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Dozens of pickets protesting the pending execution of the Julius and Ethel Rosenberg file past the White House February 14, 1953 after Inaugural stands were removed.
A 24-hour vigil had earlier been restricted to East Executive Drive until the stands were removed.
Some of the picket signs read, “Mr. President The Rosenbergs Maintain Their Innocence!” “Afro-American says there are Grave Doubts in this Case!” “Mr. President 3000 Ministers Appealed to your Conscience! Reconsider Clemency for the Rosenbergs!” and “The electric chair can’t kill the doubts in the Rosenberg case.”
The vigil and picketers were seeking clemency for the Rosenbergs who were convicted of passing atomic secrets to the then wartime ally Soviet Union during 1943-44.
The signs read: “Millions All Over the World Plead: Spare the Rosenbergs,” “Wire-write to President Truman today: clemency for the Rosenbergs,” “While doubt of guilt remains commute the Rosenbergs’ death sentence” and “Justice in the United States must not be more vindictive than in other countries.”
The protest was sponsored by the Committee to Secure Justice for the Rosenbergs that vowed to organize 24-hour vigils until Truman granted clemency. Picket lines in and around the White House were in fact continuous until the Rosenberg’s execution.
The Rosenbergs and a third man, Morton Sobell, were tried together for passing classified information to the Soviet Union related to an atomic bomb.
Part of the prosecution strategy was to emphasize their ties to the Communist Party at a time when hysteria over communists in the U.S. was at an all-time high during the Cold War and with U.S. troops battling in Korea against forces aided by both the Soviet Union and the People’s Republic of China.
The Rosenbergs were convicted, sentenced to death and then executed June 19, 1953 despite an international outcry for clemency. Sobell served 17 ½ years of a 30-year sentence.
The Rosenbergs were the only people executed by the U.S. for espionage during the Cold War and the only U.S. citizen civilians in modern times executed by the U.S. for their role in passing secrets to another country.
The debate over their sentences continues today, with President Barack Obama refusing to grant posthumous clemency to Ethel Rosenberg while he was in office.
The political climate in the U.S. at the time of their arrest and conviction was one of fear--the onset of the Cold War with the Soviet Union following confrontation in Europe and the Soviet Union’s test of an atomic bomb in 1949.
Leadership at many levels of the Communist Party USA were being sentenced to jail for their beliefs while the rank and file members were blacklisted from employment and persecuted during the second red scare.
At the same time, U.S. forces were fighting in Korea against the communist-led regime centered in North Korea and aided by the People’s Republic of China and the Soviet Union.
While the U.S. and the Soviet Union were allies in World War II, the U.S. did not share information on the atom bomb project.
The Rosenbergs joined the Young Communist League in the late 1930s. According to his former Soviet handler Alexander Feklisov, Julius began passing classified documents to the Soviet Union while at the Army Signal Corps Engineering Laboratories at Fort Monmouth, New Jersey in 1940.
The prosecution saw Julius’ potential cooperation as a chance to break a larger Soviet intelligence group in the U.S. and believed the only way to break Julius was to expose his wife Ethel to the death penalty. The ploy didn’t work.
In imposing the death penalty, Judge Irving Kaufman noted that he held them responsible not only for espionage but also for the deaths of the Korean War:
“I consider your crime worse than murder... I believe your conduct in putting into the hands of the Russians the A-Bomb years before our best scientists predicted Russia would perfect the bomb has already caused, in my opinion, the Communist aggression in Korea, with the resultant casualties exceeding 50,000 and who knows but that millions more of innocent people may pay the price of your treason. Indeed, by your betrayal you undoubtedly have altered the course of history to the disadvantage of our country. No one can say that we do not live in a constant state of tension. We have evidence of your treachery all around us every day for the civilian defense activities throughout the nation are aimed at preparing us for an atom bomb attack.”
Commenting on the sentence given to them, Julius Rosenberg claimed the case was a political frame-up.
“This death sentence is not surprising. It had to be. There had to be a Rosenberg case, because there had to be an intensification of the hysteria in America to make the Korean War acceptable to the American people. There had to be hysteria and a fear sent through America in order to get increased war budgets. And there had to be a dagger thrust in the heart of the left to tell them that you are no longer gonna get five years for a Smith Act prosecution or one year for contempt of court, but we're gonna kill ya!”
An article by Norman Markowitz for Political Affairs in 2008 sums up another point of view.
“These were people who, for ill or for good, admired both Soviet leader Joseph Stalin and President Franklin Roosevelt as advancing the struggle for working-class liberation against fascism. They saw them as helping to bring about more than a “better world,” but a world with a socialist system that fostered equality, peace and social justice. If patriotism in its most simple definition means love of country, this was the America that communists defended and loved, rather than the America of Standard Oil, Herbert and J. Edgar Hoover, the corporate leadership ready and willing to do business with Hitler, Mussolini and the Japanese militarists both to make money and fight socialist revolutions.”
This point of view also holds that providing the Soviets with intelligence on the atomic bomb helped ensure that the U.S. would not launch nuclear weapons again after the bombings of Nagasaki and Hiroshima in 1945.
The question of the Rosenberg’s guilt has been debated since their arrest. Evidence uncovered in more recent years that convincingly indicates that Julius was involved in espionage. The evidence against Ethel is less convincing and more circumstantial.
Those charged or implicated with the Rosenbergs include:
Julius Rosenberg: executed June 19, 1953
Ethel Rosenberg: executed June 19, 1953
David Greenglass: served 9 and half years of a 15-year sentence
Ruth Greenglass: not charged, granted immunity
Morton Sobell: served 17 years, nine months of a 30-year sentence
Harry Gold: served 14 years of a 30-year sentence
Klaus Fuchs: served 9 years of a 14-year sentence in Great Britain
For more information and related images, see flic.kr/s/aHskkQha2c
Photo by Ranny Routt. The image is courtesy of the D.C. Public Library Washington Star Collection © Washington Post.
Kurdish emigres protest Paris murders at Turkish & French embassies : London 11.01.2013
On 11.01.2013 Kurdish emigres in London protested at the Turkish embassy and then marched to the nearby French embassy to protest about the shocking mass murder on 09.01.2013 in Paris of three female Kurdish political activists including PKK co-founder Sakine Cansiz in what French police believe to be an execution a targeted assassination. The bodies of the three women - Brussels-based Kurdistan National Congress’ (KNK) Paris representative Fidan Doan, political activist Leyla Söylemez and Kurdish Worker's Party (PKK) co-founder and Women's Movement organiser Sakine Cansız - were discovered behind several combination-locked doors in the Information Center of Kurdistan in Paris on Wednesday by friends who had been trying since the previous evening to contact the women and who had broken into the centre after discovering bloodstains on the outer doors.
Very shortly after French police were called to the scene (and with what many claim to be suspicious haste), Huseyin Celik, the deputy chairman of Turkey’s ruling party claimed that the murders were the result of “an internal feud” within the PKK. Celik did not offer any evidence to substantiate his assertion, yet also went on to suggest that the slayings were an attempt to derail the peace talks which have been taking place in the notorious high security prison on mralı Island between PKK founder Abdullah Öcalan - sentenced to death for treason against the Turkish state in 1999 but whose sentence was commuted to life imprisonment when Turkey was forced to abolish the death sentence as part of it's application to join the EU - and the Turkish government.
The PKK have waged an often violent war against the Turkish government for the last 34 years as part of their campaign to establish an autonomous Kurdish enclave in South-East Turkey. Kurds make up almost 20% of the Turkish population, yet are forbidden by law to even speak their own language and have suffered greatly under Turkish suppression. Since the insurrection began in 1978 it is estimated that over 40,000 people on both sides have lost their lives in violent actions perpetrated in this conflict, and even though the PKK has been proscribed as a terrorist organisation by the USA, the EU, NATO, Syria and others, the cause of Kurdish nationalism enjoys a huge level of support in the region. Turkish authorities have been concerned about PKK fighters entering Turkey from the autonomous Kurdish enclave in Northern Syria.
Kurdish populations are present in Turkey, Syria, Iraq and Iran, and have experienced many decades of suppression by their respective states as the Kurds attempt to loosely re-establish their traditional Kurdistan, eradicated during the Ottoman reign, and it is against this long background of armed struggle that has seen large numbers of ethnic Kurds fleeing to Europe to find sanctuary. The Kurdish people I spoke to in Haringey last night said that they no longer feel safe anywhere in Europe after this execution which they lay firmly at the door of what they describe as the "dark, ultra-nationalistic shadow government" operating behind the scenes in Turkey who are violently opposed to any form of settlement or discussion with the Kurds.
Huddled around tables in the large hall adorned with photographs of fallen comrades and a large centrepiece display of their political figurehead, Abdullah Öcalan, the Kurds were subdued and in a measured, reflective mood. During the day it had been established by French police that the women had all been shot in the head through the throat using weapons with suppressors (silncers), and it is initially thought that there was possibly more than one gunman. There was no sign of forced entry to the building, so it seems that they were known to at least one of the women - two of whom were slaughtered as they were organising suitcases for their journeys back to Belgium and Germany.
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Exécution sans jugement sous les rois Maures de Grenade (Execution without judgement under the Moorish Kings of Grenada)
1870
By Henri Regnault (1843 - 1871)
Oil on canvas, H. 3.02 ; L. 1.46 m
musée d'Orsay, Paris, France
Regnault’s grand canvas still unsettles many visitors to the Musée d’Orsay. Whereas other nearby paintings in the museum have long since lost their avant-garde capacity to disturb viewers’ expectations, Regnault’s canvas has retained its shock value. One major reason for this response is not so much the bloody scene in the foreground as the viewer’s position vis-à-vis this macabre subject. As Linda Nochlin has pointed out, when the canvas is hung at the correct height, the decapitated corpse rests at the viewer’s own eye level.
My entry for the Vignette 2012 Contest Historic theme. This vignette displays the execution of Murdock. Murdock has stolen food from a towns food reserves that it needed to help bring the folk through the winter. This is a serious crime and is punished by "The Hunger Chain". The thief is chained so that he can almost reach the food and water in front of him. Almost. He will die a slow and terrible death. The Guard ensures that nobody tries to free or kill him. This will teach people not to steal from the food reserves!
f.y.i.: this is a rebuild of an earlier version.
A Young Persons Guide To King Parrot Australian Album Tour 2025
All Ages Show
Singing Bird Studios
Frankston, VIC
Australia
Supports:
Goat Sharman
Wombat
Brutal Execution
Douggy Carpool: hey how r u doin
Kaycee Nightfire: ok
Douggy Carpool: wat u doin out there
Kaycee Nightfire: shooting a bear
Guess I'm not going to Disney World anytime soon .....
The Rebels Return Wood Sculptures. Wat Tyler Park, Basildon, Essex.
Full size high quality images available on request.
Knight Elkcrown's squire won a fair battle. But no blood was to be spilled, said the bailiff, and the losing squire's life got spared.
(further information and pictures you can see quite easily by clicking on the link at the end of page!
Mausoleum
© Photo bruart
Mausoleum Graz with Domherrenhaus - bruart Photo
The Mausoleum of Emperor Ferdinand II
Among the three in Styria from the age of the Counter Reformation originating mausoleums, the chronologically last emerged Grazer Mausoleum occupies a transregional position: It is a building with a European dimension. Ferdinand II entrusted 1614 his from Lodi, near Milan, coming Court artist Giovanni Pietro de Pomis (1569-1633) with the design and execution of this monumental grave construction, which was completed in 1636.
The Mausoleum - consisting of the symbol associated form of a cross of St. Catherine's Church and the oval tomb (symbol of the resurrection) - shows the ecclesiastical and dynastic representation intentions of the client: the patronage of St. Catherine of Alexandria does not only refer to a medieval predecessor building, but also stands in the context of the by Archduke Charles II, the father of Ferdinand II, in 1585 founded and run by the Jesuit Order University, which also stood under the patronage of the female martyr, the patron saint of Sciences. The dynastic intentions are recognizable at the symbolic crownings of the domes - scepter and imperial eagle with imperial sword and orb. The sandstone statues on the west façade - the by two angels flanked saint Catherine and two of the Holy to Christianity converted people - and the painted copper plates in the niches with the scenes from the life of St. Catherine form additionally not only a to the titular saint of the Church and patron of the university related program, but also show in the two to Catholic faith converted figures Porphyry and Faustina a Counter-Reformation aspect.
The completion of the interior was only in 1687 by the glorious victor over the Turks Emperor Leopold I initiated. He extended in the same time the originally related to his grandfather Ferdinand II equipment program by a glorification of the house of Austria and an apothesosis directed to his person.
The designs for the remarkable stucco decorations and for the altar of Catherine delivered the 1687 in Graz born Imperial court painter Johann Bernhard Fischer von Erlach. The stucco work was carried out 1688/89 by Josef Serenio, Girolamo Rossi and Antonio Quadrio. The at the same emerged nave frescoes with the Apotheosis of the Habsburg dynasty were probably painted by Franz Steinpichler. At the center of these frescoes is the then most topical relief battle of Vienna (1683) shown. The sculptures of St. Catherine's altar carved Marx Schokotnigg (1697/99); from the same artist stem the angels of the Marian altar (1697/1701). The altarpiece depicting the Immaculate Virgin painted in 1699 Antonio Bellucci. Of the church furnishing is furthermore the "sacred grave" (1768/69) by Veit Koniger to emphasize, by its playing platform and the multi-figured ensemble counting to the most important "holy shrines" in Austria.
The frescoes in the chapel grave with representations of the virtues and deeds of the Catholic Emperor Ferdinand II and typological juxtapositions from the Old and the New Testament that refer to the resurrection and redemption of Christ, painted about 1689 Matthias Echter. He also established the fresco in the choir with the mystic marriage of St. Catherine. The niche figures of stucco - personifications of the virtues of "faith", "love", "hope" and "justice" - created around 1695/96 Marx Schokotnigg. The paintings "Saint Ignatius" by Franz Wagenschön (1766) and "Mary Immaculate" by Josef Tunner (1858 ) were formerly as altarpieces in use.
The stucco work of the tomb chamber manufactured around 1640 Mattia Camin (they were in 1694 renewed by Josef Serenio). The here represented substantial program shows the insignias and coats of arms of the countries and hereditary lands of Emperor Ferdinand II, symbols of death and last rites and painted scenes from the Old and the New Testament that refer to the resurrection.
The tombs of Emperor Ferdinand II (d. 1637) and of Archduchess Maria Anna of Bavaria (d. 1616), the first wife of Ferdinand II, are characterized by inscription panels. Also, here is a so-called Herzgrüftl (small heart tomb) with the hearts of Ferdinand II, his mother, Maria of Bavaria, his second wife Eleanor of Gonzaga and of other archducal family members.
The Rotmarmorsarkophag (red marble sarcophagus) in the crypt room with the three-dimensional recumbent figures of the parents of Ferdinand II, in which, however, only his mother is buried, stems from the ancient Grazer monastery of the Poor Clares and may have been manufactured about 1608 by Sebastian Carlone.
The Mausoleum of Ferdinand II is due to its complex architectural and iconological program a Hall of Fame of the Counter-Reformation. It identifies itself by its political-imperial statement as foundation building of the Imperial House of Austria. From the artistic point of view, it is also a main example of the manifestation of Roman art movements in the High Baroque in Styria.
Horst Schweigert
This is a grim reminder of our past. Located in a glass case inside the church of St Sepulchre Without, is the Newgate Prison execution bell. The handbell would be rung outside the cell of the condemned prisioner, by the church clerk, at midnight on the eve of his execution. The great bell of the church would be rung when an execution was in progress. The former Newgate prison Gallows were nearby to the church. The main church bells are also one of those featured in the children's rhyme 'Oranges and Lemons' as they are the Bells of Old Bailey.
IT was an ancient practice, on the night preceding the execution of condemned criminals, for the bellman of the parish of St Sepulchre to go under Newgate and, ringing his bell, to repeat the following, as a piece of friendly advice to the unhappy wretches under sentence of death:--
"You prisoners that are within, who for wickedness and sin, after many mercies shown you, are now appointed to die tomorrow in the forenoon, give ear and understand that in the morning the greatest bell of St Sepulchre’s shall toll for you in form and manner of a passing bell, to the end that all godly people, hearing that bell and knowing that it is for your going to your deaths, may be stirred up heartily to pray to God to bestow His grace upon you while you live. I beseech you for Jesus Christ’s sake to keep this night in watching and prayer for the salvation of your own souls, while there is yet time for mercy, as knowing tomorrow you must appear before the judgement seat of your Creator, there to give an account of all things done in this life and to suffer eternal torments for your sins committed against Him, unless upon your hearty and unfeigned repentance you find mercy through the merits, death and passion of your only Mediator and Advocate, Jesus Christ, who now sits at the right hand of God to make intercession for as many of you as penitently return to Him."
The following extract from Stowe’s Survey of London, p. 125 of the quarto edition printed in 1618, will prove that the above verses ought to have been repeated by a clergyman instead of a bellman:--
"Robert Dow, Citizen and Merchant Taylor, of London, gave to the parish church of St Sepulchre's, the sum of 50L. That after the several sessions of London, when the prisoners remain in the gaol, as condemned men to death, expecting execution on the morning following; the clerk (that is, the parson) of the church should come in the night time, and likewise early in the morning, to the window of the prison where they lie, and there ringing certain tolls with a hand-bell, appointed for the purpose, he doth afterwards (in most Christian manner) put them in mind of their present condition, and ensuing execution, desiring them to be prepared therefor as they ought to be. When they are in the cart, and brought before the wall of the church, there he standeth ready with the same bell, and after certain tolls rehearseth an appointed prayer, desiring all the people there present to pray for them. The beadle also of Merchant Taylors Hall hath an honest stipend allowed to see that this is duly done."
Back side is similar image of the front one - 'holes' here are octagons and vice versa, and they 'rotate' in opposite way
This Glacial erratic in Jordbro has an interesting history. For centuries it was used as a place of execution. It has seen many decapitations and hangings. The last person to die here was Anders Gustav Pettersson, who murdered his boss, Fredrik Jaedren, the brutal owner of the old estate Näringsberg. I recently read a book about about the murder story.
I shot this with The Nifty Fifty. It is three photos stitched together.
in Long Island Sound, north of Sands Point, New York; the granite stone tower was built in 1850 and the keepers house in 1868.
executing someone's bug at the office because she stole away someone else's three-in-one instant coffee!
Den of Imagination - Your Miniature Painting Service
We are a registered studio in Torun, Poland. We have been in line of work since 2008. Our still growing staff of painters and sculptors is ready to work on any project you can imagine!
We are credible, solid and reliable. We work best with large commissions and we guarantee fast service.
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Imre Nagy (7 June 1896 – 16 June 1958) was a Hungarian communist politician who was appointed Chairman of the Council of Ministers of the People's Republic of Hungary on two occasions. Nagy's second term ended when his non-Soviet-backed government was brought down by Soviet invasion in the failed Hungarian Revolution of 1956, resulting in Nagy's execution on charges of treason two years later.
Bukavu, Sud-Kivu, RDC : Dans le cadre de l'exécution de son mandat d’appui aux institutions, la MONUSCO poursuit ses séances de renforcement des capacités des forces de sécurité de la RDC, y compris celles de la Police Nationale congolaise (PNC). Sur cette photo, l’officier de la police de la MONUSCO, Fofana Pitiasson André du secteur de Bukavu, anime une séance de recyclage au profit de quarante deux (42) policiers congolais sur les manipulations fondamentales d'une arme à feu et les gestes techniques professionnelles d’interventions. Photo MONUSCO/UNPOL.
Bukavu, South Kivu, DRC: As part of its mandate to support institutions, MONUSCO is continuing its capacity-building sessions for the DRC's security forces, including the Congolese National Police (PNC). In this photo, MONUSCO police officer, Fofana Pitiasson André of the Bukavu sector, conducts a refresher training session for 42 Congolese police officers on the basic handling of a firearm and professional intervention techniques. Photo MONUSCO/UNPOL
Execution Rocks Lighthouse is an active lighthouse, located in the Long Island Sound, protecting mariners traveling those waters.
Image © 2013 Clarence Holmes / Clarence Holmes Photography, All Rights Reserved. The image is protected by U.S. and International copyright laws, and is not to be downloaded or reproduced in any way without written permission.
If you would like to use this image for any purpose, please see the available licensing and/or print options for this image on my website or contact me with any questions that you may have.
Den of Imagination - Your Miniature Painting Service
We are a registered studio in Torun, Poland. We have been in line of work since 2008. Our still growing staff of painters and sculptors is ready to work on any project you can imagine!
We are credible, solid and reliable. We work best with large commissions and we guarantee fast service.
------------------------------------------------------------------------------------------
WEBSITE: denofimagination.com/
YOUTUBE: www.youtube.com/user/denofimagination
SHOP: shop.denofimagination.com/
TWITTER: Twitter.com/doiStudio
FLICKER: www.flickr.com/photos/97996892@N07/
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Extract from the Preston Guardian, Saturday, November 21, 1846.
TO ENLARGE - either:
1. Right-click the image then choose Original or...
2. Select View all sizes from the Actions tab then choose Original
More about the Battle of Preston Here
Yesterday I was a bit under the weather; today, you see how I feel like, by the look of my new creation. Congestion, soar throat.....
Marble, AD 1-100
The young boy's job was to light the way at night with his lantern. He had fallen asleep, dutifully waiting for his master. The reality was starkly different. In AD 61, a distinguished senator was murdered by one of his household staff. Despite protests by the people, Nero backed the senate's decision to upholad an existing law. It stipulated that all enslaved members of the owner's household should be executed - a ruthless collective punishment intended as a deterrent.
[British Museum]
Nero: the Man Behind the Myth
(May - Oct 2021)
Nero is known as one of Rome's most infamous rulers, notorious for his cruelty, debauchery and madness.
The last male descendant of the emperor Augustus, Nero succeeded to the throne in AD 54 aged just 16 and died a violent death at 30. His turbulent rule saw momentous events including the Great Fire of Rome, Boudicca's rebellion in Britain, the execution of his own mother and first wife, grand projects and extravagant excesses.
Drawing on the latest research, this major exhibition questions the traditional narrative of the ruthless tyrant and eccentric performer, revealing a different Nero, a populist leader at a time of great change in Roman society.
Through some 200 spectacular objects, from the imperial palace in Rome to the streets of Pompeii, follow the young emperor’s rise and fall and make up your own mind about Nero. Was he a young, inexperienced ruler trying his best in a divided society, or the merciless, matricidal megalomaniac history has painted him to be?
Nero was the 5th emperor of Rome and the last of Rome’s first dynasty, the Julio-Claudians, founded by Augustus (the adopted son of Julius Caesar). Nero is known as one of Rome’s most infamous rulers, notorious for his cruelty and debauchery. He ascended to power in AD 54 aged just 16 and died at 30. He ruled at a time of great social and political change, overseeing momentous events such as the Great Fire of Rome and Boudica’s rebellion in Britain. He allegedly killed his mother and two of his wives, only cared about his art and had very little interest in ruling the empire.
Most of what we know about Nero comes from the surviving works of three historians – Tacitus, Suetonius and Cassius Dio. All written decades after Nero’s death, their accounts have long shaped our understanding of this emperor’s rule. However, far from being impartial narrators presenting objective accounts of past events, these authors and their sources wrote with a very clear agenda in mind. Nero’s demise brought forward a period of chaos and civil war – one that ended only when a new dynasty seized power, the Flavians. Authors writing under the Flavians all had an interest in legitimising the new ruling family by portraying the last of the Julio-Claudians in the worst possible light, turning history into propaganda. These accounts became the ‘historical’ sources used by later historians, therefore perpetuating a fabricated image of Nero, which has survived all the way to the present.
Nero was born Lucius Domitius Ahenobarbus on 15 December AD 37.
He was the son of Gnaeus Domitius Ahenobarbus and Agrippina the Younger. Both Gnaeus and Agrippina were the grandchildren of Augustus, making Nero Augustus’ great, great grandson with a strong claim to power.
Nero was only two years old when his mother was exiled and three when his father died. His inheritance was taken from him and he was sent to live with his aunt. However, Nero’s fate changed again when Claudius became emperor, restoring the boy’s property and recalling his mother Agrippina from exile.
In AD 49 the emperor Claudius married Agrippina, and adopted Nero the following year. It is at this point that Lucius Domitius Ahenobarbus changed his name to Nero Claudius Caesar Drusus Germanicus. In Roman times it was normal to change your name when adopted, abandoning your family name in favour of your adoptive father’s. Nero was a common name among members of the Claudian family, especially in Claudius’ branch.
Nero and Agrippina offered Claudius a politically useful link back to Augustus, strengthening his position.
Claudius appeared to favour Nero over his natural son, Britannicus, marking Nero as the designated heir.
When Claudius died in AD 54, Nero became emperor just two months before turning 17.
As he was supported by both the army and the senate, his rise to power was smooth. His mother Agrippina exerted a significant influence, especially at the beginning of his rule.
The Roman historians Tacitus, Suetonius and Cassius Dio all claim that Nero, fed up with Agrippina’s interference, decided to kill her.
Given the lack of eyewitnesses, there is no way of knowing if or how this happened. However, this did not stop historians from fabricating dramatic stories of Agrippina’s murder, asserting that Nero tried (and failed) to kill her with a boat engineered to sink, before sending his men to do the job.
Agrippina allegedly told them to stab her in the womb that bore Nero, her last words clearly borrowed from stage plays.
It is entirely possible, as claimed by Nero himself, that Agrippina chose (or was more likely forced) to take her own life after her plot against her son was discovered.
Early in his rule, Nero had to contend with a rebellion in the newly conquered province of Britain.
In AD 60–61, Queen Boudica of the Iceni tribe led a revolt against the Romans, attacking and laying waste to important Roman settlements. The possible causes of the rebellion were numerous – the greed of the Romans exploiting the newly conquered territories, the recalling of loans made to local leaders, ongoing conflict in Wales and, above all, violence against the family of Prasutagus, Boudica’s husband and king of the Iceni.
Boudica and the rebels destroyed Colchester, London and St Albans before being heavily defeated by Roman troops. After the uprising, the governor of Britain Suetonius Paulinus introduced harsher laws against the Britons, until Nero replaced him with the more conciliatory governor Publius Petronius Turpilianus.
The marriage between Nero and Octavia, aged 15 and 13/14 at the time, was arranged by their parents in order to further legitimise Nero’s claim to the throne. Octavia was the daughter of the emperor Claudius from a previous marriage, so when Claudius married Agrippina and adopted her son Nero, Nero and Octavia became brother and sister. In order to arrange their marriage, Octavia had to be adopted into another family.
Their marriage was not a happy one. According to ancient writers, Nero had various affairs until his lover Poppaea Sabina convinced him to divorce his wife. Octavia was first exiled then executed in AD 62 on adultery charges. According to ancient writers, her banishment and death caused great unrest among the public, who sympathised with the dutiful Octavia.
No further motives were offered for Octavia’s death other than Nero’s passion for Poppaea, and we will probably never know what transpired at court. The fact that Octavia couldn’t produce an heir while Poppaea was pregnant with Nero’s daughter likely played an important role in deciding Octavia’s fate.
On 19 July AD 64, a fire started close to the Circus Maximus. The flames soon encompassed the entire city of Rome and the fire raged for nine days. Only four of the 14 districts of the capital were spared, while three were completely destroyed.
Rome had already been razed by flames – and would be again in its long history – but this event was so severe it came to be known as the Great Fire of Rome.
Later historians blamed Nero for the event, claiming that he set the capital ablaze in order to clear land for the construction of a vast new palace. According to Suetonius and Cassius Dio, Nero took in the view of the burning city from the imperial residence while playing the lyre and singing about the fall of Troy. This story, however, is fictional.
Tacitus, the only historian who was actually alive at the time of the Great Fire of Rome (although only 8 years old), wrote that Nero was not even in Rome when the fire started, but returned to the capital and led the relief efforts.
Tacitus, Suetonius and Cassius Dio all describe Nero as being blinded by passion for his wife Poppaea, yet they accuse him of killing her, allegedly by kicking her in an outburst of rage while she was pregnant.
Interestingly, pregnant women being kicked to death by enraged husbands is a recurring theme in ancient literature, used to explore the (self) destructive tendencies of autocrats. The Greek writer Herodotus tells the story of how the Persian king Cambyses kicked his pregnant wife in the stomach, causing her death. A similar episode is told of Periander, tyrant of Corinth. Nero is just one of many allegedly ‘mad’ tyrants for which this literary convention was used.
Poppaea probably died from complications connected with her pregnancy and not at Nero’s hands. She was given a lavish funeral and was deified.
Centred on greater Iran, the Parthian empire was a major political and cultural power and a long-standing enemy of Rome. The two powers had long been contending for control over the buffer state of Armenia and open conflict sparked again during Nero’s rule. The Parthian War started in AD 58 and, after initial victories and following set-backs, ended in AD 63 when a diplomatic solution was reached between Nero and the Parthian king Vologases I.
According to this settlement Tiridates, brother of the Parthian king, would rule over Armenia, but only after having travelled all the way to Rome to be crowned by Nero.
The journey lasted 9 months, Tiridates’ retinue included 3,000 Parthian horsemen and many Roman soldiers. The coronation ceremony took place in the summer of AD 66 and the day was celebrated with much pomp: all the people of Rome saw the new king of Armenia kneeling in front of Nero. This was the Golden Day of Nero’s rule
In AD 68, Vindex, the governor of Gaul (France), rebelled against Nero and declared his support for Galba, the governor of Spain. Vindex was defeated in battle by troops loyal to Nero, yet Galba started gaining more military support.
It was at this point that Nero lost the support of Rome’s people due to a grain shortage, caused by a rebellious commander who cut the crucial food supply from Egypt to the capital. Abandoned by the people and declared an enemy of the state by the senate, Nero tried to flee Rome and eventually committed suicide.
Following his death, Nero’s memory was condemned (a practice called damnatio memoriae) and the images of the emperor were destroyed, removed or reworked. However, Nero was still given an expensive funeral and for a long time people decorated his tomb with flowers, some even believing he was still alive.
After Nero’s death, civil war ensued. At the end of the so-called ‘Year of the Four Emperors’ (AD 69), Vespasian became emperor and started a new dynasty: the Flavians.
[Francesca Bologna, curator, for British Museum]
Taken in the British Museum
An old penny arcade machine in pretty bad taste at North Somerset Museum. You put in money... and the guy gets executed.
Thierry Geoffroy / Colonel exhibit now at The Kuma Museum his tent from document Kassel d13 , 2012 ( unsolicited )
that created debates about contempoarary art , started occupy movement in front of Fridericianum museum ... got confiscated , inspired marble tent installation documenta14
read more here :
www.emergencyrooms.org/documenta_kassel.html
Geoffroy normally works with art formats like the EMERGENCY ROOM
to stimulate urgent expression by artist about today 's emergencies :
The art work can be asking about "The Execution of Emperor Maximilian "where Manet paint an " after excecution moment "
Is art always too late ?
Can art prevent accidents ?
Does art always comes after the shooting or can art sometimes prevent it ?
Can artists have an impact ?
Could it be an art that could prevent and stop accidents not only witness and express about them ?
Thierry Geoffroy/ Colonel will be exhibiting in the museum Kunsthalle Mannheim from october 2018 part of the exhibition Konstruktion der Welt .Kunst und Ökonomie
Constructing the World: Art and Economy 1919-1939 and 2008-2018
10/12/18 to 02/03/19
Ten years after the peak of the global financial crisis in 2008, which profoundly shook the economic systems of America and Europe and had a lasting effect on present-day life, this topical exhibition is the first to illustrate the economy’s dramatic influence on art and to make global comparisons, demonstrating these in an analysis of two separate eras. Economic phenomena in the classical modernism of the 1920s and 30s are not only explored by focusing on art from the German Weimar Republic, the Soviet Union, and the United States, but also juxtaposed with artists of the present day.
Curatorial team: Dr. Eckhart Gillen (Berlin), Dr. Ulrike Lorenz, Dr. Sebastian Baden
Project Lead: Dr. Inge Herold, Assistence: Lisa Valentina Riedel, M. A. mult., Elisabeth Bohnet, M.A.
How does contemporary art reflect the world of work today? The catalogue for the second part of the exhibition Constructing the World at the Kunsthalle Mannheim takes a look at this question. The focus of it is primarily on artistic positions of the past decade that deal with the social, political, and economic effects of the most recent economic crisis after 2008. The works address and interrogate new production conditions and developments on the labor market as well as political conflicts. The accompanying publication provides fascinating insights into the diverse artistic positions.
Artists participating 2008-2018
Maja Bajevic - BBM (Observers of Operators of Machines) - Bureau d'Études - Claire Fontaine - Jacques Coetzer - Abraham Cruzvillegas - Szilárd Cseke - Chto Delat - Jeremy Deller - Simon Denny - Tatjana Doll - Harun Farocki & Antje Ehmann - Thierry Geoffroy - Andreas Gursky - Thomas Hirschhorn - Olaf Holzapfel - Sanja Iveković - Charles Lim Yi Yong - Maha Maamoun - José Antonio Vega Macotela - Tobias Rehberger - Oliver Ressler & Dario Azzellini - Mika Rottenberg - Superflex - Zefrey Throwell - Volume V - Maya Zack - Artur Żmijewski
Artists participating 1919-1939
Berenice Abbott - Gerd Arntz - Lester Thomas Beall - Thomas Hart Benton - George Biddle - John Biggers - Peter Blume - Margaret Bourke-White - Jacob Burck - Clarence Holbrook Carter - Charlie Chaplin - Ottilie Cieluszek - Ralston Crawford - Francis Hyman Criss - Stuart Davis - Alexander A. Deineka - Rudolf Dischinger - Otto Dix - Nikolaj A. Dolgorukow - Arthur Durston - Sergej M. Eisenstein - Fred Ellis - Walker Evans - Philip Evergood - Conrad Felixmüller - Hans Finsler - Max Gebhard - Hugo Gellert - John R. Grabach - Otto Griebel - William Gropper - Carl Grossberg - George Grosz - Hans Grundig - Kurt Günther - O. Louis Guglielmi - John Heartfield - Werner Heldt - Karl Hubbuch - Eric Johansson - Joe Jones - Grethe Jürgens - William Karp - Lewis W. Hine - Hannah Höch - Heinrich Hoerle - Edward Hopper - Hermann Otto Hoyer - Edward McKnight Kauffer - Gerhard Keil - Gustavs Klucis - Käthe Kollwitz - Pawel D. Korin - Valentina N. Kulagina - Wilhelm Lachnit - Fritz Lang - Wladimir W. Lebedew - Jack Levine - El Lissitzky - Arkadi Lobanow - Louis Lozowick - Sergej A. Lutschischkin - Reginald Marsh - Carl Mayer - László Moholy-Nagy - Dimitri Moor - Reinhold Nägele - Otto Nagel - Alice Neel - Oskar Nerlinger -Solomon B. Nikritin - Alice Lex-Nerlinger - Gerta Overbeck - Werner Peiner - Kusma S. Petrow-Wodkin - Juri I. Pimeno w - Natalia Pinus - Michail M. Plaksin - Jackson Pollock - Curt Querner - Climent N. Redko - Albert Renger-Patzsch - Serafima V. Rjangina - Alexander Rodtschenk o - Theodore Roszak - Walter Ruttmann - Leni Riefens tahl - Nikolaus Sagrekov - Alexander N. Samochwalow - Paul Sample - August Sander - Arkadi S. Schaichet - Rudolf Schlichter - Wilhelm Schnarrenberger - Georg Scholz - Franz Wilhelm Seiwert - Ben Shahn - Charles Sheeler - Georgi und Wladimir A. Stenberg - Warwara Stepanowa - Paul Strand - Miklos Suba - Ernst Thoms - Alexander G. Tyschler - Bumpei Usui - Konstantin A. Vialov - Karl Völker - Wladimir A. Wassiljew - Dsiga Wertow - Piotr W. Wiljams - Grant Wood - Gustav Wunderwald - Ekaterina S. Zernova - Heinrich Zille
www.colonel.dk contact : emergencyrooms@gmail.com
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