View allAll Photos Tagged framing
In photography class my freshman year (which I havent taken since), they taugh us to make a frame so that we could see exactly what the camera will be taking a picture of. So I tried it =)
www.1001pallets.com/2013/06/pallet-picture-frame/
DIY extra large picture frame made from pallets with a burlap mat.
More information at SImply Swider website !
Idea sent by Stephanie Swider !
Alternative shot of Jerry.
Unfortunately this is the only full frame image I will be processing for some time !!!!
Settings were f/18, 1/40 shutter, iso 100. I shot this by having my husband hold an empty frame in front of this barn. Then in Photoshop I added layers of black and white to make it look like he was holding a picture of a barn.
Styleman's art, framed and ready for hanging in the Louvre. This will be the premier piece in my future shop.
This is what it's all about...a framed family portrait is ready to go.
Help-Portrait is a community of photographers coming together across the world to use their photography skills to give back to the less fortunate in their community. Each person or family will have their photo taken by a professional photographer and receive a framed print to take home. FREE!
Photographers, hair and make-up artists, and support volunteers came together again this year to give away free portraits to the Lexington community.
My local 2013 event was held at Broadway Christian Church in the heart of downtown Lexington.
Wooden fram handpainted a buttery yellow with bits of stained glass, half marbles, faux pearls, and irridescent beads.
Frame measures 8"x6" holds 6"x4" picture
Not ideal time of day for pictures, but was lucky with the clouds that gave me both not too strong light, and a background subject
Frame - Entry for the Berlin Fotomaraton at 46h's trip to Berlin.
After a short but fun visit to the hotel's bar, I came back up to my room. On my way, the red shoes followed me, and when I looked back at them , I found them perfectly framed by the lines in the wall, the floor and the door.
The red and yellow hues gave an eerie, but somehow inviting ambience to the scene. Where were those shoes going? They could be on their way to frame someone for a murder they just committed...
Mostar, The Old Bridge
I tried something with framing the photo.. but I'm not sure how successful i was..
Exiting the main door of the Basilica of the Holy Trinity (Alexandros Tombazis in collaboration with Paula Santos) with the iconic tower of the Sanctuary of Fátima in the distance. 1997-1998 (competition), 2000-2003 (design) 2004-2007 (construction)
Tulip Top gardens, on the old Federal Highway, Sutton.
Fuji GW690II camera, Fujifilm 160NS 220 format colour negative film.
Adding another consideration to image processing, this series uses a blue filter to emulate 1800's emulsions. In a city where warm tones predominate, the filteration can have an interesting tonal shift that needs to be accounted for in setting the curves, contrast, and luminosity.
------- Carried Forward -----------
Considering B&W image processing in digital, I've learned a lot by reading Mike Johnson's The Online Photographer. I wrote about what I learned here.
The process is basically two steps.
1) Expose for the highlights and process for the shadows. This is the exact opposite of how I used to shoot film.
2) Open the shadows and smooth the highlights by taking the center of the Curve and raising it. It is essential.
Back in the film days we never stopped at negative processing. We printed to paper. This step, by the nature of the paper, opened the shadows and revealed the highlights when done properly. To get a similar effect in digital conversions to B&W I raise the mid-tones, which behaves like printing a B&W film negative.
Failure to do raise the mid-tones often leads to a muddy gray mess of an image. We often don't realize this until we compare the muddy mess against a Curves corrected image.
The Pentax 85mm f/2.2 Soft has been a very difficult lens to wrap a decent image making process around. The lens behaves in ways few do. I wrote a whole series on my explorations of this lens starting here.
Here's the setup I used - Sony A7 full frame + Sigma 1.4x teleconverter + Pentax 85mm f/2.2 Soft shot very specifically at f/4.8.
I wrote about this combination and why I feel it "works" for landscape... except... I hadn't accounted for the way highlights glow and spill into the surrounding scene in high contrast situations. Perhaps some viewers might find this effect too strong for their liking.
645 Dean Street near Vanderbilt Avenue
Prospect Heights
Brooklyn, New York
former home of Simon Liu Inc. he has moved his shop to 2nd Avenue. this photo is of their Dean Street location which is currently being demolished for Atlantic Yards.