alyssa Monteverde, CW, 43.92; 2. Taylor Jackson, Fron, 44.86; 3. Brianny Williams, Ed, 45.69; 4. Alana Alexander, Centennial, 46.12. 200--1. Megan Del Pino, CW, 23.94; 2. Dominique Whittington, Lem, 24.65; 3. Brushay Wandick, Bak, 24.69; 4. Breanna Thompson, Ed, 24.90. 3,200--1. Jordan Hasay, MP, 10:24.78; 2. Meghan Marvin, Cl, 10:59.96; 3. Chloe Allen, CW, 11:06.19; 4. Corina Mendoza, Mad, 11:32.06. 1,600 relay--1. Edison (Burk, Thompson, Scott, Smith), 3:54.89; 2. Stockdale (Cady, Anderson, Mello, S. Anderson), 3:58.26; 3. Clovis West (Laidley, Capriotti, Del Pino, Monteverde), 3:59.02; 4. Reedley, 3:59.07. D--1. Anna Jelmini, Shaf, 162-5; 2. Alex Collatz, Stock, 148-6; 3. Carey Tuuamalemalo, Taft, 130-9; 4. Janae Coffee, CW, 121-6. LJ--1. Jenna Prandini, Cl, 18-7.25; 2. Lynn Williams, Bul, 18-0.75; 3. Alana Alexander, Centennial, 17-6.75; 4. Ja'Nia Sears, Ed, 17-6.5. HJ--1. Alyssa Monteverde, CW, 5-4; 2. Cristina Muro, GW, 5-2; 3. Katherine Mahr, Buch, 5-2; 4. Marish Riddlesprigger, Bul, 5-2J. SP--1. Anna Jelmini, Shaf, 44-0.75; 2. Destanie Yarbrough, CE, 37-10; 3. Heather Vermillion, Red, 37-9; 4. Tasha Firstone, CW, 36-6.5. TJ--1. Alana Alexander, Centennial, 38-3.75; 2. Jenna Prandini, Cl, 38-3; 3. Goziam Okolie, 36-10.5; 4. Alex Collatz, Stock, 36-2. PV--1. Allison Berryhill, CW, 11-6; 2. Amanda Klinchuch, Lib, 11-6J; 3. Cheree Jones, King, 10-6; 4. Emily Falkenstein, Buch, 10-6J.

Notes: Top three in each event advance to state meet, May 30-31 in Norwalk. The two wild cards with the best times/marks from all sections also advance.

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Believed to be in Public Domain From Library of Congress, Prints and Photographs Collections. More on copyright: What does "no known restrictions" mean?

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Public Domain. Suggested credit: By Shahn, Library of Congress Additional information from source:

TITLE: Bus station, Marion, Ohio

CALL NUMBER: LC-USF33- 006544-M4 [P&P]

REPRODUCTION NUMBER: LC-DIG-fsa-8a18301 (digital file from original neg.)

LC-USF3301-006544-M4 (b&w film dup. neg.)

MEDIUM: 1 negative : nitrate ; 35 mm.

CREATED/PUBLISHED: 1938 Summer.

CREATOR:

Shahn, Ben, 1898-1969, photographer.

NOTES:

Title and other information from caption card.

LOT 1022 (Location of corresponding print.)

Transfer; United States. Office of War Information. Overseas Picture Division. Washington Division; 1944.

SUBJECTS:

United States--Ohio--Marion.

FORMAT:

Nitrate negatives.

PART OF: Farm Security Administration - Office of War Information Photograph Collection (Library of Congress)

REPOSITORY: Library of Congress Prints and Photographs Division Washington, DC 20540 USA

DIGITAL ID: (digital file from original neg.) fsa 8a18301 hdl.loc.gov/pnp.loc/fsa.8a18301

CARD #: fsa1997018234/PP

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Persecución Religiosa: Interrogatorio en clase

Era un día soleado, y en el aula resonó la voz alta de la docente china. Boqian y sus compañeros de clase escuchaban a la maestra con atención. De repente, se abrió la puerta y entró el subdirector de la sección educativa. Le susurró algo al maestro chino, luego el profesor chino dejó de dar una conferencia y se hizo a un lado. El subdirector tomó el puntero, golpeó dos veces en la pizarra y luego preguntó con voz severa: "¡Todos! ¿Hay algún creyente de Dios en tu familia"? Los estudiantes negaron con la cabeza y respondieron: "No". Boqian, que se estaba sentado en el medio de la tercera fila, comentó ligeramente, que sus padres eran creyentes en Dios. Recordó que su madre una vez le había dicho, "China es un estado autoritario sin libertad religiosa. El PCCh no permite que las personas adoren al Dios verdadero, sino que se resisten fanáticamente a Él y a Su obra. Los creyentes en China corren el peligro de ser arrestados en cualquier momento o lugar y sufrir la cruel persecución del PCCh". Boqian sabía que nunca les diría a los maestros que él y sus padres creían en Dios, de lo contrario las consecuencias serían inimaginables.

El subdirector parecía insatisfecho con las respuestas de los estudiantes, y luego sacó del bolsillo un reproductor MP5 negro, lo levantó y les dijo a los estudiantes: "¿Quién ha visto alguna vez a un jugador así? ¿De quién es la familia que tiene ese jugador"? Muchos estudiantes se miraron el uno al otro y no sabían qué tenía que ver el reproductor del MP5 con la investigación de si había algún creyente en sus familias. Pero Boqian sabía claramente en su corazón que los hermanos y hermanas de la iglesia, incluyendo a sus padres, solían usar este tipo de reproductor para leer la palabra de Dios, escuchar himnos y ver películas del evangelio, pero no se atrevió a decir una palabra. Temió que le daría algo a la maestra. Luego, el subdirector miró a cada estudiante y dijo con dureza: "Quien sea que hable es un buen estudiante y será citado. Si descubro que alguien sabía algo y no lo dice, será disciplinado y nunca podrá graduarse sin problemas". Después de escuchar eso, Boqian se sintió nervioso nuevamente. Una vez más, pensó en las palabras de su madre: "El gobierno del PCCh está lleno de astutos trucos. Instalan cámaras en las calles para monitorear a los creyentes; además, van de puerta en puerta realizando inspecciones para buscar a los creyentes a fin de verificar las tarjetas de residencia, y también utilizan unidades de trabajo y escuelas para investigar si hay algún creyente en la familia de alguien. Una vez que encuentran a un creyente de Dios, lo arrestarán y perseguirán, y sus incrédulos miembros de la familia se verán implicados y perderán sus trabajos, y sus hijos perderán las oportunidades de seguir estudiando. El gobierno del PCCh realiza investigaciones tan fanáticamente solo por el deseo delirante de capturar a todos los cristianos y establecer un país sin Dios en China". Boqian sabía que la razón por la que el líder de la escuela actuó de esa manera ese día fue porque ellos eran dirigidos por el PCCh. Para encontrar a los creyentes de Dios, obligaron a los estudiantes a hablar sobre si había creyentes en sus familias a través de engaños y amenazas. El PCCh fue de hecho demasiado insidioso y malvado. Pensando en eso, Boqian se dio cuenta de que el truco de Satanás se escondía detrás de este acontecimiento. Si él era tímido y temeroso, los maestros verían los agujeros, lo que pondría en peligro a su familia y a los hermanos y hermanas. Decidió que, en cualquier caso, no vendería a sus hermanos y hermanas, y mucho menos traicionaría a Dios, y que oraría a Dios y confiaría en Él para vencer la tentación repentina de Satanás.

…

Leer más：Reflexiones Cristianas

El Templo de Viracocha ( Cultura incaica - Imperio incaico )

.

Templo de Viracocha

www.inkaexpress.com.pe/eng/raqchi.php

.

Raqchi es un sitio arqueológico de los Incas en la región Cusco en Perú también conocido como el Templo de Wiracocha. Un pueblo cercano tiene el mismo nombre. Ambos se encuentran alo lado del Río Vilcanota ( Rio Urubamba ). El sitio ha experimentado un reciente aumento en el turismo en los últimos años, con 83.334 visitantes al sitio en 2006, frente a 8.183 en 2000 y 452 en 1996.

A 117 km ( 2 horas ) desde la ciudad Cusco se encuentra una de las construcciones mas grandes de los Incas. El templo fue destruido en la conquista, pero lo que hoy queda es suficiente para encender la imaginacion y ver cuan grandioso fue 92 metros ( 302 ft ) de largo y 25.5 metros ( 84 ft ) de ancho. El templo es de paredes de adobe y la base de piedras volcanicas ( el Andesita ) en el estilo tipico de los Incas. Esto Templo se compone de un muro de adobe central de la altura entre 18 y 20 metros. Está flanqueada a cada lado por una hilera de once columnas. Antes de su destrucción por los españoles, el templo tenía el mayor techo en el tiempo de Imperio Inca, que tiene su pico en la pared central ( 18 y 20 metros ), a continuación, se extiende sobre las columnas en anchura de 25 metros ( 82 ft ) más allá de cada lado. El templo solo para ser el edificio más grande en el Imperio Inca.

El complejo tambien incluye areas residenciales y graneros, donde se guardaban alimentos. Junto al templo al norte son doce viviendas, que habría albergado a los sacerdotes y los administradores locales. El salón está dividido en lotes separados cuadrado mayor de los cuales es aproximadamente 4x6m. Todos tienen nichos en las paredes que podrían haber sido utilizados para el almacenamiento. Para el lado oriental del templo son unos 100 qolqas (.almacenes rondas.) en líneas paralelas, cada uno mide unos 10 metros ( 33 ft ) de diámetro. Estos almacenes se utiliza para mantener los granos, como el maíz y quinoa. Los depósitos también son únicos ya que a diferencia de otras estructuras en todo el imperio que no son cuadrados acorralado. La razón de esto es desconocido. Un empleo ritual de los productos alimenticios y una economía de campo perfecta se consideran como probable. las hambrunas eran desconocidas antes de la llegada de los españoles en el imperio de los Incas.

Al oeste del templo es un gran campo, ahora se utilizan por los lugareños para la agricultura,

que podría haber sido un parque de atracciones o mantener desbordamiento de fieles desde el mismo templo. En el extremo occidental de este campo es un conjunto de baños como en los sitios importantes a lo largo del imperio.

en.wikipedia.org/wiki/Raqchi

________________________________________________________________

Viracocha - Lugar de la adoración del Creador Grandes - Viracocha - por los Incas

Viracocha también llamado el dios de la varas es el

más destacado entre los dioses del ámbito andino.

________________________________________________________________

Viracocha

una deidad de creador pre-andina

otras versiones de nombre Viracocha

Huiracocha y Huiraccocha, Ticci, Tiqsi o Tiksi.

p.ej. - - - en quechua

Qun Tiqsi Wiraqucha

Kon Titi Wiracocha

antes de la conquista por los españoles ( Conquista )

de todos los pueblos del espacio cultural de los Andes adüera

Viracocha es puesto a menudo ( sin embargo por las incas )

inmediatamente con el creador mundial Pachakamaq ( Pachacámac ),

esporádicamente también el nombre compuesto Pachakamaq-Wiraqucha en.

En la mitología de inca "Qun Tiksi Wiraqucha" es el creador de la civilización

y una de las deidades más importantes en la mitología la inca.

En una leyenda es contado,

él tenía con su mujer mamá Qucha ( la madre el mar )

un hijo, Inti ( el sol ) y una hija, la mamá Killa ( la luna )

Los cronistas señalan que Viracocha vino de Tiahuanaco.

.

www.lapressegratuite.com/2014/02/expo-in-the-city-le-prem...

Expo in the City est le premier magazine gratuit dédié aux expositions parisiennes ; l’occasion nous a été donnée de poser quelques questions à Fleur Baudon, directrice de la publication et Arnaud Chedal-Anglay, fondateur et rédacteur en chef du magazine.

Bonjour à tous les deux, racontez-nous l’idée de départ, sa concrétisation et parlez-nous de l’équipe !

L’idée de départ : rendre un peu « sexy » les expos, dépoussiérer tout ça. Créer un magazine urbain, sympathique, résolument moderne, qui donne envie de sortir pour aller voir une expo avec ses amis, son amour, ses parents ou ses enfants.

Un magazine convivial, qui se partage, tout comme ses bons plans.

Un magazine pratique qui tient dans la poche.

Un magazine gratuit, pour une vraie promotion de l’Art à Paris, sans clivage.

Pour la première fois, un classement des expos en ligne avec les envies et les attentes des parisiens. Pas d’expo ‘’beaux arts’’ ou ‘’ sciences et techniques’’, mais les expos à faire le soir après le boulot, les expos gratuites, celles à faire en amoureux ou en famille. Les expos pour frimer le lundi matin au bureau, ou pour occuper les beaux parents qui débarquent !

Expo in the City souhaite faire de chaque sortie expo un vrai bon moment, sympa et inoubliable. Pour cela, nous avons créé les premiers « duos expos », de bonnes petites adresses parisiennes avec les meilleures expositions. Cela permet de prolonger le plaisir de la sortie avec un petit brunch, un resto, un apéro, ou un jardin caché, une boutique insolite…

La concrétisation de cette idée a mis 2 ans, 2 ans pendant lesquels nous avons fait et refait des maquettes de magazines, en interrogeant des parisiens pour vraiment comprendre leurs attentes et leurs envies, et leur offrir le meilleur des expos, dans une version colorée et joyeuse.

L’équipe : Fleur et Arnaud, aidés par nos proches, amis, et familles. Nous avons créé une association qui a pour but de promouvoir l’Art à Paris, de manière accessible et sympa. Nous sommes des indépendants, loin des grands groupes de presse. Des idéalistes ? Des ‘’fous’’ peut-être ? Des passionnés évidemment !

En octobre de cette année, vous avez rassemblé des fonds sur le site de financement participatif KissKissBankBank, comment cela s’est-il passé ?

La démarche nous a permis de récolter 5 000 euros ! Cela nous a permis de nous lancer, en finançant l’impression du premier numéro, et une partie du site web. C’était fou de voir comme ce projet a pu mobiliser des soutiens, nous appuyant dans cette démarche audacieuse.

Présentez-nous la ligne éditoriale de Expo in the City, le positionnement du mag.

Expo in the City est un magazine bimestriel, format poche extrêmement qualitatif, 100 pages en couleur, distribué gratuitement à 20 000 exemplaires dans le cœur de Paris, aux métros, entrées des cinémas, théâtres et musées.

Le ‘’petit livre’’ des expos toujours sur soi !

Nous souhaitons toucher tous les gens passionnés par l’art, mais pas seulement ! L’idée est vraiment d’ouvrir l’art à tous, en faisant re-découvrir les expos de Paris et la richesse culturelle de la capitale, par un classement inédit des expos, pour que chacun puisse trouver l’expo qui lui ressemble, ou l’expo qui convient à chaque occasion.

Nous avons voulu créer le 1er magazine qui ne se jette pas, avec sa sélection d’expos, ses bons plans, ses actus, son format poche ultra-pratique. Nous avons créé un magazine pour chacun et pour tous.

Où peut-on trouver le magazine aujourd’hui ? Peut-on s’abonner ?

Tous les 2 mois, Expo in the City est distribué pendant 2 semaines dans le centre de Paris et en région Parisienne. Aux stations de Métro, dans les files de musées, de cinés, de théâtre, en 20 000 exemplaires. Expo in the City est aussi accessible sur le web www.expointhecity.com/, avec des actus inédites et complémentaires, et des avis d’internautes. Pour ceux qui souhaitent recevoir leur magazine chez eux, nous proposons une formule d’abonnement à 24 euros par an (magazine gratuit + frais de gestion et d’envois), offrant en plus un pass pour Pompidou.

Vous êtes également présent sur le web, pourquoi éditer un magazine papier et un site web ?

Pour nous les deux supports sont complémentaires. L’un se consulte en se feuilletant, dans le métro, dans son salon, dans un café, il se lit. Nous étions très attachés au support papier car nous aimons personnellement lire, et garder nos livres et guides pour les reconsulter à l’envi.

Le site internet est un support complémentaire qui nous permet de suivre l’actualité à la semaine, voire chaque jour. Nous donnons la parole à nos internautes pour nous donner leur avis sur les expos et aider les autres internautes à faire leur choix d’expos. Internet est très vivant, évolue chaque jour. Le magazine est une valeur sûre qui se garde sur soi.

Des projets de développement ? L’envie de décliner le magazine dans une autre ville ?

Nous avons plein d’idées de développement !

Notre premier souhait est de faire grandir Expo in the City, en restant libres et indépendants, ce qui est assez difficile car nos moyens ne sont pas ceux des grands groupes. Nous souhaitons étendre les services que nous proposons à nos lecteurs, toujours dans un esprit de convivialité, par exemple en créant une carte Club permettant d’inviter gratuitement une personne avec soi dans les musées, en organisant des soirées vernissages, des discussions sur des sujets d’expos... Tout en restant sur Paris, peut-être étendrons nous le magazine à la rentrée, a une version sur l’Art en général (musique, théâtre, cinéma, écriture…).

Merci et longue vie à Expo in the City !

Le site web Expo in the City

Pour s'abonner

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Srpsko vojnicko groblje, Menzel Bourgiba,Tunis,1916-1919

SERBIAN MILITARY CEMETERY, Menzel Bourguiba, Tunisia

web site:

bizerte-et-region.com/1889-1944/1005BIZERTE/1005serbes/se...

ferryville-menzel-bourguiba.com/lieumonum/cimetiereslac/e...

Војне болнице и гробља - Tунис, Алжир, Мароко

У болницама у местима: Бизерта, град Тунис, Сус, Сиди Абдала, Алжиир, Оран, Бон, лечено је у периоду децембар 1915—август 1919. укупно 41.153 српска војника.

Тунис

У Бизерти, Сусу и граду Тунису умрла су у болницама од тифуса, маларије, промрзлина, рањавања и глади 833 српска војника. Земни остаци умрлих ратника пренети су у спомен-костурницу на хришћанском гробљу у Бизерти.

Алжир

У болници у месту Сиди Абдала малобројно локално становништво помагало је рањеним и болесним Србима лековима, храном и негом. Ту је умрло 1722 српска војника који су сахрањени на заједничко француско-српско војничко гробље -" Дели Ибрахим."

Гробља у Сиди Абдали и Бизерти су само два најзначајнија од укупно 24 српских војничких гробља у Тунису, Алжиру и Мароку, где је сахрањено укупно 3.005 војника

Military hospitals and cemeteries - Tunisia, Algeria, Morocco

In the hospital of Bizerte, Tunis, Sousse, Sidi Abdalla, Algiers, Oran, Bon, were treated between December in 1915 August 1919th total 41.153 Serbian soldiers.

Tunis

Bizerte, Sousse and Tunis city died in the hospital of typhoid fever, malaria, frostbite, injury and starvation 833 Serbian troops. The remains of dead warriors were transferred to the mausoleum at the Christian cemetery in Bizerte.

Algeria

At the hospital in Sidi Abdalla sparsely locals helped the wounded and sick Serbs medication, food and care. It died in 1722 Serbian soldiers who were buried in a joint Franco-Serbian military cemetery - "Deli Ibrahim."

Cemeteries in Bizerte Sidi Abdali and the two most important of 24 Serbian military cemetery in Tunisia, Algeria and Morocco, where he was buried a total of 3,005 soldiers

Militär Krankenhäuser und Friedhöfe - Tunesien, Algerien, Marokko

Im Krankenhaus von Bizerte, Tunis, Sousse, Sidi Abdalla, Alžiir, Oran, Bon wurden zwischen Dezember 1915 August 1919 insgesamt 41,153 serbischen Soldaten behandelt.

Tunis

Bizerte, Sousse und Tunis Stadt starb im Krankenhaus von Typhus, Malaria, Erfrierungen, Verletzungen und Verhungern 833 serbischen Truppen. Die Überreste der toten Krieger wurden zum Mausoleum auf dem christlichen Friedhof in Bizerte übertragen.

Algerien

Im Krankenhaus in Sidi Abdalla dünn Einheimischen half den Verwundeten und Kranken Serben Medikamente, Nahrung und Pflege. Er starb im Jahre 1722 serbische Soldaten, die in einer gemeinsamen deutsch-serbischen Militärfriedhof begraben wurden - ". Deli Ibrahim"

Friedhöfe in Bizerte Sidi Abdali und die beiden wichtigsten von 24 serbischen Militärfriedhof in Tunesien, Algerien und Marokko, wo er insgesamt 3.005 Soldaten begraben

web site

www.blic.rs/Vesti/Reportaza/190670/Vecna-straza-kraj-Bizerte

The routed Serb army arrived on the Albanian coast 1915/1916

In January 1916, the routed Serb army arrived on the Albanian coast. The French navy, assisted by a British squadron and Italian units, saves the remains of this army, nearly 150,000 men.

"It was," says Firmin Duguet, "real skeletons, to the last degree of exhaustion, in rags, covered with vermin which, on January 22, 1916, began to land at Corfu, or 17,000 men for the first convoy. They were decimated by typhus. Cases of cholera were soon detected. But "nothing was planned to receive them. Only there existed a lazaret of 130 beds and an oven that allows to kill from the beginning 1000 men per day. The patients are housed in tents made with sails loaned by the navy. Two military doctors and two seafarer doctors. They are alone for 5,000 patients. »(Vincent Viet)

The activity of the port of Bizerte, strategic relay in the Mediterranean, becomes very important in 1916. The flotilla torpedo boats will soon be strengthened. As for Pierre Farret's torpedo boat 330, the missions must satisfy all the necessities.

The Military Government of Bizerte sees its health infrastructure grow. The hospital has two permanent hospitals: the maritime hospital of Sidi Abdallah and the military hospital with a capacity of 300 beds each. With the failure of the Dardanelles and the rout of the Serbian army, wounded and sick flock; hospitals are quickly saturated. In the emergency, the hospital of the Navy sees its hospital capacity increased from 300 to 3,500 beds, by the addition of temporary barracked hospitals and 5,000 beds for the army.

From January to April 1916, nearly 21,000 Serb soldiers landed and 17,000 were hospitalized: "They presented various contagious diseases combined with the most extreme physiological misery, but especially two serious Balkan infections, cholera and typhus. (Barthelemy-Brunet). This cholera is brought on January 9, 1916, by the cruiser-battleship Jules-Michelet. Its discovery imposes draconian measures: quarantine visits, isolation measures of five days on Lake Bizerte and disembarkation monitored by the armed troop. The most seriously affected are taken care of, off by the barges, landed at Sidi-Abdallah, transhipped on the platform in a health train and taken to their destination. The ships, before resuming the sea undergo a rigorous disinfection. From 9 January to 21 April 1916, 22 ships will bring nearly 20,000 Serbian soldiers contaminated by cholera and typhus to Tunisia, Albania or Corfu, transforming the port of Bizerte into an immense sanitary city. (Excerpt from the report of Inspector General Grall, dated April 19, 1916, in François Olier and Jean-Luc Quénec'D'hu).

An ossuary in Ferryville recalls the passage of the Serbs and their many losses.

l’armée serbe en déroute est arrivée sur les côtes albanaises

En janvier 1916, l’armée serbe en déroute est arrivée sur les côtes albanaises. La marine française, assistée par une escadre britannique et par des unités italiennes sauvent les restes de cette armée, soit près de 150 000 hommes.

« C’était, rapporte Firmin Duguet, de véritables squelettes, au dernier degré de l’épuisement, en haillons, couverts de vermine qui, le 22 janvier 1916, commencèrent à débarquer à Corfou, soit 17 000 hommes pour le premier convoi. Ils étaient décimés par le typhus. Des cas de choléra furent bientôt détectés. Or « rien n’avait été prévu pour les recevoir. Seul existait un lazaret de 130 lits et une étuve qui permet d’épouiller dès le début 1 000 hommes par jour. Les malades sont abrités sous des tentes fabriquées avec des voiles prêtées par la marine. Deux médecins militaires et deux médecins de marin. Ils sont seuls pour 5 000 malades. » (Vincent Viet)

L’activité du port de Bizerte, relais stratégique en Méditerranée, devient très importante en 1916. La flottille des torpilleurs sera bientôt renforcée. Comme pour le torpilleur 330 de Pierre Farret, les missions doivent satisfaire à toutes les nécessités.

Le Gouvernement Militaire de Bizerte voit son infrastructure sanitaire s’étoffer. Le centre hospitalier comprend deux hôpitaux permanents : l’hôpital maritime de Sidi-Abdallah et l’hôpital militaire avec une capacité de 300 lits chacun. Avec l’échec des Dardanelles et la déroute de l’armée serbe, blessés et malades affluent ; les hôpitaux sont vite saturés. Dans l’urgence, l’hôpital de la Marine voit sa capacité hospitalière portée de 300 à 3 500 lits, par l’adjonction d’hôpitaux temporaires baraqués et 5 000 lits pour l’armée.

De janvier à avril 1916, près de 21 000 soldats serbes débarquent et 17 000 sont hospitalisés : « Ils présentaient diverses maladies contagieuses alliées à la misère physiologique la plus extrême, mais surtout à deux graves infections balkaniques, le choléra et le typhus exanthématique. » (Barthélemy-Brunet). Ce choléra est apporté le 9 janvier 1916, par le croiseur-cuirassé Jules-Michelet. Sa découverte impose des mesures draconiennes : visites quarantenaires, mesures d’isolement de cinq jours sur le lac de Bizerte puis débarquement surveillé par la troupe armée. Les plus gravement atteints sont pris en charge, au large par les chalands, débarqués à Sidi-Abdallah, transbordés sur le quai dans un train sanitaire et menés à destination. Les navires, avant de reprendre la mer subissent une désinfection rigoureuse. Du 9 janvier au 21 avril 1916, 22 navires amèneront en Tunisie, d’Albanie ou de Corfou près de 20 000 militaires serbes contaminés par le choléra et le typhus, transformant le port de Bizerte en une immense cité sanitaire. (Extrait du rapport du médecin inspecteur général Grall, daté du 19 avril 1916, in François Olier et Jean-Luc Quénec’D’hu).

Un ossuaire à Ferryville rappelle le passage des Serbes et leurs nombreuses pertes.

My handy HTML cheat sheet. Sad, I know, that I have to write it down so I remember.

It sure isn't easy being a n00b.

www.decorobra.com/techos-verdes-decorativos-y-ecologicos....

Los techos verdes son techos con vegetación, plantas que viven en ellos. Podemos encontrar dos tipos de techos verdes, los intensivos y los extensivos. Para los primeros se necesita una capa de tierra de aproximadamente 30 centímetros y es necesario que la construcción tenga elementos estructurales muy fuertes para soportar el peso de estos techos ecológicos. Los techos verdes intensivos pueden tener una gran variedad de plantas y son muy atractivos pero generalmente requieren de mucho mantenimiento. Debido a esto, son menos comunes que los techos verdes extensivos.

Para los techos verdes extensivos sólo se necesita 7un capa de entre 5 y 10 centímetros de espesor pero es más limitada la variedad de plantas que pueden alojar. En los últimos 50 años han sido muy usados y desarrollados en Europa, y en los últimos tiempos han empezado a implementarse en Latinoamérica.

Los techos verdes tienen muchas ventajas. Principalmente protegen los techos de los rayos solares, los cuales suelen causar grietas en los materiales. Además mantienen el techo más fresco lo cual reduce el efecto de calentamiento, contribuyendo a que las ciudades no estén cada año más calientes. Como consecuencia reduce el consumo energético, ya que no será tan necesaria la utilización de electrodomésticos tales como aires acondicionados, etc.

Los techos verdes extensivos tienen una capa de semillas generalmente de pasto. Poseen plantas de poca raíz y no muy tolerantes al exceso de agua. Al presenta una capa de tierra muy fina, permite la propagación de plantas silvestres, ya que no pueden vivir en ese medio, en cierta forma, árido. Debajo de la capa de tierra se encuentran varias capas más. La primera es una capa de drenaje, la cual permite que el agua se mueva libremente fuera del techo, y por último, una capa de barrera que impide el paso del agua hacia el techo.

Desde el punto de vista de la estética, los techos verdes poseen un aspecto por demás agradable y natural, que brinda a las construcciones un aire natural y fresco. Si usted está pensando en poner un techo en su casa, le recomendamos hacer las averiguaciones previas, para saber si la estructura de su vivienda lo resistirá.

[gallery link="file"]

willowgrovedaycamp.com/willows.html

The Willows at Willow Grove Day Camp is a camp for 3 and 4 year old children. This unique camp experience offers your child an early opportunity to learn and socialize with children their own age.

During the first week of camp, lots of fun was had as the children and counselors got to know each other. “Sun and Surf” was our first week theme. The children really enjoyed decorating their bucket and shovel memo pads during Arts and Crafts. Along with this activity, the Polar Bears and Penguins enthusiastically participated in Nature, Gymnastics, Dance, Tennis and Soccer. We are looking forward to the next seven weeks of fun-filled activities.

Willow Grove Day Camp provides summer fun for kids who live in Willow Grove, Abington, Blue Bell, Hatboro, Horsham, Huntingdon Valley, Lafayette Hill, Philadelphia, Plymouth Meeting, Southampton and the surrounding areas. For more information on the Willows and Willow Grove Day Camp please visit: willowgrovedaycamp.com/willows.html

.........

innisfreegarden.org/garden.html

We arrived at Innisfree as soon as it opened at 10AM one mid-August morning when the entire Northeastern US was in the middle of a record heatwave. Despite the heat and humidity, we were able to make a quick 1.5 mile circle on the path around the deep glacial lake at the heart of this 150 acre garden before we wilted and had to return to our air conditioned car. The harsh mid-day light made photography challenging, as you can see. We learned that Innisfree, said by some to be one of the world's Ten Great Gardens, opens at sunrise on three occasions each year, and we are already planning another trip to the Hudson River Valley in the future when we hope we can see and photograph this amazing place under better conditions.

"Like the pyramids of Egypt or the Great Wall of China, Innisfree helps us to define what we mean by ‘civilization’. It’s one of the few places in this world that lived up to — nay, exceeded — my expectations."

David Wheeler, Editor, Hortus (2013)

"In the late 1920s, Walter Beck and his wife, avid gardener and heiress Marion Burt Beck, began work on Innisfree, their country residence in Millbrook, New York. Walter Beck’s fascination with Asian art influenced his painting, the collecting he and his wife pursued, and their ideas on garden design. In the 1930s, Beck discovered the work of 8th-century Chinese poet, painter and garden maker Wang Wei. Studying scroll paintings of his famed garden, the Wangchuan Villa, Beck observed that Wang created carefully defined, inwardly focused gardens and garden vignettes within a larger, naturalistic landscape. Wang’s place-making technique — christened “cup gardens,” by Beck — influenced centuries of Chinese and Japanese garden design. It is also the principal design motif in the Innisfree landscape. Like his Chinese predecessor, Beck created three-dimensional pictures in the garden, incorporating both rocks from the site and horticultural advice from his wife. Unlike Wang Wei, or perhaps more familiar figures like Lawrence Johnston, who used his cup-like rooms at Hidcote in England to draw one through a sequence of events and create an overall sense of place, Beck focused more on individual compositions. Relating these to each other and to the landscape as a whole was the genius of Lester Collins."

The genius of this place lies not so much in the ideas which the designers formulated for the cup gardens, many of which are disarmingly simple, but in the way they have been maintained over the years. Essentially, everything is allowed to settle into the prevailing spirit of the place; if it does not, it is removed. It is this sensitivity, care and attention to the qualities of landscape, natural and made, that make Innisfree such a memorable success.

Tim Richardson, Great Gardens of America (2000)

Western gardens are usually designed to embrace a view of the whole. Little is hidden. The garden, like a stage set, is there in its entirety, its overall design revealed in a glance. The traditional Chinese garden is usually designed so that a view of the whole is impossible. [It] requires a stroll over serpentine, seemingly aimless arteries. The observer walks into a series of episodes, like Alice through the looking glass."

Lester Collins, Innisfree: An American Garden (1994)

Polul distractiei bucurestene. / The main spot for having fun in Bucharest.

Articolele mele despre Centrul Vechi si ce inseamna el, aici:

Vederi inedite de pe acoperisurile Lipscanilor:

www.rezistenta.net/2011/11/perspective-28-centrul-istoric...

Demolare in miez de noapte pe strada Selari:

www.rezistenta.net/2011/11/demolare-in-miez-de-noapte-pe-...

Centrul Istoric - reteta succesului, serial in 4 episoade:

www.rezistenta.net/2012/06/centrul-istoric-reteta-succesu...

www.rezistenta.net/2012/06/centrul-istoric-reteta-succesu...

www.rezistenta.net/2012/06/centrul-istoric-reteta-succesu...

www.rezistenta.net/2012/06/centrul-istoric-reteta-succesu...

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Olympus MZD 17mm f/1.2 PRO Review

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Olympus MZD 45mm f/1.2 PRO Review

Olympus MZD 75mm f/1.8 Review

Panasonic LEICA DG 12mm f/1.4 Review

Panasonic LEICA DG 8-18mm f/2.8-4 Review

A Five-Year Photographic Journey with the M4/3 Series.

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from a beautiful original by avdaag titled dammit, where'd I put my keys?.

Thank you very much avdaag for letting me work on your awesome photo:)

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oliver and S hula hoop and sarah ronchetti momoka blogged: cottingtonssocrafty.blogspot.com/2017/01/ballet-and-hula-...

Bakersfield Track Club Half Marathon and 5K

November 15, 2008

Half Marathon

www.andynoise.com/fallbtchalf08.html

Place Name Time Pace Div/Tot Sex/Tot Div

1 GALVIN GONZALEZ 1:11:30 5:28 1/8 1/98 M3034

2 David Bacus 1:14:52 5:43 1/4 2/98 M2024

3 ZACHARY HOLT 1:21:52 6:15 1/10 3/98 M1319

4 JORDAN PERRY 1:23:34 6:23 1/8 4/98 M2529

5 Rudy Montoya 1:23:49 6:24 1/11 5/98 M4044

6 Jose Salcedo 1:25:28 6:32 2/4 6/98 M2024

7 Timothy Anderson 1:25:33 6:32 1/18 7/98 M5054

8 Chris Anderson 1:26:31 6:37 2/10 8/98 M1319

9 Diego Diaz 1:26:58 6:39 1/14 9/98 M3539

10 JOHN PURCELL 1:28:22 6:45 3/10 10/98 M1319

11 SHAWNA ROUNTREE 1:29:00 6:48 1/8 1/73 F2529

12 CREGG WEINMANN 1:29:53 6:52 2/18 11/98 M5054

13 Craig Gardner 1:30:40 6:56 3/18 12/98 M5054

14 Javier Cruz 1:31:16 6:58 1/11 13/98 M4549

15 Steve Dirkse 1:31:23 6:59 2/14 14/98 M3539

16 WALTER PAVLAKOVICH 1:31:36 7:00 4/18 15/98 M5054

17 David Little 1:32:46 7:05 4/10 16/98 M1319

18 Ezequiel Gonzalez 1:32:47 7:05 5/10 17/98 M1319

19 Alec Briones 1:33:03 7:07 1/9 18/98 M5559

20 Damon Wilstead 1:33:55 7:11 2/8 19/98 M3034

21 BART VANDERWAL 1:35:35 7:18 2/11 20/98 M4044

22 John Lee 1:35:55 7:20 5/18 21/98 M5054

23 Roehl Caragao 1:36:29 7:22 2/11 22/98 M4549

24 MARK OGILVIE 1:37:25 7:27 3/11 23/98 M4044

25 Dave Hoglund 1:37:26 7:27 2/9 24/98 M5559

26 JEFF GIUMARRA 1:37:29 7:27 3/8 25/98 M3034

27 Jacob Scott 1:37:32 7:27 6/10 26/98 M1319

28 JAMES BELL 1:37:32 7:27 6/18 27/98 M5054

29 Charolette Cholometes 1:37:40 7:28 1/9 2/73 F3034

30 DAVE MEEK 1:38:36 7:32 3/14 28/98 M3539

31 Daniel Ramirez 1:39:18 7:35 3/9 29/98 M5559

32 AARON ALBAY 1:39:25 7:36 7/10 30/98 M1319

33 COURTNEY MOORE 1:40:16 7:40 1/1 3/73 F1319

34 Richard Black 1:40:35 7:41 7/18 31/98 M5054

35 JOSE MONTELONGO 1:40:44 7:42 4/14 32/98 M3539

36 Klaus Benamy-Hackel 1:41:14 7:44 4/9 33/98 M5559

37 MICHAEL RAMIREZ 1:41:20 7:45 2/8 34/98 M2529

38 Raul Gonzalez 1:41:31 7:45 5/14 35/98 M3539

39 Freddie Bingham 1:42:33 7:50 4/8 36/98 M3034

40 Mike Gonzalez 1:42:47 7:51 3/11 37/98 M4549

41 Gerry Saba 1:43:55 7:56 4/11 38/98 M4044

42 DAVE PEGLER 1:44:04 7:57 5/11 39/98 M4044

43 DEBBIE WALLACE 1:45:03 8:02 1/12 4/73 F4549

44 EDDIE PAULSEN 1:45:25 8:03 6/14 40/98 M3539

45 Gary Enns 1:45:33 8:04 7/14 41/98 M3539

46 GREG FONTES 1:45:33 8:04 4/11 42/98 M4549

47 JOE SWEET 1:45:35 8:04 5/8 43/98 M3034

48 Sara Bradford 1:45:52 8:05 2/9 5/73 F3034

49 Daniel Tavarez 1:46:31 8:08 8/14 44/98 M3539

50 Connie Tavarez 1:46:35 8:09 1/5 6/73 F3539

Bakersfield Track Club Half Marathon and 5K

November 15, 2008

Half Marathon

Place Name Time Pace Div/Tot Sex/Tot Div

51 Todd Witwer 1:47:12 8:11 8/18 45/98 M5054

52 MARK WITCHER 1:48:41 8:18 9/18 46/98 M5054

53 Roy Walford 1:50:02 8:24 1/3 47/98 M6064

54 HAYLEY TOBIN 1:50:13 8:25 1/14 7/73 F4044

55 Amy Fredericks 1:50:33 8:27 1/2 8/73 F6064

56 KELLY LOPEZ 1:50:45 8:28 2/14 9/73 F4044

57 ROBERT JOHNSON 1:50:48 8:28 5/9 48/98 M5559

58 JOSHUA GARZA 1:50:50 8:28 6/11 49/98 M4044

59 Eric Wolf 1:50:52 8:28 3/4 50/98 M2024

60 Derek Jeffery 1:51:02 8:29 3/8 51/98 M2529

61 BROOKS RICHARDSON 1:51:25 8:31 10/18 52/98 M5054

62 Tony Jeffery 1:52:52 8:37 7/11 53/98 M4044

63 Mike Moore 1:53:34 8:41 5/11 54/98 M4549

64 DAVE COWLES 1:54:34 8:45 8/11 55/98 M4044

65 Brian Cisneros 1:55:06 8:48 8/10 56/98 M1319

66 John Wilson 1:55:22 8:49 2/3 57/98 M6064

67 Mike Barella 1:55:26 8:49 9/11 58/98 M4044

68 FRANCISCO RAMIREZ 1:55:29 8:49 9/14 59/98 M3539

69 Jose Torres 1:56:33 8:54 9/10 60/98 M1319

70 Yolanda Hughes 1:56:38 8:55 3/14 10/73 F4044

71 Keith Stearmon 1:56:40 8:55 4/8 61/98 M2529

72 BOB BARTON 1:57:15 8:57 6/11 62/98 M4549

73 JOHN OPHEIM 1:57:22 8:58 3/3 63/98 M6064

74 Margaret Patterson 1:57:26 8:58 2/12 11/73 F4549

75 Jim Cowles 1:57:28 8:58 1/2 64/98 M6569

76 PHILIPPE IGOA 1:58:11 9:02 7/11 65/98 M4549

77 KATE QUINN 1:58:11 9:02 1/7 12/73 F5559

78 Ken Berckes 1:58:18 9:02 11/18 66/98 M5054

79 CARMEN ALBANES 1:58:25 9:03 1/11 13/73 F5054

80 KATHRYN JOSLIN 1:58:28 9:03 3/9 14/73 F3034

81 Darlene Savage 1:59:12 9:06 3/12 15/73 F4549

82 CHRIS DANFORTH 1:59:57 9:10 8/11 67/98 M4549

83 JUAN CERVANTES 2:00:23 9:12 4/4 68/98 M2024

84 JOSIE MARTIN 2:00:31 9:12 2/11 16/73 F5054

85 TAMMY GARCIA 2:01:31 9:17 4/14 17/73 F4044

86 Carol Weston 2:01:47 9:18 2/2 18/73 F6064

87 Esther Ray 2:02:16 9:20 2/7 19/73 F5559

88 Bob Ziemet 2:02:25 9:21 2/2 69/98 M6569

89 TRACY HUBBELL 2:02:40 9:22 5/14 20/73 F4044

90 ERIC BERLIN 2:03:45 9:27 12/18 70/98 M5054

91 craig smith 2:04:15 9:30 9/11 71/98 M4549

92 Jialan Su 2:04:21 9:30 4/9 21/73 F3034

93 DANIEL RODRIGUEZ 2:04:29 9:31 13/18 72/98 M5054

94 Greg Adkins 2:04:32 9:31 10/14 73/98 M3539

95 Tawnie McCaa 2:04:55 9:33 1/2 22/73 F2024

96 ROY PIERUCCI 2:04:56 9:33 6/9 74/98 M5559

97 ALICIA BROWN 2:05:39 9:36 2/5 23/73 F3539

98 Kevin Higgins 2:05:49 9:37 14/18 75/98 M5054

99 Guido Climer 2:06:11 9:38 11/14 76/98 M3539

100 Lonnie Stockton 2:06:16 9:39 6/14 24/73 F4044

Bakersfield Track Club Half Marathon and 5K

November 15, 2008

Half Marathon

Place Name Time Pace Div/Tot Sex/Tot Div

101 CHARLES MATHER 2:06:55 9:42 5/8 77/98 M2529

102 Meg Reimers 2:07:10 9:43 7/14 25/73 F4044

103 Barb Johnston 2:07:27 9:44 3/11 26/73 F5054

104 Katie Nickell 2:07:27 9:44 8/14 27/73 F4044

105 HOPE ROE 2:07:39 9:45 4/12 28/73 F4549

106 RODERICK MARCIA 2:07:45 9:46 6/8 78/98 M3034

107 Connie Taylor 2:07:46 9:46 5/9 29/73 F3034

108 Nicole Panero 2:07:50 9:46 2/8 30/73 F2529

109 Cory Bringman 2:08:26 9:49 3/5 31/73 F3539

110 LONDO WHITNEY 2:09:11 9:52 12/14 79/98 M3539

111 Odette Hudson 2:09:27 9:53 3/7 32/73 F5559

112 Clarissa Wilstead 2:09:49 9:55 3/8 33/73 F2529

113 JEFF COOMBER 2:09:58 9:56 15/18 80/98 M5054

114 Susan James 2:10:43 9:59 4/11 34/73 F5054

115 JOAN COLLIN S 2:11:42 10:04 5/11 35/73 F5054

116 Denise Haynes 2:11:43 10:04 5/12 36/73 F4549

117 Peg Baird 2:13:42 10:13 6/11 37/73 F5054

118 REBECCA WALKER 2:15:22 10:20 4/8 38/73 F2529

119 Troy Wells 2:15:29 10:21 10/11 81/98 M4044

120 Fred Little 2:15:29 10:21 16/18 82/98 M5054

121 Brock Sheela 2:16:35 10:26 7/8 83/98 M3034

122 Pedro Segura 2:16:59 10:28 7/9 84/98 M5559

123 DELORES CORTEZ 2:17:12 10:29 1/2 39/73 F7099

124 Jennifer Fendrick 2:17:26 10:30 4/5 40/73 F3539

125 Rachel Taylor 2:17:48 10:32 5/8 41/73 F2529

126 DANIEL J. RAMIREZ 2:17:49 10:32 13/14 85/98 M3539

127 Angelica Rogers 2:18:22 10:34 7/11 42/73 F5054

128 Jason Gutierrez 2:19:10 10:38 6/8 86/98 M2529

129 Maria Steele 2:19:13 10:38 8/11 43/73 F5054

130 Janice Horcasitas 2:19:16 10:38 4/7 44/73 F5559

131 DALE VAN SCHAACK 2:20:54 10:46 5/7 45/73 F5559

132 MARILYN JOHNSON 2:20:56 10:46 6/7 46/73 F5559

133 Deanna Koelewyn 2:23:11 10:56 6/12 47/73 F4549

134 Karen Briltz 2:23:15 10:57 9/14 48/73 F4044

135 PEGGY SCHUH 2:23:29 10:58 9/11 49/73 F5054

136 RICHARD GARRETT 2:23:30 10:58 10/11 87/98 M4549

137 JOSHUA ST. CLAIR 2:24:23 11:02 10/10 88/98 M1319

138 DAVID CHAPIN 2:25:02 11:05 7/8 89/98 M2529

139 JOANNA THOMAS 2:25:03 11:05 6/8 50/73 F2529

140 Paula Badasci 2:25:14 11:06 10/14 51/73 F4044

141 Joe Saldana 2:26:19 11:11 17/18 90/98 M5054

142 carol montez 2:29:10 11:24 7/12 52/73 F4549

143 Lynda Ernst 2:30:26 11:29 8/12 53/73 F4549

144 Maria Mendoza 2:31:06 11:33 7/8 54/73 F2529

145 Christine Gibson 2:34:12 11:47 8/8 55/73 F2529

146 Cheryl Scott 2:35:09 11:51 11/11 91/98 M4044

147 Renee Candelaria 2:35:46 11:54 9/12 56/73 F4549

148 Becky Whitehead 2:37:09 12:00 2/2 57/73 F7099

149 David Martino-Carr 2:38:34 12:07 8/9 92/98 M5559

150 Cheryl Wahl 2:39:43 12:12 10/12 58/73 F4549

Bakersfield Track Club Half Marathon and 5K

November 15, 2008

Half Marathon

Place Name Time Pace Div/Tot Sex/Tot Div

151 Brad Wahl 2:39:43 12:12 11/11 93/98 M4549

152 CAROL MONJE 2:41:13 12:19 10/11 59/73 F5054

153 SHELLEY JOHNSON 2:41:41 12:21 11/14 60/73 F4044

154 MICHAEL GARCIA 2:41:42 12:21 9/9 94/98 M5559

155 Yiota Harrelson 2:43:32 12:29 6/9 61/73 F3034

156 Kim Aviles 2:44:28 12:34 12/14 62/73 F4044

157 JULIE LEE 2:47:44 12:49 13/14 63/73 F4044

158 Eva Ramirez 2:47:48 12:49 7/9 64/73 F3034

159 Melanie Reed 2:47:53 12:49 14/14 65/73 F4044

160 GEOFF MCAVOY 2:49:14 12:56 8/8 95/98 M2529

161 SUSAN ORMEROD 2:54:42 13:21 11/12 66/73 F4549

162 Kenadee Mishler 2:58:06 13:36 2/2 67/73 F2024

163 Phyllis Martino-Carr 3:00:00 13:45 7/7 68/73 F5559

164 Kathy Berckes 3:00:04 13:45 11/11 69/73 F5054

165 Rafaela Cisneros 3:01:09 13:50 5/5 70/73 F3539

166 Dwayne Mishler 3:02:07 13:55 18/18 96/98 M5054

167 Elizabeth Luckhardt 3:03:22 14:00 12/12 71/73 F4549

168 Ana Arreola 3:03:54 14:03 8/9 72/73 F3034

169 IAN BYERS 3:06:51 14:16 8/8 97/98 M3034

170 Gisela Gomez 3:08:08 14:22 9/9 73/73 F3034

171 Robert Sandoval 3:08:08 14:22 14/14 98/98 M3539

©2008 Bakersfield Track Club

Bakersfield Track Club Half Marathon and 5K

November 15, 2008

Half Marathon

www.andynoise.com/fallbtchalf08.html

Place Name Time Pace Div/Tot Sex/Tot Div

1 GALVIN GONZALEZ 1:11:30 5:28 1/8 1/98 M3034

2 David Bacus 1:14:52 5:43 1/4 2/98 M2024

3 ZACHARY HOLT 1:21:52 6:15 1/10 3/98 M1319

4 JORDAN PERRY 1:23:34 6:23 1/8 4/98 M2529

5 Rudy Montoya 1:23:49 6:24 1/11 5/98 M4044

6 Jose Salcedo 1:25:28 6:32 2/4 6/98 M2024

7 Timothy Anderson 1:25:33 6:32 1/18 7/98 M5054

8 Chris Anderson 1:26:31 6:37 2/10 8/98 M1319

9 Diego Diaz 1:26:58 6:39 1/14 9/98 M3539

10 JOHN PURCELL 1:28:22 6:45 3/10 10/98 M1319

11 SHAWNA ROUNTREE 1:29:00 6:48 1/8 1/73 F2529

12 CREGG WEINMANN 1:29:53 6:52 2/18 11/98 M5054

13 Craig Gardner 1:30:40 6:56 3/18 12/98 M5054

14 Javier Cruz 1:31:16 6:58 1/11 13/98 M4549

15 Steve Dirkse 1:31:23 6:59 2/14 14/98 M3539

16 WALTER PAVLAKOVICH 1:31:36 7:00 4/18 15/98 M5054

17 David Little 1:32:46 7:05 4/10 16/98 M1319

18 Ezequiel Gonzalez 1:32:47 7:05 5/10 17/98 M1319

19 Alec Briones 1:33:03 7:07 1/9 18/98 M5559

20 Damon Wilstead 1:33:55 7:11 2/8 19/98 M3034

21 BART VANDERWAL 1:35:35 7:18 2/11 20/98 M4044

22 John Lee 1:35:55 7:20 5/18 21/98 M5054

23 Roehl Caragao 1:36:29 7:22 2/11 22/98 M4549

24 MARK OGILVIE 1:37:25 7:27 3/11 23/98 M4044

25 Dave Hoglund 1:37:26 7:27 2/9 24/98 M5559

26 JEFF GIUMARRA 1:37:29 7:27 3/8 25/98 M3034

27 Jacob Scott 1:37:32 7:27 6/10 26/98 M1319

28 JAMES BELL 1:37:32 7:27 6/18 27/98 M5054

29 Charolette Cholometes 1:37:40 7:28 1/9 2/73 F3034

30 DAVE MEEK 1:38:36 7:32 3/14 28/98 M3539

31 Daniel Ramirez 1:39:18 7:35 3/9 29/98 M5559

32 AARON ALBAY 1:39:25 7:36 7/10 30/98 M1319

33 COURTNEY MOORE 1:40:16 7:40 1/1 3/73 F1319

34 Richard Black 1:40:35 7:41 7/18 31/98 M5054

35 JOSE MONTELONGO 1:40:44 7:42 4/14 32/98 M3539

36 Klaus Benamy-Hackel 1:41:14 7:44 4/9 33/98 M5559

37 MICHAEL RAMIREZ 1:41:20 7:45 2/8 34/98 M2529

38 Raul Gonzalez 1:41:31 7:45 5/14 35/98 M3539

39 Freddie Bingham 1:42:33 7:50 4/8 36/98 M3034

40 Mike Gonzalez 1:42:47 7:51 3/11 37/98 M4549

41 Gerry Saba 1:43:55 7:56 4/11 38/98 M4044

42 DAVE PEGLER 1:44:04 7:57 5/11 39/98 M4044

43 DEBBIE WALLACE 1:45:03 8:02 1/12 4/73 F4549

44 EDDIE PAULSEN 1:45:25 8:03 6/14 40/98 M3539

45 Gary Enns 1:45:33 8:04 7/14 41/98 M3539

46 GREG FONTES 1:45:33 8:04 4/11 42/98 M4549

47 JOE SWEET 1:45:35 8:04 5/8 43/98 M3034

48 Sara Bradford 1:45:52 8:05 2/9 5/73 F3034

49 Daniel Tavarez 1:46:31 8:08 8/14 44/98 M3539

50 Connie Tavarez 1:46:35 8:09 1/5 6/73 F3539

Bakersfield Track Club Half Marathon and 5K

November 15, 2008

Half Marathon

Place Name Time Pace Div/Tot Sex/Tot Div

51 Todd Witwer 1:47:12 8:11 8/18 45/98 M5054

52 MARK WITCHER 1:48:41 8:18 9/18 46/98 M5054

53 Roy Walford 1:50:02 8:24 1/3 47/98 M6064

54 HAYLEY TOBIN 1:50:13 8:25 1/14 7/73 F4044

55 Amy Fredericks 1:50:33 8:27 1/2 8/73 F6064

56 KELLY LOPEZ 1:50:45 8:28 2/14 9/73 F4044

57 ROBERT JOHNSON 1:50:48 8:28 5/9 48/98 M5559

58 JOSHUA GARZA 1:50:50 8:28 6/11 49/98 M4044

59 Eric Wolf 1:50:52 8:28 3/4 50/98 M2024

60 Derek Jeffery 1:51:02 8:29 3/8 51/98 M2529

61 BROOKS RICHARDSON 1:51:25 8:31 10/18 52/98 M5054

62 Tony Jeffery 1:52:52 8:37 7/11 53/98 M4044

63 Mike Moore 1:53:34 8:41 5/11 54/98 M4549

64 DAVE COWLES 1:54:34 8:45 8/11 55/98 M4044

65 Brian Cisneros 1:55:06 8:48 8/10 56/98 M1319

66 John Wilson 1:55:22 8:49 2/3 57/98 M6064

67 Mike Barella 1:55:26 8:49 9/11 58/98 M4044

68 FRANCISCO RAMIREZ 1:55:29 8:49 9/14 59/98 M3539

69 Jose Torres 1:56:33 8:54 9/10 60/98 M1319

70 Yolanda Hughes 1:56:38 8:55 3/14 10/73 F4044

71 Keith Stearmon 1:56:40 8:55 4/8 61/98 M2529

72 BOB BARTON 1:57:15 8:57 6/11 62/98 M4549

73 JOHN OPHEIM 1:57:22 8:58 3/3 63/98 M6064

74 Margaret Patterson 1:57:26 8:58 2/12 11/73 F4549

75 Jim Cowles 1:57:28 8:58 1/2 64/98 M6569

76 PHILIPPE IGOA 1:58:11 9:02 7/11 65/98 M4549

77 KATE QUINN 1:58:11 9:02 1/7 12/73 F5559

78 Ken Berckes 1:58:18 9:02 11/18 66/98 M5054

79 CARMEN ALBANES 1:58:25 9:03 1/11 13/73 F5054

80 KATHRYN JOSLIN 1:58:28 9:03 3/9 14/73 F3034

81 Darlene Savage 1:59:12 9:06 3/12 15/73 F4549

82 CHRIS DANFORTH 1:59:57 9:10 8/11 67/98 M4549

83 JUAN CERVANTES 2:00:23 9:12 4/4 68/98 M2024

84 JOSIE MARTIN 2:00:31 9:12 2/11 16/73 F5054

85 TAMMY GARCIA 2:01:31 9:17 4/14 17/73 F4044

86 Carol Weston 2:01:47 9:18 2/2 18/73 F6064

87 Esther Ray 2:02:16 9:20 2/7 19/73 F5559

88 Bob Ziemet 2:02:25 9:21 2/2 69/98 M6569

89 TRACY HUBBELL 2:02:40 9:22 5/14 20/73 F4044

90 ERIC BERLIN 2:03:45 9:27 12/18 70/98 M5054

91 craig smith 2:04:15 9:30 9/11 71/98 M4549

92 Jialan Su 2:04:21 9:30 4/9 21/73 F3034

93 DANIEL RODRIGUEZ 2:04:29 9:31 13/18 72/98 M5054

94 Greg Adkins 2:04:32 9:31 10/14 73/98 M3539

95 Tawnie McCaa 2:04:55 9:33 1/2 22/73 F2024

96 ROY PIERUCCI 2:04:56 9:33 6/9 74/98 M5559

97 ALICIA BROWN 2:05:39 9:36 2/5 23/73 F3539

98 Kevin Higgins 2:05:49 9:37 14/18 75/98 M5054

99 Guido Climer 2:06:11 9:38 11/14 76/98 M3539

100 Lonnie Stockton 2:06:16 9:39 6/14 24/73 F4044

Bakersfield Track Club Half Marathon and 5K

November 15, 2008

Half Marathon

Place Name Time Pace Div/Tot Sex/Tot Div

101 CHARLES MATHER 2:06:55 9:42 5/8 77/98 M2529

102 Meg Reimers 2:07:10 9:43 7/14 25/73 F4044

103 Barb Johnston 2:07:27 9:44 3/11 26/73 F5054

104 Katie Nickell 2:07:27 9:44 8/14 27/73 F4044

105 HOPE ROE 2:07:39 9:45 4/12 28/73 F4549

106 RODERICK MARCIA 2:07:45 9:46 6/8 78/98 M3034

107 Connie Taylor 2:07:46 9:46 5/9 29/73 F3034

108 Nicole Panero 2:07:50 9:46 2/8 30/73 F2529

109 Cory Bringman 2:08:26 9:49 3/5 31/73 F3539

110 LONDO WHITNEY 2:09:11 9:52 12/14 79/98 M3539

111 Odette Hudson 2:09:27 9:53 3/7 32/73 F5559

112 Clarissa Wilstead 2:09:49 9:55 3/8 33/73 F2529

113 JEFF COOMBER 2:09:58 9:56 15/18 80/98 M5054

114 Susan James 2:10:43 9:59 4/11 34/73 F5054

115 JOAN COLLIN S 2:11:42 10:04 5/11 35/73 F5054

116 Denise Haynes 2:11:43 10:04 5/12 36/73 F4549

117 Peg Baird 2:13:42 10:13 6/11 37/73 F5054

118 REBECCA WALKER 2:15:22 10:20 4/8 38/73 F2529

119 Troy Wells 2:15:29 10:21 10/11 81/98 M4044

120 Fred Little 2:15:29 10:21 16/18 82/98 M5054

121 Brock Sheela 2:16:35 10:26 7/8 83/98 M3034

122 Pedro Segura 2:16:59 10:28 7/9 84/98 M5559

123 DELORES CORTEZ 2:17:12 10:29 1/2 39/73 F7099

124 Jennifer Fendrick 2:17:26 10:30 4/5 40/73 F3539

125 Rachel Taylor 2:17:48 10:32 5/8 41/73 F2529

126 DANIEL J. RAMIREZ 2:17:49 10:32 13/14 85/98 M3539

127 Angelica Rogers 2:18:22 10:34 7/11 42/73 F5054

128 Jason Gutierrez 2:19:10 10:38 6/8 86/98 M2529

129 Maria Steele 2:19:13 10:38 8/11 43/73 F5054

130 Janice Horcasitas 2:19:16 10:38 4/7 44/73 F5559

131 DALE VAN SCHAACK 2:20:54 10:46 5/7 45/73 F5559

132 MARILYN JOHNSON 2:20:56 10:46 6/7 46/73 F5559

133 Deanna Koelewyn 2:23:11 10:56 6/12 47/73 F4549

134 Karen Briltz 2:23:15 10:57 9/14 48/73 F4044

135 PEGGY SCHUH 2:23:29 10:58 9/11 49/73 F5054

136 RICHARD GARRETT 2:23:30 10:58 10/11 87/98 M4549

137 JOSHUA ST. CLAIR 2:24:23 11:02 10/10 88/98 M1319

138 DAVID CHAPIN 2:25:02 11:05 7/8 89/98 M2529

139 JOANNA THOMAS 2:25:03 11:05 6/8 50/73 F2529

140 Paula Badasci 2:25:14 11:06 10/14 51/73 F4044

141 Joe Saldana 2:26:19 11:11 17/18 90/98 M5054

142 carol montez 2:29:10 11:24 7/12 52/73 F4549

143 Lynda Ernst 2:30:26 11:29 8/12 53/73 F4549

144 Maria Mendoza 2:31:06 11:33 7/8 54/73 F2529

145 Christine Gibson 2:34:12 11:47 8/8 55/73 F2529

146 Cheryl Scott 2:35:09 11:51 11/11 91/98 M4044

147 Renee Candelaria 2:35:46 11:54 9/12 56/73 F4549

148 Becky Whitehead 2:37:09 12:00 2/2 57/73 F7099

149 David Martino-Carr 2:38:34 12:07 8/9 92/98 M5559

150 Cheryl Wahl 2:39:43 12:12 10/12 58/73 F4549

Bakersfield Track Club Half Marathon and 5K

November 15, 2008

Half Marathon

Place Name Time Pace Div/Tot Sex/Tot Div

151 Brad Wahl 2:39:43 12:12 11/11 93/98 M4549

152 CAROL MONJE 2:41:13 12:19 10/11 59/73 F5054

153 SHELLEY JOHNSON 2:41:41 12:21 11/14 60/73 F4044

154 MICHAEL GARCIA 2:41:42 12:21 9/9 94/98 M5559

155 Yiota Harrelson 2:43:32 12:29 6/9 61/73 F3034

156 Kim Aviles 2:44:28 12:34 12/14 62/73 F4044

157 JULIE LEE 2:47:44 12:49 13/14 63/73 F4044

158 Eva Ramirez 2:47:48 12:49 7/9 64/73 F3034

159 Melanie Reed 2:47:53 12:49 14/14 65/73 F4044

160 GEOFF MCAVOY 2:49:14 12:56 8/8 95/98 M2529

161 SUSAN ORMEROD 2:54:42 13:21 11/12 66/73 F4549

162 Kenadee Mishler 2:58:06 13:36 2/2 67/73 F2024

163 Phyllis Martino-Carr 3:00:00 13:45 7/7 68/73 F5559

164 Kathy Berckes 3:00:04 13:45 11/11 69/73 F5054

165 Rafaela Cisneros 3:01:09 13:50 5/5 70/73 F3539

166 Dwayne Mishler 3:02:07 13:55 18/18 96/98 M5054

167 Elizabeth Luckhardt 3:03:22 14:00 12/12 71/73 F4549

168 Ana Arreola 3:03:54 14:03 8/9 72/73 F3034

169 IAN BYERS 3:06:51 14:16 8/8 97/98 M3034

170 Gisela Gomez 3:08:08 14:22 9/9 73/73 F3034

171 Robert Sandoval 3:08:08 14:22 14/14 98/98 M3539

©2008 Bakersfield Track Club

From the gallery website:

The McMichael cemetery is the final resting place for six members of the Group of Seven, their spouses, and the gallery’s founders, Robert and Signe McMichael. While it was a provision of the 1965 Gift Agreement that the founders be buried on the gallery grounds, the consecrated cemetery was not established until 1968 at the suggestion of A.Y. Jackson and A.J. Casson.

Signe McMichael(1921‐2007): Signe McMichael died on July 4, 2007. The gallery was closed for visitation and a funeral held on July 9.

This High Dynamic Range 360° panorama was stitched from 36 bracketed photographs with PTGUI Pro, tone-mapped with Photomatix, processed in Color Efex, then touched up in Aperture.

Original size: 20000 × 10000 (200.0 MP; 1.03 GB).

www.emergencyrooms.org/biennalist.html

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Biennalist is an Art Format by Thierry Geoffroy / Colonel debating with artistic tools on Biennales and other cultural managed events . Often those events promote them selves with thematics and press releases faking their aim . Biennalist take the thematics of the Biennales very seriously , and test their pertinance . Artists have questioned for decade the canvas , the pigment , the museum ... since 1989 we question the Biennales .Often Biennalist converge with Emergency Room providing a burning content that cannot wait ( today before it is too late )

Countries( nations ) that will participate at the Venice Biennale 55 th ( 2013 Biennale di Venezia ) in Italy ( at Giardini or Arsenale or ? ) , Encyclopedic Palace is curated by Massimiliano Gioni

Albania, Andorra, Argentina, Australia, Austria, Azerbaijan, Bangladesh, Belarus, Belgium, Brazil, Bulgaria,

Costa Rica, Croatia, Cuba, Cyprus, Czech , Slovenia, South Africa, Spain, Canada, Chile, China, Congo,

Slovak Republic, Egypt, Estonia, Finland, France, Georgia, Germany, Greece, Haiti, Hungary, Iceland, India, Iran, Iraq, Ireland, Israel, Italy, Japan, Korea, Latvia, Lithuania, Luxembourg, Macedonia,

Mexico, Moldova, Montenegro, Netherlands, New Zealand, Norway, Poland, Portugal, Romania, Russia, San Marino, Saudi Arabia, Serbia, Singapore

Sweden, Switzerland, Syrian Arab Republic, Thailand, Turkey, Ukraine, United Arab Emirates, United Kingdom, United States of America, Uruguay, Venezuela, Zimbabwe

the Bahamas, the Kingdom of Bahrain, the Republic of Kosovo, Kuwait, the Maldives, Côte d'Ivoire, Nigeria and Paraguay

Eight countries will also participate for the first time in next year's biennale: the Bahamas, the Kingdom of Bahrain, the Republic of Kosovo, Kuwait, the Maldives, Côte d'Ivoire, Nigeria and Paraguay. In 2011, 89 international pavilions, the most ever, were accessible in the Giardini and across the city.

The last few days have been a flurry of activity with building on the river and wet lands. But, in between I have gone to a bunch of new places and back to some of my favorite venues.

Xavier & I love to salsa. So we did a search and wham, we found >Latin Palace Dance Club. Couples were dancing in dressy attire to wonderful salsa music. Wearing a tuxedo without a shirt and me in a short cocktail dress, it so reminded Xavier & me of Miami clubs.

A stopover at Organica to catch the last hour of DJ Qee's set woke us up with a nice psy jolt! So good to hear Qee's dynamic sounds and see old friends.

A brand new club called Fear FM sent me a tp. I got to meet owner/builder Cypher Webb. Beautifully built by Cypher, he was also spinning an awesome set of hardstyle and goth rock. I had a blast there. Cypher is also recruiting DJ's so peeps, give him a shout!

It was so late on Thursday night (Fri morn?) that I just had to stop off and say hi to DJ Xavi at The Cave. Owner Tasty Hax was there, too. I run into her at every party!

Friday afternoon, I got a tp from one of the builders. I ended up at Blackhearts 80's club. I love the funkiness of this club. So simple. It feels like a rock n roll club. Halloween was coming and the Pillsbury Dough Boy showed up! LOL!

Late night, and Xavier & I headed for DJ Nebulae's set at Piranha. Xavi loves this club. He set his JMD Effects hud on and we were in psy heaven. We always have fun at Shad's club!

In between all the craziness, I hit New Berlin's Electro Smog. Gee... I can't seem to get enough of this place. Zap Hax was hosting and DJ djleftydc Denja was spinning a sweet set of tunes.

Another new place I landed upon was Le Ghetto Hype. This is a fun club of alternative and eclectic tunes. Owner DJ Frederick Neberle & partner ARNAUD Mureaux have built a wonderful place to hang.

Off to Divaz Lounge! DJ 8wall Wrigglesworth just sent me a tp! OMG, 8wall is spinning at Divaz.

I met 8wall at Dance Island last year and then over at Nutrie. He spins a very chill set of house and minimal tunes.

But, the highlight of my night was at Old Factory listening to DJ Jeangilles Anthony. This frenchman is an artist. Beautiful industrial noise layered with a hardstyle beat... then transcending into experimental music... psychedelic experimental noise. LOL! and I fell asleep there... just couldn't leave!

Late night on Friday, Xavier and I ended up at DJ Digital Francis' Le Pardis de Digital Nation. It was an after party and Digi was spinning. Xavi & Digi started a "stump me" game. I think Digital was very impressed with Xavier's musical knowledge. They bro-downed the entire night leaving me and DJ Snowkitty dumbfounded... 'cause neither of us knew any of the tunes. LOL! I think Xavier has a new favorite dj now!