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The Eurasian form has a horizontal white stripe along the back. Eurasian teal show up casually each year along both the Pacific and Atlantic coasts.
Burnaby Lake
Close-up of the type form (in the press) with ink on it.
All but the one line of Old English was set on the Linotype - including the border.
The type faces are Memphis Extra Bold Condensed, and Garamond No. 3.
Reunion with Christian Rolet (My form teacher at School of Fine Arts -from 1999 till 2003-, Tournai, Belgium).
Formé à Helsinki en 1997, FINNTROLL propose un style folklorique combiné à des sonorités variant du Death Metal au Black Metal. Les titres revisitent contes et légendes finnoises entourant le roi troll fictif « Rivfader » et les trolls combattant contre l'invasion chrétienne de leurs terres afin de répandre leurs croyances.
Originaire du Danemark, HATESPHERE évolue dans un Death Thrash tranchant reconnaissable dès les premières notes. Outre ses guitares énervées, solos et batterie martelante, le quintette se démarque avec ses performances live saluées par de nombreux magazines spécialisés, au point d’être consacré Meilleur Groupe Live au Danemark à l'occasion des Metal Awards.
Groupe de Death n’ Roll finlandais, PROFANE OMEN voit le jour en 1999. Après plusieurs démos sorties entre 2000 et 2004, le combo divulgue sont premier album « Beaten into Submission » en 2006, album qui combine des titres agressifs aux riffs groovy et passages allant du Thrash au Death Metal mélodique. En 2007 le groupe est nominé comme « Nouveau venu de l’Année » aux Finnish Metal Awards. Depuis les Finnois ont donné naissance à 3 nouveaux albums studio, dont le dernier « Reset » est sorti en Mars 2014.
Tutti i vestiti nella foto sono stati confezionati da Inika ♥ e sono il risultato di un giorno di shopping al "Bambole a Roma" ^.^
From the Oct 1, 2008 Glens Falls, NY, Post Star Newspaper feature article about me making breads using sourdough cultures. In this photo I am forming a round loaf.
Madison, Ireland mission trip, collects information to form discipleship groups for the Ireland team.
Aufgenommen mii dem "Yashicized"-System, einer Kombination aus einer Yashica 635 und einer Ricoh GX 200
La Malaisie, en forme longue la Fédération de Malaisie, en malais Malaysia, مليسيا, est un pays d'Asie du Sud-Est, constitué de la Malaisie péninsulaire ou Malaisie occidentale (péninsule Malaise) et de la Malaisie orientale (nord de Bornéo). Elle est située à environ 200 km au nord de l'équateur. Sa capitale est Kuala Lumpur et sa superficie est égale à 329 750 km2.
Le pays est composé de deux régions distinctes :
* La Malaisie occidentale ou Malaisie péninsulaire (au sud de la Thaïlande) est divisée du Nord au Sud par une longue chaîne montagneuse dont le point culminant se situe à 2189 m (Mont Tahan) et où subsistent de vastes zones forestières. La côte Ouest est marécageuse et plate, la côte Est est, au contraire, composée de longues plages de sable. Les cultures et plantations sont d'abord situées le long des plaines côtières. Le Nord du pays (Perlis et Kedah) est considéré comme le grenier à riz du pays.
* La Malaisie orientale est composée des territoires du Sarawak et du Sabah et située au Nord de l'Indonésie (Bornéo). Cette partie représente 15 % de la population sur 60 % du territoire. Elle est essentiellement composée de forêts tropicales humides et d'un relief assez élevé (mont Kinabalu, 4100 m).
La Malaisie partage ses frontières terrestres avec le Brunei (381 km), l'Indonésie (1178 km) et la Thaïlande (506 km), et dispose de 4675 km de côtes. Elle est également reliée à Singapour par deux ponts traversant le détroit de Johor.
L'utilisation du nom de « Malaisie » pour désigner la péninsule Malaise est récente. Ce nom est la francisation de Malaya dans l'expression « British Malaya » (Malaisie britannique) de laquelle les Anglais désignaient, à partir de la fin du XIXe siècle, les territoires qu'ils contrôlaient sur la péninsule.
Jusqu'en 1912, le nom de « Fédération de Malaisie » ne s'appliquait qu'à l'entité créée en 1946-48 par les Britanniques et devenue indépendante en 1957, « l'Union malaise » (Malayan Union). Celle-ci regroupait, dans la péninsule Malaise, les États malais, qui avaient auparavant le statut de protectorats, et les Strait Settlements, c'est-à-dire les colonies de Malacca, Penang et Singapour.
Lorsque les territoires britanniques de Bornéo, Sabah (British North Borneo) et Sarawak deviennent indépendants en 1963 et acceptent de rejoindre la Malaisie, la nouvelle entité est baptisée du néologisme de « Malaysia ».
En français, « Malaisie » avait à l'origine un autre sens. En 1831, Jules Dumont d'Urville proposait à la Société de géographie de Paris une organisation de l'Océanie en quatre parties :
* la Polynésie (« les nombreuses îles »),
* la Mélanésie (« les îles noires »),
* la Micronésie (« les petites îles ») et
* la Malaisie.
Par ce dernier nom, Dumont d'Urville entendait une région regroupant l'Indonésie, la Malaisie et les Philippines actuelles. À l'époque en effet, on considérait que les habitants de cette région pouvaient être désignés par le terme englobant de « Malais ».
Au sens strict du terme, les Malais sont les populations qui parlent la langue malaise et qui habitent le littoral oriental de l'île de Sumatra, les îles Riau, la péninsule Malaise et le littoral de l'île de Bornéo.
Le traité de Londres de 1824 entre Anglais et Hollandais se traduira par un partage en deux de ce monde malais. On ne saurait donc identifier celui-ci à la seule Malaisie.
Pour éviter la confusion, on utilise le gentilé « malaisien » pour désigner ce qui relève de la Malaisie comme État, le mot « malais » désignant ce qui relève de la langue, de la culture, de l'ethnie, et couvrant donc un territoire plus vaste. Ainsi, l'expression « monde malais » au sens strict désigne l'aire géographique habitée par les Malais et décrite plus haut.
L'État du Pahang est le plus grand de la Malaisie péninsulaire avec 35964 km². Sa capitale est la ville de Kuantan, située sur la côte est de la mer de Chine méridionale.
Sources : wikipedia
The African Ambassadors & Diaspora Interactive Form AAIF United Nations buildings International Maritime Organization HQ IMO London the Awards Gala Dinner Entertainment by Adanta Dance Group
Musée National de l’Automobile, Mulhouse 2024
This Replica was made of remaining original parts and resembles the first body used on chassis #41111 as ordered by Armand Esders (industrialist). The original didn't have any headlights, as Esders didn't drive it by night. Wonderful ancient logic!
#41111 received a new Coupé de Ville body by Binder in 1938-39, very similar to the Coupé Napoléon, but a bit less intriguing as its passenger cabin is higher. It is owned by the Volkswagen AG.
FORMS OF HANDS 15
24th - 25th April 2015
Bönen (Ruhr area/Germany)
Winterkälte
Ah Cama-Sotz
Ancient Methods
Synth-Etik
S.K.E.T.
Maschinenkrieger KR52 vs. Disraptor
Totakeke
13th Monkey
Hysteresis
Illegal Trade
Norm
Sylvgheist Maelström
Yurayura
Supersimmetria
We tested out a new (old) manufacturing technology in the Jocelyn H. Lee Innovation Lab - vacuum forming! We fabricated a platen and frame using the laser cutter, then used a toaster oven and a shop-vac to complete the process. Participants were able to vacuum-form a range of shapes out of plastic plates to use as candy molds or decorative artwork! Special thanks to the volunteers who helped make this project a success.
Learn more about Tuff Forms playground climbers! mrcrec.com/www/mrc-products/themed-playground-equipment/147
Line: I found the lines had many different forms in the photo I took. I found curved lines within the shapes of the flowers and in the dimension of the wings. I can see straight lines in the leafs and in the flower's centers. The curved lines add some form of dimension and make the shapes seem more shadowy in some places giving the photo a more 3D affect.
Colour: I really like how the colours all complement each other in this photo. They aren’t overwhelmingly blinding but are still bright enough to get your attention and make you examine the photo closer. And I found a nice balance between the warm and cool colours. If it wasn’t for the bright orangey red flowers the photo would actually have come out a lot darker and it wouldn’t draw as much attention to the butterfly. The flowers also do a great job in bringing out more specifically the tiny bright yellow spots on the wings.
Shape: The ridged shape of the butterfly’s wings separates it from the rest of the picture and makes it stand out and not just mesh in with the flowers in the picture. I think that the direction in which the spot shapes are laid out have something to do with the shape of the whole butterfly. I think if the spots were placed more inwards then the butterfly would seem less slender and more of a rounder shape.
Form: The darker colours and the line going down the center of the butterfly’s back makes it look more round and you can actually see the tiny hairs covering it’s body. And the natural lighting from about provides a warmish glow and adds an edge for the flowers giving them a further more 3D appearance.
Space: I think there is a good amount of positive and negative space in this photo. The negative space emphasizes the butterfly and its horizontal wing spanned, and the positive space gets emphasized by the showing of the negative, making the flowers more noticeable.
Texture: I really like the textures in this photo, the smoothness of the flower pedals, the powdery feel of the butterfly’s wings, and the softness of the butterfly’s tiny body. There are lots of other textures as well, there is the leathery feel of the leafs in the background, a rigid look from the steams of the plants and a plastic feel and appearance from the bits coming out of the flower tops.
Tone/Value: The above lighting brings the butterfly out more from the flowers giving it more depth.
Emphasis: Colours of the bright flowers emphasizes and brings out the colour in the butterfly’s wings. The shape of the butterfly itself pulls my gaze in a horizontal manner which lets me see the plants in the photo as well as the butterfly. The lighting more emphasizes the flowers but the flowers emphasize the butterfly so it all works I guess.
Movement: I captured the butterfly from its otherwise fluttering about motion to a frozen state of appearance. I think everything else in the photo looks like it is in motion and the butterfly is the only thing standing still, I kind of like that about the picture.
Balance: There is plenty of balance within this photo there is balance between the warm and the cool colours, there is balance between the positive and negative space, the is balance between the vertical and horizontal lines and the is balance between the lightness and shadowy areas in this picture.
Repetition/Pattern: The horizontal span of the wing as I said before leads and guides the eyes gaze in a horizontal view allowing the viewer to not only see the butterfly but also the plant life it sits on.
Contrast: The difference between the large flowers and leafs makes the butterfly seem small in comparison but in reality in is a large butterfly and is sitting in a large batch of flowers.
Unity: The whole picture works in unity, nothing is in the background that shouldn’t be, there is nice balance and the cool and warm colours mix nicely with one another.
This image forms part of the digitised photographs of the Ross and Pat Craig Collection. Ross Craig (1926-2012) was a local historian born in Stockton and dedicated much of his life promoting and conserving the history of Stockton, NSW. He possessed a wealth of knowledge about the suburb and was a founding member of the Stockton Historical Society and co-editor of its magazine. Pat Craig supported her husbandâs passion for history, and together they made a great contribution to the Stockton and Newcastle communities. We thank the Craig Family and Stockton Historical Society who have kindly given Cultural Collections at the University of Newcastle, NSW, Australia, access to the collection and allowed us to publish the images. Thanks also to Vera Deacon for her liaison in attaining this important collection.
Please contact Cultural Collections at the University of Newcastle, NSW, Australia, if you are the subject of the image, or know the subject of the image, and have cultural or other reservations about the image being displayed on this website and would like to discuss this with us.
Some of the images were scanned from original photographs in the collection held at Cultural Collections, other images were already digitised with no provenance recorded.
You are welcome to freely use the images for study and personal research purposes. Please acknowledge as âCourtesy of the Ross and Pat Craig Collection, University of Newcastle (Australia)" For commercial requests please consider making a donation to the Vera Deacon Regional History Fund.
These images are provided free of charge to the global community thanks to the generosity of the Vera Deacon Regional History Fund. If you wish to donate to the Vera Deacon Fund please download a form here: uoncc.wordpress.com/vera-deacon-fund/
If you have any further information on the photographs, please leave a comment.
Learn more about Tuff Forms playground climbers! mrcrec.com/www/mrc-products/themed-playground-equipment/147
Fig. 806 (p. 967) - Some different forms of facade decoration with variations as given by James Fergusson in his ‘The Illustrated Handbook of Architecture’ published in 1855.
James Fergusson (1855). ‘The Illustrated Handbook of Architecture’, 1855. Fig. 168 in:
KRUFT, Hanno-Walter (1985/1994). A History of Architectural Theory from Vitruvius to the Present. Zwemmer/ Princeton Architectural Press, New York. ISBN 0 0302 00603 6
quadralectics.wordpress.com/5-essentials/5-1-space/5-1-2-...
It seemed to be a pretty dreary day when we set out on our adventure in North Western New Jersey. That is, until my cousin Ann's keen eye caught this gem hidden just off of Old Mine Road in the Delaware Water Gap.
Just as I was about to capture this image, the sun poked through the snow-like clouds to bring out the hidden beauty nestled just off the road.
Please view the larger image.
A rosa (Rosa spp) é uma das flores mais populares no mundo, cultivada desde a Antiguidade. A primeira rosa cresceu nos jardins asiáticos há 5 000 anos. Na sua forma selvagem, a flor é ainda mais antiga. Fósseis dessas rosas datam de há 35 milhões de anos.
Cientificamente, as rosas pertencem à família Rosaceae e ao gênero Rosa L., com mais de 100 espécies, e milhares de variedades, híbridos e cultivares. São arbustos ou trepadeiras, providos de acúleos. As folhas são simples, partidas em 5 ou 7 lóbulos de bordos denteados. As flores, na maior parte das vezes, são solitárias. Apresentam originalmente 5 pétalas, muitos estames e um ovário ínfero. Os frutos são pequenos, normalmente vermelhos, algumas vezes comestíveis.
Atualmente, as rosas cultivadas estão disponíveis em uma variedade imensa de formas, tanto no aspecto vegetativo como no aspecto floral. As flores, particularmente, sofreram modificações através de cruzamentos realizados ao longo dos séculos para que adquirissem suas características mais conhecidas: muitas pétalas, forte aroma e cores das mais variadas.
As rosas e o seu simbolismo
Rosas: o secretismo (sub rosa), e, de certa forma, um símbolo pagão, ligado muitas vezes a segredos escondidos da igreja durante a Idade Média. A cada cor está associado um significado diferente, alguns desses significados estão listados em baixo:
Rosas Amarelas: amor por alguém que está a morrer ou um amor platónico... ou... amizade
Rosas Azuis: verdadeiro amor eterno, raro, forte, que nunca se abala ou descolore, em algumas culturas ela tradicionalmente significa mistério ou a busca _ ou o alcance do impossível
Rosas Brancas: reverência, segredo, inocência, pureza e paz
Rosas Champanhe: admiração, simpatia
Rosas Coloridas em tons claros: amizade e solidariedade
Rosas Coloridas, predominando as vermelhas: amor, paixão e felicidade
Rosas Cor-de-rosa: gratidão, agradecimento, o feminino (muitas vezes aparece simbolizando o útero em algumas culturas, como o gineceu está para a cultura ocidental - ver cor-de-rosa)
Rosas Vermelhas: paixão, amor, respeito, adoração
Rosas Vermelhas com Amarelas: felicidade
Rosas Vermelhas com Brancas: harmonia, unidade
Rosas Laranjas: entusiasmo e desejo
Rosas Vermelhas bordeaux: beleza inconsciente
Rosas Azuis: confiança, reserva, harmonia e afeto
Rosas Verdes: esperança, descanso da juventude e equilíbrio
Rosas Violetas: calma, auto-controle, dignidade e aristocracia
Rosas Pretas: separação, tristeza e morte
Rosas Cinzentas: desconsolo, aborrecimento e velhice
Fonte:http://pt.wikipedia.org/wiki/Rosa
How many humans life on the planet? And how many leaves does we have? In spring, summer or autumn, a forest's ground is always covered with leaves - leaves from the past few years, until finally they become soil again. Have you ever counted the number of leaves within a square meter on such a floor, or even in a quadrangle of 10cm x 10cm? And if so, how many would you have in a forest from one mountain?
Leaves are not only diverse with respect to their forms, but colors too: from yellow green, dark green to orange, red and brown. Assume further, that every leaf contains a couple of colors, and you end up with a vast variety of colors and forms.
Soldiers form the 3d U.S. Infantry Regiment (The Old Guard), conduct a Twilight Tattoo “Salute to the Chief “on Whipple Field, Joint Base Myer Henderson-Hall, Va., Oct. 30, 2014. Gen. Raymond T. Odierno, chief of Staff of the Army, recognized five American’s for their contributions and service to the U. S. Army Soldiers, veterans, and families.(U.S. Army photo by Spc. Klinton Smith)
En enero de 2021 se ha celebrado la primera Plenaria Territorial del Regnum Christi en España. Está formada los tres Directores Territoriales y sus respectivos consejos (de los Laicos Consagrados, de los Legionarios y de las Consagradas), los dos laicos que asisten al Colegio Directivo Territorial (CDT) y otros cuatro laicos más. En esta ocasión, pan participado los equipos de trabajo (encargado de la obra educativa, secretaría, administración y comunicación), y se ha buscado presencia de todas las localidades. La finalidad de este encuentro ha sido aportar retroalimentación al CDT para el plan de desarrollo del Regnum Christi en España. Si quieres saber más sobre este órgano, puedes leer los artículos 33 y siguientes del Reglamento General de la Federación Regnum Christi, en este link:
www.regnumchristi.org/rcstatutes/reglamento-de-lo-fieles-...
#RCenSalida #familiaRC