PANNING SHOTS ONLY THE BEST
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Photo taken on the Execution site Ghent-Oostakker.
This is the location where 66 members of the Resistance were executed during WWII
The statue was made by the Ghent sculptor Geo Vindevogel.
Jan Hus was a Czech church reformer executed in 1415. His teachings had a profound influence on the history of the Czech nation.
Jan Hus’s contribution to the development of the Czech literary language was the introduction of diacritical marks, such as: č, š, ř, ž, á, í, é. The purpose of this innovation was representing each sound by only one symbol and eleminating digraphs (sounds represented by two letters).
The inscription on the monument reads “Milujte se, pravdy každému přejte”, which means more or less: “Love one another, wish the truth to everyone”. This is a shortened version of a quote from one of Hus’s letters from prison. The day of his execution, July 6th, is a public holiday in Czechia (Jan Hus Day).
For my dear, Monsieur Pistolet : 0)
“Everything in art depends on execution: the story of a louse can be as beautiful as the story of Alexander. You must write according to your feelings, be sure those feelings are true, and let everything else go hang. When a line is good it ceases to belong to any school. A line of prose must be as immutable as a line of poetry.”
― Julian Barnes, Flaubert's Parrot
Soundtrack : www.youtube.com/watch?v=GuanbnnzXQ4
WILL YOU STILL LOVE ME TOMORROW – AMY WINEHOUSE
Parrots are very social creatures
full-on colours and pretty features
loving and giving and bringing delight
perched on a branch or in full flight
I study them and think anew
of what we can learn and what we can do
smile at a stranger; give the gift of love
offer a helping hand like an angel above
They make me smile with their funny ways
these Rainbow Lorikeets prefer sunnier days
but they seem happy despite the rain; carefree
they love each other that is plain to see
Male and female are hard to tell apart
both are beautiful and warm my heart
she is on the left and he is on the right
it's easier to tell when they're sitting tight
The female has some yellow that mingles with the red
and the male one has the reddest breast and a squarer head
just then they turned towards me and them I am unsure
but does it really matter as long as they adore
They like to eat pollen and nectar and fruit
the male puffs up his rainbow suit
protecting his mate from the other parrots
so she can digest her food but she does not like carrots
They like apples and pears and grapes and sunflower seeds
some figs and nectar to fulfil their needs
papayas and mangoes opened by a fruit bat
make them smile inside like the Cheshire cat
I stayed with them for quite a long while
getting drenched but with a constant smile
and then sadly it was time to go
what a lovely experience; my dreams overflow.
- AP - Copyright © remains with and is the intellectual property of the author
Copyright © protected image please do not reproduce without permission
Thanks for visiting. I am very grateful for the very kind comments and faves.
Wish you all a lovely and loving week filled with blessings <3
Jordan Lndscapes - RAW Nx2 Tiff Png as21 dn df auto psdR sk JPEG 8.94 MB.
Mukawer: According to FLAVIUS JOSEPHUS, it is the location of the imprisonment and Execution of JOHN the BAPTIST.
Palacio del Marqués de Santa Cruz, Viso del Marqués, Ciudad Real, Castilla-La Mancha, España.
El palacio del Marqués de Santa Cruz es un edificio situado en el municipio de Viso del Marqués (Ciudad Real), en la Comunidad autónoma de Castilla-La Mancha, en España. Fue construido a finales del siglo XVI por Álvaro de Bazán, primer marqués de Santa Cruz. Actualmente es la sede del Archivo General de la Marina.
Fue construido entre 1564 y 1586 con modificaciones posteriores, y se trata de un edificio de planta cuadrada y estilo renacentista articulado en torno a un atrio renacentista con una tumba yacente. Los muros y techos se hallan cubiertos de frescos de doble temática: por un lado, escenas mitológicas y, por otro, batallas navales y ciudades italianas relacionadas con la trayectoria militar del marqués y de sus familiares. Los frescos se deben a unos pintores manieristas italianos, los Péroli. Al verlos, Felipe II les encargaría trabajos para El Escorial y el Alcázar de Toledo.
Para levantarlo, el marqués contrató a un equipo de arquitectos, pintores y decoradores que trabajaron en la obra desde 1564 hasta 1586. Para algunos, el diseño del edificio se debió al italiano Giovanni Battista Castello, conocido como el Bergamasco, que más tarde trabajó en El Escorial; para otros lo trazó, al menos en su plan original, Enrique Egas el Mozo.
La arquitectura se percibe como típica española, sin las arquerías italianas, con paramentos lisos y torres cuadradas en las esquinas, influidos por la austeridad de El Escorial y el Alcázar de Toledo, dentro de las relaciones armónicas características del Renacimiento. El espacio central está ocupado por un patio porticado que junto con la escalera forma un conjunto típicamente manierista entendido como estilo elegante y cortesano que desborda el marco meramente arquitectónico. Contaba con cuatro torres que, al parecer, se derrumbaron a consecuencia del Terremoto de Lisboa de 1755.
Las paredes están decoradas con 8.000 metros cuadrados de frescos manieristas elaborados por Giovanni Battista Peroli con Esteban Peroli y César de Bellis. Todos trabajaron para crear un espacio erigido a la mayor gloria de su dueño: por un lado, había que exaltar sus virtudes militares, y por el otro, enaltecer su linaje. Para lo primero, se pintaron en las paredes, las bóvedas y los techos del palacio vistas de ciudades y de puertos, así como los baluartes y las batallas en los que había conquistado su inmenso prestigio. A ambos lados de la escalera se ubicaron dos estatuas en las que aparecía representado como Neptuno (dios de los mares, con su tridente) y como Marte (dios de la guerra), y sobre las puertas del piso superior se colocaron los fanales de popa de las naves capitanas vencidas en las batallas, que eran los trofeos de los marinos. Para elogiar su linaje, y siguiendo la misma tradición renacentista de representar a hombres como dioses o semidioses de la antigüedad, se pintó a los antepasados del marqués y a sus esposas (tuvo dos) e hijos.
Estos dos grupos de representaciones se aderezaron con trampantojos, pinturas que simulaban puertas, columnas y otros elementos decorativos y arquitectónicos; y también con motivos grutescos que incluían animales mitológicos, sabandijas y follajes. Conforme una temática muy variada que se puede interpretar como defensa del catolicismo defendido en Trento.
Las estatuas sepulcrales de Alonso de Bazán (hermano de don Álvaro) y su esposa María de Figueroa, son el único ejemplo de escultura funeraria perteneciente al primer tercio del siglo XVII. Fueron ejecutados para el Monasterio de la Concepción que ocupaba la Comunidad de Religiosas Franciscas de El Viso del Marqués, ubicándose a día de hoy en el muro del Palacio más cercano a los jardines. Su creador fue Antonio de Riera, escultor relacionado con la corte de origen catalán. En ellas, aparecen los marqueses en actitud de orante, arrodillados en un reclinatorio, todo ello en mármol blanco que resalta sobre el mármol negro de los nichos. Se advierte en ellos cierta similitud con la elegancia y el clasicismo de los Leoni, a pesar de cierta rigidez formal, siendo de especial relevancia la forma en la que están ejecutadas las telas y el detalle de los vestidos.
The Palace of the Marquis of Santa Cruz is a building located in the municipality of Viso del Marqués (Ciudad Real), in the autonomous community of Castilla-La Mancha, Spain. It was built in the late 16th century by Álvaro de Bazán, the first Marquis of Santa Cruz. It currently houses the General Archive of the Navy.
Built between 1564 and 1586, with subsequent modifications, it is a square, Renaissance-style building centered around a Renaissance atrium with a recumbent tomb. The walls and ceilings are covered with frescoes depicting two themes: mythological scenes, and naval battles and Italian cities related to the military career of the Marquis and his family. The frescoes are by Italian Mannerist painters, the Pérolis. Upon seeing them, Philip II commissioned works from them for El Escorial and the Alcázar of Toledo.
To build it, the Marquis hired a team of architects, painters, and decorators who worked on the project from 1564 to 1586. Some believe the building was designed by the Italian Giovanni Battista Castello, known as El Bergamasco, who later worked at El Escorial; others believe it was designed, at least in its original plan, by Enrique Egas the Younger.
The architecture is perceived as typically Spanish, lacking the Italian arches, with smooth walls and square towers at the corners, influenced by the austerity of El Escorial and the Alcázar of Toledo, within the harmonious relationships characteristic of the Renaissance. The central space is occupied by a porticoed courtyard that, together with the staircase, forms a typically Mannerist ensemble, understood as an elegant and courtly style that transcends the purely architectural framework. It had four towers that apparently collapsed as a result of the Lisbon Earthquake of 1755.
The walls are decorated with 8,000 square meters of Mannerist frescoes created by Giovanni Battista Peroli with Esteban Peroli and César de Bellis. They all worked to create a space built to the greatest glory of its owner: on the one hand, to exalt his military virtues, and on the other, to honor his lineage. To this end, views of cities and ports, as well as the bastions and battles in which he had earned his immense prestige, were painted on the walls, vaults, and ceilings of the palace. On either side of the staircase were two statues depicting him as Neptune (god of the seas, with his trident) and Mars (god of war). Above the doors on the upper floor were the stern lanterns of defeated flagships, trophies of the sailors. To praise his lineage, and following the same Renaissance tradition of depicting men as gods or demigods of antiquity, the marquis's ancestors, his wives (he had two) and children were painted.
These two groups of representations were embellished with trompe l'oeil paintings simulating doors, columns, and other decorative and architectural elements; as well as grotesque motifs that included mythological animals, vermin, and foliage. This varied theme can be interpreted as a defense of the Catholicism championed in Trent.
The sepulchral statues of Alonso de Bazán (Don Álvaro's brother) and his wife María de Figueroa are the only examples of funerary sculpture dating from the first third of the 17th century. They were executed for the Monastery of the Concepción, which was occupied by the Community of Franciscan Nuns of El Viso del Marqués, and are now located on the wall of the Palace closest to the gardens. Their creator was Antonio de Riera, a sculptor of Catalan origin associated with the court. They depict the marquises in a prayerful attitude, kneeling on a prie-dieu. All in white marble, which stands out against the black marble of the niches. There is a certain similarity to the elegance and classicism of the Leoni family, despite their formal rigidity, with the execution of the fabrics and the detail of the dresses being particularly noteworthy.
Chairs and Benches
This is yet another new series of photographs this time about Chairs and Benches with a few other seating items thrown in.
They can be Regal, Practical, Ultra Design items, Art Installations, used for Potty Training. They can even be vehicles of Execution. They hold immense power and none at all. From the densest populated cities, to the most remote parts of the world. Usually sturdy; reliable; honest; comfortable; often filled with people. People talking, sleeping, with their phones, eating, climbing to reach other items, feeding birds, making love and every scenario one can think of.
The imagination can run riot over the most important conversations that have taken place on them, what they could tell you if they could, what they would tell you if they wanted too. As usual I hope you enjoy what I have posted and this is the first of many……….
“Ideation without execution is delusion.” —Robin Sharma
*PS* Perfect Shapes- Selena, [Glam Affair] Mimma, LAQ Era2 Elle, Legacy Body, DOUX - Hattie, :V.e. Francesca, :::ChicChica::: Red wine to go, Babyboo. Francesca pose.
www.flickr.com/photos/perfect_shapes/54282185324/in/datep...
Nebur Cyborg LETHAL OUTFIT ACCESS
featuring
TANAKA MAELSTROM MK-7 MAINSTORE
UNHOLY HO-MUSUBI CYBORG ARM Neo Japan event
The Registan was the heart of the ancient city of Samarkand of the Timurid dynasty, now in Uzbekistan. The name Rēgistan means "Sandy place" or "desert" in Persian.
The Registan was a public square, where people gathered to hear royal proclamations, heralded by blasts on enormous copper pipes called dzharchis - and a place of public executions. It is framed by three madrasahs (Islamic schools) of distinctive Islamic architecture.
The three madrasahs of the Registan are: the Ulugh Beg Madrasah (1417–1420), the Tilya-Kori Madrasah (1646–1660) and the Sher-Dor Madrasah (1619–1636). Madrasah is an Arabic term meaning school.
inspired by
15th Century English Farming Abstract Art This image presents an abstract view of 15th-century English farming, focusing on stylized diggers and the earth. It features complementary colors and fine details in a vibrant mosaic-like texture. Created by Diney on Oct 21, 2025 using the HiDream I1 Dev AI image generator model.
(The original Diggers were a radical group of agrarian communists in England who emerged in 1649, following the execution of King Charles I. Led by Gerrard Winstanley and William Everard, they attempted to cultivate common land as a "common treasury for all" and create egalitarian rural communities, believing that the earth was for everyone and that private property and class hierarchy were wrong. Harassed by local landowners and authorities, the Diggers were dispersed by early 1650.)
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Mystic Challenge-
Lost Civilizations Challenge -
www.flickr.com/groups/challenges_community_group/discuss/...
The old castle of Machaerus lies less than 20 km southwest of Madaba at the King's Highway on a stark promontory (720 m), overlooking the Dead Sea and protected on three sides by deep ravines. This dramatic hilltop is the traditional site of the execution of John the Baptist.
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Machaerus war eine Burg Herodes des Großen. Die Burganlage liegt auf einem kegelförmigen Berg östlich des Toten Meeres im heutigen Jordanien in der Nähe der alten Weihrauchstraße. Hier soll der biblischen Überlieferung nach Johannes der Täufer enthauptet worden sein.
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Ich war oben, der Anstieg zur Burg ist steil, und das war bei über 30 Grad schon anstrengend. Von der Burg stehen nur spärliche Mauerreste, der Blick ins Land und auf das Tote Meer ist aber ein Traum.
The Castello di San Giorgio is part of the Ducal palace of Mantua. It is a moated rectangular castle, each of which's four corners has a large tower and the moat is crossed by three drawbridges.
It was built between 1395 and 1406 on the ruins of the church of Santa Maria di Capo di Bove for Francesco I Gonzaga, to designs by Bartolino da Novara. Ludovico III Gonzaga gave over his rooms in the "Corte Vecchia" to pope Pius II for the Council of Mantua in 1459 - that year, he commissioned Luca Fancelli to rebuild the castle as a palazzo rather than as a defensible castle. He also commissioned the frescoes of the castle Camera degli Sposi. In 1490 the castle became the site of the studiolo of Isabella d'Este, remaining there until she moved it to the "Corte Vecchia" in 1519-1522. In 1496 the condottiero Paolo Vitelli was captured by Francesco II and imprisoned in the castle. It remained the main Gonzaga residence for around a century until Guglielmo Gonzaga moved his apartments to the rebuilt "Corte Vecchia".
In 1810 the Tyrolean fighter Andreas Hofer was imprisoned in the castle before his execution by the Kingdom of Italy. Mantua became part of the Austrian Empire in 1814 and from 1815 it was a maximum security prison for the Empire's political opponents, such as the Belfiore martyrs from 1852 onwards. Others pro-Risorgimento figures imprisoned there included Ciro Menotti and Teresa Arrivabene. The building's structure was damaged by the 2012 Emilia earthquake.
The Hôtel de Ville is the city hall of Paris, France, standing on the Place de l'Hôtel-de-Ville – Esplanade de la Libération in the 4th arrondissement. The south wing was originally constructed by Francis I beginning in 1535 until 1551. The north wing was built by Henry IV and Louis XIII between 1605 and 1628. It was burned by the Paris Commune, along with all the city archives that it contained, during the Semaine Sanglante, the Commune's final days, in May 1871. The outside was rebuilt following the original design, but larger, between 1874 and 1882, while the inside was considerably modified. It has been the headquarters of the municipality of Paris since 1357. It serves multiple functions, housing the local government council, since 1977 the mayors of Paris and their cabinets, and also serves as a venue for large receptions. It was designated a monument historique by the French government in 1975.
In July 1357, Étienne Marcel, provost of the merchants (i.e. mayor) of Paris, bought the so-called maison aux piliers ("House of Pillars") in the name of the municipality on the gently sloping shingle beach which served as a river port for unloading wheat and wood and later merged into a square, the Place de Grève ("Strand Square"), a place where Parisians often gathered, particularly for public executions. Ever since 1357, the City of Paris's administration has been located on the same location where the Hôtel de Ville stands today. Before 1357, the city administration was located in the so-called parloir aux bourgeois ("Parlour of Burgesses") near the Châtelet.
In 1533, King Francis I decided to endow Paris with a city hall which would be worthy of his capital, then the largest city of Europe and Christendom. He appointed two architects: Italian Dominique de Cortone, nicknamed Boccador because of his red beard, and Frenchman Pierre Chambiges. The House of Pillars was torn down and Boccador, steeped in the spirit of the Renaissance, drew up the plans of a building which was at the same time tall, spacious, full of light and refined. Building work was not finished until 1628 during the reign of Louis XIII.
During the next two centuries, no changes were made to the edifice which was the stage for several famous events during the French Revolution. On 14 July 1789, the last provost of the merchants Jacques de Flesselles was murdered by an angry crowd. On 27 July 1794, Maximilien Robespierre attempted to commit suicide following a coup and was arrested along with his followers.
ISS lunar transit across a full moon, the 2021 Harvest moon. An action shot after month-long planning and a split second execution.
Execution Rocks Light is a lighthouse in the middle of Long Island Sound on the border between New Rochelle and Sands Point, New York. It stands 55 feet tall, with a white light flashing every 10 seconds
acrylic on canvas, 70 x 100 cm
Shot at dawn
drugged by morphine
the blue light comes to you
when the squad opens fire
the coward goes to hell
the officers are heroes
© by Jan Theuninck
www.toerismepoperinge.be/en/death-cells--execution-spot-p...
www.best-poems.net/jan_theuninck/index.html
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Jan Theuninck is a Belgian painter
www.boekgrrls.nl/BgDiversen/Onderwerpen/gedichten_over_sc...
www.forumeerstewereldoorlog.be/wiki/index.php/Yperite-Jan...
www.graphiste-webdesigner.fr/blog/2013/04/la-peinture-bel...
charterforcompassion.org/belgium
The view from the Bridge of Sighs was the last view of Venice that convicts saw before their imprisonment. The bridge's English name was bequeathed by Lord Byron in the 19th century as a translation from the Italian "Ponte dei sospiri", from the suggestion that prisoners would sigh at their final view of beautiful Venice through the window before being taken down to their cells. In reality, the days of inquisitions and summary executions were over by the time that the bridge was built,[citation needed] and the cells under the palace roof were occupied mostly by small-time criminals.[citation needed] In addition, little could be seen from inside the bridge due to the stone grills covering the windows.
Model: Lita
Dourone: Two pictures taken at one second difference in Brussels, Belgium in april 2019.
Mural located in Angelholm, Sweden
Execution date: August 4th 2019
Ängelholm
This installation was totally designed and made by the artist and specially created for the place. Both, the structure and the hand painted 64 panels of 1m2 are made of wood.
The wood has an anti-humidity treaty to ensure its duration over time as well as 4 layers of paint in addition to the artwork own acrylic paint. It also has 170 anchor points to the wall. With a total of 4 people, this installation was carried out on site in less than 2 weeks. The artwork is now visible in the city of Angelholm, Sweden.
Naqsh-e Rajab III, is the secund of the 3 investiture relief attributed to the sasanian king Ardashir Ist. Its execution is less plane than the previous pedestrian investiture at Firuzabad II (on Bijan's stream) , but the volume is less marked than on later reliefs such as Naqsh-e Rostam I. The image is still very static, sign that at the begining of the sasanian dynasty, the carving style is still very influenced by the parthian, as also testify the type of baggy trousers looking exactly like the parthian ones (see this parthian relief at behistun on Bijan's stream ). The scene shows 8 characters with a nearly symmetric and isocephalic disposition (heads on the same level, as opposed to the usual upper disposition of the king’s head on Sasanian reliefs). At the center of the scene, the king gets the power ring (the farshiang) from the hand of god Ahuramazda, king and divinity facing each other. The god has his typical creneled crown and hold into his left hand his barsom (stick , symbol of divine power) the king puts his hand in front of his mouth, as a sign of respect to the god, 2nd finger curved forward. The farshiang is ornamented with 2 ribbons, drawing Ardashir’s symbol (a 2 ribboned circle) that can be also seen on his horse on the relief of his equestrian victory over Artabanus at Firuzabad I. 2 little characters can be seen down the feets of either the king and the god: A child being probably Bahram Ist, son of Shapur and grandson of Ardashir, and a bearded naked figure armed with a bludgeon being probably Herakles (religious syncretism occurred in iran between greek god Herakles and Iranian god Verethragna). Other signs of Greek influence can be seen on many sasanian reliefs through by example the representatuions of Niké, winged victories (see Taq-e bostan on Bijan's stream, or Bishapur III on Rob's stream). Behind the king, a servant and the prince Shapur, future king can be seen. prince Shapur pays respect to his father with his curved finger in front of the mouth, the servant holds an object that can be either an umbrella, a flag, or a stick to protect the king from the flies. Both of them hyde their left hand into their shirt's sleeve as it was already a custom during the achaemenian era when meeting the king. Behind the god, 2 womens are shown separated from the scene by a column, not paying attention to the investiture as they look in the opposed direction. These characters are probably the queen and a servant, first representation of women on the Iranian reliefs since the elamite time (see Eshkaft-e salman’s reliefs at Izeh).
Taken at Naqsh-e Rajab, viscinity of Marvdasht, Fars province, Iran, April 2008.
Thx to my dear friends Bijan1351 and YoungRobV for posting their very precious pictures.
23 ABG : 9 : 10
|||[Log Entry]|||
: Hurry up ! We lost the control of the Spaceport ! :
: A Rebel attack ? :
: Probably. Several squads do not answer, and multiple checkpoints were sabotaged. Whoever they're, they're organised. Enough chatter, let's move ! Oh shit ! :
: Blaster wounds. Did our guys did this ? :
: I don't know. Don't stand there, move ! :
: I've a bad feeling about this :
: I don't ca :
: Arghh !! :
: Shit ! [TB-421 down, unknown aggressor at 8th Street, Northern Sector] :
: Huhrr, my leg, fucker :
: Language ! Hey you around the corner, you better come out slowly. If you want TB-421 to live ! :
: Die ! Gahh ! :
: I said slowly . 421, could you stop trying to reach your blaster, please ? I don't want to shoot you right now :
: Did you killed those civilians ? :
: Yes. It slowed you down a bit :
: Then you need someone alive to tell the tale :
: And there's no one there beside you and me. A Stormtrooper who thinks outside the box ! Fine, you get to live :
: Wait whahh :
: Don't worry, it was set to stun. :
: [Blue-One to Red-One, what the hell is going out there ?] :
: [Well, it's a long story. Just get to the Spaceport. Clang is there with some of our new men and our new ship. They might need help though.] :
: [ What the hell are you talking about ? This was a recon mission ! There's smoke everywhere ! You better tell me righ ] :
: [ We're now officially Space Pirates. Very aggressive ones I must say. Just don't be late to the main event. Red-One out ] :
|||[Log End]|||
The Registan was the heart of the ancient city of Samarkand of the Timurid dynasty, now in Uzbekistan. The name Rēgistan means "Sandy place" or "desert" in Persian.
The Registan was a public square, where people gathered to hear royal proclamations, heralded by blasts on enormous copper pipes called dzharchis - and a place of public executions. It is framed by three madrasahs (Islamic schools) of distinctive Islamic architecture.
The three madrasahs of the Registan are: the Ulugh Beg Madrasah (1417–1420), the Tilya-Kori Madrasah (1646–1660) and the Sher-Dor Madrasah (1619–1636). Madrasah is an Arabic term meaning school.
Strobist: AB1600 with gridded 60 X30 softbox camera right. Reflector camera left. Triggered by Cybersync.
I like the idea, but the executions a little off annoyingly. Still, at 4am I dont think I was quite on the ball!
Still, think it works okay, but I will defiantly try and do better next time.
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www.instagram.com/mushroomgod/
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Kingdoms of Blue and Red clash in an epic conflict! Widespread war has engulfed both of these lands. Which side will win, and which side will face utter destruction?
Here is my MOC that I built for RebelLUG's Kingdoms At War Collaboration.
I'd like to hear your feedback!
Be sure to check out the collab on Instagram, and on YouTube!
www.youtube.com/watch?v=QRW0PLZyax0
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Sponsored by Brickwarriors!
King Bart the Odiferous was royally upset that his well-planned wedding was so terribly interrupted. But there was a bright side to his misfortunes. In the pandemonium of the ruined ceremony, his soldiers had managed to capture a single forester outlaw! What luck! King Bart's favorite pastime was watching the executions, and he certainly wasn't going to miss this one. Unfortunately for the king, the rascally foresters don't take too kindly to their comrades being beheaded, and it seems as if they are about to foil his majesty's well-laid plans once again...
Ryan was kind enough to send Steven and I some of his new Executioner pieces, so obviously we had to build a cool scene with em! ;)
THFAVAGD!
MUST BE SEEN IN FULL SIZE! Any guesses to which high tech wideangle lens did i use ??? THOUSANDS of people offering special id prayers ...marking the end of the holy mont of ramadan.
LNER Class 91 91111 "For the Fallen" arrived at London Kings Cross on 1a25 1045 Leeds - London Kings Cross on 23/05/2021
Garfield has had a stay of execution. On the day before I was due to put him to sleep, I had a visit from his owner down the street. He advised me that it would mean a lot to his children to keep the cat alive. After speaking to my wife about the situation, we have now decided to keep Garfield and give him the medical attention and care that he badly needs. I will be getting him de-sexed in the next week or two to try and stop him getting into fights and then get him some other medical attention. 2:32pm, Sunday the 2nd of September, 2018.
Execution on Anoat | Dark Times RPG
“Many years ago during the Jedi Purge, Jedi Master Siuz Tregú led a group of clone troopers to the planet of Anoat. Orders were given to scout the dust ball and report any signs of life or movement from the Seps. That day however, was the day clones turned on the scum which were the Jedi and as we all know, they were taken out. Siuz, as the report says, was just the same. Another loose end.”
Here to show you a MOC me and Luca (luca_s_projects) worked on last weekend while I visited and attended DLA. This was built during some free time we had and did quite well. The MOC consists of the clones and Jedi as mentioned above, speeder design built by Luca and some terrain surrounded by a wall of bricks in DBG. Let us know what you think by commenting below. ~ Noah