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This image forms part of the digitised photographs of the Ross and Pat Craig Collection. Ross Craig (1926-2012) was a local historian born in Stockton and dedicated much of his life promoting and conserving the history of Stockton, NSW. He possessed a wealth of knowledge about the suburb and was a founding member of the Stockton Historical Society and co-editor of its magazine. Pat Craig supported her husband’s passion for history, and together they made a great contribution to the Stockton and Newcastle communities. We thank the Craig Family and Stockton Historical Society who have kindly given Cultural Collections at the University of Newcastle, NSW, Australia, access to the collection and allowed us to publish the images. Thanks also to Vera Deacon for her liaison in attaining this important collection.
Please contact Cultural Collections at the University of Newcastle, NSW, Australia, if you are the subject of the image, or know the subject of the image, and have cultural or other reservations about the image being displayed on this website and would like to discuss this with us.
Some of the images were scanned from original photographs in the collection held at Cultural Collections, other images were already digitised with no provenance recorded.
You are welcome to freely use the images for study and personal research purposes. Please acknowledge as “Courtesy of the Ross and Pat Craig Collection, University of Newcastle (Australia)" For commercial requests please consider making a donation to the Vera Deacon Regional History Fund.
These images are provided free of charge to the global community thanks to the generosity of the Vera Deacon Regional History Fund. If you wish to donate to the Vera Deacon Fund please download a form here: uoncc.wordpress.com/vera-deacon-fund/
If you have any further information on the photographs, please leave a comment.
Entombed es una banda de metal sueca formada en 1987 bajo el nombre de Nihilist.
Aunque al principio de su carrera fue pionera (junto a otras bandas como Carnage, Dismember, Edge Of Sanity o Unleashed) del death metal escandinavo (denominado como "sonido Estocolmo"), a principios de los años 1990 su sonido se amplió para incluir hardcore punk y otras influencias. La edición de su álbum "Wolverine blues" supuso el nacimiento de un nuevo estilo musical que aunaba las voces guturales del death metal más clásico con ritmos más pegadizos y rockeros, dando así lugar al llamado "death n' roll".
Tras la marcha de su batería y uno de sus principales compositores, Nicke Andersson, el cual decidió probar suerte en solitario con su nueva banda The Hellacopters, en este caso cambiando incluso de instrumento y pasando ser cantante y guitarrista en su nuevo proyecto musical (de estilo punk-rock, alejándose bastante de su sonido con Entombed), la prolífica y exitosa carrera del combo sueco recibió un duro revés a nivel de ventas, debido a una época en la que experimentaron con sonidos más rockeros y alternativos, alejándose del metal más duro que venían realizando, siendo ejemplo de aquello el álbum "Same Difference".Por entonces también otro de sus miembros, Uffe Cederlund, decidió probar suerte en solitario con Haystack, otro proyecto similar a los Hellacopters de su ex compañero Andersson, si bien no tuvo el mismo éxito comercial.
Tras varios cambios de formación, los suecos volvieron a la senda que tantos éxitos les había dado antaño con un gran disco llamado "Morning star" (confirmando un endurecimiento de su sonido que ya se intuía después del álbum anterior, convenientemente llamado "Uprising" para apuntar a la resurrección que su carrera debía experimentar de nuevo a partir de él), convirtiéndose canciones como "I for an eye" rápidamente en parte esencial de sus shows en directo. Los trabajos más recientes de la banda, ya como cuarteto, el EP When in Sodom y el recientemente editado CD "Serpent saints" no hacen sino confirmar una vuelta al death metal con tintes rockeros del que siempre han sido grupo bandera.
forms part of a mural by residents of a detox centre which I facilitated, depicting their journey. All ideas and imagery was created by the residents themselves, who also did the painting.
Hosptial
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Form the viewpoint on the west side of Hospital Square can be seen the castle's Western Defences.The exposed,and hazardous,part of the castle is not open to visitors - an historic problem for in 1677 a report noted that the sentries on patrol found it impossible to go along it 'in a stormy night'.In King Charles II of Great Britain reign (1649-1685) a defensive wall was rebuilt and a walkway provided along the western edge of the rock for patrolling guards.It was at the sallyport (back gate) through this wall,on March 19,1689,that John Graham 1st Viscount Dundee the 7th Laird of Claverhouse conferred with the Governor George Gordon the 1st Duke of Gordon.After the meeting,'Bonnie Dundee' John Graham 1st Viscount Dundee the 7th Laird of Claverhouse rode north to raise a force to support King James VII of Great Britain and the Governor George Gordon 1st Duke of Gordon began his defence of the castle on behalf of the exiled monarch.Durring the 1717 siege,the Jacobites tried to breach the sallyport.This prompted Major General George Wade to propose that the Western Defences be redesiged.The work was carried out by Willian Adam,the famous architect,working in his capacity as a building contractor.The walls were designed for defence by musketeers.The uppermost terrace (immediately) below the viewpoint) was constructed in 1858.
Web Page
Form + Content Gallery
210 2nd Street North
Minneapolis, Minnesota
October 20, 2012 Opening
Here I Am/Not
This image forms part of the digitised photographs of the Ross and Pat Craig Collection. Ross Craig (1926-2012) was a local historian born in Stockton and dedicated much of his life promoting and conserving the history of Stockton, NSW. He possessed a wealth of knowledge about the suburb and was a founding member of the Stockton Historical Society and co-editor of its magazine. Pat Craig supported her husbandâs passion for history, and together they made a great contribution to the Stockton and Newcastle communities. We thank the Craig Family and Stockton Historical Society who have kindly given Cultural Collections at the University of Newcastle, NSW, Australia, access to the collection and allowed us to publish the images. Thanks also to Vera Deacon for her liaison in attaining this important collection.
Please contact Cultural Collections at the University of Newcastle, NSW, Australia, if you are the subject of the image, or know the subject of the image, and have cultural or other reservations about the image being displayed on this website and would like to discuss this with us.
Some of the images were scanned from original photographs in the collection held at Cultural Collections, other images were already digitised with no provenance recorded.
You are welcome to freely use the images for study and personal research purposes. Please acknowledge as âCourtesy of the Ross and Pat Craig Collection, University of Newcastle (Australia)" For commercial requests please consider making a donation to the Vera Deacon Regional History Fund.
These images are provided free of charge to the global community thanks to the generosity of the Vera Deacon Regional History Fund. If you wish to donate to the Vera Deacon Fund please download a form here: uoncc.wordpress.com/vera-deacon-fund/
If you have any further information on the photographs, please leave a comment
Las costumbres, la forma de vestir y las reuniones como tal, antes y después de cualquier encuentro, descubren la belleza, movimiento y profundidad de la fiesta vasca a través de la pintura de García Ergüin
Un colorido, una escena y una historia que contar
La tradición, costumbres y escenificación de los paseos, vestimentas, trajes, vestidos y movimiento de los personajes descritos nos evocan al pasado, pero también al presente más inmediato, donde la sociedad vasca identifica sus años de historia y observamos la aglomeración de las personas como si estuviésemos en una obra de teatro, debido a su acción, diálogo y concentración.
El color de los cuadros que presentamos, realizados en 1975, 1977 y 1978, y expuestos en las principales ciudades, son de una importante originalidad, quizás poco o nada que ver con las ya mencionados, colgados y presentados en las distintas redes sociales. La belleza de la mujer pintada, con todos y cada uno de los detalles, los hombres preparados para la realización de la foto, o bien las posibilidades de interpretar el diálogo en las reuniones entre conocidos y amigos abren una dimensión a García Ergüin, no mencionada con anterioridad, que permite encontrarnos de forma directa en un viaje hacia el pasado, quizás mediados del siglo XIX o principios del XX.
El romanticismo, realismo y naturalismo son fuentes que a veces se alternan para dar coherencia a la escena, al cuadro en sí, que recogen de forma autónoma o independiente una serie de corrientes que nos hicieron preocuparnos por el devenir de los acontecimientos históricos, como si habláramos de los grandes novelistas de los siglos XVIII, XIX y XX, que demostraron su buen hacer con la pluma, máquina de escribir o cualquier formato que escogiesen. La fiesta vasca tiene un origen, una continuidad y un respeto. Aquí no hablamos de toros, que están en otro lado, sólo de la tradición y costumbre, de la mirada y de la manera de reunirse para disfrutar del diálogo.
El color, colorido, la belleza de las siluetas es de una perfección que emociona y nos lleva a un escenario donde aparecen personajes que podíamos dar nombre y apellido, de aquellas obras de teatro costumbristas que son historia de verano. Esta exquisitez es una muestra de una forma de entender la pintura en su esencia. La firma, de García Ergüin, representa la innovación de un artista que encontró en la prosa una disposición a la hora de narrar y describir una cultura respetada en el tiempo.
Fuente de información:
Archivos de Iñaki García Ergüin.
Para más información
Ignacio García Ergüin
Web: www.garciaerguin.es
Facebook: facebook.com/garciaerguin
Twitter: twitter.com/garciaerguin
Flickr: flickr.com/photos/garciaerguin
YouTube: youtube.com/inakigarciaerguin
Leticia Zavala works on her form in her strength & conditioning for women class in the Dugan Wellness Center.
El mandatario guatemalteco atendió de forma personal las inquietudes de los participantes, dándole seguimiento al programa de gobierno de ejercer el mandato junto con el pueblo. Foto Presidencia/Paulo Raquec
Strobist: One flash from the bottom right, pointing up, and one flash from the left of the cactus, on a tripod, with a Gary Fong Amberdome on it.
This was by the road, and between the road and the cactus was a ditch and then a 5-foot wall of dirt. I stood on the road to take the picture, at about eye level with the cactus. The original photo had a bush on each side of the picture, but I didn't like them so I cloned the flowers and grass over them. I wanted the horizontal lines to be stronger with just the cactus interrupting them. I could have cropped off the dirt and rocks at the bottom, but I like it because it adds another horizontal line and another texture.
Insight Publishing has translated my latest book Web Form Design: Filling In the Blanks into Korean and the book is now available for sale in Korea. If you are interested, take a look at the book announcement from Insight and the product listing on their site. Or peek inside the book at the Korean book site: Aladdin.
FORMS – System elementów wspomagający kreatywność i rozwój fizyczny dzieci
Zuzanna Wdowik (Polska)
Więcej: www.makeme.lodzdesign.com/pl/finalisci-2008-2/2022/forms-...
Formed in June 2008. Wassa Wassa is a collective of people living in Dublin who, with growing numbers, have found a keen interest in the traditions and cultures of West Africa. Among them, singers, dancers, drummers and teachers of same, who together and separately have spent many months on end studying in the region. Using the basic traditional rhythms and dances, they have added some contemporary and some traditional African songs and added their own arrangements, traditional costumes and hats you wont forget! Also 10% of all Wassa Wassa profits go to La Roue Tourne-A charity to help musicians in Africa suffering with Polio and street children
FORMS OF HANDS 15
24th - 25th April 2015
Bönen (Ruhr area/Germany)
Winterkälte
Ah Cama-Sotz
Ancient Methods
Synth-Etik
S.K.E.T.
Maschinenkrieger KR52 vs. Disraptor
Totakeke
13th Monkey
Hysteresis
Illegal Trade
Norm
Sylvgheist Maelström
Yurayura
Supersimmetria
Florence (Italian: Firenze, alternative obsolete form: Fiorenza; Latin: Florentia) is the capital city of the Italian region of Tuscany and of the province of Florence. It is the most populous city in Tuscany, with approximately 370,000 inhabitants, expanding to over 1.5 million in the metropolitan area.
Florence is famous for its history. A centre of medieval European trade and finance and one of the wealthiest cities of the time, Florence is considered the birthplace of the Renaissance, and has been called the Athens of the Middle Ages. A turbulent political history includes periods of rule by the powerful Medici family, and numerous religious and republican revolutions. From 1865 to 1870 the city was also the capital of the recently established Kingdom of Italy.
The historic centre of Florence attracts millions of tourists each year, and Euromonitor International ranked the city as the world's 72nd most visited in 2009, with 1,685,000 visitors.[5] It was declared a World Heritage Site by UNESCO in 1982. Due to Florence's artistic and architectural heritage, it has been ranked by Forbes as one of the most beautiful cities in the world, and the city is noted for its history, culture, Renaissance art and architecture and monuments. The city also contains numerous museums and art galleries, such as the Uffizi Gallery and the Pitti Palace, amongst others, and still exerts an influence in the fields of art, culture and politics.
All photos in this gallery are all rights reserved. If you want to use any of them, please send an email before. Thanks for collaboration.
Coming through the rye, poor body
Coming through the rye,
She draiglet a’ her petticoatie.
Coming through the rye
Gin a body meet a body
Coming through the rye;
Gin a body kiss a body,
Need a body cry?
Gin a body meet a body
Coming through the glen;
Gen a body kiss a body,
Need the world ken?
Jenny’s a’ wat, poor body;
Jenny’s seldon dry;
She draiglet a’ her petticoatie,
Coming through the rye.
Robert Burns
Praktica MTL 5 - 50/1.8
This image forms part of the digitised photographs of the Ross and Pat Craig Collection. Ross Craig (1926-2012) was a local historian born in Stockton and dedicated much of his life promoting and conserving the history of Stockton, NSW. He possessed a wealth of knowledge about the suburb and was a founding member of the Stockton Historical Society and co-editor of its magazine. Pat Craig supported her husband’s passion for history, and together they made a great contribution to the Stockton and Newcastle communities. We thank the Craig Family and Stockton Historical Society who have kindly given Cultural Collections at the University of Newcastle, NSW, Australia, access to the collection and allowed us to publish the images. Thanks also to Vera Deacon for her liaison in attaining this important collection.
Please contact Cultural Collections at the University of Newcastle, NSW, Australia, if you are the subject of the image, or know the subject of the image, and have cultural or other reservations about the image being displayed on this website and would like to discuss this with us.
Some of the images were scanned from original photographs in the collection held at Cultural Collections, other images were already digitised with no provenance recorded.
You are welcome to freely use the images for study and personal research purposes. Please acknowledge as “Courtesy of the Ross and Pat Craig Collection, University of Newcastle (Australia)" For commercial requests please consider making a donation to the Vera Deacon Regional History Fund.
These images are provided free of charge to the global community thanks to the generosity of the Vera Deacon Regional History Fund. If you wish to donate to the Vera Deacon Fund please download a form here: uoncc.wordpress.com/vera-deacon-fund/
If you have any further information on the photographs, please leave a comment.
The newly formed Senior Wrestling League competition between Aspull Warriors and City of Manchester Wrestling Club, was held at the Aspull on Saturday Saturday 21 Jan 2023.
Following 10 exciting and tough matches City of Manchester gained the win.
Aspull Warriors 19 City of Manchester 26
This event is part of the two pilot leagues which were launching in September 22.
This could be a huge step for the development of wrestling in this country. If successful with our pilot season this could lead to the launch of a nationwide league launching in every region of the UK by the end of 2023.
The clubs competing in the inaugural Northern Seniors Wrestling League are:-
Manchester Y-Club Wrestling
@aspullwarriorswrestling
@bowcbears
@manchester_wrestling_club
@empower_wrestling
@bradfordwrestlingacademy
Tall Cylindrical Form - 1980- 32" h x 4" w. Wood Fired Stoneware. Collection- Museum of Modern Art. NYC Paul Chaleff
SB600 TTL -1 camera right through softbox w/ orange gel
SB600 TTL -3 bounced on white seamless w/ blue gel for background
white bounce card camera left
Banda formada en el año 1989, en las que se puede ver las influencias tanto de The Misfits como Hard-on. El nombre de esta banda es por tanto un tributo a esas dos bandas que tanto les gustan, de ahí el nombre compuesto por: Satanic, para darle un toque de horror, siguiendo la escuela de Glenn Danzing y sus amigos de The Misfits; y Surfers, pagando el tributo a la vieja escuela de surf-punk encabezada por Hard-on.
El género musical de ésta banda, puede decirse semejante al de NOFX y Lag Wagon. El sello discografico Burning Heart se fijó en ellos y les hizo crecer del mundo musical.
Los últimos años han sido una época de cambios para Satanic Surfers. Rodrigo Alfaro ha sido, a pesar de lo que pueda parecer, la fuerza creativa de la banda. Siendo a la vez batería y cantante estos roles eran difíciles de compaginar, pero las cosas fueron cambiando. Un nuevo baterista entró en la banda, Martin Svensson, así que Rodrigo pasó a ser unicamente vocalista.
Se disolvieron en 2007.