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Entre BERRY, TOURAINE et SOLOGNE, notre exploitation familiale produit et propose à la vente plus de 6 variétés de fromages de chèvre, aux affinages goûteux et variés. Notre production s'organise dans le respect d'une agriculture durable et la conservation des méthodes traditionnelles de fabrication. Nous cultivons et récoltons nos foins et céréales, qui sont utilisés pour alimenter notre troupeau.
Nous vous attendons sur nos marchés parisiens, trois jours par semaine.
:: La Ferme de la Prairie, S.C.E.A. ::
Polyculture-élevage caprin et porcin, transformation fromagère et bouchère, vente directe
A.O.P. "Valençay" & "Selles-sur-Cher"
Siège social : La Jarrerie, CHABRIS (F-36 210) - Tél. / Fax : +33 (0)2.54.40.15.50
Mél : contact@lafermedelaprairie.fr
FaceBook : www.lafermedelaprairie.fr/facebook
Red rose:
Rose, Exploit, バラ, エクスプルワ,
Climbing rose つるバラ
France フランス
Meilland
1987
Pink rose:
Rose, Urara Climbing, バラ, ツル うらら,
Climbing rose つるバラ
Japan 日本
Keisei rose Nursery, 京成バラ園芸
2013
WASHINGTON, DC: National Center for Missing & Exploited (NCMEC) 2022 Hope Gala, Oct. 20, 2022
The National Center for Missing & Exploited Children’s (NCMEC) Hope Gala held on Oct. 20, 2022 at the District Pier at The Wharf, Washington, D.C. The event is a celebration of the inspiring work being done globally to protect children. We recognized leaders in child safety, honor survivors, and remember the families and victims who are still seeking justice and safety. Claire Edkins /NCMEC
U.S. Senator Claire McCaskill, the top Democrat on the Senate Aging Committee, used a hearing today to examine the financial exploitation of seniors and the difficulty of prosecuting family members who exploit and defraud their elderly family members.
Centre d’exploitation ONCF - Rabat – Décembre 2020
L’ensemble du système d’exploitation du réseau ferré du Maroc a été profondément modernisé. Ce nouveau système permet une exploitation du trafic ferroviaire bien plus intelligente et efficace. Les outils de contrôle et de gestion des flux sont à la pointe de la technologie. La Banque Africaine de Développement a soutenu la modernisation de l’ensemble du système.
A march against the exploitation of and racism toward international students in Australia that the governments (both state and federal) continue to allow to exist. International and Australian students from NSW universities (such as Newcastle, UTS, Macquarie, UNSW and Sydney University) rallied together, marching from Sydney University to UTS and on to NSW Parliament House, asking for the government to intervene and change legislation that allows international students to be taken advantage of.
Some basic rights like abolishing the 20-hour work week limit and providing student travel concessions to international students were demanded in chants and songs. At a deeper level though, the protesters are demanding an end to the systematic racism and exploitation of international students, who are increasingly treated more as a means to profit than as students to educate.
Exploitant : Cars Hourtoule
Réseau : Express (Île-de-France)
Ligne : Express 4
Lieu : Gare Nord de Poissy (Poissy, F-78)
Lien TC Infos : tc-infos.fr/id/35066
Garbstore Spring/Summer 2010
Garbstores fifth collection finds it’s inspiration in the service industries that accompanied the colonial exploits of the British Empire, from rail building in India to service waiters in Hong Kong, From Chefs to train drivers we have focused on the Civilian aspect of Uniform that proceed from any Military campaign.
Canadian Folk band ‘The Mighty low’ were photographed in rehearsal in their studio in east London, the images are illustrated by UK based artist Ewen Brown. The campaign will also be used as the album book for the ‘The Mighty Lows’ new record due later in the year.
hypebeast.com/2010/01/garbstore-2010-springsummer-campaign/
www.selectism.com/news/2010/01/13/garbstore-springsummer-...
slamxhype.com/fashion/garbstore-ss-2010-collection-campaign/
Exploitant : Transdev Marne et Morin
Réseau : Pays de Meaux
Lignes : M4 + 03
Lieu : Gare de Meaux (Meaux, F-77)
Liens TC Infos :
71364 : tc-infos.fr/id/51926
94560 : tc-infos.fr/id/51908
Exploited for human use and on display for human amusement.
Animals have the right to not be treated as property! Go vegan!
U.S. Senator Claire McCaskill, the top Democrat on the Senate Aging Committee, used a hearing today to examine the financial exploitation of seniors and the difficulty of prosecuting family members who exploit and defraud their elderly family members.
Exploitant : SNCF
Réseau : Transilien SNCF
Ligne : Transilien L
Lieu : Gare Saint-Lazare (Paris 8ème, F-75)
Exploitant : Transdev Les Cars d'Orsay
Réseau : Albatrans
Ligne : Express 91-06C
Lieu : Université Paris-Saclay (Orsay, F-91)
A march against the exploitation of and racism toward international students in Australia that the governments (both state and federal) continue to allow to exist. International and Australian students from NSW universities (such as Newcastle, UTS, Macquarie, UNSW and Sydney University) rallied together, marching from Sydney University to UTS and on to NSW Parliament House, asking for the government to intervene and change legislation that allows international students to be taken advantage of.
Some basic rights like abolishing the 20-hour work week limit and providing student travel concessions to international students were demanded in chants and songs. At a deeper level though, the protesters are demanding an end to the systematic racism and exploitation of international students, who are increasingly treated more as a means to profit than as students to educate.
Exploitant : Transdev Montesson les Rabaux
Réseau : Résalys
Ligne : R2N
Lieu : Gare de Saint-Germain-en-Laye (Saint-Germain-en-Laye, F-78)
Lien TC Infos : tc-infos.fr/id/15033
Pour son 20eme anniversaire, l’EuroPoussins vous propose une affiche exceptionnelle.
12 nations représentées avec des équipes parmi les meilleures d’Europe, les plus grands clubs français, sans oublier les 6 clubs qualifiés lors des 2 sessions du Tournoi National Qualificatif.
Un plateau de haut niveau qui promet une fête d’autant plus belle avec de nombreuses animations (feu d’artifice, city-stade, jeux pour enfants...) et la présence de personnalités internationales.
Avec les plus grandes écoles françaises et de prestigieuses équipes européennes, l'EuroPoussins est le plus grand événement U10 d’Europe.
Gorgé de soleil et balayé par un doux vent de talents naissants, le 20e Europoussins de Pleudihen a brillé comme jamais. « La qualité de jeu a encore progressé », témoigne ainsi Olivier Oléron, autrefois dernier rempart de l'ASC Léhon, devenu speaker entraînant. L'homme, en expert du poste qu'il est, a notamment vu de « très bons gardiens » et apprécié la rareté des exploits individuels au profit « de vrais collectifs, avec des équipes tactiquement bien rodées ». La formation des jeunes footballeurs est, partout, surveillée de très près. La composition « galactique » du dernier carré en témoigne. Excusez du peu : l'Ajax d'Amsterdam, le FC Bâle et l'AS Roma, pour qui il s'agissait tous d'une première participation, accompagnés de la Juventus de Turin, une Vieille Dame venue sur les bords de Rance pour la seconde fois d'affilée. « C'est assez époustouflant de voir tous ces grands noms du football européen. Ça été une formidable édition », s'enthousiasme Jean-François Lorée, le président du comité d'organisation depuis dix ans. L'homme est même prêt à l'avouer : toucher du doigt le presque parfait. « C'est très grisant. On est tous heureux, d'autant qu'il y a eu beaucoup d'affluence ». Même si l'entrée était gratuite, les organisateurs ont d'ailleurs tenté de l'estimer. « On pense qu'il y a eu 15 ou 16.000 spectateurs au cours de ces deux jours », sourit-il. Une colonie joyeuse et colorée qui a donc vu le FC Bâle l'emporter sur le fil, devant l'AS Roma du petit Cristian Totti. Menés 1-0, les Suisses ont d'abord égalisé avant d'inscrire le but vainqueur durant la dernière minute du temps réglementaire. Vous devinez la joie immense de ces petits U10 hauts comme trois pommes. Et même celle partagée par les 47 autres équipes engagées, toutes animées du même fair-play. « Certaines ne sont même pas venues chercher leurs lots, tant elles étaient heureuses d'avoir seulement participé », glisse Jean-François Lorée, le souffle coupé par tant d'émotions. L. R. Les résultats 8e de finale : Stade Rennais - Herta Berlin : 2-0, Ajax Amsterdam - Lokeren : 2-0, AS Roma - Olympique Lyonnais : 1-1 (AS Roma aux tab), FC Séville - Toulouse : 2-2 (Toulouse aux tab), Juventus Turin - Girondins Bordeaux : 2-1, Anderlecht - AS Saint-Étienne : 4-0, Sparta Prague - Malaga : 2-1, FC Bâle - Nantes : 1-1 (Bâle aux tab). 1/4 de finale : Ajax Amsterdam - Stade Rennais : 3-2, AS Roma - Toulouse : 2-0, Juventus Turin - Anderlecht : 2-2 (Juventus aux tab), FC Bâle - Sparta Prague : 4-1. Demi-finales : Ajax Amsterdam - AS Roma : 1-0, Juventus Turin - FC Bâle : 1-1 (Bâle aux tab). Finale : FC Bâle - AS Roma, 2-1. Trophée du fair-play : SCO d'Angers. Trophée du meilleur public : EA Guingamp.
21 September 2010: Opening of the exhibition "Vulnerability, Exploitation and Action - A Photo-documentation on Human Trafficking" by UN.GIFT, the Global Initiative to Fight Human Trafficking.
f.l.t.r. Nicolas Cage, United Nations Office on Drugs and Crime (UNODC) Goodwill Ambassador; Yury Fedotov, Executive Director, UNODC; Alessandro Scotti, Italian Photographer; Helmut Böck, Ambassador, ustria's Permanent Representative to the United Nations.
THERESA May will potentially exploit a defeat of her proposed Brexit deal to court the support of Brexiteer MPs in a “for Brexit, against Brexit” showdown in Parliament, BBC Political Editor Laura Kuenssberg suggested.THERESA May will potentially exploit a defeat of her proposed...
www.intelligence-news.com/brexit-plot-bbcs-laura-kuenssbe...
I was originally asked to do the whole LP design, but it's a very busy OTT type sleeve which would lack the instant impact a jacket needs, so I isolated the figures of the band. I hate the Exploited's music but I like the way the jacket came out.
WASHINGTON, DC: National Center for Missing & Exploited (NCMEC) 2022 Hope Gala, Oct. 20, 2022
The National Center for Missing & Exploited Children’s (NCMEC) Hope Gala held on Oct. 20, 2022 at the District Pier at The Wharf, Washington, D.C. The event is a celebration of the inspiring work being done globally to protect children. We recognized leaders in child safety, honor survivors, and remember the families and victims who are still seeking justice and safety. Claire Edkins /NCMEC
Exploitant : Keolis Delion
Réseau : IDF Mobilités – Argenteuil – Boucles de Seine
Ligne : 37
Lieu : Saint-Cucufa (Rueil-Malmaison, F-92)
Lien TC Infos : tc-infos.fr/vehicule/26379
The Nottingham Canal in Nottingham, Nottinghamshire.
The Nottingham Canal was originally a 23.6 kilometres (14.7 mile) long canal between Langley Mill in Derbyshire and Nottingham, England. It opened in 1796, and most of it was closed in 1937. The southern section is now part of the River Trent Navigation and the northern section is a Local Nature Reserve.
The idea for the canal first rose in 1790. The opening of the Cromford Canal would favour coal transport from Pinxton over pits nearer Nottingham. Moreover transport to Nottingham itself was by the circuitous route down the Erewash Canal and along the River Trent. It was also felt that the canal proprietors would exploit their position.
The canal would begin at the Cromford Canal, just north of its junction with the Erewash, and proceed to the Trent at Nottingham with a branch to the river at Lenton.
In 1792 the canal was promoted through Parliament, opposed vigorously by the Erewash owners who were fearful of possible loss of their water. The canal opened in 1796, having cost twice the initial estimate of £43,500 (£3,620,000 as of 2013), (including the reservoirs).
After being at first praised by locals, the canal owners' tolls soon became excessive, and led to mass discontent. When the first railways arrived in the 1840s, a number of shippers quickly abandoned the canals. Throughout the 19th century the canal was in continuous decline as a transport route, and it was finally abandoned altogether in 1936.
The following year the London and North Eastern Railway Company which owned it shut down the main stretch of the canal, with a portion of the Nottingham Canal (between Trent and Lenton) being transferred to the Trent Navigation Company, to officially become part of the River Trent Navigation.
Although abandoned, the canal still caused some problems. There were complaints that in times of heavy rainfall, the canal caused surrounding areas in the city to flood, and so Nottingham City Council bought the section running through the city. From 1955, a programme of filling in the canal began, and most of the route has subsequently been built over.
American postcard.
Voluptuous American actress Mamie Van Doren (1931) was a sex symbol of the 1950s and 1960s. Van Doren starred in several exploitation films such as Untamed Youth (1957), loaded with rock 'n' roll and juvenile delinquency. Her onscreen wardrobe usually consisted of tight sweaters, low-cut blouses, form-fitting dresses, and daring swimsuits. Mamie and her colleague blonde bombshells Marilyn Monroe and Jayne Mansfield were known as 'The Three M's.'
Mamie Van Doren was born Joan Lucille Olander in Rowena, South Dakota, in 1931. She was the daughter of Warner Carl Olander and Lucille Harriet Bennett. In 1942 the family moved to Los Angeles. In early 1946, Van Doren began working as an usher at the Pantages Theatre in Hollywood. The following year, she had a bit part on an early television show. She also sang with Ted Fio Rito's band and entered several beauty contests. She was married for a brief time at seventeen when Van Doren and her first husband, Jack Newman, eloped to Santa Barbara. The marriage was dissolved quickly, upon her discovery of his abusive nature. In the summer of 1949, at age 18, she won the titles Miss Eight Ball and Miss Palm Springs. Van Doren was discovered by producer Howard Hughes the night she was crowned Miss Palm Springs. The pair dated for five years. Hughes provided her with a bit role in Jet Pilot at RKO Radio Pictures. Her line of dialogue consisted of one word, "Look!". The following year, 1951, she posed for famous pin-up girl artist Alberto Vargas, the painter of the glamorous Vargas Girls. His painting of Van Doren was on the July 1951 cover of Esquire magazine. Van Doren did a few more bit parts in RKO films, including His Kind of Woman (John Farrow, 1951) starring Robert Mitchum and Jane Russell. Van Doren then began working on the stage. She was a showgirl in New York in Monte Proser's nightclub version of Billion Dollar Baby. Songwriter Jimmy McHugh discovered her for his musicals, then decided she was too good for the chorus line and should have dramatic training. She studied with Ben Bard and Bliss-Hayden. While appearing in the role of Marie in a showcase production of Come Back, Little Sheba, Van Doren was seen by Phil Benjamin, a casting director at Universal International. In 1953, Van Doren signed a contract with Universal Studios. They had big plans for her, hoping she would bring the same kind of success that 20th Century Fox had with Marilyn Monroe. Van Doren, whose signing day coincided with the inauguration of President Eisenhower, was given the first name Mamie for Ike's wife, Mamie Eisenhower. Universal first cast Van Doren in a minor role as a singer in Forbidden (Rudolph Maté, 1953), starring Tony Curtis. Interested in Van Doren's allure, Universal then cast her again opposite Curtis in The All American (Jesse Hibbs, 1953), playing her first major role as Susie Ward, a wayward girl who is the man-trap at a campus beer joint. In Yankee Pasha (Joseph Pevney, 1954), starring Jeff Chandler and Rhonda Fleming, she played a slave girl, Lilith. In 1955, she had a supporting role in the musical Ain't Misbehavin' (Edward Buzzell, 1955) and starred in the crime drama Running Wild (Abner Biberman, 1955). Soon thereafter, Van Doren turned down a Broadway role in the play Will Success Spoil Rock Hunter? and was replaced by newcomer Jayne Mansfield. In 1956, Van Doren appeared in the Western Star in the Dust (Charles F. Haas, 1956). Though Van Doren garnered prominent billing alongside John Agar and Richard Boone, she appears rather briefly, as the daughter of a ranch owner. By this time, Van Doren had grown tired of Universal, which was only casting her in non-breakthrough roles. Therefore, Van Doren began accepting bigger roles in better movies from other studios, such as Teacher's Pet (George Seaton, 1958) with Doris Day and Clark Gable. She appeared in some of the first films to feature rock 'n' roll music, such as Untamed Youth (Howard W. Koch, 1957). The film was originally condemned by the Catholic Legion of Decency, but that only served to enhance the curiosity factor, resulting in it being a big moneymaker for the studio. Van Doren became identified with this rebellious style and made some rock records. She went on to star in several bad girl movies that later became cult films. These include Born Reckless (Howard W. Koch, 1958), High School Confidential (Jack Arnold, 1958), and The Beat Generation (Charles F. Haas, 1959). After Universal Studios chose not to renew her contract in 1959, Van Doren was now a free agent and had to struggle to find work.
Mamie Van Doren became known for her provocative roles. She was in prison for Girls Town (Charles F. Haas, 1959), which provoked censors with a shower scene where audiences could see Van Doren's naked back. As Eve in The Private Lives of Adam and Eve (Mickey Rooney, Albert Zugsmith, 1960) she wore only fig leaves, and in other films, like Vice Raid (Edward L. Cahn, 1960) audiences were clued in as to the nature of the films from the titles. Many of these productions were low-budget B-movies which sometimes gained a cult following for their high camp value. An example is Sex Kittens Go to College (Albert Zugsmith, 1960), which co-starred Tuesday Weld and Mijanou Bardot - Brigitte's sister. Mamie also appeared in foreign productions, such as the Italian crime comedy Le bellissime gambe di Sabrina/The Beautiful Legs of Sabrina (Camillo Mastrocinque, 1959) with Antonio Cifariello, and the Argentine film Una americana en Buenos Aires/The Blonde from Buenos Aires (George Cahan, 1961) with Jean-Pierre Aumont. Van Doren took some time off from her career and came back to the screen in 1964. That year she played in the German Western musical Freddy und das Lied der Prärie/In the Wild West (Sobey Martin, 1964), starring Freddy Quinn and Rik Battaglia. Tommy Noonan convinced Van Doren to appear in 3 Nuts in Search of a Bolt (Tommy Noonan, 1964). Van Doren had turned down Noonan's previous offer to star in Promises! Promises!, in which she would have to do nude scenes. She was replaced by Jayne Mansfield. In 3 Nuts in Search of a Bolt, Mamie did a beer-bath scene but is not seen nude. She posed for Playboy to promote the film. Van Doren next appeared in The Las Vegas Hillbillys (Arthur C. Pierce, 1966) which co-starred Jayne Mansfield. It was the only time two of 'The Three M's' appeared together in a film. A sequel was titled Hillbillys in a Haunted House, but Van Doren turned this role down and was replaced by Joi Lansing. She appeared in You've Got to Be Smart (Ellis Kadison, 1967), and the Sci-Fi film, Voyage to the Planet of Prehistoric Women (1968), directed by the young Peter Bogdanovich (Derek Thomas). In this film astronauts land on Venus and encounter dangerous creatures and meet sexy Venusian women who like to sunbathe in hip-hugging skin-tight pants and seashell brassieres. In 1968, she was offered the role of a murder victim in the independent horror film The Ice House as a replacement for Mansfield, who died the previous year. She turned the offer down, however, and was replaced by Sabrina. During the Vietnam War, she did tours for U.S. troops in Vietnam for three months in 1968, and again in 1970. Van Doren also developed a nightclub act and did live theatre. She performed in stage productions of Gentlemen Prefer Blondes and Dames at Sea at the Drury Lane Theater, Chicago, and appeared in Will Success Spoil Rock Hunter? and The Tender Trap at the Arlington Park Theater. In the 1970s, Van Doren performed a nightclub act in Las Vegas as well. Van Doren had a supporting role in the Western The Arizona Kid (Luciano B. Carlos, 1970). Since then, Van Doren has appeared only in cameo appearances in low-budgeted films. To this date, Van Doren's last film appearance was a cameo role in the comedy Slackers (Dewey Nicks, 2002). Van Doren's guest appearances on television include Jukebox Jury, What's My Line, The Bob Cummings Show, The Jack Benny Show, Fantasy Island, Burke's Law, Vega$, and L.A. Law. She released her autobiography, Playing the Field, in 1987 which brought much new attention and proved to be her biggest media splash in over 25 years. Since the book's publication, she has often been interviewed and profiled and has occasionally returned to acting. Van Doren has been married five times. Her first marriage was to sportswear manufacturer Jack Newman whom she married and divorced in 1950. Her second marriage was to bandleader, composer and actor Ray Anthony whom she married in 1955. They had one son, Perry Ray Anthony (1956). The couple later divorced in 1961. When Van Doren's early 1960s, highly publicized, on-again off-again engagement to baseball player Bo Belinsky ended in 1964, she married baseball player Lee Meyers in 1966. They were divorced in 1967. Her fourth marriage was to businessman Ross McClintock in 1972. They met while working on President Nixon's reelection campaign; the marriage was annulled in 1973. Since 1979 she has been married to Thomas Dixon, an actor and dentist.
Sources: Wikipedia and IMDb.
And, please check out our blog European Film Star Postcards.
Exploitant : Transdev Marne et Morin
Réseau : Pays de Meaux
Ligne : M1
Lieu : Gare de Meaux (Meaux, F-77)
Lien TC Infos : tc-infos.fr/id/51910
My old 1984 Alembic Series II "Exploiter" bass. The bridge. The corrosion is starting to look like an art project. There's probably some kind of ebola or something lurking in there.
I had this bass built in the summer of 1984. The only options (besides the walnut/maple/purple heart construction) were graphite rods in the neck and a neck shaped like a Rickenbacker 4001 that I'd been very comfortable playing. This is still the most musical bass I've ever owned, but it also weighs so much that it's seen relatively little use.
The story of this site located in the mosan valley starts at the XIIIth and XIVth centuries, with the exploitation in quarry of the mosan stone (or "blue stone"), which was considered high quality. The blocks of limestone were cut in open-air but also in subterranean galleries that are now closed to the public.
The lime kilns in the pictures were built since 1872. During almost a century, this impressive construction attached to the mountain has seen many changes among which the successive addition of new kilns (finally eight, arranged on a 68 meter length) and the evolution of new technologies.
These lime kilns worked on a continuous process, fed 24 hours a day. Several layers of fuel (previously coal, then coke) and limestones were successively piled from the top of the kilns, then burned by a process of calcination. After cooling, the lime was extracted from the bottom. It was then used in mortars for construction.
Closed since 1971, these lime kilns are today abandoned and poorly secured (in spite of important risks of fall). A part of the cliff and the former quarry is still used by a climbing club.
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L'histoire de ce site situé dans la vallée mosane remonte aux XIIIe et XIVe siècles, lorsque la pierre mosane (ou "pierre bleue"), réputée d'une grande qualité, commence à être exploitée en carrière. Les blocs de pierre calcaire y étaient taillés à ciel ouvert mais aussi dans des galeries souterraines aujourd'hui fermées au public.
Les fours à chaux furent quant à eux construits à partir de 1872. Pendant près d'un siècle, cette imposante construction accolée à la montagne a connu de nombreux remaniements parmi lesquels l'ajout successif de nouveaux fours (finalement au nombre de huit, disposés sur une longueur de 68 mètres) et l'évolution de nouvelles technologies et procédés.
Ces fours fonctionnaient à feu continu, alimentés 24h sur 24. Des couches de combustibles (auparavant du charbon, puis du coke) et de pierres à chaux (calcaires) étaient empilées successivement depuis le haut des fours, puis brûlées par un procédé de calcination. La chaux ainsi produite après refroidissement était récupérée par le bas et acheminée, prête à l'usage dans les mortiers pour la construction.
Fermés depuis 1971, ces fours sont aujourd'hui à l'abandon dans un site étonnement peu sécurisé (malgré des risques de chute importants). Une partie de la falaise et des anciennes carrières est encore employée par un club d'escalade de la région.
Exploitant : SPL TransUrbain
Réseau : TransUrbain
Ligne : T5
Lieu : Cadran (Évreux, F-27)
Lien TC Infos : tc-infos.fr/vehicule/37959