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Our principal violinists, cellist and harpsichordist were at Queen Elizabeth Sixth Form College, Darlington, on Wednesday 20th September 2017 for a workshop on performance and interpretation. We greatly enjoyed working with the orchestra and soloists on three concertos – Bach’s Violin Concerto in A minor BWV 1041, Vivaldi’s Flute Concerto in D major ‘The Goldfinch’ RV428 and John Garth’s Cello Concerto No 2 in B flat major. It was an intensive workshop focusing on period interpretation, style and performance practices, and at the end of the workshop the orchestra presented a concert to an invited audience of students from other schools in the area. We were delighted to be involved in this workshop to engage and explore this wonderful music with enthusiastic young players.
We’re grateful to Dr Simon Fleming (Curriculum Leader for Music) and the staff at QESFC for inviting us to lead this workshop. QESFC has a thriving culture of music education and participation, and we’re delighted to have been involved in supporting their music learning.
The Avison Ensemble is the outstanding period instrument orchestra based in Newcastle upon Tyne, which plays and popularises the music of Charles Avison (1709-1770) and other English classical composers of the Baroque period, such as Garth, Arne and Herschel. The Ensemble also performs Purcell, Handel, Vivaldi, Corelli, Geminiani, Pergolesi, Teleman, Rameau, Bach, Mozart, Haydn and Beethoven.
200mm cranks, 1.25" steer tube and chris king headset, curved seat tube, oversized BB. This is for a very very tall person so it will look normal from a distance. It will be an interesting build. I have to build a new jig to accomodate as well a other special tooling.
Unmistakable open form, developing to be acacia-like in great age (older than this one). Pyramidal att his age and younger. Hardy to zone 5b.
PROGETTAZIONE, RISTRUTTURAZIONE E ARREDAMENTO NEGOZIO DI CALZATURE E ACCESSORI,
FORMIA, PROVINCIA DI LATINA
La ristrutturazione totale e l'arredamento su misura di questo negozio a Formia in provincia di Latina ha richiesto una lunga progettazione e un'altrettanto lunga fase di realizzazione, dovuta in parte all'estrema cura dei particolari e in parte alle difficili condizioni in cui versavano i locali.
Custom metal forming equipment used in the process of bending steel sheet metal coil in to metal parts. Industrial roll forming machinery manufactured by Metform International
Judo throws are called forms in Japanese and are the equivalent of Platonic forms except they exist in the world. They may need names, I believe but these are in the world too, as shown above.
Northeast corner of the island of Taiwan (looking toward the south) shortly after departure from Taipei.
The newly formed Senior Wrestling League competition between Aspull Warriors and City of Manchester Wrestling Club, was held at the Aspull on Saturday Saturday 21 Jan 2023.
Following 10 exciting and tough matches City of Manchester gained the win.
Aspull Warriors 19 City of Manchester 26
This event is part of the two pilot leagues which were launching in September 22.
This could be a huge step for the development of wrestling in this country. If successful with our pilot season this could lead to the launch of a nationwide league launching in every region of the UK by the end of 2023.
The clubs competing in the inaugural Northern Seniors Wrestling League are:-
Manchester Y-Club Wrestling
@aspullwarriorswrestling
@bowcbears
@manchester_wrestling_club
@empower_wrestling
@bradfordwrestlingacademy
Le forme del divenire
Presentazione del libro Le forme del divenire (Einaudi) con l’autore Alessandro Minelli. Introduce Cristina Serra.
Quando:
Ruby red rose form double flowers from March. Medium upright growth. This is actually a new plant I got to replace a Pink Camelia that sadly died from the severe cold weather in winter 2009/2010 and 2010/11. I already got a Red Camelia, but this is of a different variety.
At the garden centre they had many hybrid species, but from my past experience, they are not as strong as the non-hybrid ones when it comes to handling the adverse weather. I'm crossing my fingers and toes that this one thrives....
This is Ametsub's 2nd album
Label: Progressive Form ‎– PFCD18, Third Ear (2) ‎– XECD-1110
Format: CD, Album
Country: Japan
Released: 04 Feb 2009
Genre: Electronic
Style: Future Jazz, Glitch, Ambient, Downtempo, Experimental
Tracklist
1. Solitude
2. Lichen With Piano
3. Repeatedly
4. Snowy Lava
5. Old Obscurity
6. Peaks Far Afield
7. Time For Trees
8. Skyr
9. Faint Dazzlings
10. Mosfell (Pathless)
11. 66
12. Off-Road 264
Recycled silver in the form of PMC was used to create this skull pendant. The skull is decorated with a flower surrounded by vining leaves. The shape was cut out of clay and then the details and flora were carved into the dried clay prior to being kiln-fired. Once fired, the pendant was oxidized and hand buffed to bring out the detail. It is displayed on a sterling silver chain that closes with two tiny moonstones and a sterling silver lobster claw clasp.
DÃa de los Muertos is a Mexican celebration which coincides with All Souls Day. Decorated sugar skulls are used to signify the sweetness of life and the sadness of death.
A very sci-fi, retro looking sculpture of a rocket ship located behind the Hall of Science. According to www.nycgovparks.org, the title of the piece is "Forms of Transit," sculpted by Theodore Roszak in 1964. It is probably one of the few World's Fair exhibitions left in Flushing Meadows - Corona Park.
Pendant in the form of a stylised human figure made of tumbaga by lost-wax casting. It wears a crescentic nose-adornment and an X-shaped mask, and holds elongated artefacts in his hands, may be a staff or a spear and a shield.
Culture/periodCalima (Yotoco) term details
Date200BC-1300
FindspotExcavated/Findspot: Colombia
Trustees of the British Museum
Nymphenburg, Mokkatasse, Moccatasse, Espressotasse, demi tasse, Jugendstil, Form Modern, Max Rossbach, www.kabelitz-porzellan.de
composite image as an exploration of textures, materials, and forms from skin as a device to create an abstract landscape
Resembling a nightmarish beast rearing its head from a crimson sea, this celestial object is actually just a pillar of gas and dust. Called the Cone Nebula (in NGC 2264) - so named because in ground-based images it has a conical shape - this monstrous pillar resides in a turbulent star-forming region. This picture, taken by the newly installed Advanced Camera for Surveys (ACS) aboard the NASA/ESA Hubble Space Telescope, shows the upper 2.5 light-years of the Cone, a height that equals 23 million roundtrips to the Moon. The entire pillar is seven light-years long. Radiation from hot, young stars (located beyond the top of the image) has slowly eroded the nebula over millions of years. Ultraviolet light heats the edges of the dark cloud, releasing gas into the relatively empty region of surrounding space. There, additional ultraviolet radiation causes the hydrogen gas to glow, which produces the red halo of light seen around the pillar. A similar process occurs on a much smaller scale to gas surrounding a single star, forming the bow-shaped arc seen near the upper left side of the Cone. This arc, seen previously with the Hubble telescope, is 65 times larger than the diameter of our Solar System. The blue-white light from surrounding stars is reflected by dust. Background stars can be seen peeking through the evaporating tendrils of gas, while the turbulent base is pockmarked with stars reddened by dust. Over time, only the densest regions of the Cone will be left. But inside these regions, stars and planets may form. The Cone Nebula resides 2500 light-years away in the constellation Monoceros. The Cone is a cousin of the M16 pillars, which the Hubble telescope imaged in 1995. Consisting mainly of cold gas, the pillars in both regions resist being eroded away by the blistering ultraviolet radiation from young, massive stars. Pillars like the Cone and M16 are common in large regions of star birth. Astronomers believe that these pillars may be incubators for developing stars. The ACS made this observation on 2 April 2002. The colour image is constructed from three separate images taken in blue, near-infrared, and hydrogen-alpha filters. Image credit: NASA, the ACS Science Team (H. Ford, G. Illingworth, M. Clampin, G. Hartig, T. Allen, K. Anderson, F. Bartko, N. Benitez, J. Blakeslee, R. Bouwens, T. Broadhurst, R. Brown, C. Burrows, D. Campbell, E. Cheng, N. Cross, P. Feldman, M. Franx, D. Golimowski, C. Gronwall, R. Kimble, J. Krist, M. Lesser, D. Magee, A. Martel, W. J. McCann, G. Meurer, G. Miley, M. Postman, P. Rosati, M. Sirianni, W. Sparks, P. Sullivan, H. Tran, Z. Tsvetanov, R. White, and R. Woodruff) and ESA
This image forms part of the digitised photographs of the Ross and Pat Craig Collection. Ross Craig (1926-2012) was a local historian born in Stockton and dedicated much of his life promoting and conserving the history of Stockton, NSW. He possessed a wealth of knowledge about the suburb and was a founding member of the Stockton Historical Society and co-editor of its magazine. Pat Craig supported her husband’s passion for history, and together they made a great contribution to the Stockton and Newcastle communities. We thank the Craig Family and Stockton Historical Society who have kindly given Cultural Collections at the University of Newcastle, NSW, Australia, access to the collection and allowed us to publish the images. Thanks also to Vera Deacon for her liaison in attaining this important collection.
Please contact Cultural Collections at the University of Newcastle, NSW, Australia, if you are the subject of the image, or know the subject of the image, and have cultural or other reservations about the image being displayed on this website and would like to discuss this with us.
Some of the images were scanned from original photographs in the collection held at Cultural Collections, other images were already digitised with no provenance recorded.
You are welcome to freely use the images for study and personal research purposes. Please acknowledge as “Courtesy of the Ross and Pat Craig Collection, University of Newcastle (Australia)" For commercial requests please consider making a donation to the Vera Deacon Regional History Fund.
These images are provided free of charge to the global community thanks to the generosity of the Vera Deacon Regional History Fund. If you wish to donate to the Vera Deacon Fund please download a form here: uoncc.wordpress.com/vera-deacon-fund/
If you have any further information on the photographs, please leave a comment.
This image forms part of the digitised photographs of the Ross and Pat Craig Collection. Ross Craig (1926-2012) was a local historian born in Stockton and dedicated much of his life promoting and conserving the history of Stockton, NSW. He possessed a wealth of knowledge about the suburb and was a founding member of the Stockton Historical Society and co-editor of its magazine. Pat Craig supported her husband’s passion for history, and together they made a great contribution to the Stockton and Newcastle communities. We thank the Craig Family and Stockton Historical Society who have kindly given Cultural Collections at the University of Newcastle, NSW, Australia, access to the collection and allowed us to publish the images. Thanks also to Vera Deacon for her liaison in attaining this important collection.
Please contact Cultural Collections at the University of Newcastle, NSW, Australia, if you are the subject of the image, or know the subject of the image, and have cultural or other reservations about the image being displayed on this website and would like to discuss this with us.
Some of the images were scanned from original photographs in the collection held at Cultural Collections, other images were already digitised with no provenance recorded.
You are welcome to freely use the images for study and personal research purposes. Please acknowledge as “Courtesy of the Ross and Pat Craig Collection, University of Newcastle (Australia)" For commercial requests please consider making a donation to the Vera Deacon Regional History Fund.
These images are provided free of charge to the global community thanks to the generosity of the Vera Deacon Regional History Fund. If you wish to donate to the Vera Deacon Fund please download a form here: uoncc.wordpress.com/vera-deacon-fund/
If you have any further information on the photographs, please leave a comment.