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Dễ mặc, dễ phối, thoải mái, ấm áp và phong cách là lý do khiến áo sweater luôn là một trong những item được lựa chọn hàng đầu của cả nam và nữ giới mỗi khi đông về.
Mẫu áo sweater form rộng đang được ưa chuộng nhất hiện nay và thể hiện được phong cách thời trang cá nhân rõ nét.
1. Hiểu về áo sweater
Áo sweater là sản phẩm không còn xa lạ gì với các tín đồ thời trang, tuy nhiên dù ra đời khá lâu nhưng món đồ này vẫn giữ nguyên sự hấp dẫn và độ hot của mình.
Đừng bỏ lỡ : www.diigo.com/profile/yodyvn
Có nguồn gốc từ Châu Âu với mục đích nhằm giữ ấm cho cơ thể chống lại cái lạnh của mùa đông, sau đó sweater unisex đã dần được cải tiến để trở nên thời thượng hơn và dần được ưa chuộng trên nhiều quốc gia trên thế giới.
Theo thời gian, áo nỉ sweater luôn nằm trong top các sản phẩm nhận được lượng tìm kiếm nhiều nhất bởi sự đa năng có thể kết hợp với nhiều loại item cho ra các phong cách khác nhau, đồng thời thể hiện cá tính riêng của người mặc nó.
2. Các kiểu áo sweater
Thời tiết se lạnh, áo sweater chính là sự lựa chọn tuyệt vời để vừa giúp giữ ấm cho cơ thể, vừa thể hiện phong cách cá nhân một cách cụ thể nhất.
Dù bạn là một người ưa chuộng phong cách đơn giản, thanh lịch hay cá tính thì sweater nam, sweater nữ, áo sweater chính hãng đều có thể đáp ứng được. Khám phá ngay các loại áo sweater đang thịnh hành nhất hiện nay nhé.
2.1 Áo sweater oversize
Áo sweater oversize gây ấn tượng với cả nam và nữ giới từ những mẫu áo sweater trơn cho đến các thiết kế đa dạng và phá cách về chất liệu cũng như họa tiết. Chiếc áo phù hợp để nàng tôn thêm sự nữ tính, ngọt ngào cũng như che chắn khuyết điểm vòng eo bánh mỳ đầy khéo léo khi mix cùng chiếc váy nhẹ nhàng xinh xắn hay giúp chàng thoải mái tự tin cho mọi hoạt động khi phối cùng quần jeans, jogger, baggy,...
Xem ngay : yody.vn/top-5-mau-ao-sweater-form-rong-dang-duoc-ua-chuon...
2.2 Áo sweater form rộng dáng gile
Nếu bạn là người yêu thích phong cách thời trang Hàn Quốc thì chắc chắn mẫu áo sweater gile sẽ là lựa chọn không thể bỏ qua. Áo sweater vintage kiểu này có thể kết hợp với rất nhiều trang phục như: phối sơ mi để đi học, đi làm công sở; nàng mix cùng váy để checkin vào mùa đông ấm áp; chàng phối áo phông quần jeans tạo nên set đồ đơn giản mà sành điệu để đi cafe cùng bạn bè.
Với thiết kế đa dạng khiến áo sweater vô cùng được săn đón và làm mưa làm gió trên thị trường. Một lần nữa, phong cách này tiếp tục gây sốt với thời trang của giới trẻ năm 2022.
#yodyvn
FORMS OF HANDS 15
24th - 25th April 2015
Bönen (Ruhr area/Germany)
Winterkälte
Ah Cama-Sotz
Ancient Methods
Synth-Etik
S.K.E.T.
Maschinenkrieger KR52 vs. Disraptor
Totakeke
13th Monkey
Hysteresis
Illegal Trade
Norm
Sylvgheist Maelström
Yurayura
Supersimmetria
In the beginning of the school year people usually have good intentions. One of them is keeping in a good form doing sport. Experts say that, if anybody practice sport for three months, it becomes an habit. In the picture, the sport trainer Kike Borràs doing a class in a gymnasium in Lleida (Catalonia). Pic. Albert González / www.albertgonzalez.net
De uma forma discreta, “Thelma” é um filme muito inteligente, cujo ácido e perspicaz desfecho permite extrair ao menos duas mensagens evidentes – para além, é claro, das subliminares.
O longa é protagonizado por uma jovem norueguesa que se muda para a capital para estudar, afastando-se de seus pais. Porém, sua nova rotina é rapidamente abalada por uma paixão e por seus enigmáticos poderes sobrenaturais.
Já do enredo é possível concluir: é um filme que não se encaixa adequadamente em gênero algum. O diretor (e corroteirista) Joachim Trier (“Mais Forte que Bombas”) é certeiro ao fincar sua obra no fenômeno da miscigenação dos gêneros, não se podendo rotular adequadamente a produção em nenhum deles, já que existem momentos de drama, romance, ficção e horror no longa.
Trier tem uma referência muito clara: “Carrie, a Estranha”, de 1976. Como se sabe, um terror clássico, dirigido por Brian De Palma e baseado na obra de Stephen King. Episodicamente, há outra referência não distante: o suspense de 1963 “Os Pássaros”, dirigido por Alfred Hitchcock. Com efeito, há um clima de mistério, inclusive por não se saber o verdadeiro potencial dos poderes de Thelma. A mise en scène do suspense é bem construída, gerando cenas tensas, em especial no apoteótico clímax.
O roteiro, como não poderia deixar de ser, acompanha essa lógica. O prólogo, por exemplo, só faz sentido a partir da segunda metade da película, quando flashbacks preenchem a trama – do contrário, os primeiros minutos são, isoladamente, belos do ponto de vista estético e espantosos do ponto de vista semântico. Ainda assim, o avanço da narrativa dá pistas sobre o que a sequência reserva: a criação rigidamente religiosa e o monitoramento constante dos pais, em face da vida de Thelma, fazem total sentido naquele contexto.
Aliás, tudo vai ganhando explicações, com uma protagonista que se torna cada vez mais compreensível. O mérito é também da atriz Eili Harboe (“A Onda”), que exibe bem a progressão da personalidade de Thelma. Nesse sentido, os diálogos sobre temáticas religiosas parecem periféricos, inclusive quando a personagem é estimulada a profanar sua própria fé (antes ortodoxa), todavia, é outro elemento do texto com função essencial. Existe até mesmo uma passagem histórica, totalmente conexa com a trama, mencionando a perseguição às “bruxas” no período medieval.
É extremamente difícil fazer uma análise densa de “Thelma” sem incorrer em spoilers. Trata-se de um filme rebuscado que, para ser mais bem abordado, demanda um exame de algumas passagens expositivas da trama. Portanto, fica o alerta que, no próximo parágrafo, poderão haver algumas leves revelações no presente texto.
O pecado está simbolicamente sempre à espreita da protagonista, através da metáfora da cobra, aproximando-se dela em algumas cenas. Afinal, na visão cristã (e Thelma é cristã), a serpente é associada ao pecado. Porém, isso é enxergar o óbvio. A cena em que Thelma tem uma alucinação com a cobra, por outro lado, carece de uma interpretação mais apurada, é uma passagem paradigmática na produção. Do ponto de vista psicanalítico, a metáfora se refere a uma experiência sexual vivida por Thelma, heterossexual – mais precisamente, uma referência ao sexo oral –, que ela, mecanicamente, rejeita. Ou seja, não existe um elemento volitivo, é mais forte que ela. Evidentemente, é apenas uma interpretação, dentre as incontáveis possíveis.
Com um grand finale, “Thelma” é um filme diferenciado, inteligente, que sabe discursar com elegância. Entende que um possível caminho para defender uma causa e/ou criticar um grupo é na sutileza de seu texto, principalmente através de metáforas. É um filme que talvez parcela do público não vai compreender, já que poucos são concebidos dessa forma.
_cinema com rapadura
One of a series of works which echo or mimic organic forms: Series here: www.flickr.com/photos/david_lewis_baker_arts/sets/7215762...
Ce roman sec et gonflé-le plus vif depuis 2007 ("Ni d'Eve ni d'Adam") - séduit, comme les autres, par l'ironie, le sens affûté de la formule, et les éternelles (mais toujours pertinentes) réflexions sur le rapport à soi, au corps, aux autres ("se posait avec lui le problème que j'ai avec 100% des êtres humains : la frontière").
Mais il vaut surtout comme élégant traité d'art épistolaire, et réhabilite l'art trop oublié de la correspondance, autrefois enseigné aux jeunes filles - dans votre roman, la narratrice le tient de son grand-père maternel.
Si la lettre est un "écrit voué à l'autre", la politesse exige, rappellez-vous finement et avec quelque pédanterie, de bannir l'opistographie (le fait d'écrire recto-verso) et de proscrire les missives trop longues ("Madame de Sévigné l'a très bien dit, : "Pardonnez-moi, je n'ai pas le temps de faire court"). Charité bien ordonnée commençant par soi-même, cette fiction moqueuse n'excède pas 170 pages, le temps d'un trajet en train de deux heures...
Une forme de vie, d'Amélie Nothomb (ed. Albin Michel); 170 pages; 15.90 EUR
Dorothy Gillespie 'Colors and Forms in Flight', 1989, Fort Lauderdale/Hollywood International Airport, Fort Lauderdale, Florida
Students enrolled in the “Improvisational Forms” dance course at Wesleyan University performed May 6 and May 8 at various locations, and on objects, around campus. The class is designed to explore various approaches to dance improvisation. Students learn to expand movement vocabulary, increase compositional awareness, develop their creative thinking and observational skills, and sharpen their performance presence.The class is taught by Susan Lourie, adjunct professor of dance. (Photos by Olivia Drake)
This mat-forming prickly phlox is found on shallow rocky soils in upland low-statured black sagebrush steppe (dominated by Artemisia nova). This site lies in the Horseshoe Bend campground area along the Bighorn River, northeast of Lovell Wyoming.
I was a bit fizzled to get that error since I had entered my full name and my email address.
Have you seen the submit button???
There are three fields without labels and they are requesting two things.
It's quite amazing to see so many usability issues in one short form.
Read my post on this bad design
Custom metal forming equipment used in the process of bending steel sheet metal coil in to metal parts. Industrial roll forming machinery manufactured by Metform International
Learn more about Tuff Forms playground climbers! mrcrec.com/www/mrc-products/themed-playground-equipment/147
Pure White Form Early Marsh Orchid (Dactylorhiza incarnata Var. leucantha) in the New Forest, Hampshire England
October 31, 2020 - Green Lawn Cemetery is the perfect place to do Autumn foliage photography and practice social distancing during the COVID pandemic.
"On August 2nd, 1848, a group of local leaders met to form the Green Lawn Cemetery Association. Through the spring of 1849 a charter was granted, 84 acres were acquired from local ranchers, and landscape gardener Howard Daniels was hired to plan the cemetery.
The intent of this effort was to replace earlier cemeteries in the city which had become landlocked, where near the river, and were nearing capacity. Influenced by the Romantic Era in the arts and contemporary poetry, attitudes towards death were changing and cemetery design was moving away from the older graveyards, churchyards, and potters' fields towards more natural and serene settings. This was the Rural Cemetery Movement.
Howard Daniels was a purist of this concept, envisioning winding roads and paths following natural contours through dense native trees and shrubbery. Along the paths openings would dramatically reveal family lots with monumental art or a view of a pond or from a natural prominence.
With the city in the grips of a cholera outbreak, our first burial was young Leonora Perry interred on July 7th, 1849 (Leonora was later moved to a family lot in Cincinnati). It wasn't until July 9th that a grand opening was held, and by July 11th our second interment, Dr. Benjamin Gard who contracted cholera while responding to the outbreak at the penitentiary, occurred. Soon prominent families started moving their deceased from the older cemeteries to Green Lawn, and likewise the former city cemeteries were evacuated and redeveloped.
In 1898 a cast iron bridge was installed in The Ravine, and in 1902 the Huntington Chapel was dedicated. The chapel was designed by Columbus architect Frank Packard and its Tiffany decor was sponsored by board president P. W. Huntington. The chapel was expanded as a mausoleum/crematorium in two phases during the 1960's and 1970's.
Over time Green Lawn would grow to its current 360 acres with over 154,000 interments, making it Ohio's second largest cemetery. The grounds continue to feature a pre-European settlement mixed oak forest, many historic and artistic mausoleums and monuments, and it remains one of Columbus' most important cemeteries. Green Lawn provides the final resting place of founding families, several U.S. presidential families, 5 governors, 5 Medal of Honor recipients, artists, actors, and all other walks of life. Over 6,000 veterans fill seven military sections and other sections represent Jewish, Greek, Black, and other communities or various religious, fraternal, governmental, or charitable organizations.
The cemetery is a registered arboretum, and in 1999 was designated an Ohio Audubon Important Bird Area.
Today the Green Lawn Cemetery Association is a 501(c)13 non-profit volunteer board of directors. Our mission is to preserve, restore, and share Green Lawn Cemetery with the community. We also ensure that the cemetery is operated in a fiscally responsible manner and in accordance with industry standards. Our families are here and we are committed in our responsibilities to "Our Very Special Park". Previous text from the following website: www.greenlawncemetery.org/about-green-lawn/our-history
Jeep 20399193 forming part of a diorama of a USAAC crew boarding Boeing B-17G 44-83868 at the RAF Museum, Hendon on the 6th August 2002.
Naturally formed ice that occurs in Tennessee at below freezing temperatures,i call them ice flowers!The formation of frost flowers, also known as "ice flowers," is apparently dependent on a freezing weather condition occurring when the ground is not already frozen. The sap in the stem of the plants will expand (water expands when frozen), causing long, thin cracks to form along the length of the stem. Water is then drawn through these cracks via capillary action and freezes upon contact with the air. As more water is drawn through the cracks it pushes the thin ice layers further from the stem, causing a thin "petal" to form. In the case of woody plants and (living or dead) tree branches the freezing water is squeezed through the pores of the plant forming long thin strings of ice that look uncannily like hair i.e. "frost beard".
The petals of frost flowers are very delicate and will break when touched. They usually melt or sublimate when exposed to sunlight and are usually visible in the early morning or in shaded areas.
This image forms part of the digitised photographs of the Ross and Pat Craig Collection. Ross Craig (1926-2012) was a local historian born in Stockton and dedicated much of his life promoting and conserving the history of Stockton, NSW. He possessed a wealth of knowledge about the suburb and was a founding member of the Stockton Historical Society and co-editor of its magazine. Pat Craig supported her husband’s passion for history, and together they made a great contribution to the Stockton and Newcastle communities. We thank the Craig Family and Stockton Historical Society who have kindly given Cultural Collections at the University of Newcastle, NSW, Australia, access to the collection and allowed us to publish the images. Thanks also to Vera Deacon for her liaison in attaining this important collection.
Please contact Cultural Collections at the University of Newcastle, NSW, Australia, if you are the subject of the image, or know the subject of the image, and have cultural or other reservations about the image being displayed on this website and would like to discuss this with us.
Some of the images were scanned from original photographs in the collection held at Cultural Collections, other images were already digitised with no provenance recorded.
You are welcome to freely use the images for study and personal research purposes. Please acknowledge as “Courtesy of the Ross and Pat Craig Collection, University of Newcastle (Australia)" For commercial requests please consider making a donation to the Vera Deacon Regional History Fund.
These images are provided free of charge to the global community thanks to the generosity of the Vera Deacon Regional History Fund. If you wish to donate to the Vera Deacon Fund please download a form here: uoncc.wordpress.com/vera-deacon-fund/
If you have any further information on the photographs, please leave a comment.
Ler e Formar Leitores no século XXI – leitura e inclusão foi o tema do II Encontro de Bibliotecas Escolares do Alentejo, que decorreu, durante os dias 3 e 4 de julho, no auditório dos Serviços Comuns do Instituto Politécnico de Beja.
Este evento contou com a organização da Coordenação Interconcelhia da Rede de Bibliotecas Escolares, do Instituto Politécnico de Beja e da Câmara Municipal de Beja - Biblioteca Municipal de Beja José Saramago. Teve por objetivos analisar o contributo das bibliotecas e da formação leitora para o exercício de uma cidadania mais consciente, crítica e responsável, assim como evidenciar o papel educativo e formativo das bibliotecas e da leitura no contexto da organização, estratégias e objetivos curriculares das escolas e da melhoria das aprendizagens. Pretendeu igualmente refletir sobre as problemáticas associadas à função e responsabilidade social das bibliotecas, enquanto fatores de inclusão, igualdade e justiça social, além de perspetivar possibilidades e vias de desenvolvimento das bibliotecas e das políticas de leitura no sentido da sua atualização e adaptação aos desafios e exigências do presente.
Mais reportagens fotográficas em: www.flickr.com/photos/40478366@N08/collections/
38° 00' 46.87''N
7° 52' 22.19''W
The Cloudgate sculpture in Millennium Park takes a new slant on Chicago architecture, e.g. the Standard Oil and Prudential buildings.
Like building blocks, these are lined up in rows and concrete is poured between the two pieces of white styrofoam to produce a strong, solid wall with excellent insulation properties
This image forms part of the digitised photographs of the Ross and Pat Craig Collection. Ross Craig (1926-2012) was a local historian born in Stockton and dedicated much of his life promoting and conserving the history of Stockton, NSW. He possessed a wealth of knowledge about the suburb and was a founding member of the Stockton Historical Society and co-editor of its magazine. Pat Craig supported her husband’s passion for history, and together they made a great contribution to the Stockton and Newcastle communities. We thank the Craig Family and Stockton Historical Society who have kindly given Cultural Collections at the University of Newcastle, NSW, Australia, access to the collection and allowed us to publish the images. Thanks also to Vera Deacon for her liaison in attaining this important collection.
Please contact Cultural Collections at the University of Newcastle, NSW, Australia, if you are the subject of the image, or know the subject of the image, and have cultural or other reservations about the image being displayed on this website and would like to discuss this with us.
Some of the images were scanned from original photographs in the collection held at Cultural Collections, other images were already digitised with no provenance recorded.
You are welcome to freely use the images for study and personal research purposes. Please acknowledge as “Courtesy of the Ross and Pat Craig Collection, University of Newcastle (Australia)" For commercial requests please consider making a donation to the Vera Deacon Regional History Fund.
These images are provided free of charge to the global community thanks to the generosity of the Vera Deacon Regional History Fund. If you wish to donate to the Vera Deacon Fund please download a form here: uoncc.wordpress.com/vera-deacon-fund/
If you have any further information on the photographs, please leave a comment.
"Architecture enables urban life, yet provides beauty and inspiration."
Original Gallery: www.littalshemerhaim.pics/forms-of-life/
Find more Positive Images by Littal Shemer Haim here: www.littalshemerhaim.pics/
All Rights Reserved.
LSH.300513.5978mp
Winning form returns against CIYMS
by Roger Corbett
In this important fixture, it was Bangor who took the victory against CIYMS by 22-5 resulting in the two sides swapping places in the league.
Bangor got the game underway, kicking off into a stiff breeze. Within 3 minutes, Bangor conceded the first penalty of the game, which CIYMS elected to kick for goal, but failed to convert. The Bangor back line looked sharp, with Davy Charles coming in from full back to break the CIYMS line and set up a promising attack. James Henly came close but the CIYMS defence was sound.
The Bangor pack had seen a number of changes as the result of ongoing injury problems, but it performed well in both scrum and lineout set pieces. In fact it was from a lineout after just 9 minutes that the ball was cleanly won and passed quickly to Jason Morgan at out half, who produced another great line to wrong foot the CIYMS defence and ghost in to score under the posts. The conversion was successfully taken by Neil Cuthbertson, putting Bangor into the lead by 7-0.
This gave Bangor the boost they needed, and they continued to dominate play. After a further 6 minutes, from a scrum just inside the CIYMS half, scrum half Craig Harper passed to Morgan who then off-loaded to Mike Aspley in the centre. Although tackled, he managed to get the ball to Phil Whyte who had followed up from propping in the scrum. Drawing the defending tacklers, he then passed to flanker James Henly who burst through to run in unopposed for Bangor’s second try under the posts. Again, the simple kick was converted by Cuthbertson, doubling the lead to 14-0.
CIYMS responded well, using the wind advantage wisely to bring play repeatedly back into Bangor’s territory, but mistakes at crucial periods of play denied them any meaningful scoring opportunities. Bangor, on the other hand, stuck to their plan and continued to apply pressure. This soon forced CIYMS to concede a kickable penalty, which Cuthbertson converted to increase the lead to 17-0 after 23 minutes of play.
However, just 3 minutes later, the referee showed the yellow card to captain Jamie Clegg after he was judged to have deliberately knocked on the ball while defending a CIYMS attack. From the subsequent penalty, CIYMS passed the ball wide to the left and made a push for the line. What looked like a certain try was prevented by great Bangor defending, as they managed to hold the ball up and win the turnover.
Within minutes of Clegg’s return from the sin bin, the circumstances that led to his penalty were repeated, this time by Jason Morgan who similarly was shown the referee’s yellow card. From this penalty, the CIYMS players didn’t make the same mistake as before, and finally managed to touch down for a try in the left hand corner. The difficult kick was missed, but CIYMS were now on the scoreboard, reducing Bangor’s lead to 17-5 as the first half drew to a close.
As the teams turned around and CIYMS got the second half underway, hopes were high that Bangor would build on their first half tries and use the wind to keep their opponents pinned down in their own twenty two. However, it’s fair to say that CIYMS came out the stronger and frustrated Bangor’s attacks, while moving the ball through their backs with more purpose and accuracy.
It was not until 30 minutes had been played that the second half deadlock was broken. From a long CIYMS clearance kick, the ball was safely taken by Harper inside his own half. Two long and quickly made passes, saw the ball move via Jason Morgan to Davy Charles whose pace was too much for the thinly spread CIYMS defence. Running wide, he rounded the final CIYMS players to score on the right hand side. Cuthbertson’s kick was just wide of the posts, but Bangor were now 3 tries to the good, and within sight of another bonus point victory.
However, just 2 minutes later, and with CIYMS moving back into Bangor territory, the game produced another sting for the home side. In his attempt to intercept a long CIYMS pass, he knocked the ball forward and stopped the CIYMS attack. The referee deemed this to be deliberate once again and produced a second yellow card which in turn led to a red card, and Morgan was to take no further part in the game. Stung by this set-back, and with just 8 minutes remaining, Bangor re-grouped and wisely focussed on defending their lead and denying CIYMS any further scoring chances. This they did, and as the final whistle was blown, they could celebrate a return to winning ways, and a return to their previously held 3rd position in the league.
This was an encouraging team performance that should give added confidence as the players now set their sights on the first round of the Towns Cup (next weekend, at home to City of Derry 2nds), followed by a challenging journey to league leaders Clogher Valley in the league afterwards.
Bangor side: P Whyte, A Jackson, J Leary (J Harrison), A Rushe, D Kelly, J Henly, R Latimer, J Clegg (c), C Harper, J Morgan, M Widdowson, M Aspley, C Morgan (G Caughey), N Cuthbertson, D Charles
Subs: J Harrison, G Caughey
Bangor scores: J Morgan (1T), J Henly (1T), D Charles (1T), N Cuthbertson (2C, 1P)