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An image dating to the mid nineteenth century entitled 'Anne Boleyn's last farewell of her ladies'. Part of my collection of nineteenth century depictions of Anne Boleyn.
Edouard Manet - Execution of emperor Maximilian [1868] - Lithograph - NYC MET, AN 21.48
Who wants to know more about the historical background, why archduke Maximilian of Hapsburg entered in the Mexican adventure may read the following article:
www.holocaustianity.com/hysteria/maximilian.html
More about the history of Manet's paintings:
1) en.wikipedia.org/wiki/The_Execution_of_Emperor_Maximilian
2) www.moma.org/interactives/exhibitions/2006/Manet/
or
www.moma.org/interactives/exhibitions/2006/Manet/detail_f...
Execution on the Old Town Square 21. 6. 1621
23-06-2001 | Olaf Barth, Katrin Bock
Olaf Barth and Katrin Bock now take a look at the events that took place on the Old Town Square 380 years ago.
Execution on the Old Town Square 21. 6. 1621
If you have ever been to Prague, you may have noticed the 27 crosses which have been embedded into the pavement at the foot of the Old Town Town Hall. Perhaps you have wondered about their origin. Well, in the following minutes you will learn more about the context of these crosses. First of all, listen to the Czech writer Alois Jirasek portraying the events at the end of the 19th century in one of his stories:
"In the night of 20 to 21 June 1621, fear and grief prevailed everywhere in Prague, and the roads had become like deserted, for on Prague restrictions had been imposed. Only the clash of the weapons and the heavy steps of foreign soldiers broke through the oppressive silence. On the Old Town Square there was a lot of activity, and boards and beams were unloaded from wagons and carried to the middle of the place, where a scaffold grew by the flickering light of numerous torches. By daybreak a gallows covered with red cloth was towering. At sunrise fulminated a cannon cracker showing that the execution had to begin. On the scaffold dark hooded people were visible, the assistents of the executioner and the gravedigger. Finally, the executioner, Jan Mydláø, also appeared. Immediately the imperial judges took their seats, and the names of the twenty-seven death-condemned noblemen were exclaimed. While foreign soldiers were drumming in the streets of Prague, in the houses people of Prague prayed for their faithful, the 27 men who were either beheaded or hanged at the same time. It is reported that once a year, always in the night from the 20th to the 21st of June, the noblemen and citizens appear on the Old Town Square. Silently they walk over the square to the church, where, kneeling before the altar, they receive the Last Supper in both forms. And as silently as they have come they disappear again."
The Hradschin 1618, in the year of the window-lintel (contemporary engraving)
So far the Czech writer Alois Jirasek about the events of that night 380 years ago, when the leaders of the insurrection of the Estates against the Catholic Habsburgs were judged. 27 nobles, gentlemen and citizens, Czechs and Germans, Protestants and a Catholic then left their lives. They were punished for having joined an uprising against the legal Habsburg emperor which had a religious background, for the Emperor had previously tried to restrict the freedom of religion which had been in force in the Bohemian lands since the middle of the fifteenth century. The revolt had begun on May 23, 1618, with the famous Prague defenestration, and ended with the battle Battle of White Mountain in November 1620, for the Czechs still today a national trauma. In that battle before the gates of Prague the army of the Catholic Habsburgs the Protestant Estates had utterly vanquished. What followed was a relentless persecution of all insurgents, regardless of their social position or nationality. Emperor Ferdinand II used his military victory to strengthen his position in the rebellious Bohemian lands, to suppress the Protestant faith and to break the power of the Estates once and for all.
Procession on the White Mountains (Josef Berka and A. Gustav, around 1800)
All persons who had somehow participated in the uprising of the Estates were punished. The worst punishment experienced three lords, seven knights and 17 citizens, who were executed in the early morning hours of June 21, 1621 on the Old Town Square. The execution took place conforming to the etiquette: first came the lords, then the knights, and finally the citizens. It is said the bloodthirsty torture to have lasted for four hours, while the executioner Jan Mydlar in the proces was to have beaten blunt four swords.
Joachim Andreas Graf Schlick was the first to be beheaded, whose family had grown rich thanks to the silver mines in the west Bohemian Jáchymov valley. Count Schlick had worked for many years at the Saxon court as an educator of the future ruler Johann Georg. During the Bohemian uprising of the Estates, Schlick had been quite active. Among other things, he was one of the participants of the famous 1618 defenestration. Next came Vaclav Budova from Budovec. Since the beginning of the 17th century, he had been strongly committed to the observance of the freedom of belief in the Bohemian lands and had been one of the spokesmen of the insurgents. As the third nobleman, Krystof Harant of Polzice and Bezdruzice lost his head. He had been court musician and companion of Rudolf at the court of Emperor Rudolf II. He was not very interested in politics, but he had been one of the military leaders of the insurgents, which now cost him his head. All three of them, without any doubt, belonged to the intellectual elite of the country, all three of them had been to many places, were well-educated, spoke several languages, and were Protestants.
Among the 7 knights was also the Catholic Divis Cernin of Chudenice. This one had made the fatal mistake of opening the gates of the castle to the representatives of the Estates on the 23rd of May, 1618, who then threw the three representatives of the Habsburg power out of a window in protest against the restriction of the rights of the Protestants.
Jan Jesensky
Jan Jessenius, the rector of the Charles University of Prague, was one of those who got the severest judgement. He was not only beheaded, his tongue had been cut off before, additionally he was also quartered after the execution. Emperor Ferdinand had expressed himself personally for this harsh judgment. The internationally respected scholar, who had carried out the first public autopsy in Prague in 1600, had aroused the wrath of the ruler as he had himself pronounced against the election of Ferdinand for the King of Bohemia as well as published a series of harsh writings against the Habsburgs.
The heads of twelve executed were hanged in iron baskets for deterrence and warning at the Old Town Bridge Tower. From there they were removed only 10 years later, when the Saxons 1631 occupied Prague for a short time.
Ferdinand II.
Emperor Ferdinand II took advantage of the victory over the rebellious Protestant estates, which had dethroned him, the legitimate heir, and elected another one, the "Winter King", Frederick of the Palatinate. 166 nobles Ferdinand had completely dispossessed, another 500 lost a large part of their estates. On the other hand, his faithful were rewarded. Those were given great lands in the Bohemian lands. In addition, monasteries were returned lands that they had lost during the Hussite wars in the 15th century.
The greatest winners were probably Albrecht von Waldstein, Karl von Liechtenstein, and Johann Ulrich von Eggenberg, who were now able to call great domains their own. But also other noble families then settled in the Bohemian lands, like the Trauttmansdorff, Thun, Metternich and Clary families.
Even ordinary citizens and peasants were affected: those who did not convert to the Catholic faith had to leave the country. In 1624 the Catholic faith became the only one recognized in the Bohemian lands - more and more subjects saw themselves forced to emigrate. Some 150,000 people are said to have left the Bohemian lands for religious reasons in the years after the defeat of the Protestant Estates. The probably most famous emigrant of that time is Jan Amos Komensky - Comenius. The pedagogue and bishop of the Unity of the Brotherhood settled down after a few journeys in Holland, where he died in 1670 at the age of 78.
Even in the eyes of most of today's Czechs, the "time of darkness" began with the defeat of the Protestant estates in the Battle of Weissenberg. As such, the almost 300 years of the unrestricted rule of the Habsburgs over the Bohemian countries were designated, which ended only with the independence of Czechoslovakia in 1918. The formerly proud kingdom of Bohemia had been degrated to a Habsburg province according to the new regional order of 1627, and had lost most of its rights, including the freedom of faith for which its inhabitants had fought since the death for heresy of Jan Hus in 1415. Today, not only the 27 crosses embedded on the Old Town Square, but also all the magnificent Baroque buildings in the country, are reminiscent of this historic epoch. With these the Catholic Habsburgs showed their Bohemian and Moravian subjects who is the boss in the country.
And so we are already at the end of our trip into the 17th century.
Hinrichtung auf dem Altstädter Ring 21. 6. 1621
23-06-2001 | Olaf Barth, Katrin Bock
Olaf Barth und Katrin Bock werfen heute einen Blick auf die Geschehnisse, die sich vor 380 Jahren auf dem Altstädter Ring ereigneten.
Hinrichtung auf dem Altstädter Ring 21. 6. 1621
Wer von Ihnen schon mal in Prag war, dem sind sie vielleicht aufgefallen, die 27 in das Pflaster eingelassenen Kreuze zu Füssen des Altstädter Rathausturmes. Vielleicht haben Sie sich über deren Ursprung gewundert. Nun in den folgenden Minuten erfahren Sie mehr über die Bewandtnis dieser Kreuze. Hören Sie zunächst einmal, wie der tschechische Schriftsteller Alois Jirasek die entsprechenden Ereignisse Ende des 19. Jahrhunderts in einer seiner Geschichten schilderte:
"In der Nacht vom 20. auf den 21. Juni 1621 herrschte überall in Prag Angst und Trauer. Die Strassen waren wie ausgestorben, denn über Prag war Ausgangsverbot verhängt worden. Nur das Klirren der Waffen und schwere Schritte fremder Soldaten durchbrachen die bedrückende Stille. Auf dem Altstädter Ring herrschte reger Betrieb. Bretter und Balken wurden von Wagen abgeladen und zur Platzmitte getragen, wo beim flackernden Licht zahlreicher Fackeln ein Gerüst wuchs. Als es zu dämmern begann, ragte da ein mit rotem Stoff überzogener Galgen empor. Beim Sonnenaufgang donnerte von der Prager Burg ein Kanonenschlag. Ein Zeichen dafür, dass die Exekution beginne. Auf dem Galgengerüst waren dunkle vermummte Gestalten zu sehen - die Henkershelfer und der Totengräber. Schliesslich erschien auch der Henker Jan Mydláø. Alsbald nahmen die kaiserlichen Richter ihre Sitze ein, und die Namen der 27 zum Tode verurteilten Standesherren wurden ausgerufen. Während in den Strassen Prags fremde Soldaten trommelten, beteten in den Häusern die Prager für ihre Getreuen, die 27 Herren, die zur selben Zeit geköpft oder gehängt wurden. Es wird berichtet, dass die hingerichteten Adeligen und Bürger einmal im Jahr, immer in der Nacht vom 20. auf den 21. Juni, auf dem Altstädter Ring erscheinen. Schweigend gehen sie über den Platz zur Kirche, wo sie, vor dem Altar knieend, das Abendmahl in beiderlei Gestalt empfangen. Und so lautlos wie sie gekommen verschwinden sie wieder."
Der Hradschin 1618, im Jahre des Fenstersturzes (Zeitgenössiger Stich)
Soweit der tschechische Schriftsteller Alois Jirasek über die Ereignisse jener Nacht vor 380 Jahren, als die Anführer des Ständeaufstandes gegen die katholischen Habsburger gerichtet wurden. 27 Adelige, Herren und Bürger, Tschechen und Deutsche, Protestanten und ein Katholik liessen damals ihr Leben. Bestraft wurden sie dafür, dass sie sich einem Aufstand gegen den rechtmässigen Habsburger Kaiser angeschlossen hatten, der einen religiösen Hintergrund hatte, denn der Kaiser hatte zuvor versucht, die seit Mitte des 15. Jahrhunderts in den Böhmischen Ländern geltende Religionsfreiheit einzuschränken. Der Aufstand hatte am 23. Mai 1618 mit dem berühmten Prager Fenstersturz begonnen und mit der für Tschechen noch heute ein nationales Trauma darstellenden Schlacht am Weissen Berg im November 1620 geendet. In jener Schlacht vor den Toren Prags hatte das Heer der katholischen Habsburger die protestantischen Stände vernichtend geschlagen. Was folgte war eine unbarmherzige Verfolgung aller Aufständischen, ungeachtet ihrer gesellschaftlichen Stellung oder Nationalität. Kaiser Ferdinand II. nutzte seinen militärischen Sieg, um seine Stellung in den aufständischen Böhmischen Ländern zu stärken, den protestantischen Glauben zurückzudrängen und die Macht der Stände ein für alle mal zu brechen.
Prozession am Weißen Berge (Josef Berka und A. Gustav, um 1800)
Alle Personen, die irgendwie an dem Ständeaufstand beteiligt gewesen waren, wurden bestraft. Am schlimmsten traf es dabei drei Herren, sieben Ritter und 17 Bürger, die in den frühen Morgenstunden des 21. Junis 1621 auf dem Altstädter Ring hingerichtet wurden. Bei der Hinrichtung wurde die Etike gewahrt: zuerst waren die Herren dran, dann die Ritter und schliesslich die Bürger. Vier Stunden lang soll die blutige Tortur gedauert haben, vier Schwerter soll der Henker Jan Mydlar dabei stumpf geschlagen haben.
Als erster wurde Joachim Andreas Graf Schlick geköpft, dessen Familie dank der Silberminen im westböhmischen Joachimsthal reich geworden war. Graf Schlick hatte jahrelang am sächsischen Hof als Erzieher des zukünftigen Herrschers Johann Georg gewirkt. Während des böhmischen Ständeaufstands war Schlick recht aktiv gewesen, unter anderem gehörte er zu den Teilnehmern des berühmten Fenstersturzes von 1618. Als nächstes kam Vaclav Budova von Budovec an die Reihe. Dieser hatte sich seit dem Beginn des 17. Jahrhunderts stark für die Einhaltung der Glaubensfreiheit in den Böhmischen Ländern eingesetzt und war einer der Wortführer der Aufständischen gewesen. Als dritter hochgestellter Adeliger verlor Krystof Harant von Polzice und Bezdruzice seinen Kopf. Dieser war am Hofe Kaiser Rudolfs II. Hofmusikant und Gesellschafter Rudolfs gewesen. Für Politik interessierte er sich nicht sehr, doch war er einer der Heerführer der Aufständischen gewesen, das kostete ihn nun seinen Kopf. Alle drei Herren gehörten ohne Zweifel zur geistigen Elite des Landes, alle drei waren weitgereist, hervorragend gebildet, sprachen mehrere Sprachen - und waren Protestanten.
Unter den 7 Rittern war auch der Katholik Divis Cernin von Chudenice. Dieser hatte den verhängnisvollen Fehler gemacht, am 23. Mai 1618 den Repräsentanten der Stände die Burgtore geöffnet zu haben, die dann die drei Vertreter der Habsburger Macht aus Protest gegen die Einschränkung der Rechte der Protestanten aus einem Fenster warfen.
Jan Jesensky
Eines der härtesten Urteile traf Jan Jessenius, den Rektor der Prager Karlsuniversität, der als 16. an die Reihe kam: er wurde nicht nur geköpft, zuvor wurde ihm die Zunge abgeschnitten, ausserdem wurde er nach der Hinrichtung noch geviertelt. Für dieses harte Urteil hatte sich Kaiser Ferdinand persönlich ausgesprochen. Der international angesehene Gelehrte, der 1600 in Prag die erste öffentliche Obduktion durchgeführt hatte, hatte den Zorn des Herrschers erregt, da er sich auf verschiedenen Landtagen gegen die Wahl Ferdinands zum böhmischen König ausgesprochen sowie eine Reihe von scharfen Schriften gegen die Habsburger veröffentlicht hatte.
Die Köpfe von zwölf Hingerichteten wurden in Eisenkörben zur Abschreckung und Warnung an den Altstädter Brückenturm gehängt. Von dort wurden sie erst 10 Jahre später entfernt, als die Sachsen 1631 Prag für kurze Zeit besetzten.
Ferdinand II.
Kaiser Ferdinand II. nutzte seinen Sieg über die aufständischen protestantischen Stände, die ihn, den rechtmässigen Erben, entthront hatten und einen anderen, den "Winterkönig" Friedrich von der Pfalz, gewählt hatten. 166 Adelige liess Ferdinand vollkommen enteignen, weitere 500 verloren einen Grossteil ihrer Güter. Belohnt wurden dagegen seine Getreuen. Diese erhielten grosse Ländereien in den Böhmischen Ländern. Ausserdem bekamen Klöster Ländereien zurück, die sie zur Zeit der Hussitenkriege im 15. Jahrhundert verloren hatten.
Die grössten Gewinner waren wohl Albrecht von Waldstein, Karl von Liechtenstein sowie Johann Ulrich von Eggenberg, die nun grosse Herrschaften ihr Eigen nennen konnten. Aber auch andere Adelsdfamilien setzten damals in den Böhmischen Ländern ihren Fuss, wie die Familien Trauttmansdorff, Thun, Metternich und Clary.
Auch einfache Bürger und Bauern waren betroffen: wer nicht zum katholischen Glauben übertrat, musste das Land verlassen. 1624 wurde der katholische Glaube der einzig anerkannte in den Böhmischen Ländern - immer mehr Untertanen sahen sich gezwungen, zu emigrieren. Rund 150.000 Menschen sollen in den Jahren nach der Niederlage der protestantischen Stände die Böhmischen Länder aus religiösen Gründen verlassen haben. Der wohl bekannteste Emigrant jener Zeit ist Jan Amos Komensky - Comenius. Der Pädagoge und Bischof der Brüderunität liess sich nach einigen Reisen in Holland nieder, wo er 1670 im Alter von 78 Jahren verstarb.
Auch in den Augen der meisten heutigen Tschechen begann damals mit der Niederlage der protestantischen Stände in der Schlacht am Weissen Berg die "Zeit der Finsternis". Als solche werden die knapp 300 Jahre der uneingeschränkten Herrschaft der Habsburger über die Böhmischen Länder bezeichnet, die erst mit der Unabhängigkeit der Tschechoslowakei 1918 endeten. Das einstmals stolze Königreich Böhmen war nach der neuen Landesordnung von 1627 zu einer Habsburger Provinz degradiert worden und hatte die meisten seiner Rechte verloren - auch das der Glaubensfreiheit, für das seine Bewohner seit dem Ketzertod des Jan Hus 1415 gekämpft hatten. Heute erinnern an diese Geschichtsepoche nicht nur die 27 in das Strassenpflaster eingelassenen Kreuze auf dem Altstädter Ring, sondern auch all die prächtigen Barockbauten im Lande. Mit diesen zeigten die katholischen Habsburger ihren böhmischen und mährischen Untertanen, wer der Herr im Lande ist.
Und damit sind wir bereits am Ende unseres Ausfluges in das 17. Jahrhundert.
www.radio.cz/de/rubrik/geschichte/hinrichtung-auf-dem-alt...
Used by the Trujillo regime as one of many tools to torture, terrorize, and control his opposition.. This was one of the many tactis used by the regime, along with improsnment, brutal beatings, and killing of the accused family. Trujillo known for his ruthless tactics in his later years as dictator, used the electrical chair as an object to terrify the public and anyone who goes on his opposition. Trujillo was known for sitting in many of the electrecuations and invited press so that the country would know he is serious buissiness. Trujillo also at time gave punishment similar to this to his own men and his own regime so that any person in the regime would know not to go against him. The dictator showed no mercy. In his early years as ruler of the small Island Trujillo was known as a person who would take the country away from poverty and restore it to economical greatness. His ruthless acts began as soon as the country saw no need for him to be in power and his approval ratings soon went to a downward spiral. His fear of loosing his power sparked murders, rapes, beatings, and various unreasobable inprisonments.
Espaillat, Arturo R.. Trujillo: The Last Caesar. Chicago. IL: H. Regnery Co, 1963.
Picture taken by Otto Piron
for more Information visit en.wikipedia.org/wiki/Rafael_Le%c3%b3nidas_Trujillo
October 17, 2018
Two people were arrested this morning after the Niagara County Sheriffs Department executed a search warrant at a home in the 500 block of 23rd Street
Series of 6 postcards illustrating the death of Edith Cavell during World War 1.
Edith Louisa Cavell (4 December 1865 – 12 October 1915) was a British nurse. She is celebrated for saving the lives of soldiers from both sides without discrimination and in helping some 200 Allied soldiers escape from German-occupied Belgium during the First World War, for which she was arrested. She was subsequently court-martialled, found guilty of treason and sentenced to death. Despite international pressure for mercy, she was shot by a German firing squad. Her execution received worldwide condemnation and extensive press coverage.
Ellora (\e-ˈlȯr-ə\, Marathi: वेरूळ Vērūḷa), is an archaeological site, 29 km North-West of the city of Aurangabad in the Indian state of Maharashtra built by the Rashtrakuta dynasty. It is also known as Elapura (in the Rashtrakuta literature-Kannada). Well known for its monumental caves, Ellora is a World Heritage Site. Ellora represents the epitome of Indian rock-cut architecture. The 34 "caves" are actually structures excavated out of the vertical face of the Charanandri hills. Buddhist, Hindu and Jain rock-cut temples and viharas and mathas were built between the 5th century and 10th century. The 12 Buddhist (caves 1–12), 17 Hindu (caves 13–29) and 5 Jain (caves 30–34) caves, built in proximity, demonstrate the religious harmony prevalent during this period of Indian history. It is a protected monument under the Archaeological Survey of India.
ETYMOLOGY
Ellora, also called Verula or Elura, is the cave form of the Ancient name Elapura.
HISTORY
Ellora is known for Hindu, Buddhist and Jain cave temples built during (6th and 9th centuries) the rule of the Kalachuri, Chalukya and Rashtrakuta dynasties. The Jagannatha Sabha a group of five Jain cave temples of 9th century built by Rashtrakuta.
THE BUDDHIST CAVES
These caves were built during the 5th-7th century. It was initially thought that the Buddhist caves were one of the earliest structures, created between the fifth and eighth centuries, with caves 1-5 in the first phase (400-600) and 6-12 in the later phase (mid 7th-mid 8th), but now it is clear to the modern scholars that some of the Hindu caves (27,29,21,28,19,26,20,17 and 14) precede these caves.[citation needed] The earliest Buddhist cave is Cave 6, followed by 5,2,3,5 (right wing), 4,7,8,10 and 9. Caves 11 and 12 were the last. All the Buddhist caves were constructed between 630-700.
These structures consist mostly of viharas or monasteries: large, multi-storeyed buildings carved into the mountain face, including living quarters, sleeping quarters, kitchens, and other rooms. Some of these monastery caves have shrines including carvings of Gautama Buddha, bodhisattvas and saints. In many of these caves, sculptors have endeavoured to give the stone the look of wood.
Most famous of the Buddhist caves is cave 10, (refer map) a chaitya hall (chandrashala) or 'Vishvakarma cave', popularly known as the 'Carpenter's Cave'. Beyond its multi-storeyed entry is a cathedral-like stupa hall also known as chaitya, whose ceiling has been carved to give the impression of wooden beams. At the heart of this cave is a 15-foot statue of Buddha seated in a preaching pose. Amongst other Buddhist caves, all of the first nine (caves 1–9) are monasteries. The last two caves, Do Tal (cave 11) and Tin Tal (cave 12) have three stories.
CAVE 10
Cave 10 is a vihara with eight cells, four in the back wall and four in the right wall. It had a portico in the front with a cell. Possibly served as a granary for other viharas.
THE VISHWAKARMA
The Vishwakarma (Cave 10) is the only chaitya griha amongst the Buddhist group of caves. It is locally known as Vishwakarma or Sutar ka jhopda "carpenter's hut". It follows the pattern of construction of Caves 19 and 26 of Ajanta. On stylistic grounds, the date of construction of this cave is assigned to 700 A.D. The chaitya once had a high screen wall, which is ruined at present. At the front is a rock-cut court, which is entered through a flight of steps. On either side are pillared porticos with chambers in their back walls. These were probably intended to have subsidiary shrines but not completed. The pillared verandah of the chaitya has a small shrine at either end and a single cell in the far end of the back wall. The corridor columns have massive squarish shafts and ghata-pallava (vase and foliage) capitals. The main hall is apsidal on plan and is divided into a central nave and side aisles by 28 octagonal columns with plain bracket capitals. In the apsidal end of the chaitya hall is a stupa on the face of which a colossal 3.30 m high seated Buddha in vyakhyana mudra (teaching posture) is carved. A large Bodhi tree is carved at the back. The hall has a vaulted roof in which ribs have been carved in the rock imitating the wooden ones.
THE HINDU CAVES
The Hindu caves were constructed between the middle of sixth century to the end of the eighth century. The early caves (caves 17–29) were constructed during the Kalachuri period. The work first commenced in Caves 28, 27 and 19. These were followed by two most impressive caves constructed in the early phase - Caves 29 and 21. Along with these two, work was underway at Caves 20 and 26, and slightly later at Caves 17, 19 and 28. The caves 14, 15 and 16 were constructed during the Rashtrakuta period. The work began in Caves 14 and 15 and culminated in Cave 16. All these structures represent a different style of creative vision and execution skills. Some were of such complexity that they required several generations of planning and co-ordination to complete.
THE KAILASANATHA TEMPLE
Cave 16, also known as the Kailasa temple, is the unrivaled centerpiece of Ellora. This is designed to recall Mount Kailash, the abode of Lord Shiva – looks like a freestanding, multi-storeyed temple complex, but it was carved out of one single rock, and covers an area double the size of Parthenon in Athens. Initially the temple was covered with white plaster thus even more increasing the similarity to snow-covered Mount Kailash.
All the carvings are done in more than one level. A two-storeyed gateway resembling a South Indian Gopura opens to reveal a U-shaped courtyard. The courtyard is edged by columned galleries three storeys high. The galleries are punctuated by huge sculpted panels, and alcoves containing enormous sculptures of a variety of deities. Originally flying bridges of stone connected these galleries to central temple structures, but these have fallen.
Within the courtyard are three structures. As is traditional in Shiva temples, the first is a large image of the sacred bull Nandi in front of the central temple. The central temple - Nandi Mantapa or Mandapa - houses the Lingam. The Nandi Mandapa stands on 16 pillars and is 29.3 m high. The base of the Nandi Mandapa has been carved to suggest that life-sized elephants are holding the structure aloft. A living rock bridge connects the Nandi Mandapa to the Shiva temple behind it. The temple itself is a tall pyramidal structure reminiscent of a South Indian Dravidian temple. The shrine – complete with pillars, windows, inner and outer rooms, gathering halls, and an enormous lingam at its heart – carved from living stone, is carved with niches, pilasters, windows as well as images of deities, mithunas (erotic male and female figures) and other figures. Most of the deities at the left of the entrance are Shaivaite (followers of Shiva) while on the right hand side the deities are Vaishnavaites (followers of Vishnu). There are two Dhvajastambhas (pillars with the flagstaff) in the courtyard. The grand sculpture of Ravana attempting to lift Mount Kailasa, the abode of Lord Shiva, with his full might is a landmark in Indian art. The construction of this cave was a feat of human genius – it entailed the removal of 200,000 tonnes of rock, and took 100 years to complete.
The temple is a splendid achievement of Rashtrakuta Karnata architecture. This project was started by Krishna I (757–773) of the Rashtrakuta dynasty that ruled from Manyakheta in present day Karnataka state. His rule had also spread to southern India, hence this temple was excavated in the prevailing style. Its builders modelled it on the lines of the Virupaksha Temple in Pattadakal. Being a south Indian style temple, it does not have a shikhara common to north Indian temples. – The Guide to the Architecture of the Indian Subcontinent, 1996, Takeo Kamiya, Japan Architects Academy and archaeological Survey of India.
THE DASHAVATARA
The Dashavatara (Cave 15) was begun as a Buddhist monastery. It has an open court with a free-standing monolithic mandapa at the middle and a two-storeyed excavated temple at the rear. The layout of the temple is closely related to caves 11 and 12. Large sculptural panels between the wall columns on the upper floor illustrate a wide range of themes, which include the ten avatars of Vishnu. An inscription of grant of Dantidurga is found on the back wall of the front mandapa. According to Coomaraswamy, the finest relief of this cave is the one depicting the death of Hiranyakashipu, where Vishnu in man-lion (Narasimha) form, emerges from a pillar to lay a fatal hand upon the shoulder of Hiranyakashipu.
OTHER HINDU CAVES
CAVE 21
Other notable Hindu caves are the Rameshvara (Cave 21), which has figurines of river goddesses Ganga and Yamuna at the entrance and the Dhumar Lena (Cave 29) whose design is similar to the cave temple on Elephanta Island near Mumbai. Two other caves, the Ravan ki Khai (Cave 14) and the Nilkantha (Cave 22) also have several sculptures. The rest of the Hindu caves, which include the Kumbharvada (Cave 25) and the Gopilena (Cave 27) have no significant sculptures.
The five Jain caves at Ellora belong to the ninth and tenth centuries. They all belong to the Digambara sect. Jain caves reveal specific dimensions of Jain philosophy and tradition. They reflect a strict sense of asceticism – they are not relatively large as compared to others, but they present exceptionally detailed art works. The most remarkable Jain shrines are the Chhota Kailash (cave 30), the Indra Sabha (cave 32) and the Jagannath Sabha (cave 33). Cave 31 is an unfinished four-pillared hall and a shrine. Cave 34 is a small cave, which can be approached through an opening on the left side of Cave 33. Amongst other devotional carvings, a place called samvatsarana can be found in Elora caves. Samvatsarana is of special interest to Jains, as it is a hall where the tirthankara preaches after attaining omniscience.
THE INDRA SABHA
The Indra Sabha (Cave 32) is a two storeyed cave with one more monolithic shrine in its court. It has a very fine carving of the lotus flower on the ceiling. It got the appellation "Indra Sabha" probably it is significantly ornate and also because of the sculpture of the yaksha (dedicated attendant deity) Matanga on an elephant, which was wrongly identified as that of Indra. On the upper level of the double-storied shrine excavated at the rear of the court, an U image of Ambika, the yakshini of Neminath, is found seated on her lion under a mango tree, laden with fruits.
OTHER JAIN CAVES
All other Jain caves are also characterized by intricate detailing. Many of the structures had rich paintings in the ceilings - fragments of which are still visible.
GEOLOGY OF ELLORA
Ellora occupies a relatively flat region of the Western Ghats. Ancient volcanic activity in this area created many layered basalt formations, known as Deccan Traps. During the Cretaceous, one such volcanic hill formed on the southwest-facing side of Ellora. Its vertical face made access to many layers of rock formations easier, enabling architects to pick basalt with finer grains for more detailed sculpting.
INSCRIPTIONS AT ELLORA
Several inscriptions at Ellora range from 6th century to 15th century. The best known of them is an inscription of Rashtrakuta Dantidurga (c. 753-57 A.D.) on the back wall of the front mandapa of Cave 15, which gives an account of his conquests. Inscriptions on the Kailash temple itself range from 9th to 15th century. Jain cave Jagannatha Sabha has 3 inscriptions that give the names of monks and donors. A Parshvanth temple on the hill has a 11th-century inscription that gives the name of the donor from Vardhanapura.
The Great Kailasa (Cave 16) is attributed to Krishna I (c. 757-83 A.D.), the successor and uncle of Dantidurga. A copper plate grant by Karka II (c. 812-13 A.D.) narrates that a great edifice was built on a hill by Krishnaraja at Elapura (Ellora).
The Ellora caves, unlike Ajanta, were never lost. There have been several written records that indicate that these caves were visited regularly. The earliest is that of the Arab geographer Al-Mas‘udi of the 10th century A.D. In 1352 A.D. Sultan Hasan Gangu Bahmani, who camped at the site and visited the caves. The others are by Firishta, Thevenot (1633–67), Niccolao Manucci (1653-1708), Charles Warre Malet (1794), and Seely (1824)
WIKIPEDIA
Stefan Wewerka
Küchenbaum
Deutschland, 1984
Ausführung: Tecta
Stahl, diverse Materialien
Kitchen Tree
Germany, 1984
Execution: Tecta
Steel, div. materials
The history of the Austrian Museum of Applied Art/Contemporary Art
1863 / After many years of efforts by Rudolf Eitelberger decides emperor Franz Joseph I on 7 March on the initiative of his uncle archduke Rainer, following the model of the in 1852 founded South Kensington Museum (now the Victoria and Albert Museum, London) the establishment of the "k.u.k. Austrian Museum for Art and Industry" and appoints Rudolf von Eitelberger, the first professor of art history at the University of Vienna director. The museum should be serving as a specimen collection for artists, industrialists, and public and as a training and education center for designers and craftsmen.
1864/ on 12th of May, opened the museum - provisionally in premises of the ball house next to the Vienna Hofburg, the architect Heinrich von Ferstel for museum purposes had adapted. First exhibited objects are loans and donations from the imperial collections, monasteries, private property and from the k.u.k. Polytechnic in Vienna. Reproductions, masters and plaster casts are standing value-neutral next originals.
1865-1897 / The Museum of Art and Industry publishes the journal Communications of Imperial (k.u.k.) Austrian Museum for Art and Industry .
1866 / Due to the lack of space in the ballroom the erection of an own museum building is accelerated. A first project of Rudolf von Eitelberger and Heinrich von Ferstel provides the integration of the museum in the project of imperial museums in front of the Hofburg Imperial Forum. Only after the failure of this project, the site of the former Exerzierfelds (parade ground) of the defense barracks before Stubentor the museum here is assigned, next to the newly created city park at the still being under development Rind Road.
1867 / Theoretical and practical training are combined with the establishment of the School of Applied Arts. This will initially be housed in the old gun factory, Währinger street 11-13/Schwarzspanier street 17, Vienna 9.
1868 / With the construction of the building at Stubenring is started as soon as it is approved by emperor Franz Joseph I. the second draft of Heinrich Ferstel.
1871 / The opening of the building at Stubering takes place after three years of construction, 15 November. Designed according to plans by Heinrich von Ferstel in the Renaissance style, it is the first built museum building at the Ring. Objects from now on could be placed permanently and arranged according to main materials. / / The School of Arts and Crafts (Kunstgewerbeschule) moves into the house at Stubenring. / / Opening of Austrian arts and crafts exhibition.
1873 / Vienna World Exhibition. / / The Museum of Art and Industry and the Vienna School of Arts and Crafts are exhibiting together at Stubenring. / / Rudolf von Eitelberger organizes in the framework of the World Exhibition the worldwide first international art scientific congress in Vienna, thus emphasizing the orientation of the Museum on teaching and research. / / During the World Exhibition major purchases for the museum from funds of the Ministry are made, eg 60 pages of Indo-Persian Journal Mughal manuscript Hamzanama.
1877 / decision on the establishment of taxes for the award of Hoftiteln (court titels). With the collected amounts the local art industry can be promoted. / / The new building of the School of Arts and Crafts, adjoining the museum, Stubenring 3, also designed by Heinrich von Ferstel, is opened.
1878 / participation of the Museum of Art and Industry as well as of the School of Arts and Crafts at the Paris World Exhibition.
1884 / founding of the Vienna Arts and Crafts Association with seat in the museum. Many well-known companies and workshops (led by J. & L. Lobmeyr), personalities and professors of the School of Arts and Crafts join the Arts and Crafts Association. Undertaking of this association is to further develop all creative and executive powers the arts and craft since the 1860s has obtained. For this reason are organized various times changing, open to the public exhibitions at the Imperial Austrian Museum for Art and Industry. The exhibits can also be purchased. These new, generously carried out exhibitions give the club the necessary national and international resonance.
1885 / After the death of Rudolf von Eitelberger, Jacob von Falke, his longtime deputy, is appointed manager. Falke plans all collection areas al well as publications to develop newly and systematically. With his popular publications he influences significantly the interior design style of the historicism in Vienna.
1888 / The Empress Maria Theresa exhibition revives the contemporary discussion with the high Baroque in the history of art and in applied arts in particular.
1895 / end of directorate of Jacob von Falke. Bruno Bucher, longtime curator of the Museum of metal, ceramic and glass, and since 1885 deputy director, is appointed director.
1896 / The Vienna Congress exhibition launches the confrontation with the Empire and Biedermeier style, the sources of inspiration of Viennese Modernism.
1897 / end of the directorate of Bruno Bucher. Arthur von Scala, director of the Imperial Oriental Museum in Vienna since its founding in 1875 (renamed Imperial Austrian Trade Museum 1887), takes over the management of the Museum of Art and Industry. / / Scala wins Otto Wagner, Felician of Myrbach, Koloman Moser, Josef Hoffmann and Alfred Roller to work at the museum and School of Arts and Crafts. / / The style of the Secession is crucial for the Arts and Crafts School. Scala propagates the example of the Arts and Crafts Movement and makes appropriate acquisitions for the museum's collection.
1898 / Due to differences between Scala and the Arts and Crafts Association, which sees its influence on the Museum wane, archduke Rainer puts down his function as protector. / / New statutes are written.
1898-1921 / The Museum magazine Art and Crafts replaces the Mittheilungen (Communications) and soon gaines international reputation.
1900 / The administration of Museum and Arts and Crafts School is disconnected.
1904 / The Exhibition of Old Vienna porcelain, the to this day most comprehensive presentation on this topic, brings with the by the Museum in 1867 definitely taken over estate of the "k.u.k. Aerarial Porcelain Manufactory" (Vienna Porcelain Manufactory) important pieces of collectors from all parts of the Habsburg monarchy together.
1907 / The Museum of Art and Industry takes over the majority of the inventories of the Imperial Austrian Trade Museum, including the by Arthur von Scala founded Asia collection and the extensive East Asian collection of Heinrich von Siebold .
1908 / Integration of the Museum of Art and Industry in the Imperial and Royal Ministry of Public Works.
1909 / separation of Museum and Arts and Crafts School, the latter remains subordinated to the Ministry of Culture and Education. / / After three years of construction, the according to plans of Ludwig Baumann extension building of the museum (now Weiskirchnerstraße 3, Wien 1) is opened. The museum thereby receives rooms for special and permanent exhibitions. / / Arthur von Scala retires, Eduard Leisching follows him as director. / / Revision of the statutes.
1909 / Archduke Carl exhibition. For the centenary of the Battle of Aspern. / / The Biedermeier style is discussed in exhibitions and art and arts and crafts.
1914 / Exhibition of works by the Austrian Art Industry from 1850 to 1914, a competitive exhibition that highlights, among other things, the role model of the museum for arts and crafts in the fifty years of its existence.
1919 / After the founding of the First Republic it comes to assignments of former imperial possession to the museum, for example, of oriental carpets that are shown in an exhibition in 1920. The Museum now has one of the finest collections of oriental carpets worldwide.
1920 / As part of the reform of museums of the First Republic, the collection areas are delimited. The Antiquities Collection of the Museum of Art and Industry is given away to the Museum of Art History.
1922 / The exhibition of glasses of classicism, the Empire and Biedermeier time offers with precious objects from the museum and private collections an overview of the art of glassmaking from the former Austro-Hungarian Empire. / / Biedermeier glass serves as a model for contemporary glass production and designs, such as of Josef Hoffmann.
1922 / affiliation of the museal inventory of the royal table and silver collection to the museum. Until the institutional separation the former imperial household and table decoration is co-managed by the Museum of Art and Industry and is inventoried for the first time by Richard Ernst.
1925 / After the end of the directorate of Eduard Leisching, Hermann Trenkwald is appointed director.
1926 / The exhibition Gothic in Austria gives a first comprehensive overview of the Austrian panel painting and of arts and crafts of the 12th to 16th Century.
1927 / August Schestag succeeds Hermann Trenkwald as director.
1930 / The Werkbund (artists' organization) Exhibition Vienna, a first comprehensive presentation of the Austrian Werkbund, takes place on the occasion of the meeting of the Deutscher (German) Werkbund in Austria, it is organized by Josef Hoffmann in collaboration with Oskar Strnad, Josef Frank, Ernst Lichtblau and Clemens Holzmeister.
1931 / August Schestag concludes his directorate.
1932 / Richard Ernst is new director.
1936 and 1940 / In exchange with the Kunsthistorisches Museum (Museum of Art History), the museum at Stubenring gives away part of the sculptures and takes over arts and crafts inventories of the collection Albert Figdor and the Kunsthistorisches Museum.
1937 / The Collection of the Museum of Art and Industry is newly set up by Richard Ernst according to periods. / / Oskar Kokoschka exhibition on the 50th birthday of the artist.
1938 / After the "Anschluss" (annexation) of Austria by Nazi Germany, the museum is renamed into "National Museum of Arts and Crafts in Vienna".
1939-1945 / The museums are taking over numerous confiscated private collections. The collection of the "State Museum of Arts and Crafts in Vienna" in this way also is enlarged.
1945 / Partial destruction of the museum building by impact of war. / / War losses on collection objects, even in the places of rescue of objects.
1946 / The return of the outsourced objects of art begins. A portion of the during the Nazi time expropriated objects is returned in the following years.
1947 / The "State Museum of Arts and Crafts in Vienna" is renamed into "Austrian Museum of Applied Arts".
1948 / The "Cathedral and Metropolitan Church of St. Stephen" organizes the exhibition The St. Stephen's Cathedral in the Museum of Applied Arts. History, monuments, reconstruction.
1949 / The Museum is reopened after repair of the war damages.
1950 / As last exhibition under director Richard Ernst takes place Great art from Austria's monasteries (Middle Ages).
1951 / Ignaz Schlosser is appointed manager.
1952 / The exhibition Social home decor, designed by Franz Schuster, makes the development of social housing in Vienna again the topic of the Museum of Applied Arts.
1955 / The comprehensive archive of the Wiener Werkstätte (workshop) is acquired.
1955-1985 / The Museum publishes the periodical ancient and modern art .
1956 / Exhibition New Form from Denmark, modern design from Scandinavia becomes topic of the museum and model.
1957 / On the occasion of the exhibition Venini Murano glass, the first presentation of Venini glass in Austria, there are significant purchases and donations for the collection of glass.
1958 / End of the directorate of Ignaz Schlosser
1959 / Viktor Griesmaier is appointed as new director.
1960 / Exhibition Artistic creation and mass production of Gustavsberg, Sweden. Role model of Swedish design for the Austrian art and crafts.
1963 / For the first time in Europe, in the context of a comprehensive exhibition art treasures from Iran are shown.
1964 / The exhibition Vienna around 1900 (organised by the Cultural Department of the City of Vienna) presents for the frist time after the Second World War, inter alia, arts and crafts of Art Nouveau. / / It is started with the systematic work off of the archive of the Wiener Werkstätte. / / On the occasion of the founding anniversary offers the exhibition 100 years Austrian Museum of Applied Arts using examples of historicism insights into the collection.
1965 / The Geymüllerschlössel (small castle) is as a branch of the Museum angegliedert (annexed). Simultaneously with the building came the important collection of Franz Sobek - old Viennese clocks, made between 1760 and the second half of the 19th Century - and furniture from the years 1800 to 1840 in the possession of the MAK.
1966 / In the exhibition Selection 66 selected items of modern Austrian interior designers (male and female ones) are brought together.
1967 / The Exhibition The Wiener Werkstätte. Modern Arts and Crafts from 1903 to 1932 is founding the boom that continues until today of Austria's most important design project in the 20th Century.
1968 / To Viktor Griesmaier follows Wilhelm Mrazek as director.
1969 / The exhibition Sitting 69 shows at the international modernism oriented positions of Austrian designers, inter alia by Hans Hollein.
1974 / For the first time outside of China Archaeological Finds of the People's Republic of China are shown in a traveling exhibition in the so-called Western world.
1979 / Gerhart Egger is appointed director.
1980 / The exhibition New Living. Viennese interior design 1918-1938 provides the first comprehensive presentation of the spatial art in Vienna during the interwar period.
1981 / Herbert Fux follows Gerhart Egger as director.
1984 / Ludwig Neustift is appointed interim director. / / Exhibition Achille Castiglioni: designer. First exhibition of the Italian designer in Austria
1986 / Peter Noever is appointed director and starts with the building up of the collection contemporary art.
1987 / Josef Hoffmann. Ornament between hope and crime is the first comprehensive exhibition on the work of the architect and designer.
1989-1993 / General renovation of the old buildings and construction of a two-storey underground storeroom and a connecting tract. A generous deposit for the collection and additional exhibit spaces arise.
1989 / Exhibition Carlo Scarpa. The other city, the first comprehensive exhibition on the work of the architect outside Italy.
1990 / exhibition Hidden impressions. Japonisme in Vienna 1870-1930, first exhibition on the theme of the Japanese influence on the Viennese Modernism.
1991 / exhibition Donald Judd Architecture, first major presentation of the artist in Austria.
1992 / Magdalena Jetelová domestication of a pyramid (installation in the MAK portico).
1993 / The permanent collection is newly put up, interventions of internationally recognized artists (Barbara Bloom, Eichinger oder Knechtl, Günther Förg, GANGART, Franz Graf, Jenny Holzer, Donald Judd, Peter Noever, Manfred Wakolbinger and Heimo Zobernig) update the prospects, in the sense of "Tradition and Experiment". The halls on Stubenring accommodate furthermore the study collection and the temporary exhibitions of contemporary artists reserved gallery. The building in the Weiskirchner street is dedicated to changing exhibitions. / / The opening exhibition Vito Acconci. The City Inside Us shows a room installation by New York artist.
1994 / The Gefechtsturm (defence tower) Arenbergpark becomes branch of the MAK. / / Start of the cooperation MAK/MUAR - Schusev State Museum of Architecture Moscow. / / Ilya Kabakov: The Red Wagon (installation on MAK terrace plateau).
1995 / The MAK founds the branch of MAK Center for Art and Architecture in Los Angeles, in the Schindler House and at the Mackey Apartments, MAK Artists and Architects-in-Residence Program starts in October 1995. / / Exhibition Sergei Bugaev Africa: Krimania.
1996 / For the exhibition Philip Johnson: Turning Point designs the American doyen of architectural designing the sculpture "Viennese Trio", which is located since 1998 at the Franz-Josefs-Kai/Schottenring.
1998 / The for the exhibition James Turrell. The other Horizon designed Skyspace today stands in the garden of MAK Expositur Geymüllerschlössel. / / Overcoming the utility. Dagobert Peche and the Wiener Werkstätte, the first comprehensive biography of the work of the designer of Wiener Werkstätte after the Second World War.
1999 / Due to the Restitution Act and the Provenance Research from now on numerous during the Nazi time confiscated objects are returned.
2000 / Outsourcing of Federal Museums, transformation of the museum into a "scientific institution under public law". / / The exhibition Art and Industry. The beginnings of the Austrian Museum of Applied Arts in Vienna is dealing with the founding history of the house and the collection.
2001 / In the course of the exhibition Franz West: No Mercy, for which the sculptor and installation artist developed his hitherto most extensive work, the "Four lemurs heads" are placed at the bridge Stubenbrücke, located next to the MAK. / / Dennis Hopper: A System of Moments.
2001-2002 / The CAT Project - Contemporary Art Tower after New York, Los Angeles, Moscow and Berlin is presented in Vienna.
2002 / Exhibition Nodes. symmetrical-asymmetrical. The historical Oriental Carpets of the MAK presents the extensive rug collection.
2003 / Exhibition Zaha Hadid. Architecture. / / For the anniversary of the artist workshop, takes place the exhibition The Price of Beauty. 100 years Wiener Werkstätte. / / Richard Artschwager: The Hydraulic Door Check. Sculpture, painting, drawing.
2004 / James Turrell's MAKlite is since November 2004 permanently on the facade of the building installed. / / Exhibition Peter Eisenmann. Barefoot on White-Hot Walls, large-scaled architectural installation on the work of the influential American architect and theorist.
2005 / Atelier Van Lieshout: The Disciplinator / / The exhibition Ukiyo-e Reloaded presents for the first time the collection of Japanese woodblock prints of the MAK on a large scale.
2006 / Since the beginning of the year, the birthplace of Josef Hoffmann in Brtnice of the Moravian Gallery in Brno and the MAK Vienna as a joint branch is run and presents annually special exhibitions. / / The exhibition The Price of Beauty. The Wiener Werkstätte and the Stoclet House brings the objects of the Wiener Werkstätte to Brussels. / / Exhibition Jenny Holzer: XX.
2007/2008 / Exhibition Coop Himmelb(l)au. Beyond the Blue, is the hitherto largest and most comprehensive museal presentation of the global team of architects.
2008 / The 1936 according to plans of Rudolph M. Schindler built Fitzpatrick-Leland House, a generous gift from Russ Leland to the MAK Center LA, becomes with the aid of a promotion that granted the Bureau of Educational and Cultural Affairs of the U.S. Department the MAK Center, center of the MAK UFI project - MAK Urban Future Initiative. / / Julian Opie: Recent Works / / The exhibition Recollecting. Looting and Restitution examines the status of efforts to restitute expropriated objects from Jewish property from museums in Vienna.
2009 / The permanent exhibition Josef Hoffmann: Inspiration is in the Josef Hoffmann Museum, Brtnice opened. / / Exhibition Anish Kapoor. Shooting into the Corner / / The museum sees itself as a promoter of Cultural Interchange and discusses in the exhibition Global:lab Art as a message. Asia and Europe 1500-1700 the intercultural as well as the intercontinental cultural exchange based on objects from the MAK and from international collections.
2011 / After Peter Noever's resignation, Martina Kandeler-Fritsch takes over temporarily the management. / /
Since 1 September Christoph Thun-Hohenstein is director of the MAK and declares "change through applied art" as the new theme of the museum.
2012 / With future-oriented examples of mobility, health, education, communication, work and leisure, shows the exhibition MADE4YOU. Designing for Change, the new commitment to positive change in our society through applied art. // Exhibition series MAK DESIGN SALON opens the MAK branch Geymüllerschlössel for contemporary design positions.
2012/2013 / opening of the newly designed MAK Collection Vienna 1900. Design / Decorative Arts from 1890 to 1938 in two stages as a prelude to the gradual transformation of the permanent collection under director Christoph Thun-Hohenstein
2013 / SIGNS, CAUGHT IN WONDER. Looking for Istanbul today shows a unique, current snapshot of contemporary art production in the context of Istanbul. // The potential of East Asian countries as catalysts for a socially and ecologically oriented, visionary architecture explores the architecture exhibition EASTERN PROMISES. Contemporary Architecture and production of space in East Asia. // With a focus on the field of furniture design NOMADIC FURNITURE 3.0. examines new living without bounds? the between subculture and mainstream to locate "do-it-yourself" (DIY) movement for the first time in a historical context.
2014 / Anniversary year 150 years MAK // opening of the permanent exhibition of the MAK Asia. China - Japan - Korea // Opening of the MAK permanent exhibition rugs // As central anniversary project opens the dynamic MAK DESIGN LABORATORY (redesign of the MAK Study Collection) exactly on the 150th anniversary of the museum on May 12, 2014 // Other major projects for the anniversary: ROLE MODELS. MAK 150 years: from arts and crafts to design // // HOLLEIN WAYS OF MODERN AGE. Josef Hoffmann, Adolf Loos and the consequences.
Manet - the execution of emperor Maximilian [1868-69] (third version, Copenhagen)
Copenhagen Ny Carlsberg Glyptotek
Who wants to know more about the historical background, why archduke Maximilian of Hapsburg entered in the Mexican adventure may read the following article:
www.holocaustianity.com/hysteria/maximilian.html
More about the history of Manet's paintings:
1) en.wikipedia.org/wiki/The_Execution_of_Emperor_Maximilian
2) www.moma.org/interactives/exhibitions/2006/Manet/
or
www.moma.org/interactives/exhibitions/2006/Manet/detail_f...
An increasing number of death penalty is enforced in Indonesia – a crime against the international trend. The number of executions worldwide fell last year to 607, 22 percent fewer than in 2013. At the same time imposed 28 percent more death penalty in the world in 2014 than the year...
www.broadleak.com/2015/04/24/indonesia-breaks-execution-t...
Execution on the Old Town Square 21. 6. 1621
23-06-2001 | Olaf Barth, Katrin Bock
Olaf Barth and Katrin Bock now take a look at the events that took place on the Old Town Square 380 years ago.
Execution on the Old Town Square 21. 6. 1621
If you have ever been to Prague, you may have noticed the 27 crosses which have been embedded into the pavement at the foot of the Old Town Town Hall. Perhaps you have wondered about their origin. Well, in the following minutes you will learn more about the context of these crosses. First of all, listen to the Czech writer Alois Jirasek portraying the events at the end of the 19th century in one of his stories:
"In the night of 20 to 21 June 1621, fear and grief prevailed everywhere in Prague, and the roads had become like deserted, for on Prague restrictions had been imposed. Only the clash of the weapons and the heavy steps of foreign soldiers broke through the oppressive silence. On the Old Town Square there was a lot of activity, and boards and beams were unloaded from wagons and carried to the middle of the place, where a scaffold grew by the flickering light of numerous torches. By daybreak a gallows covered with red cloth was towering. At sunrise fulminated a cannon cracker showing that the execution had to begin. On the scaffold dark hooded people were visible, the assistents of the executioner and the gravedigger. Finally, the executioner, Jan Mydláø, also appeared. Immediately the imperial judges took their seats, and the names of the twenty-seven death-condemned noblemen were exclaimed. While foreign soldiers were drumming in the streets of Prague, in the houses people of Prague prayed for their faithful, the 27 men who were either beheaded or hanged at the same time. It is reported that once a year, always in the night from the 20th to the 21st of June, the noblemen and citizens appear on the Old Town Square. Silently they walk over the square to the church, where, kneeling before the altar, they receive the Last Supper in both forms. And as silently as they have come they disappear again."
The Hradschin 1618, in the year of the window-lintel (contemporary engraving)
So far the Czech writer Alois Jirasek about the events of that night 380 years ago, when the leaders of the insurrection of the Estates against the Catholic Habsburgs were judged. 27 nobles, gentlemen and citizens, Czechs and Germans, Protestants and a Catholic then left their lives. They were punished for having joined an uprising against the legal Habsburg emperor which had a religious background, for the Emperor had previously tried to restrict the freedom of religion which had been in force in the Bohemian lands since the middle of the fifteenth century. The revolt had begun on May 23, 1618, with the famous Prague defenestration, and ended with the battle Battle of White Mountain in November 1620, for the Czechs still today a national trauma. In that battle before the gates of Prague the army of the Catholic Habsburgs the Protestant Estates had utterly vanquished. What followed was a relentless persecution of all insurgents, regardless of their social position or nationality. Emperor Ferdinand II used his military victory to strengthen his position in the rebellious Bohemian lands, to suppress the Protestant faith and to break the power of the Estates once and for all.
Procession on the White Mountains (Josef Berka and A. Gustav, around 1800)
All persons who had somehow participated in the uprising of the Estates were punished. The worst punishment experienced three lords, seven knights and 17 citizens, who were executed in the early morning hours of June 21, 1621 on the Old Town Square. The execution took place conforming to the etiquette: first came the lords, then the knights, and finally the citizens. It is said the bloodthirsty torture to have lasted for four hours, while the executioner Jan Mydlar in the proces was to have beaten blunt four swords.
Joachim Andreas Graf Schlick was the first to be beheaded, whose family had grown rich thanks to the silver mines in the west Bohemian Jáchymov valley. Count Schlick had worked for many years at the Saxon court as an educator of the future ruler Johann Georg. During the Bohemian uprising of the Estates, Schlick had been quite active. Among other things, he was one of the participants of the famous 1618 defenestration. Next came Vaclav Budova from Budovec. Since the beginning of the 17th century, he had been strongly committed to the observance of the freedom of belief in the Bohemian lands and had been one of the spokesmen of the insurgents. As the third nobleman, Krystof Harant of Polzice and Bezdruzice lost his head. He had been court musician and companion of Rudolf at the court of Emperor Rudolf II. He was not very interested in politics, but he had been one of the military leaders of the insurgents, which now cost him his head. All three of them, without any doubt, belonged to the intellectual elite of the country, all three of them had been to many places, were well-educated, spoke several languages, and were Protestants.
Among the 7 knights was also the Catholic Divis Cernin of Chudenice. This one had made the fatal mistake of opening the gates of the castle to the representatives of the Estates on the 23rd of May, 1618, who then threw the three representatives of the Habsburg power out of a window in protest against the restriction of the rights of the Protestants.
Jan Jesensky
Jan Jessenius, the rector of the Charles University of Prague, was one of those who got the severest judgement. He was not only beheaded, his tongue had been cut off before, additionally he was also quartered after the execution. Emperor Ferdinand had expressed himself personally for this harsh judgment. The internationally respected scholar, who had carried out the first public autopsy in Prague in 1600, had aroused the wrath of the ruler as he had himself pronounced against the election of Ferdinand for the King of Bohemia as well as published a series of harsh writings against the Habsburgs.
The heads of twelve executed were hanged in iron baskets for deterrence and warning at the Old Town Bridge Tower. From there they were removed only 10 years later, when the Saxons 1631 occupied Prague for a short time.
Ferdinand II.
Emperor Ferdinand II took advantage of the victory over the rebellious Protestant estates, which had dethroned him, the legitimate heir, and elected another one, the "Winter King", Frederick of the Palatinate. 166 nobles Ferdinand had completely dispossessed, another 500 lost a large part of their estates. On the other hand, his faithful were rewarded. Those were given great lands in the Bohemian lands. In addition, monasteries were returned lands that they had lost during the Hussite wars in the 15th century.
The greatest winners were probably Albrecht von Waldstein, Karl von Liechtenstein, and Johann Ulrich von Eggenberg, who were now able to call great domains their own. But also other noble families then settled in the Bohemian lands, like the Trauttmansdorff, Thun, Metternich and Clary families.
Even ordinary citizens and peasants were affected: those who did not convert to the Catholic faith had to leave the country. In 1624 the Catholic faith became the only one recognized in the Bohemian lands - more and more subjects saw themselves forced to emigrate. Some 150,000 people are said to have left the Bohemian lands for religious reasons in the years after the defeat of the Protestant Estates. The probably most famous emigrant of that time is Jan Amos Komensky - Comenius. The pedagogue and bishop of the Unity of the Brotherhood settled down after a few journeys in Holland, where he died in 1670 at the age of 78.
Even in the eyes of most of today's Czechs, the "time of darkness" began with the defeat of the Protestant estates in the Battle of Weissenberg. As such, the almost 300 years of the unrestricted rule of the Habsburgs over the Bohemian countries were designated, which ended only with the independence of Czechoslovakia in 1918. The formerly proud kingdom of Bohemia had been degrated to a Habsburg province according to the new regional order of 1627, and had lost most of its rights, including the freedom of faith for which its inhabitants had fought since the death for heresy of Jan Hus in 1415. Today, not only the 27 crosses embedded on the Old Town Square, but also all the magnificent Baroque buildings in the country, are reminiscent of this historic epoch. With these the Catholic Habsburgs showed their Bohemian and Moravian subjects who is the boss in the country.
And so we are already at the end of our trip into the 17th century.
Hinrichtung auf dem Altstädter Ring 21. 6. 1621
23-06-2001 | Olaf Barth, Katrin Bock
Olaf Barth und Katrin Bock werfen heute einen Blick auf die Geschehnisse, die sich vor 380 Jahren auf dem Altstädter Ring ereigneten.
Hinrichtung auf dem Altstädter Ring 21. 6. 1621
Wer von Ihnen schon mal in Prag war, dem sind sie vielleicht aufgefallen, die 27 in das Pflaster eingelassenen Kreuze zu Füssen des Altstädter Rathausturmes. Vielleicht haben Sie sich über deren Ursprung gewundert. Nun in den folgenden Minuten erfahren Sie mehr über die Bewandtnis dieser Kreuze. Hören Sie zunächst einmal, wie der tschechische Schriftsteller Alois Jirasek die entsprechenden Ereignisse Ende des 19. Jahrhunderts in einer seiner Geschichten schilderte:
"In der Nacht vom 20. auf den 21. Juni 1621 herrschte überall in Prag Angst und Trauer. Die Strassen waren wie ausgestorben, denn über Prag war Ausgangsverbot verhängt worden. Nur das Klirren der Waffen und schwere Schritte fremder Soldaten durchbrachen die bedrückende Stille. Auf dem Altstädter Ring herrschte reger Betrieb. Bretter und Balken wurden von Wagen abgeladen und zur Platzmitte getragen, wo beim flackernden Licht zahlreicher Fackeln ein Gerüst wuchs. Als es zu dämmern begann, ragte da ein mit rotem Stoff überzogener Galgen empor. Beim Sonnenaufgang donnerte von der Prager Burg ein Kanonenschlag. Ein Zeichen dafür, dass die Exekution beginne. Auf dem Galgengerüst waren dunkle vermummte Gestalten zu sehen - die Henkershelfer und der Totengräber. Schliesslich erschien auch der Henker Jan Mydláø. Alsbald nahmen die kaiserlichen Richter ihre Sitze ein, und die Namen der 27 zum Tode verurteilten Standesherren wurden ausgerufen. Während in den Strassen Prags fremde Soldaten trommelten, beteten in den Häusern die Prager für ihre Getreuen, die 27 Herren, die zur selben Zeit geköpft oder gehängt wurden. Es wird berichtet, dass die hingerichteten Adeligen und Bürger einmal im Jahr, immer in der Nacht vom 20. auf den 21. Juni, auf dem Altstädter Ring erscheinen. Schweigend gehen sie über den Platz zur Kirche, wo sie, vor dem Altar knieend, das Abendmahl in beiderlei Gestalt empfangen. Und so lautlos wie sie gekommen verschwinden sie wieder."
Der Hradschin 1618, im Jahre des Fenstersturzes (Zeitgenössiger Stich)
Soweit der tschechische Schriftsteller Alois Jirasek über die Ereignisse jener Nacht vor 380 Jahren, als die Anführer des Ständeaufstandes gegen die katholischen Habsburger gerichtet wurden. 27 Adelige, Herren und Bürger, Tschechen und Deutsche, Protestanten und ein Katholik liessen damals ihr Leben. Bestraft wurden sie dafür, dass sie sich einem Aufstand gegen den rechtmässigen Habsburger Kaiser angeschlossen hatten, der einen religiösen Hintergrund hatte, denn der Kaiser hatte zuvor versucht, die seit Mitte des 15. Jahrhunderts in den Böhmischen Ländern geltende Religionsfreiheit einzuschränken. Der Aufstand hatte am 23. Mai 1618 mit dem berühmten Prager Fenstersturz begonnen und mit der für Tschechen noch heute ein nationales Trauma darstellenden Schlacht am Weissen Berg im November 1620 geendet. In jener Schlacht vor den Toren Prags hatte das Heer der katholischen Habsburger die protestantischen Stände vernichtend geschlagen. Was folgte war eine unbarmherzige Verfolgung aller Aufständischen, ungeachtet ihrer gesellschaftlichen Stellung oder Nationalität. Kaiser Ferdinand II. nutzte seinen militärischen Sieg, um seine Stellung in den aufständischen Böhmischen Ländern zu stärken, den protestantischen Glauben zurückzudrängen und die Macht der Stände ein für alle mal zu brechen.
Prozession am Weißen Berge (Josef Berka und A. Gustav, um 1800)
Alle Personen, die irgendwie an dem Ständeaufstand beteiligt gewesen waren, wurden bestraft. Am schlimmsten traf es dabei drei Herren, sieben Ritter und 17 Bürger, die in den frühen Morgenstunden des 21. Junis 1621 auf dem Altstädter Ring hingerichtet wurden. Bei der Hinrichtung wurde die Etike gewahrt: zuerst waren die Herren dran, dann die Ritter und schliesslich die Bürger. Vier Stunden lang soll die blutige Tortur gedauert haben, vier Schwerter soll der Henker Jan Mydlar dabei stumpf geschlagen haben.
Als erster wurde Joachim Andreas Graf Schlick geköpft, dessen Familie dank der Silberminen im westböhmischen Joachimsthal reich geworden war. Graf Schlick hatte jahrelang am sächsischen Hof als Erzieher des zukünftigen Herrschers Johann Georg gewirkt. Während des böhmischen Ständeaufstands war Schlick recht aktiv gewesen, unter anderem gehörte er zu den Teilnehmern des berühmten Fenstersturzes von 1618. Als nächstes kam Vaclav Budova von Budovec an die Reihe. Dieser hatte sich seit dem Beginn des 17. Jahrhunderts stark für die Einhaltung der Glaubensfreiheit in den Böhmischen Ländern eingesetzt und war einer der Wortführer der Aufständischen gewesen. Als dritter hochgestellter Adeliger verlor Krystof Harant von Polzice und Bezdruzice seinen Kopf. Dieser war am Hofe Kaiser Rudolfs II. Hofmusikant und Gesellschafter Rudolfs gewesen. Für Politik interessierte er sich nicht sehr, doch war er einer der Heerführer der Aufständischen gewesen, das kostete ihn nun seinen Kopf. Alle drei Herren gehörten ohne Zweifel zur geistigen Elite des Landes, alle drei waren weitgereist, hervorragend gebildet, sprachen mehrere Sprachen - und waren Protestanten.
Unter den 7 Rittern war auch der Katholik Divis Cernin von Chudenice. Dieser hatte den verhängnisvollen Fehler gemacht, am 23. Mai 1618 den Repräsentanten der Stände die Burgtore geöffnet zu haben, die dann die drei Vertreter der Habsburger Macht aus Protest gegen die Einschränkung der Rechte der Protestanten aus einem Fenster warfen.
Jan Jesensky
Eines der härtesten Urteile traf Jan Jessenius, den Rektor der Prager Karlsuniversität, der als 16. an die Reihe kam: er wurde nicht nur geköpft, zuvor wurde ihm die Zunge abgeschnitten, ausserdem wurde er nach der Hinrichtung noch geviertelt. Für dieses harte Urteil hatte sich Kaiser Ferdinand persönlich ausgesprochen. Der international angesehene Gelehrte, der 1600 in Prag die erste öffentliche Obduktion durchgeführt hatte, hatte den Zorn des Herrschers erregt, da er sich auf verschiedenen Landtagen gegen die Wahl Ferdinands zum böhmischen König ausgesprochen sowie eine Reihe von scharfen Schriften gegen die Habsburger veröffentlicht hatte.
Die Köpfe von zwölf Hingerichteten wurden in Eisenkörben zur Abschreckung und Warnung an den Altstädter Brückenturm gehängt. Von dort wurden sie erst 10 Jahre später entfernt, als die Sachsen 1631 Prag für kurze Zeit besetzten.
Ferdinand II.
Kaiser Ferdinand II. nutzte seinen Sieg über die aufständischen protestantischen Stände, die ihn, den rechtmässigen Erben, entthront hatten und einen anderen, den "Winterkönig" Friedrich von der Pfalz, gewählt hatten. 166 Adelige liess Ferdinand vollkommen enteignen, weitere 500 verloren einen Grossteil ihrer Güter. Belohnt wurden dagegen seine Getreuen. Diese erhielten grosse Ländereien in den Böhmischen Ländern. Ausserdem bekamen Klöster Ländereien zurück, die sie zur Zeit der Hussitenkriege im 15. Jahrhundert verloren hatten.
Die grössten Gewinner waren wohl Albrecht von Waldstein, Karl von Liechtenstein sowie Johann Ulrich von Eggenberg, die nun grosse Herrschaften ihr Eigen nennen konnten. Aber auch andere Adelsdfamilien setzten damals in den Böhmischen Ländern ihren Fuss, wie die Familien Trauttmansdorff, Thun, Metternich und Clary.
Auch einfache Bürger und Bauern waren betroffen: wer nicht zum katholischen Glauben übertrat, musste das Land verlassen. 1624 wurde der katholische Glaube der einzig anerkannte in den Böhmischen Ländern - immer mehr Untertanen sahen sich gezwungen, zu emigrieren. Rund 150.000 Menschen sollen in den Jahren nach der Niederlage der protestantischen Stände die Böhmischen Länder aus religiösen Gründen verlassen haben. Der wohl bekannteste Emigrant jener Zeit ist Jan Amos Komensky - Comenius. Der Pädagoge und Bischof der Brüderunität liess sich nach einigen Reisen in Holland nieder, wo er 1670 im Alter von 78 Jahren verstarb.
Auch in den Augen der meisten heutigen Tschechen begann damals mit der Niederlage der protestantischen Stände in der Schlacht am Weissen Berg die "Zeit der Finsternis". Als solche werden die knapp 300 Jahre der uneingeschränkten Herrschaft der Habsburger über die Böhmischen Länder bezeichnet, die erst mit der Unabhängigkeit der Tschechoslowakei 1918 endeten. Das einstmals stolze Königreich Böhmen war nach der neuen Landesordnung von 1627 zu einer Habsburger Provinz degradiert worden und hatte die meisten seiner Rechte verloren - auch das der Glaubensfreiheit, für das seine Bewohner seit dem Ketzertod des Jan Hus 1415 gekämpft hatten. Heute erinnern an diese Geschichtsepoche nicht nur die 27 in das Strassenpflaster eingelassenen Kreuze auf dem Altstädter Ring, sondern auch all die prächtigen Barockbauten im Lande. Mit diesen zeigten die katholischen Habsburger ihren böhmischen und mährischen Untertanen, wer der Herr im Lande ist.
Und damit sind wir bereits am Ende unseres Ausfluges in das 17. Jahrhundert.
www.radio.cz/de/rubrik/geschichte/hinrichtung-auf-dem-alt...
E. H. Wilson: Criminals awaiting execution, 1899-1910. Tied to a cross-shaped frame, two criminals wait to be moved to the scene of their death. The queue was passed through a hole in the top of the vertical post to keep the body in position, and a rope around the neck was twisted until strangulation occurred.
Source: The Face of China As Seen by Photographers & Travelers 1860-1912, p. 38
Business Books That Matter is a new Book Club program co-organized by White & Lee and the Software Development Forum (SDForum) and sponsored by Microsoft.
The conversation centered on Execution: The Discipline of Getting Things Done by Larry Bossidy and Ram Charan.
Moderator:
Mark Cameron White
Partner, White & Lee LLP
Panelists:
J. Peter Herz
Former CEO of 3ware, Inc. and Board Chairman, IPextreme, Inc.
Bruce Lichorowic
CEO, Intalio, Inc.
General consensus was that the book was good for large company process execution with a Midwest mentality. But in the Silicon Valley, emphasis is on innovation and practice.
The basement below the ampitheatre was where the animals were kept wild for the "il bestia" executions.
taken with Nokia N73 during international festival of programmes for children and youth - Prix Danube 2007 - that took place in the art museum Danubiana
Alfred "Jake" Lingle was a reporter for the Chicago Tribune who liked to mingle with cops and gangsters alike. In June of 1930, Lingle had just walked down these subway steps when he was shot in the head from behind and killed. Despite the conviction of Leo Vincent Brothers for the murder it's probable that he was taking the rap for the real killer. Lingle had made enemies of Al Capone and had threatened Bugs Moran 2 weeks prior over his share of the Sheridan Wave nightclub. The hit could have been ordered by either side of the Beer War.
Located at the southwest corner of Michigan Ave. and Randolph St.
Foggy, panoramic view of the Long Island Sound and Execution Rocks Lighthouse (1850) from Sands Point, Long Island, NY.
It is rumored that the lighthouse's site got its name before the American Revolutionary War when British colonial authorities executed people by chaining them to the rocks at low tide, allowing the rising water to drown them. This folklore has never been verified by any historical record. The name for this island was actually chosen to reflect the historically dangerous shipping area created by the rocks' exposure during low tides. On March 3, 1847, the United States Congress appropriated $25,000 for creation of Execution Rocks Lighthouse. Designed by Alexander Parris, construction was completed in 1849, although it was not lit until 1850. Over the years, it has survived both a fire and a shipwreck. [Wikipedia]
On 29 December 1880 Tuhiata, the convicted murderer of artist Mary Dobie, was executed in Wellington gaol.
Tuhiata, usually known as Tuhi, had later said the he never intended Mary harm. The pair had a fatal meeting out in the countryside where she was sketching, and by his account his attempt to ask her where she was from was misunderstood as she spoke no Māori and he little English. But when he dismounted from his horse and came towards her she became frightened and tried to give him the coins in her pocket to make him go away. She then uttered the fatal words that would lead to her death, telling him she would tell the soldiers about him. Fearful of being charged with theft he grabbed her and committed the far greater crime of murder, cutting her throat and dragging her body behind a flax bush.
Blood stained trousers believed to be Tuhi’s were recovered from the scene and his bloody knife was also found. The day of Mary’s murder was fine and she had visited the local store to buy a carpenter’s pencil for her sketching. A gifted artist she had supplied sketches of New Zealand scenery which were published in the London Graphic magazine. As she made her purchase Tuhi was also in the store where he unsuccessfully tried to buy a pair of moleskin trousers on credit. The same day he was seen dancing in the tap room of the local pub before riding his black horse in the direction Mary had taken. Before the murder he had been well thought of and was described by one witness as “usually a quiet man. He is not quarrelsome.” He was arrested and tried in Wellington where the jury took only 20 minutes to unanimously decide on his guilt. He was hanged soon after and the newspapers reported that he had walked “firmly” onto the scaffold and that death was instantaneous
Shown here is the coroner’s certification of Tuhiata’s death. It includes the official cause of death by hanging and the names of all witnesses present at the execution.
ACGS 16211 J1/283/u 1881/9
collections.archives.govt.nz/web/arena/search#/?q=R24425793
More information can be found here:
paperspast.natlib.govt.nz/newspapers/NZTIM18801230.2.50?q...
nzhistory.govt.nz/hokianga-chief-patuone-arrives-in-sydne...
For updates on our On This Day series and news from Archives New Zealand, follow us on Twitter www.twitter.com/ArchivesNZ
Material supplied by Archives New Zealand Te Rua Mahara o te Kāwanatanga
Sure Roschler! Be the funny guy Roschler! But now you will see the wrath of Roschler in the first ever live televised Execution On Flickr!
The Civil Rights Congress and the Virginia Committee to Save the Martinsville Seven publish a flyer November 8, 1950 explaining why the Virginia case of seven black men sentenced to death was important for the fight against white supremacy.
The Martinsville 7 were charged with the rape of a white woman, Ruby Stroud Floyd, in a black neighborhood of Martinsville, Virginia on January 8, 1949. After a long legal battle led by the NAACP and a grassroots campaign led by the Civil Rights Congress, the seven were executed in 1951 on February 2nd and February 5th.
The mass executions were the largest in Virginia in modern times. Every single one of the 45 men executed by Virginia’s electric chair for rape at that point were African American men charged with assaulting white women.
The seven executed were all workers. Three worked in a sawmill, one was a plasterer's helper, one a stonecutter and one a foundry man.
On January 31, a mass demonstration of over 400 took place in Richmond to demand a halt to the planned executions despite the virulent racist opposition of many white supremacists.
Meanwhile, other demonstrators picketed the White House in support of the sevcen. Hundreds stayed in Richmond for a prayer vigil until the executions took place.
The hope generated by the Scottsboro campaign in the 1930s was followed by bitter setbacks in the post-World War II period. The campaigns to stop the legal lynching of the Martinsville 7 and Willie McGee in Mississippi were met with red-baiting and gruesome determination by the white elite to protect strict racial codes.
In denying appeals to commute the Martinsville 7 death sentences, Virginia’s Governor John S. Battle said, that the wave of messages that flooded his desks was “cosponsored” by the Civil Rights Congress and the Communist Party.
“The propaganda emanating from these sources bears no semblance of truth and is designed for no other purpose than to foment ill feeling between the races and to mislead those who have no knowledge of the true fact of these cases.”
The seven executed were Francis Grayson, James L. Hairston, John Claybon Taylor, Frank Hairston, Jr., Booker T. Millner, Howard Lee Hairston and Joe Henry Hampton.
For a PDF of this 8 ½ x 11, one-sided, flyer, see washingtonspark.files.wordpress.com/2019/12/1950-11-08-ma...
For more information and related images, see flic.kr/s/aHsjWUExj5
Image courtesy of Papers of the Civil Rights Congress. New York Public Library. Archives Unbound.
The nail that sticks out must be pounded down.
STREET PHOTOGRAPHY IS NOT A CRIME*
________________ ___________________ ______________
The word from the officials regarding the police harassment I've received:
"Although Cst. Hynes had the power to seize Dean's entire camera, it appears that he inconvenienced Dean less by simply deleting the images in question and then returning the camera to him."
(The Office of the Police Complaints Commissioner)
"Sgt. Sawyer located numerous concerning photographs in your internet collection, including dolls manipulated into sexual positions..."
(The Victoria Chief of Police)
"Your complaint and the outcome is a classic example of why we have no faith in the police complaints system in B.C."
(David Eby, Executive Director of the B. C. Civil Liberties Assoc.)
"...the investigation report aims to discredit Mr. Dean and to treat the complaint as not being a serious matter. That is, with respect, inappropriate."
(Robert Holmes, President of the B. C. Civil Liberties Assoc.)
________________ ___________________ ______________
*based on the photo by Eddie Adams - "The Execution of a Viet Cong Guerrilla" (1968)
South Vietnamese National Police Chief Brig Gen. Nguyen Ngoc Loan executes a Viet Cong prisoner with a single pistol shot in the head in Saigon Feb. 1, 1968. Nguyen died Wednesday, July 15, 1998 at his home in Burke, a suburb of Washington, D.C., after a battle with cancer, said his daughter, Nguyen Anh. He was 67. This photo of Nguyen aiming a pistol point-blank at the grimacing prisoner's head became a memorable image of the Vietnam War. The photograph, by Eddie Adams, won a Pulitzer prize for The Associated Press.
With North Vietnam’s Tet Offensive beginning, Nguyen Ngoc Loan, South Vietnam’s national police chief, was doing all he could to keep Viet Cong guerrillas from Saigon. As Loan executed a prisoner who was said to be a Viet Cong captain, AP photographer Eddie Adams opened the shutter. Adams felt that many misinterpreted the scene, and when told in 1998 that the immigrant Loan had died of cancer at his home in Burke, Va., he said, “The guy was a hero. America should be crying. I just hate to see him go this way, without people knowing anything about him.”