21 mai 2016 : Rugby : au bout de l’effort, les Lilloises deviennent championnes de France !

Les joueuses du LMRCV ont réussi un authentique exploit en finale du championnat de France (18-7). Menées au score en milieu de deuxième période, elles sont allées chercher l’essai salvateur, celui qui a fait basculer la finale de leur côté. Les Nordistes sont championnes de France. Et la fête ne fait que commencer...

En finale du championnat de France pour la troisième fois en quatre ans, les « putain de nanas » du LMRCV veulent renverser Montpellier, champion en titre, ce samedi soir à Massy. Les Villeneuvoises ne partent pas favorites. Mais le LMRCV est devenu plus qu’un club… Cinq raisons d’y croire.

Parce que l’équipe a appris. Comme on se retrouve… C’est la troisième fois que le LMRCV retrouve Montpellier, le géant du rugby féminin, en finale du championnat. Les Villeneuvoises se sont inclinées deux fois : en 2013 d’un rien (15-12) ; l’an dernier nettement (17-3), en restant spectatrices. Pas question de reproduire la même erreur : les Nordistes seront ce soir à l’offensive, dans le volume, l’intensité. Cette saison, Montpellier s’est imposé 34-15 chez lui en phase régulière quand le LMRCV a loupé la victoire à la maison (12-12). « C’est donc à notre tour de gagner », clament les sœurs Ménager.

Parce que l’équipe monte en puissance. Montpellier a beau présenter la grosse ossature du XV de France autour de la capitaine Gaëlle Mignot, la formidable impression des demi-finales est venue de Villeneuve-d’Ascq, où le LMRCV a renversé Blagnac-Saint-Orens (34-10) au match retour. Un match d’accomplissement, avec le bon rythme, un rugby complet, libéré, une équipe qui avance et ne s’arrête jamais. C’est forcément revenu aux oreilles des Montpelliéraines.

Parce que les « putain de nanas ».

Autoproclamées les « putain de nanas » grâce aux mots de leurs coaches qu’elles épatent comme au premier jour, les Villeneuvoises ont offert une âme à leur équipe capable de repousser ses limites. Le problème (pour l’adversaire), c’est qu’on ne les connaît pas ces limites.

Parce qu’elles ont faim. Déjà deux échecs en finale, ça suffit. La bande de copines-compétitrices veut un titre, un trophée, une ligne au palmarès.

Parce que Alice. Et puis, il y a Alice Dallery, tombée cet automne, grièvement blessée. Et depuis formidable de courage et de vie. Ses copines ont dit qu’elles se battaient pour elle, qui ne descend plus sur le terrain mais crie plus fort qu’une tribune entière. Alors ce soir, le LMRCV jouera à seize. Et l’arbitre n’y verra que du feu.

Le Lille Métropole Rugby Club Villeneuvois est un club de rugby à XV de Villeneuve-d'Ascq dont l'équipe sénior féminine participe au Championnat de France de rugby à XV féminin.

Issu du Rugby Club Villeneuve d'Ascq, dont l'équipe féminine a vu le jour le 11 novembre 1993, le club a été rebaptisé en 2000 lors de la création du Lille Métropole Rugby Club. L'équipe féminine évolue en première division depuis 1999 et en élite depuis sa victoire au Challenge Armelle Auclair en 2006.

Finaliste du Top8 pour la saison 2014/2015.

Championnes de France pour la saison 2015/2016.

Sexual exploitation case: Jury retires #Middlesbrough #Teesside #Boro #bbcqt #bbcdp #Newsnight #skypapers #bbcpapers ow.ly/rqKzC The jury in the trial of three men and a youth who are accused of sexually exploiting underage girls on Teesside has retired to consider its...

Punk's not dead!

Lynn Andolini* is part of a Southern Baptist team that reaches exploited women and children in northern Thailand. When Andolini heard about flooding near her friend's massage parlor, she grabbed her boots and went to help. Andolini and Southern Baptist workers used World Hunger Funds to provide food and water to these women. Photo by Caroline Anderson.

Exploitant : Transdev TVO

Réseau : R'Bus (Argenteuil)

Ligne : 8

Lieu : Route de Cormeilles (Argenteuil, F-95)

Lien TC Infos : tc-infos.fr/vehicule/14526

Exploits River GFW

The Exploited at Brutal Assault Festival vol. XVI (Old Army Fortress Josefov, Jaroměř, Czech Republic) August 11 - 13, 2011

www.the-exploited.net/

Contre l'exploitation sexuelle pendant la fin de semaine de la F1, du grand prix.

The 150th anniversary of the death of Mozart on 5 December 1941 celebrated the Nazi regime with a "Mozart week of the German Reich", on the occasion of which Mozart for propaganda purposes shamelessly was exploited. In his speech at the Vienna State Opera Joseph Goebbels said for example. "The music of Mozart is one of those values ​​that our soldiers defend against the from the east attacking barbarians". The performances themselves, IDOMENEO under Richard Strauss, FIGARO under Karl Böhm in the ball room, Così fan tutte as a guest performance of the Munich Opera under Clemens Krauss, employed a number of singers of the Vienna Mozart ensemble, which was not only formed in the postwar period, but already in the Third Reich. As guest staged the Prussian general theater manager Gustaf Gründgens THE MAGIC FLUTE.

Mozarts 150. Todestag am 5. Dezember 1941 beging das NS-Regime mit einer "Mozart-Woche des Deutschen Reiches", bei der Mozart schamlos für Propagandazwecke ausgenutzt wurde. In seiner Rede in der Wiener Staatsoper sagte etwa Joseph Goebbels: "Die Musik Mozarts gehört zu jenen Werten, die unsere Soldaten gegen die aus dem Osten anstürmenden Barbaren verteidigen." Die Aufführungen selbst, IDOMENEO unter Richard Strauss, FIGARO unter Karl Böhm im Redoutensaal, COSÌ FAN TUTTE als Gastspiel der Münchener Oper unter Clemens Krauss, beschäftigten etliche Sänger des Wiener Mozart-Ensembles, das sich nicht erst in der Nachkriegszeit, sondern bereits im Dritten Reich formierte. Als Gast inszenierte der Preußische Generalintendant Gustaf Gründgens DIE ZAUBERFLÖTE.

(further pictures and information you can get by going to the end of page!)

Vienna State Opera

Vienna State Opera, 2012

Vienna State Opera in the evening twilight

The Vienna State Opera was the first major building on the Vienna ring road and was on 25 May 1869 opened with Mozart's "Don Juan" in the presence of Emperor Franz Joseph and Empress Elisabeth. The Vienna State Opera is now considered one of the most important opera houses in the world with the largest repertoire. From the Orchestra of the Vienna State Opera, the Vienna Philharmonic are recruited.

History

The Vienna State Opera was planned by August of Sicardsburg and Eduard van der Nüll. The architects, however, were heavily criticized for the building, so that van der Nüll committed suicide and shortly afterwards died of Sicardsburg of a stroke.

The official opening took place on 25 May 1869 with Mozart's "Don Juan". Gradually, the popularity of the Staatsoper rose, under the director Gustav Mahler it obtained a first climax.

At the time of the Second World War, the State Opera suffered enormously. From 1938 to 1945 many employees were persecuted, expelled and murdered. In addition, many pieces were not allowed to be performed anymore. Finally, shortly before end of war the building was massively destroyed by bombing. On 5 November 1955, the opera was re-opened with a performance of Beethoven's "Fidelio".

Architecture

The historical part of the front at the ring road could be preserved from the original building from 1869. The rear, wider part contains the stage, in the narrow front part the auditorium is housed. Eye-catching are the different roof shapes and the loggia, which should emphasize the public character.

Sideways of the central entrance are the portraits of the two architects. Significant is also the ceiling painting "Fortuna, dispersing her gifts" in the stairwell. The seven statues by Josef Gasser represent the liberal arts (architecture, sculpture, poetry, dance, art of music, drama and painting). In the historic tract is located the tea room, which together with the Hoffestloge (Court Ceremonial Lodge) was reserved the Court.

Directors after the reopening

Karl Böhm

Herbert von Karajan

Herbert von Karajan/Walter Erich Schäfer

Herbert von Karajan/Egon Hilbert

Egon Hilbert

Heinrich Reif-Gintl

Rudolf Gamsjäger

Egon Seefehlner

Lorin Maazel

Egon Seefehlner

Claus Helmut Drese

Eberhard Waechter

Ioan Holender:

Dominique Meyer

Opera Ball

Once a year, the State Opera becomes the most famous and most solemn ballroom in the world. The Opera Ball is the highlight of the ball season in Vienna and has a great international significance. Many celebrities from all over the world travel to Vienna to celebrate the ball of the artists.

Women wear a long evening dress, men are appearing in tails. Tickets are available from € 250, for a seat in the box must be reckoned with over € 10,000. The highlight of the ball is the Marching In of the Jungdamen- and Jungherrenkommitees (female and male debutants' committee).

Staatsopernmuseum (Museum of the Vienna State Opera)

In Staatsopernmuseum the history of the house from 1869 to 2009 is documented. On display are costumes, stage settings, and important events such as premieres and first performances. The exhibition focuses specifically on the singers. At three information terminals casts and stage settings on all performances since 1955 can be retrieved.

Staatsopernmuseum, Hanuschgasse 3, 1010 Vienna

wienwiki.wienerzeitung.at/WIENWIKI/Wiener_Staatsoper

Officers carry out a group excercise during a workshop by AMISOM to sensitize its Officers on sexual exploitation and Abuse held on 30th January 2014. AU UN IST PHOTO/David Mutua

18 juin 2011, Montréal

Manifestation contre l'exploitation des gaz de schiste dans la Vallée du Saint-Laurent et pour un moratoire sur l'exploration et l'exploitation des gaz de schiste au Québec.

Pauline Marois, Scott McKay, Martine Ouellet, André Villeneuve et plusieurs militants du Parti Québécois ont participé au rassemblement monstre.

'Empty The Tanks' protesters walk down steps below the National Gallery as they cross Trafalgar Square. A large banner reads "End Exploitation. Empty the Tanks"

All photos © Pete Riches

Do not reproduce, alter, re-transmit or blog my images without my written permission. I remain at all times the copyright owner of this image.

Media buyers and publications can access this story on Demotix. Standard industry rates apply.

Hi-Res, un-watermarked versions of these files are available on application solely at my discretion

If you want to use any image found in my Flickr Photostream, please Email me directly.

about.me/peteriches

Hiking to Surgeon Cove Point Lighthouse, Exploits Islands.

Exploitant : Transdev TVO

Réseau : R'Bus (Argenteuil)

Ligne : 8

Lieu : Gare d'Argenteuil (Argenteuil, F-95)

Lien TC Infos : tc-infos.fr/id/27679

"The effective exploitation of his powers of abstraction must be regarded as one of the most vital activities of a competent programmer." -- Edsger W. Dijkstra

Barbara Gordon's Journal, April 10th 2019.

_______

This picture is part of an ongoing story. Yes, Barbara Gordon is a geek who fights crime with THE POWER OF MATHEMATICS. It's like Numb3rs, except with Batman. And we can all agree that's definitely moar bettah.

The toy in the photo is the car. If that's not immediately obvious, then I shall feel really proud of myself :).

The picture uses Staple Street/Jay Street, New York by Metro Centric for the street, which is CC-licensed. Thanks!

Read the beginning here. Go back to Part 9 here. Continue to Part 11 here.

Exploitant : Ceobus

Réseau : Navette Substitution SNCF Île-de-France

Ligne : Navette Transilien H

Lieu : Gare d'Ermont – Eaubonne (Ermont, F-95)

Lien TC Infos : tc-infos.fr/id/2208

We met Wattie and friends in Orel. It was spring 2009. After that we drink and smoke together for many times. Glad to present you some footage from the concert in local russian city.

Also you can watch an interview with frontmen of The Exploited Wattie Buchan!

All of staff here - live-blog.tv

Premier jour d'exploitation de la Ligne C16 du réseau TCL avec les nouveaux bus électriques Heuliez GX337 Linium E ! Le 3913 assure la Voiture n°1 de la Ligne C16, et fait le tout premier départ de la journée depuis Surville Route de Vienne à 4h50, à destination de Charpennes Charles Hernu.

U.S. Senator Claire McCaskill, the top Democrat on the Senate Aging Committee, used a hearing today to examine the financial exploitation of seniors and the difficulty of prosecuting family members who exploit and defraud their elderly family members.

Exploitation presse possible UNIQUEMENT sur demande : communication@fftt.com

©FFTT_JulienCrosnier

Some various photos around Santa Rosa, CA., and the railroad depot here. This shows what was, and what is thanks to S.M.A.R.T. and the new construction.

©FranksRails Photography, LLC.

Exploitant : SAVAC

Réseau : SQYBUS

Lieu : Gare de Saint-Quentin-en-Yvelines (Montigny-le-Bretonneux, F-78)

"For sheer savagery, the notorious Hatfield-McCoy affair or the lawless exploits of Jesse James were as a Victorian tea-party compared to the Donnelly feud. ... Lucan became known as 'the wildest spot in Canada,' as its night skies glared with the flames from burning structures and masked riders thundered down lonely sideroads with shouts of triumph. Vandalism in full swing, street brawls were numerous as were gun battles with law officers, while crops were destroyed, coaches waylaid, horses mutilated and poisoned cattle left dying in the fields. Outsiders avoided the district as one would a plague-stricken area. Then it all ended, suddenly and unexpectedly. The Donnelly feud was finally climaxed in a drastic manner akin to its lengthy duration; the massacre of an entire household during the dark hours before the dawn of February 4, 1880." (from Tom Kelley's 'The Black Donnellys', 1954).

- "Johannah Donnelly ... would stress to her 7 sons that she could never look upon them with true motherly pride till, like their father, each had killed 'at least' one man; and she'd fall to her knees, praying their souls would roast in hell if they ever forgave their enemies. ... She would smoke her pipe and relate stories of her youth in the Galty Mtn.s [of Tipperary]. According to her, the districts were so tough the canary birds sang bass."

- End of the first chapter: "From within the saloon came the gleam of lights, loud laughs and boisterous voices. After long and laborious hours, hardy sons of the sod were having their fun. Donnelly [who had only just arrived in town] entered, pushed his way to the bar, motioned to a bottle and was served a stiff one. Downing it, he was wiping his lips with the back of his hand when he noticed the steady gaze of the one next to him. He returned the stare, eyes met and held a minute, then Jim Donnelly pushed his glass back on the bar and spoke his first words in the village of Lucan: ' What the hell are you lookin' at, you horse-faced bastard?" (See? It's a good book.)

- The back side of the stone here is being chipped away for souvenir bits. The original was replaced after much of such vandalism.

- www.youtube.com/watch?v=OAUOOR8CKWM

- www.youtube.com/watch?v=EDVEK1egMVw&feature=related

- www.youtube.com/watch?v=qOki2gOj3Bg&feature=related (A fan-made trailer) - Paul Haggis is from London, Ontario. There's a tribute in this show to local London folklore.

- www.youtube.com/watch?v=BJszgDAMYxE

- The output of books keeps up.: www.youtube.com/watch?v=Jqqfg3PND7o

MSIE allows some "cross site scripting" (XSS) which is normally unallowed remote code execution.

Here is a screenshot of my Profile page as viewed in MSIE before the admins fixed this issue (only worked in MSIE, maybe Opera, but not Firefox)

This was done by embedding another style sheet, "hidden" in an image

tag. The external stylesheet used only text and div styles with no use

of image except for the Flickr logo. Ok, it's rather ugly, but I was more on the "proof of concept" than on a design contest :)

I've explained the whole trick on my blog : Cross Site Scripting, Skinning Flickr with MSIE

Contre l'exploitation sexuelle pendant la fin de semaine de la F1, du grand prix.

Show Exploited, na Inferno, rua Augusta, São Paulo

The skin of the innocent rabbit is then slit along the legs and around the feet. Then the skin is pulled off his or her body, as seen here. The skin is then sold to make "cute bunny fur" clothing and trim for children, whose parents unwittingly condition them to be future fur buyers, instead of teaching them the truth about the horror and suffering that lines each piece of fur.

Timothy Kiguti, Chief of Administration AMISOM, presents certificates to officers at the completion of a workshop by AMISOM to sensitize its Officers on sexual exploitation and Abuse held on 30th January 2014. AU UN IST PHOTO/David Mutua

The National Center for Missing & Exploited Children (NCMEC) honors its 2022 “Heroes” who have gone above and beyond to help protect the nation’s most valuable resource – children. The event was hosted at the Arlington, VA headquarters of Lockheed Martin. Reginald Saunders /NCMEC

IOM conducts an orientation workshop for local partners in Capiz on Prevention of Sexual Exploitation and Abuse (PSEA) © IOM/Alan Motus 2015

While the Panzer I and II were considered technology demonstrators and training tanks, the Panzer III was meant to be paired with the slightly larger Panzer IV as Germany's main tank. The Panzer III was intended as a medium tank, relying more on speed and mobility to exploit breakthroughs into the vulnerable rear of the enemy--what Germany was developing into the blitzkrieg strategy. As such, the Panzer III was heavier, better armored, and better armed than the Panzer II, but was not really intended to duel with enemy tanks. The early versions of the Panzer III were equipped with a 37mm gun, which was known to be inadequate against French and British heavy tanks--but the Germans intended those to be left to the heavier Panzer IV.

The Panzer III was used in all of Germany's campaigns in the first three years of World War II, but its armor and armament were poor against French, British and Polish tanks. What made the Panzer III effective, however, was how it was used. A four man crew instead of the regular three was standard; gunner and loader were separate roles. This left the tank commander with no other role than commanding the crew, picking out targets and informing the driver where to go. Since a radio mounted in the turret was standard, Panzer III commanders could also maneuver platoons. Germany's opponents still used mostly two-man turret crews, where the tank commander helped to load the main gun; very few Allied tanks had radios. This allowed the Panzer III to use pack tactics against heavier opponents.

The experience in France was enough for the Wehrmacht to upgun the Panzer III in its later marks, which replaced the 37mm with a high-velocity 50mm. Even these proved inadequate during the invasion of Russia in 1941, where the Germans faced the superb T-34. The Panzer III's only advantage against the T-34 was its radio, but the T-34 was equal to the Panzer III in mobility. Rapidly after 1941, the Panzer III was pulled out of fighting in Russia. Many were deployed to North Africa with the Afrika Korps, where they were effective against British light and "cruiser" tanks, though once the Sherman arrived in numbers, the Panzer III was once more relegated to secondary theaters. By 1944, except for Panzer IIIs issued as emergency replacements to German units, most Panzer IIIs were converted to Sturmgeschutz (StuG) assault guns. Though the Panzer III was something of an interim tank between the early Panzer II and more effective Panzer IV, it performed well despite its shortcomings. 5774 were produced, and a few survive in museums.

Dad built this Panzer III for his Afrika Korps collection; it carries standard panzer yellow camouflage for desert operations. Attached to the rear is a bustle for jerry cans for extra fuel or water. This is an Ausf. J variant, with increased armor on the turret and hull front, and a 50mm gun.

HMS Exploit departing Irlam Lock

Le Château de Josselin est situé à Josselin, commune française du département du Morbihan en Bretagne.

Guéthénoc, vicomte de Porhoët, de Rohan et de Guéméné, membre de la famille des comtes de Rennes, aurait construit un premier château vers l'an 1008. Il exploitait un site de haute valeur militaire et commerciale comprenant un surplomb rocheux dominant en à-pic la rivière Oust. L'existence depuis le IXe siècle d'un pèlerinage à la Basilique Notre-Dame du Roncier (tous les huit septembre) ajoute beaucoup à la richesse des habitants et de leurs seigneurs. Ce pélerinage est d'ailleurs le plus important du Morbihan, après celui de Sainte-Anne-d'Auray.

En 1154, Eudon de Porhoët, beau-père, régent et tuteur du jeune duc de Bretagne, Conan IV, rassemble des seigneurs bretons pour priver son beau-fils de ses droits. Il sera défait par Henri II Plantagenêt, roi d'Angleterre et nouveau duc d'Anjou, auprès duquel s'était réfugié Conan IV. Henri II viendra en personne diriger la démolition du château et faire semer du sel dans les ruines.

Détail de la statue équestre d'Olivier de Clisson

Olivier V de Clisson, qui acquiert la seigneurie en 1370, reconstruit une imposante citadelle munie de huit tours et d'un donjon de 90 mètres. Il marie sa fille, Béatrix, à Alain VIII de Rohan, héritier des vicomtes de Rohan, dont le château était à une vingtaine de kilomètres.

En 1488, le duc de Bretagne François II prend le château et le démolit partiellement. Sa fille, Anne de Bretagne, le restitue à Jean II de Rohan, arrière-petit-fils d'Olivier de Clisson.

Celui-ci le transforme et construit dans l'enceinte un logis de plaisance avec une très belle façade de granit sculpté qui est un des premiers exemples de la Renaissance en France, car il avait fait venir des artistes et ouvriers italiens. Par reconnaissance, il fait sculpter de nombreux A surmontés d'une cordelière, emblème de la Duchesse-Reine.

Bannis de Josselin du fait de leur adhésion au protestantisme, les Rohan doivent laisser le gouverneur de Bretagne, le duc de Mercœur, faire de leur château une base pour la Ligue opposée au nouveau roi Henri IV.

En 1603, lors de l'érection de la vicomté de Rohan en duché-pairie par le roi Henri IV, Henri II de Rohan transfère le siège de son pouvoir au château de Pontivy. Le cardinal de Richelieu fait démanteler en 1629 le donjon et quatre et tours et annonce au duc Henri II, chef des insurgés protestants: « Monseigneur, je viens de jeter une bonne boule dans votre jeu de quilles ! »

Au XVIIIe siècle, le château n'est plus occupé et il devient prison et entrepôt pendant la Révolution et l'Empire. En 1822, la duchesse de Berry, lors de sa tournée aventureuse, convainc le duc de Rohan de le restaurer.

Il est actuellement toujours habité par le quatorzième duc de Rohan, Josselin de Rohan, sénateur, ancien président de la région Bretagne de 1992 à 2004, membre de l'UMP et fidèle de Jacques Chirac .

On peut visiter la cour et quelques pièces du rez-de-chaussée où sont exposés des meubles anciens (dont la table ayant servi à la signature de l'édit de Nantes), des portraits familiaux, des cadeaux royaux et une statue équestre d'Olivier V de Clisson par Emmanuel Frémiet. Dans les anciennes écuries a été installé le Musée de poupées.

L'imposante citadelle munie de huit tours et d'un donjon de 90 mètres date du XVe siècle a été partiellement détruite et un logis de plaisance avec une très belle façade de granit sculpté, un des premiers exemples de la Renaissance en France le remplace et a été restauré au XIXe siècle.

Le jardin à la française créé au début du XXe siècle par le paysagiste Achille Duchêne s’étend devant la façade Renaissance du château. Les buis et des ifs taillés encadrent les pelouses.

Une roseraie a été aménagée en 2001 sous le direction du paysagiste Louis Benech. Elle comporte 160 rosiers appartenant à 40 variétés différentes

Un parc à l'anglaise lui aussi créé par le paysagiste Achille Duchêne et revu par Louis Benech s'étend au pied des remparts, le long d’un cours d’eau. Ce parc présente des espèces rares d’azalées, de camélias et de nombreux rhododendrons et des arbres centenaires. Il est ouvert au public pour les Journées du Patrimoine et Rendez-vous au jardin .

le chateau de Josselin est très lié à l'alchimie notamment ses cheminées et sa cour extérieure sur le parc.Il s'inscrit dans le patrimoine de Brocéliande qui n'appartient pas qu'aux druides .En effet , il est tout à fait possible de lire de maniere alchimique la vita merlini de G. de Monmouth ainsi que le mythe de Brocéliande lui même.. et si on suit le parcours des salles du chateau on s'aperçoit que ce dernier met en évidence une progression alchimique qui peut se retrouver dans la chevalerie et dans les degrés d'élévation maçonnique , car le corrélat est précisément dans ce savoir acquis par le premier des Josselin .

Source wikipedia

Exploitant : Transports Michel

Réseau Tourisme

Substitution SNCF en raison de travaux pendant le week-end du 11 novembre 2022.

More of my work ? Please visit andreschroder.viewbook.com/

Ligne 5 - Arrêt : Haubans

Exploitant : SEMITAN

Réseau TAN - Nantes

Exploitation presse possible UNIQUEMENT sur demande : communication@fftt.com

©FFTT_NumaMonSI

Alexandria VA: National Center for Missing & Exploited (NCMEC), Germanyâs Federal Minister of the Interior & Homeland visit to NCMEC, March 21, 2023.

Germanyâs Federal Minister of the Interior & Homeland, Nancy Faeser and delegation visit the headquarters of The National Center for Missing and Exploited Children in Alexandria, Virginia. Claire Edkins /NCMEC 2023