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Exploitant : Transdev Nanterre
Réseau : RATP
Ligne : 467
Lieu : Gare de Rueil-Malmaison (Rueil-Malmaison, F-92)
Lien TC Infos : tc-infos.fr/id/26912
Appointed by the UN Secretary-General, Jane Connors is the UN’s first Victims’ Rights Advocate (VRA). This puts her at the forefront of efforts to prevent, respond to, and ultimately eliminate sexual exploitation and abuse. Her role ensures that victims are at the center of the UN’s approach.
Photo: UNMISS
A march against the exploitation of and racism toward international students in Australia that the governments (both state and federal) continue to allow to exist. International and Australian students from NSW universities (such as Newcastle, UTS, Macquarie, UNSW and Sydney University) rallied together, marching from Sydney University to UTS and on to NSW Parliament House, asking for the government to intervene and change legislation that allows international students to be taken advantage of.
Some basic rights like abolishing the 20-hour work week limit and providing student travel concessions to international students were demanded in chants and songs. At a deeper level though, the protesters are demanding an end to the systematic racism and exploitation of international students, who are increasingly treated more as a means to profit than as students to educate.
Un employé de la Société d'Exploitation de Kipoï (SEK), une filiale de l'entreprise australienne Tiger Ressources, travaille à la production de cathode de cuivre pures à 99,999% dans l'usine d'extraction électrolytique par solvant à Kipoï, à 75 kilomètres à l'ouest de Lubumbashi, capitale de la province minière du Katanga, en République démocratique du Congo, le 9 mars 2015. - An employee of the Société d'Exploitation de Kipoï (SEK), a subsidiary of the Australian company Tiger Resources, is working at the electrolytic solvent extraction plant in Kipoi, about 75 kilometers west of Lubumbashi, the capital of the mining province of Katanga, in the Democratic Republic of the Congo, on March 9th, 2015.
Exploitant : Transdev TVO
Réseau : R'Bus (Argenteuil)
Ligne : 6
Lieu : Gare d'Argenteuil (Argenteuil, F-95)
Lien TC Infos : tc-infos.fr/id/29317
A march against the exploitation of and racism toward international students in Australia that the governments (both state and federal) continue to allow to exist. International and Australian students from NSW universities (such as Newcastle, UTS, Macquarie, UNSW and Sydney University) rallied together, marching from Sydney University to UTS and on to NSW Parliament House, asking for the government to intervene and change legislation that allows international students to be taken advantage of.
Some basic rights like abolishing the 20-hour work week limit and providing student travel concessions to international students were demanded in chants and songs. At a deeper level though, the protesters are demanding an end to the systematic racism and exploitation of international students, who are increasingly treated more as a means to profit than as students to educate.
Histoire des lieux :
Ce charbonnage est l’un des plus « célèbres » auprès des explorateurs urbains. Il est devenu le triste témoin de l’activité minière à Châtelineau. Il fait partie du bassin minier Charleroi-Basse Sambre.
Le site dit « du Gouffre » est connu sous le nom de « puit numéro 10 ». L’activité de ce charbonnage commence en 1890. Le concassage des houilles est inauguré au Gouffre en 1889. Ce charbonnage s’arrête en 1954, soit deux ans avant la grande catastrophe de Marcinelle. Ces dates officielles proviennent d’un document de la Région Wallonne.
Mais en creusant un peu l’aspect historique, je remarque que depuis 1778 déjà, une convention met en avant l’exploitation de la veine qui porte le nom de « La Gouffre ».
En 1820, les frères Gendebien deviennent les propriétaires de la concession. En 1831, une chaussée reliant Châtelineau à Farciennes est construite. Elle porte toujours actuellement, sans surprise, le nom de rue Gendebien.
Les dates vont défiler et porter leur lot de rachat, d’absorption et de fusion qui transformera cette petite entreprise en Société Anonyme. En 1882, le charbonnage prend le nom de S.A. des Charbonnages du Gouffre.
En 1930, la société emploiera 1450 ouvriers répartis entre les puits n°7, 8, 9 et 10 (celui du Gouffre) et produit 246 000 Tonnes de charbon.
Neuf ans avant la fermeture, cette S.A. grandissante va annexer le charbonnage de Pont-de-Loup. Dans les années 50, cela sera plus de 540 000 Tonnes de charbon qui seront produits. Mais les années qui suivront seront ce qu’elles sont en sonnant l’arrêt de l’extraction minière dans notre pays. L’année 1954 déclarera la fermeture de ce puit n°10.
En 1969, la S.A. des Charbonnages du Gouffre arrêtera ses activités avec la fermeture de son dernier puit (le n°7).
A titre d’information, une partie des bâtiments deviendront un zoo dans les années 80. Une société de béton deviendra également propriétaire d’une autre partie et continue toujours son activité à l’heure actuelle
Source : www.focale-alternative.be/charbonnage-gouffre-friche/
During my trip to Rohtang, I visited this so called "waterfall" Jana. All I saw was a tiny stream trickling down a coupla huge rocks. and there was this tiny shack that sold local delicacies right next to it.
It was not a happy feeling when I figured I drove for over 2 hours from manali just for this (I paid over a 1000 bucks for the car).
However having come this far, I sat in this shack and the owner offered to serve me lunch for 100 bucks. I checked the menu first and there was some half burnt food in a dirty vessel....
I opted for some tea, which I ended up returning after the first sip. it was pathetic - Not just the tea, almost the entire Jana trip.
The only things I brought back are the picture on this page and this panorama.
When young girls sacrificed under the devadasis system reach maturity, they are exploited by men. "They can never escape from it," says one humanitarian aid worker.
A march against the exploitation of and racism toward international students in Australia that the governments (both state and federal) continue to allow to exist. International and Australian students from NSW universities (such as Newcastle, UTS, Macquarie, UNSW and Sydney University) rallied together, marching from Sydney University to UTS and on to NSW Parliament House, asking for the government to intervene and change legislation that allows international students to be taken advantage of.
Some basic rights like abolishing the 20-hour work week limit and providing student travel concessions to international students were demanded in chants and songs. At a deeper level though, the protesters are demanding an end to the systematic racism and exploitation of international students, who are increasingly treated more as a means to profit than as students to educate.
qui exploite qui ?
j'attends quoi de la société ?
quelle est ma contribution ?
que d'énergies se perdent ...
qui suis je pour juger ainsi
la tristesse des autres ?
Exploitant : Transdev Nanterre
Réseau : RATP
Ligne : 467
Lieu : Général Leclerc (Saint-Cloud, F-92)
Lien TC Infos : tc-infos.fr/id/24425
Broke Bench Mountain, Cumz Out My Nose and Cum,U Will Not! resort to Technology on Trail for entertainment while Hareless listens to a (most likely) lurid tale of one of Princess Di(arrhea)'s numerous sexual exploits with her (current) husband.
“End the Slavery”: Sakuma Brothers Farms Workers of Familias Unidas por la Justicia March for a Labor Contract and Against Exploitation and Abuse: Burlington, Washington, Saturday, July 11, 2015.
Exploitant : Transdev Les Cars d'Orsay
Réseau : Paris-Saclay Mobilités
Ligne : 7
Lieu : Université Paris-Saclay (Orsay, F-91)
Lien TC Infos : tc-infos.fr/id/51242
A march against the exploitation of and racism toward international students in Australia that the governments (both state and federal) continue to allow to exist. International and Australian students from NSW universities (such as Newcastle, UTS, Macquarie, UNSW and Sydney University) rallied together, marching from Sydney University to UTS and on to NSW Parliament House, asking for the government to intervene and change legislation that allows international students to be taken advantage of.
Some basic rights like abolishing the 20-hour work week limit and providing student travel concessions to international students were demanded in chants and songs. At a deeper level though, the protesters are demanding an end to the systematic racism and exploitation of international students, who are increasingly treated more as a means to profit than as students to educate.
Exploitant : Transdev Nanterre
Réseau : RATP
Lieu : Gare de Rueil-Malmaison (Rueil-Malmaison, F-92)
Lien TC Infos : tc-infos.fr/id/24450
Exploitant : RATP
Réseau : RATP
Ligne : 367
Lieu : Pont de Bezons (Bezons, F-95)
Lien TC Infos : tc-infos.fr/id/18921
L'exploitation de sept filons d'ardoises pendant trois siècles a formé des falaises abruptes parallèles de roches inexploitables (à trop forte teneur en quartz) de 50 à 150 mètres de profondeur.
D'une qualité remarquable avec seulement 2 % de porosité, ces ardoises de Corrèze ont notamment été choisies pour la rénovation de l'abbaye du Mont-Saint-Michel.
Exploitant : RATP
Réseau : Navette Substitution SNCF Île-de-France
Ligne : Navette Transilien H
Lieu : Gare d'Ermont – Eaubonne (Ermont, F-95)
Lien TC Infos : tc-infos.fr/id/18184
The Palau de la Música Catalana was built between 1905 and 1908 by the architect Lluís Domènech i Montaner as a home for the Orfeó Català, financed by popular subscription.
The Palau de la Música Catalana is an architectural jewel of Catalan Art Nouveau, the only concert venue in this style to be listed as a World Heritage Site by UNESCO (4th December 1997), which today represents an essential landmark in the cultural and social life of Catalonia. Moreover it represents a symbolic emotional heritage for a whole people who identify with its history.
The building is designed around a central metal structure covered in glass, which exploits natural light to make the make Domènech i Montaner's masterpiece into a magical music box which brings together all the decorative arts: sculpture, mosaic, stained glass and ironwork. The guided tours offered by the Palau de la Música Catalana are a must on any visit to Barcelona.
The Concert Auditorium – one of the most distinctive in the world – is for more than hundred years the privileged setting for the musical life, both national and international, of the city of Barcelona. It has hosted world premieres and iit is a landmark symphonic and choral music. Dominated by the organ over the stage and with a central skylight portraying the sun, the auditorium is filled with natural light. A mystical, paradoxical hall, packed with figures like the muses which surround the stage, a bust of Anselm Clavé on one side and Beethoven on the other, and hundreds of natural motifs, including flowers, palms, fruit, jars and cases filled with jewels.
As well as the large Concert Auditorium, the Palau has two other venues for the artistic life of the institution. One is the Petit Palau, a modern auditorium opened in 2004, ideal for chamber music or small-format concerts and offering excellent acoustics and high-tech audio-visual equipment. The last venue is the little gem of the Palau de la Música, the Sala d'Assaig de l'Orfeó Català, the Orfeó Català Rehearsal Room. A cosy, intimate venue for small-format concerts, talks, presentations - and, of course, where the Orfeó Català choirs practise. The first stone of the Palau, laid in 1905, is here. With its semi-circular arc of seats facing the half moon arch on the ceiling over the Concert hall stage, it features robust columns, stained glass and period decoration.
Another very special part of the Palau is the great Sala Lluís Millet, or Lluís Millet Hall, a meeting place in intermissions dedicated to Maestro Millet, the founder of the Orfeó Català. The hall is two storeys high, with great stained glass windows decorated with floral designs, giving an extraordinary effect. Even more exceptional is the balcony which can be seen through these windows, with its double colonnade decorated with distinctive colours and ornamentation. Another exceptional setting is the Foyer of the Palau, which has room for a large number of people, even seated at tables, both when there are performances and when it is used as a separate restaurant-cafeteria. The wide arches built with bricks and green and floral-pattern glazed ceramics give this area a distinctive air or its very own.
Nov.6, 2018: Various Nile River, Upper Egypt Photos, plus the Aswan High Dam.
The Aswan High Dam, is an embankment dam built across the Nile in Aswan, Egypt, between 1960 and 1970. Its significance largely eclipsed the previous Aswan Low Dam initially completed in 1902 downstream.
After 11 years of construction, the Aswan High Dam across the Nile River in Egypt is completed on July 21, 1970. More than two miles long at its crest, the massive $1 billion dam ended the cycle of flood and drought in the Nile River region, and exploited a tremendous source of renewable energy, but had a controversial environmental impact.
A dam was completed at Aswan, 500 miles south of Cairo, in 1902. The first Aswan dam provided valuable irrigation during droughts but could not hold back the annual flood of the mighty Nile River. In the 1950s, Egyptian leader Gamal Abdel Nasser envisioned building a new dam across the Nile, one large enough to end flooding and bring electric power to every corner of Egypt. He won United States and British financial backing, but in July 1956 both nations canceled the offer after learning of a secret Egyptian arms agreement with the USSR. In response, Nasser nationalized the British and French-owned Suez Canal, intending to use tolls to pay for his High Dam project. This act precipitated the Suez Canal Crisis, in which Israel, Britain, and France attacked Egypt in a joint military operation. The Suez Canal was occupied, but Soviet, U.S., and U.N. forced Israel, Britain, and France to withdraw, and the Suez Canal was left in Egyptian hands in 1957.
Soviet loans and proceeds from Suez Canal tolls allowed Nasser to begin work on the Aswan High Dam in 1960. Some 57 million cubic yards of earth and rock were used to build the dam, which has a mass 16 times that of the Great Pyramid at Giza. On July 21, 1970, the ambitious project was completed. President Nasser died of a heart attack in September 1970, before the dam was formally dedicated in 1971.
The giant reservoir created by the dam–300 miles long and 10 miles wide–was named Lake Nasser in his honor. The formation of Lake Nasser required the resettlement of 90,000 Egyptian peasants and Sudanese Nubian nomads, as well as the costly relocation of the ancient Egyptian temple complex of Abu Simbel, built in the 13th century B.C.
The Aswan High Dam brought the Nile’s devastating floods to an end, reclaimed more than 100,000 acres of desert land for cultivation, and made additional crops possible on some 800,000 other acres. The dam’s 12 giant Soviet-built turbines produce as much as 10 billion kilowatt-hours annually, providing a tremendous boost to the Egyptian economy and introducing 20th-century life into many villages. The water stored in Lake Nasser, several trillion cubic feet, is shared by Egypt and the Sudan and was crucial during the African drought years of 1984 to 1988.
Despite its successes, the Aswan High Dam has produced several negative side effects. Most costly is the gradual decrease in the fertility of agricultural lands in the Nile delta, which used to benefit from the millions of tons of silt deposited annually by the Nile floods. Another detriment to humans has been the spread of the disease schistosomiasis by snails that live in the irrigation system created by the dam. The reduction of waterborne nutrients flowing into the Mediterranean is suspected to be the cause of a decline in anchovy populations in the eastern Mediterranean. The end of flooding has sharply reduced the number of fish in the Nile, many of which were migratory. Lake Nasser, however, has been stocked with fish, and many species, including perch, thrive there.
A march against the exploitation of and racism toward international students in Australia that the governments (both state and federal) continue to allow to exist. International and Australian students from NSW universities (such as Newcastle, UTS, Macquarie, UNSW and Sydney University) rallied together, marching from Sydney University to UTS and on to NSW Parliament House, asking for the government to intervene and change legislation that allows international students to be taken advantage of.
Some basic rights like abolishing the 20-hour work week limit and providing student travel concessions to international students were demanded in chants and songs. At a deeper level though, the protesters are demanding an end to the systematic racism and exploitation of international students, who are increasingly treated more as a means to profit than as students to educate.
A march against the exploitation of and racism toward international students in Australia that the governments (both state and federal) continue to allow to exist. International and Australian students from NSW universities (such as Newcastle, UTS, Macquarie, UNSW and Sydney University) rallied together, marching from Sydney University to UTS and on to NSW Parliament House, asking for the government to intervene and change legislation that allows international students to be taken advantage of.
Some basic rights like abolishing the 20-hour work week limit and providing student travel concessions to international students were demanded in chants and songs. At a deeper level though, the protesters are demanding an end to the systematic racism and exploitation of international students, who are increasingly treated more as a means to profit than as students to educate.
A march against the exploitation of and racism toward international students in Australia that the governments (both state and federal) continue to allow to exist. International and Australian students from NSW universities (such as Newcastle, UTS, Macquarie, UNSW and Sydney University) rallied together, marching from Sydney University to UTS and on to NSW Parliament House, asking for the government to intervene and change legislation that allows international students to be taken advantage of.
Some basic rights like abolishing the 20-hour work week limit and providing student travel concessions to international students were demanded in chants and songs. At a deeper level though, the protesters are demanding an end to the systematic racism and exploitation of international students, who are increasingly treated more as a means to profit than as students to educate.
Straight from London but nowhere to be found in the British Beat history, the lost English band which sometimes sang in Italian !
Well, The Magnificents were Italian, of course, i'm quite sure that they don't even recorded something else under this name. All in all, a good record.
1960's French pressing on Concert Hall label.
Comme les vacances de Noël terminée et les marchés ont repris le travail pour les temps de stagnation qui durent habituellement jusqu'à après la fête du Nouvel An, cette bande dessinée d'entreprise a été mis en ligne dans les news options binaires du 27 Décembre 2012 par OptionsClick à blog.optionsclick.com/fr/2012/12/27/la-rigueur-reste-a-lo... pour le bénéfice des consommateurs de nouvelles, ainsi que pour l'érudition de commerçants qui investissent dans les options binaires, actions, matières premières, devises forex, et d'autres actifs qui sont négociés sur les marchés mondiaux. Le dessin comique montre Bucky, le caractère du dollar américain, debout à l'extrémité arrière de la ligne, avec un chapeau de cow-boy, et un boulet avec les mot '2ème amendement' sur elle, sur sa jambe gauche. En face de lui est Euroman, la gloire de l'Euro, vêtue d'une robe rayée bleue couvrant sa tête, et il maintien un poids lourd avec 'dette' en lettres du mot à travers elle. A l'avant de la ligne est le caractère Yen japonais de bande dessinée, qui a un turban sur chaque extrémité de ses membres supérieurs, et qui tient dans ses mains quelque chose marqué avec 'recouvrement sans fin'. L'image est évidemment une parodie de la scène de la nativité racontée par les chrétiens fidèles et religieux à Noël.