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I saw max's build and felt like trying it out. It came out okay but I don't feel like I did it enough I'm probably going to try for a larger build over fall break in a few weeks.
Is this any better Mark?
It is said that here people were hanged who stole wood or poached...not sure if that is true.
For more information regarding the wildlife park and the hiking route, see the set 'Germany, 2016, Hiking Schurwald, Wildpark'
...and in her dream she dreamed of a stranger falling, being pulled into a chair of inevitable departure.
Thanks to Brooke Shaden for the one of a kind workshop and inspiration.
view on black, please - will open in a new window.
[This one simply must be enlarged.]
First a quick word about this composite photograph. Yes, every element in this collage is a single photograph taken by me of books by Jung or about him in my personal library. The idea is a simple one, even if the execution is a little complicated. This image took at least two days solid work from conceptualisation, photographing, processing and finally compiling the elements. It is my own participation in temporality - for some wasted time, for me a meditation.
Carl Gustav Jung (1875-1961) came to believe that the image of a mandala was extremely important to the unconscious mind. This is why it is so common in religious symbolism from the earliest stages of evolution. Even early Christian ikons took on an almost mandalaic structure with Christ at the centre. The history of Alchemy (a subject for which Jung was truly a world expert) is also filled with similar symbolism. en.wikipedia.org/wiki/Mandala
To this day Tibetan Buddhist monks practice the art of sand painting mandalas. These geometric configurations of symbols centre on a still point of Compassion. After it is created, the sand is literally swept away, signifying the impermanence of mortal existence.
"Sand Mandala - A Time To Build, A Time To Destroy" www.youtube.com/watch?v=8ov4-Fwhy5o
In this solar mandala I have a little friendly dig at the way Jungian psychology has assumed an almost religious importance for some practitioners. The great psychoanalyst is the sun around which various planets revolve. Each planet relates to a specific book in the Jungian canon. The moons around each of these planets relate to secondary books about Jung's specific texts. In this way a mandala is constructed. Thus a pseudo-religious system is born.
P.S. I should also add there is a deliberate mistake in here. Sometimes the makers of medieval manuscripts deliberately included an error to remind us that only God is perfect. Full marks if you spot it.
Dawn breaks the morning after yet another announcement to confirm the delay of the introduction of the new Mk5 stock on the Caledonian Sleeper Highlander service. With the Mk5s on that route now not likely to be introduced until the Autumn, the 35-40 year old Mk2s (pictured) and Mk3s will be kept running in full passenger service for another few months.
Likewise, the Class 90s which have worked Sleeper trains for three decades will perform one last stint before they are no longer able to work the trains anymore (due to ETS and coupling incompatibility).
Freightliner Class 90, 90049 - on hire to GB Railfreight for use on the sleeper services - works the Up Highlander (1M16) south through Winsford.
I love taking photos with the lights in my room. I had the idea of me pulling a crucifix out of my mouth at first. When I was shoo thin this, I had the idea of adding the hands and make it seem more evil. At first I didn't think that I would accomplish it but I gave it a try and I love the execution.
Jacques Villon (Blainville-Crevon, 1875 - 1963) - Under the tent on Blonville beach (1906 ca.) - exhibition “Monet and the Impressionists in Normandy. Masterpieces from the Peindre en Normandie Collection "- Palazzo Mazzetti (Asti)
“Monet e gli impressionisti in Normandia" La mostra ripercorre, a partire dai primi decenni dell’Ottocento, i momenti più importanti di questa corrente artistica.
L’impressionismo è un movimento pittorico nato a Parigi nella seconda metà dell’800. Nasce ufficialmente il 15 aprile 1874 in occasione della mostra tenuta nello studio del fotografo Nadar da un gruppo di artisti respinti dal Salon di Parigi, il tempio della pittura ufficiale. La mostra ha un esito disastroso e provoca feroci polemiche. Ispirandosi al titolo del dipinto Impression, soleil levant di Claude Monet, il critico d’arte Louis Leroy defisce ironicamente questi pittori impressionisti. Gli impressionisti lasciano gli atelier per lavorare all’aperto nelle campagne, nelle periferie, nelle piazze. Utilizzano cavalletti portatili e colori a olio in tubetti, fabbricati per la prima volta in questi anni. Lo scopo è cogliere l’impressione visiva della realtà; da qui la necessità di un’esecuzione rapida, senza disegno preliminare, senza ritocchi e sfumature. Il fondamento della tecnica impressionista è lo studio della luce e del colore; per conferire la massima luminosità ai dipinti gli impressionisti accostano direttamente sulla tela i colori puri; aboliscono l’uso del nero per realizzare le ombre, che vengono rese combinando diversi colori. Spesso gli impressionisti rappresentano il medesimo soggetto in diversi momenti del giorno per mostrare come la luce, nel suo continuo divenire, trasformi cose e colori.
"Monet and the Impressionists in Normandy" The exhibition traces the most important moments of this artistic movement starting from the first decades of the nineteenth century.
Impressionism is a pictorial movement born in Paris in the second half of the 19th century. It was officially born on April 15, 1874 on the occasion of the exhibition held in the studio of the photographer Nadar by a group of artists rejected by the Paris Salon, the temple of official painting. The exhibition has a disastrous outcome and causes fierce controversy. Inspired by the title of the painting Impression, soleil levant by Claude Monet, the art critic Louis Leroy ironically defines these impressionist painters. The Impressionists leave the ateliers to work outdoors in the countryside, in the suburbs, in the squares. They use portable easels and oil paints in tubes, manufactured for the first time in these years. The aim is to capture the visual impression of reality; hence the need for rapid execution, without preliminary drawing, without retouching and nuances. The foundation of the Impressionist technique is the study of light and color; to give maximum brightness to the paintings, the Impressionists put pure colors directly on the canvas; they abolish the use of black to create shadows, which are made by combining different colors. Often the Impressionists represent the same subject at different times of the day to show how light, in its continuous evolution, transforms things and colors.
Jean Antoine Théodore de Gudin (Paris, August 15, 1802 - Boulogne-sur-Seine, April 11, 1880) - Villerive-les-graves, sunbeam (1873) - exhibition "Monet and the Impressionists in Normandy. Masterpieces from the Peindre en Normandie Collection "- Palazzo Mazzetti (Asti)
“Monet e gli impressionisti in Normandia" La mostra ripercorre, a partire dai primi decenni dell’Ottocento, i momenti più importanti di questa corrente artistica.
L’impressionismo è un movimento pittorico nato a Parigi nella seconda metà dell’800. Nasce ufficialmente il 15 aprile 1874 in occasione della mostra tenuta nello studio del fotografo Nadar da un gruppo di artisti respinti dal Salon di Parigi, il tempio della pittura ufficiale. La mostra ha un esito disastroso e provoca feroci polemiche. Ispirandosi al titolo del dipinto Impression, soleil levant di Claude Monet, il critico d’arte Louis Leroy defisce ironicamente questi pittori impressionisti. Gli impressionisti lasciano gli atelier per lavorare all’aperto nelle campagne, nelle periferie, nelle piazze. Utilizzano cavalletti portatili e colori a olio in tubetti, fabbricati per la prima volta in questi anni. Lo scopo è cogliere l’impressione visiva della realtà; da qui la necessità di un’esecuzione rapida, senza disegno preliminare, senza ritocchi e sfumature. Il fondamento della tecnica impressionista è lo studio della luce e del colore; per conferire la massima luminosità ai dipinti gli impressionisti accostano direttamente sulla tela i colori puri; aboliscono l’uso del nero per realizzare le ombre, che vengono rese combinando diversi colori. Spesso gli impressionisti rappresentano il medesimo soggetto in diversi momenti del giorno per mostrare come la luce, nel suo continuo divenire, trasformi cose e colori.
"Monet and the Impressionists in Normandy" The exhibition traces the most important moments of this artistic movement starting from the first decades of the nineteenth century.
Impressionism is a pictorial movement born in Paris in the second half of the 19th century. It was officially born on April 15, 1874 on the occasion of the exhibition held in the studio of the photographer Nadar by a group of artists rejected by the Paris Salon, the temple of official painting. The exhibition has a disastrous outcome and causes fierce controversy. Inspired by the title of the painting Impression, soleil levant by Claude Monet, the art critic Louis Leroy ironically defines these impressionist painters. The Impressionists leave the ateliers to work outdoors in the countryside, in the suburbs, in the squares. They use portable easels and oil paints in tubes, manufactured for the first time in these years. The aim is to capture the visual impression of reality; hence the need for rapid execution, without preliminary drawing, without retouching and nuances. The foundation of the Impressionist technique is the study of light and color; to give maximum brightness to the paintings, the Impressionists put pure colors directly on the canvas; they abolish the use of black to create shadows, which are made by combining different colors. Often the Impressionists represent the same subject at different times of the day to show how light, in its continuous evolution, transforms things and colors.
Another costume I wanted badly for my Lord John Doll. I sent her the pics attached, and Robyn of Period Threads executed it flawlessly
Landscape Composition; Execution Rocks Lighthouse circa 1849, New Rochelle, NY; (c) Diana Lee Photo Designs
This poor queen ant was killed before even being able to start a colony. Still pretty rewarding to photograph!
Trying to hide that the German Luffwaffe once called this their own? Maybe a less amateurish execution of the paintjob would have helped.
[Luftwaffenmuseum-Gatow_20240707_1634_e-m10_07071870]
October 1940 - It's been over a year since the Nazi occupation of Poland, I've seen my friends die and my father 'go missing' due to the evil inclinations of these fascist scum. Even our police force has given into them... Cowards
-Amelia
洋紅風鈴木 - 巴拉圭風鈴木、伊蓓樹 / 竹溪岸邊花朵開 - 不知溪底康固立
Tabebuia impetiginosa (DC.) Standley / Bamboo Creek flowers bloom - I do not know the bottom of the cement
Viento Suzuki, árbol iraquí de Paraguay del bei / Florecen las flores de Bamboo Creek - No sé el fondo del cemento
パラグアイの風鈴木のイラクのbeiの木 / 竹クリークの花が咲きます - 私はセメントの底を知らない
Magentaroter Wind Suzuki berühmt - Paraguay-Wind Suzuki,irakischer bei Baum / Bamboo Creek Blumen blühen - ich kenne den Boden des Zements nicht
Tabebuia impetiginosa (DC.) Standley / Les fleurs de Bamboo Creek fleurissent - je ne connais pas le fond du ciment
Tainan Taiwan / Tainan Taiwán / 台灣台南
管樂小集 2018/03/18 安平古堡 Fort Zeelandia performances 1080P
{View large size on fluidr / 觀看大圖}
{My Blog / 管樂小集精彩演出-觸動你的心}
{My Blog / Great Music The splendid performance touches your heart}
{My Blog / 管楽小集すばらしい公演-はあなたの心を心を打ちます}
{Mi blog / La gran música el funcionamiento espléndido toca su corazón}
{Mein Blog / Große Musik die herrliche Leistung berührt Ihr Herz}
{Mon blog / La grande musique l'exécution splendide touche votre coeur}
Melody 曲:JAPAN / Words 詞:Sheesen / Singing : Sheesen
{ 夢旅人 1990 Dream Traveler 1990 }
名稱：洋紅風鈴木
英名：Pink Trumpet Tree
學名：Tabebuia rosea
科名：紫葳科 (Bignoniaceae)風鈴木屬(Tabebuia)
別稱：巴拉圭風鈴木、玫瑰風鈴木、伊蓓樹
原產地：南美洲
Photography, as a powerful medium of expression and communications, offers an infinite variety of perception, interpretation and execution.
攝影，作為一種強而有力的表達及溝通工具，提供了千變萬化的感受、詮釋及表現。
~ Ansel Adams
P.S. Non-HDR
Why not take a walk, around Snowshill, if you have time, please click "here"!
Snowshill is a small rural settlement in the north of the borough of Gloucestershire which lies on a ridgeway, with the villages of Broadway, Buckland and Laverton nearby. The village offers panoramic views from certain vantage points within the conservation area boundary, while surrounding landscapes, including the Cotswold Ridge and Avon Valley, offer limited views into the village. Snowshill is a small, remote upland settlement situated in the Cotswold Hills in the Cotswold Area of Natural Beauty (AONB). It is one of the highest villages in Gloucestershire at 1,000 feet above sea level. The village of Snowshill is on a small unclassified road which runs from Broadway to Bourton on the Water. It is a nucleated village – one where the houses are located round a focal point such as a church or village green. Historically Snowshill developed as a farming village with the main industry being wool production. Local stone quarries provided the primary building materials for the village; stone slate roofs and stone walls The topography of Snowshill and the surrounding landscape means that the village remains sheltered from external views. However from the outskirts of Snowshill, from higher land and within Snowshill, there are glimpses of the village. Over time Snowshill has had many variations in name, including Snawesill in the 1087 Domesday Book, Snausilla in 1227, and Snoweshulle in 1360. The name Snowshill appears for the first time in the Valuation of Crown Lands of 1570. Derived from the old English, snaw for snow and hyll for hill, the name of the village refers to its topographical meaning i.e. “Hill of Snow”. It is often said that snow remains in the folds of the hill long after it has melted in the Vale. Despite being a relatively small village with a little over 200 inhabitants, Snowshill has a long history. The settlement sits near a large amount of spring water; it is also positioned close to the path taken by two prehistoric trackways. In the early ninth century King Kenulf gave the manor of Snowshill and the tithes and chaplaincy together with those for Stanton to St Mary’s Abbey, Winchcombe which had been founded in approximately 798 AD Following the Norman invasion of England, the whole land was claimed by William the Conqueror who granted lands to his followers, including the abbey at Winchcombe which still had control of Snowshill and Stanton. The Domesday entry for Snowshill states: “The church of St. Mary of Wincelcumbe holds Snawesill, in Holfordes hundred. There are seven hides taxed. In demean are three plowtillages, and twelve villeins, and two bordars, with fixed plow-tillages. There are six servi. It is worth and was worth 100 sol”. Carolyn Mason in her book Snowshill; A Gloucestershire Village says this equates to the manor having 840 acres and the population of the village being about 802 . Rudder, in his book A New History of Gloucestershire says that Winchcombe Abbey assigned the manor of Snowshill to the monastery of St Ebrulf in Normandy in the twelfth year of Edward II’s reign (1296) but that the manor returned to the abbey in 1415 when foreign onasteries were divested of their land in England. Snowshill remained in the ownership of the abbey until the Dissolution when it became the property of Henry VIII. Rudder says that Henry assigned the manor of Snowshill to Queen Catherine as part of her dower. This is confusing as three of his six wives were called Catherine. It seems likely that it was Catherine Parr as following the death of Catherine Edward VI granted it to John, Earl of Warwick. Catherine Parr was the only one alive in 1547 when Edward became king. Following the execution of the Earl of Warwick in the reign of Queen Mary the manor of Snowshill reverted to the possession of the Crown until it was given to Francis Bulstrode according to Carolyn Mason although Rudder makes no mention of this. At the time of Rudder’s history the population of Snowshill was 236 (more than today) and he states that at the beginning of the 18th century the population was about 190 and that there were 38 houses. The chapel is described as small with a tower at the west end ornamented with pinnacles and battlements. The chapel, together with the manor of Stanton was granted by the Crown to John Elliott. When the lands around Snowshill were enclosed in 1761 by Act of Parliament 202 acres were given to the rector to replace the tithes. The English Heritage register entry for the gardens of Snowshill Manor states that it was sold in 1572 to John and Thomas Warne (or Warren)
and that it remained in that family until around 1645 when it was sold to Will Wall. Between 1712 and 1743, the Manor was owned by the Sanbach family (Carolyn Mason and Rudder give the family name as Sambach) and, during that time, there were some additions to the house. William Sambach the younger died without issue in 1759 and Samuel Blackwell purchased the estate. He sold to John Small of Clapham in Surrey (d 1779). From 1759 to 1919 the Manor was owned by landlords who were largely absent. In the 17th century the manor and some of the cottages were built. The Rose cottage and The Old Shop, Manor Cottages and Green Close, all date to this time. The brewhouse and dovecote within the grounds of the manor are possible earlier from the 16th century. Part of Tower Close dates to the early 18th century and the two garden houses within the manor grounds are late 18th century. The chapel was rebuilt in 1864 but very little of it survives in the new church.
rather theatrical protest against executions in iran taking place in whitehall today as huge crowd of mainly middle-class anti-brexit marchers filed past.
Beginning in 1942, the Natzweiler Struthof concentration camp also became a discreet execution site for many of those condemned to death. The firing squad was made up of the camps SS guards.
More than 460 people were known to habe been executed today, including at the crematorium. But the exact figure is difficult to establish. Men and women murdered at Natzweiler were not all registered in the camp and for the most part were murdered without a trace.
Some of the executions were carried out in the sand quarry. One of the most striking of these executions was that of thirteen young Alsatians from Ballersdorf. On the night of 12 to 13 February 1943, they had tried to pass into Switzerland to escape forced inscription into the German army. Arrested and sentenced to death after a summary trial, they were shot in the Natzweiler sand quarry on 17 February.
-------------------
La sablière, lieu d’exécution
A partir de 1942, le camp de concentration de Natzweiler-Struthof devient aussi un lieu discret d’exécution pour de nombreux condamnés à mort. Ce sont les gardes SS du camp qui forment le peloton d’exécution.
Plus de 460 exécutions ont été recensées à ce jour, y compris au crématoire. Mais le chiffre exact reste difficile à établir. Les hommes et les femmes assassinés à Natzweiler n’étaient pas tous immatriculés au camp et sont pour la plupart été assassinés sans laisser de traces.
Une partie des exécutions a lieu dans cette sablière. L’une des plus marquantes est celle de treize jeunes Alsaciens de Ballersdorf. Dans la nuit du 12 au 13 février 1943, ils avaient tenté de passer en Suisse pour échapper à l’incorporation de force dans l‘armée allemande. Arrêtés et condamnés à mort après un jugement sommaire, ils ont été fusillés le 17 février à la sablière de Natzweiler.
--------------------------
Exekutionsort Sandgrube
Ab 1942 wird das KZ Natzweiler-Struthof in aller Diskretion auch zu einem Ort, an dem zahlreiche zum Tode Verurteilten hingerichtet werden. Die Hinrichtungskommandos bestehen aus den SS-Wachen im Lager. Bis heute weiß man von über
460 Exekutionen, die auch im Krematorium stattfanden. Doch die genaue Zahl ist schwer zu ermitteln, denn die Männer und Frauen, die in Natzweiler ermordet wurden, waren nicht immer als Lagerinsassen erfasst, und die meisten von ihnen wurden in aller Heimlichkeit ermordet.
Ein Teil der Exekutionen fand in dieser Sandgrube statt.Traurige Berühmtheit erlangte die Hinrichtung von 13 jungen Elsässern aus Ballersdorf, die in der Nacht vom 12. auf den 13 Februar 1943 versucht hatten, sich der Zwangsrekrutierung durch die Deutschen durch Flucht in die Schweiz zu entziehen. Sie wurden gefasst und in einem Schnellverfahren zum Tode verurteilt und am 17. Februar in der Sandgrube in Natzweiler erschossen.
Alfred Stevens (Brussels, 11 May 1823 - Paris, 24 August 1906) - the arrival of the storm (1893) - exhibition “Monet and the Impressionists in Normandy. Masterpieces from the Peindre en Normandie Collection "- Palazzo Mazzetti (Asti)
“Monet e gli impressionisti in Normandia" La mostra ripercorre, a partire dai primi decenni dell’Ottocento, i momenti più importanti di questa corrente artistica.
L’impressionismo è un movimento pittorico nato a Parigi nella seconda metà dell’800. Nasce ufficialmente il 15 aprile 1874 in occasione della mostra tenuta nello studio del fotografo Nadar da un gruppo di artisti respinti dal Salon di Parigi, il tempio della pittura ufficiale. La mostra ha un esito disastroso e provoca feroci polemiche. Ispirandosi al titolo del dipinto Impression, soleil levant di Claude Monet, il critico d’arte Louis Leroy defisce ironicamente questi pittori impressionisti. Gli impressionisti lasciano gli atelier per lavorare all’aperto nelle campagne, nelle periferie, nelle piazze. Utilizzano cavalletti portatili e colori a olio in tubetti, fabbricati per la prima volta in questi anni. Lo scopo è cogliere l’impressione visiva della realtà; da qui la necessità di un’esecuzione rapida, senza disegno preliminare, senza ritocchi e sfumature. Il fondamento della tecnica impressionista è lo studio della luce e del colore; per conferire la massima luminosità ai dipinti gli impressionisti accostano direttamente sulla tela i colori puri; aboliscono l’uso del nero per realizzare le ombre, che vengono rese combinando diversi colori. Spesso gli impressionisti rappresentano il medesimo soggetto in diversi momenti del giorno per mostrare come la luce, nel suo continuo divenire, trasformi cose e colori.
"Monet and the Impressionists in Normandy" The exhibition traces the most important moments of this artistic movement starting from the first decades of the nineteenth century.
Impressionism is a pictorial movement born in Paris in the second half of the 19th century. It was officially born on April 15, 1874 on the occasion of the exhibition held in the studio of the photographer Nadar by a group of artists rejected by the Paris Salon, the temple of official painting. The exhibition has a disastrous outcome and causes fierce controversy. Inspired by the title of the painting Impression, soleil levant by Claude Monet, the art critic Louis Leroy ironically defines these impressionist painters. The Impressionists leave the ateliers to work outdoors in the countryside, in the suburbs, in the squares. They use portable easels and oil paints in tubes, manufactured for the first time in these years. The aim is to capture the visual impression of reality; hence the need for rapid execution, without preliminary drawing, without retouching and nuances. The foundation of the Impressionist technique is the study of light and color; to give maximum brightness to the paintings, the Impressionists put pure colors directly on the canvas; they abolish the use of black to create shadows, which are made by combining different colors. Often the Impressionists represent the same subject at different times of the day to show how light, in its continuous evolution, transforms things and colors.
Metroline VWH2227 (LK66EOB) on Route N98 to Holborn, Red Lion Square.
The 98 and N98 were due to be cutback to Marble Arch in light of the Oxford Street pedestrianisation but with the project seemingly cancelled, both routes will still be continuing along Oxford Street to Holborn for the moment.
Klettagjáin Kista, aftökustaðurinn í Trékyllisvík.
Kista is a small inlet in Trékyllisvík. The inlet has also been known as Kistunes or Galdravogur.
In September 1654, three men are said to have been burned there at the stake for witchcraft. They were Grímur Jónsson, Egill Bjarnarson and Þórður Guðbrandsson (Þórður from Munaðarnes).
Thórðr was believed to have kept a woman in distress with him by magic. That woman was named Guðrún Jónsdóttir from Hlíðarhúsum and was staying with Thórðr in Munaðarnes. Her brothers made several trips to take her out of the house, but when she was picked up, she fell ill and was unable to travel. The public thought it certain that Thórdur used magic to force her to return to him, as she always cheered up on her return.
Thórdur was sentenced on 19 September 1654. Thórdur said that he had seen the devil in the form of a fox and had communicated with him. On the other hand, he said that Egill Bjarnason was the greatest magician.
Egill Bjarnarson was questioned in Árnes on September 20th where he confessed to having used magic to kill sheep in Hlíðarhús and Kjörvogur. He also claimed to have made a pact with the devil. It is named after Egilsgjóti in Krossnes, where it is said to have been hidden.
Both men were condemned to death and burned the same day by Þorleifur Kortsson.
On September 23rd, Grímur Jónsson was also convicted of witchcraft at the accusation of Thórdur and burned on September 25th.
I bought a set of six vintage dolls to hang on my Christmas tree some years ago. I decided to name them after the six wives of Henry VIII. This one is Anne Boleyn.
"Anne Boleyn was Queen of England from 1533 to 1536, as the second wife of King Henry VIII. The circumstances of her marriage and execution, by beheading for treason, made her a key figure in the political and religious upheaval that marked the start of the English Reformation."