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The warm glow from a setting sun is reflected off the concrete spillway cells of the Murray Lock & Dam. The dam sits under the Big Dam Bridge on the Arkansas River in Little Rock. The dam & lock is part of a series of similar structures to facilitate commercial vessel navigation on the Arkansas River all the way up to Tulsa, OK.
Completed in 1965, Carson Engineering Center was opened for use during the 75th anniversary celebration of the University of Oklahoma. Designed to house the growing College of Engineering, the facility effectively doubled the space available for engineering programs. The building was originally called the Engineering Center, but was renamed for William H. Carson, the second dean of the College, upon his death in the early 1970âs.
Milady, a 1st-class power-engineer, just passed this along!
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31452 burbles away at Bolton Abbey with an engineering train during a Chris Gee organised photocharter
I have worked in and around engineering for more years than I care to remember. It still continues to amaze me what can be made from a lump of raw metal.
68 / 365
Engineering Approach - If it works, don't fix it!
I wish I had some power tools for the job. The Cube has been very un-cooperative.
Now I've never ever made a color shot of the strobist setup, but this one is an exception. You really must see it (click on the link at the end of the description). And please leave a comment which one you prefer - this one or setup shot :)
Strobist info:
* Canon 20D | 17-40mm @ 17 | f/8 | 1/250s | RAW | SOOC
* Sunpak 5000AF left into silver umbrella with 3/4 blue gel
* Sunpak 5000AF behind subject with tough green gel
* Subpak 4000AF right with 3/4 CTO gel
Strobist setup shot: click here
My solution for the second challenge.
Unfortunately I don't have accesss to my bricks right now, so it'll be digital fiddling only :(
Here are two shots of the UP 8014 leading the PPTMV2 5 through Topeka this morning. It was an awfully convenient day for one of my classes to be off on a field trip, as I saw this thing hopping onto the Kansas Sub just as I was crossing the river myself.
Lanz D 7.506 All-purpose tractor
A farm tractor and traction engine used by motorized armyband engineering units, It burns diesel fuel, paraffin oil, brown-coal tar oil, shale oil and kerosine.
I turn my attention now to Lumphini Park, Bangkok's version of Central Park. When I arrived the electrics were being fixed
The Art Gallery of Ontario in Toronto is a true realization of Engineering as Art.
The modern gallery received a $276-million renovation transformation by the Toronto-born architect of the world: Frank Gehry.
Inside the gallery, a generous $100 million dollar gift from the late Ken Thomson's unparalleled collection of Canadian and European art with Picasso and more.
Nikon lens AF-S Nikkor 18-55 mm
Copyright © 2010 - 2012 Tomitheos Photography - All Rights Reserved
Toronto CANADA
© dwBrown All Rights Reserved. No usage allowed including copying or sharing without written permission.
I captured a series of the shack, nearby statuary and here is the shed and house more oddities. I am looking at Longmont housing but did find the only affordable housing in Logmont and yet this is in pain sight. I don't know if this is listed by the Longmont Housing Authority. This is one of the captures I snapped of a used up place in the city limits. I'll have to patch the roof when I move here. I really admire the roofing. Several original shingles remain on the shack but especially like the green sheet petroleum roofing on the shed, hereafter referred to as assfault. Which would fire up quicker, the petroleum or the wood pulp? I'd have thought that any eave overhang might have been helpful. Stacks upon shacks with holes everywhere.
I remember that I took a course in school on timber engineering. The remember that the assigned book was the TECO (Timber Engineering Company) manual. I don't remember any examples of this sort of timber engineering illustrated or discussed in the manual. I do like the texture and patina of aged timber. They did discuss engineering including 2-beam fudging, loading and failure of timber engineered glue-laminated beams also known as glulams. Just for interest, I looked them up in Wiki and found: A 2002 case study comparing energy use, greenhouse gas emissions and costs for roof beams found it takes two to three times more energy and six to twelve times more fossil fuels to manufacture steel beams than it does to manufacture glulam beams. Vewy interesting!
This is in southwest Longmont but still in town. Fencing was built to keep the cattle from settling into the house and shed. The trees show the green up is just starting. The garbage Siberian elms are starting to bloom and spread seeds everywhere people don't realize that they need killing as soon as they show. On the other hand, the exceptionally weak trees can be admired as they grow and drop limbs, taking out the odd roof. Longmont has a Siberian elm statute but it's far from adequate. Although I was still in town, I still scenes to shoot.
It disappoints me that the owner let his property become so very shabby. Surely some upkeep is called for on the place! I'm sure that the roof can still be patched; I don't see anything growing through it yet. Ahhh, a bit of work and it would be a cozy spot with great access to local shopping.
To boldly go where no "fan" has gone before... you need a good warp and of course a clean and well maintained engineering room. So here's Scotty's kingdom where everything is possible even fixing the core with an old spoon ;D
Decals by Fine Clonier, thanks a lot Jared.
More pics to come later.
I've taken a few pics of my bike since I've had it. Unfortunately I felt like none them captured it in a way where its beauty can truely be appriciated. Nothing like a little mechine glamour every now and then.
D90 (handheld)| 35mm | f/1.8 | 1/13 sec. | ISO800
Strobist:
SB-600 1/32 into 43" silver umbrella 2 o'clock
40AF-4N 1/16 w/ 20 degree grid behind the bike
Fired w/ Alienbees CyberSync Triggers
Spider engineering has always been fascinating, but never more so for me than since I saw the photos I took below. These showed me what was too fast to see in the field.
This was a corner of a large web, and look at that bracing and strengthening. And see the brace across a corner.
Not to mention the beauty and balance of a web.
The refractions of my house are a distraction, although they where what I originally aimed my lens at, and do act as symbolic eyes.
Best On Black
Hagen – Freilichtmuseum Hagen – Deutsches Schmiedemuseum
Image by Daniel Mennerich (subsequent stop HĂ Ná»i)
The Hagen Open-air Museum (LWL-Freilichtmuseum Hagen â WestfĂ€lisches Landesmuseum fĂŒr Handwerk und Technik English: "LWL Open-air Museum Hagen â Westphalian State Muse...
Read more about Latest Milling Engineering News
(Source from Chinese Rapid Prototyping Blog)
A lot of calculations, material, work and effort is involved in creating something like this. 10.000 times, 100.000 wagons can cross this for 100 years. People are awesome.
Three years into the four year engineering works and track replacement seems to have reached Montreuil, piles of new sleepers in the yard and an engineering train; V212K and V212L are ex-Deustche Bahn locos now in yellow and operated by Meccoli, they date from the early 1960s. The view from the walk around the ramparts of the old town.
Here is a spring shot of the Engineering Building on the BYU campus.
To enjoy my other creative project, please visit my funny short stories website: 500ironicstories.com where you can read or listen to new stories each week. I have also curated the stories into three different selections:
Stories for Kids - 500ironicstories.com/stories-for-kids Love Stories - 500ironicstories.com/love-story
Moral Stories - 500ironicstories.com/moral-stories
was on my way to work this morning, i noticed this couple building their house ...
the place seemed to me little risky, if the water goes high...but what do i know?! They know better...
the shot is simple, i didn't like to disturb them and get closer...but i was wondering what are those genes telling these animals what to build how to build where to build??? I was amazed by the ability of the swan picking up reed and trying to cut others ...nature is amazing!
Its been a while since the track was replaced on this secton at Bitton, recent engineering works having been taken place on the nearby bridge, 28/3/21.
Swiss-German-British postcard by News Productions, Baulmes / Filmwelt Berlin, Bakede / News Productions, Stroud, no. 56501. Photo: Collection CinémathÚque Suisse, Lausanne.Brigitte Bardot and Yves Robert in Les Grandes Manoeuvres/Summer Manoeuvres (René Clair, 1955), produced by Filmsonor and Rizzoli Films.
Beautiful French actress Brigitte Bardot (1934) was the sex kitten of the European film industry. BB starred in 48 films, performed in numerous musical shows, and recorded 80 songs. After her retirement in 1973, she established herself as an animal rights activist and made vegetarianism sexy.
Brigitte Bardot was born in Paris in 1934. Her father, Louis Bardot, had an engineering degree and worked with his father in the family business. Her mother, Ann-Marie Mucel, was 14 years younger than Brigitte's father and they married in 1933. Brigitte's mother encouraged her daughter to take up music and dance. At the age of 13, she entered the Conservatoire Nationale de Danse to study ballet. By the time she was 15, Brigitte was trying a modeling career and found herself in May 1949 on the cover of the French magazine Elle. Her incredible beauty was readily apparent, Brigitte was noticed by Roger Vadim, then an assistant to the film director Marc Allegrét. Vadim was infatuated with Bardot and encouraged her to start working as a film actress. BB was 18 when she debuted in the comedy Le Trou Normand/Crazy for Love (Jean Boyer, 1952). In the same year, she married Vadim. Brigitte wanted to marry him when she was 17, but her parents quashed any marriage plans until she turned 18. In April 1953 she attended the Cannes Film Festival where she received massive media attention. She soon was every man's idea of the girl he'd like to meet in Paris. From 1952 to 1956 she appeared in seventeen films. Her films were generally lightweight romantic dramas in which she was cast as ingénue or siren, often with an element of undress. She made her first US production in 1953 in Un acte d'amour/Act of Love (Anatole Litvak, 1953) with Kirk Douglas, but she continued to make films in France.
Roger Vadim was not content with the light fare his wife was offered. He felt Brigitte Bardot was being undersold. Looking for something more like an art film to push her as a serious actress, he showcased her in Et Dieu créa la femme/...And God Created Woman (Roger Vadim, 1956). This film, about an immoral teenager in a respectable small-town setting, was a smashing success on both sides of the Atlantic. Craig Butler at AllMovie: "It's easy enough to say that ...And God Created Woman is much more important for its historical significance than for its actual quality as a film, and that's true to an extent. Woman's immense popularity, due to its willingness to directly embrace an exploration of sex as well as its willingness to show a degree of nudity that was remarkably daring for its day, demonstrated that audiences were willing to view subject matter that was considered too racy for the average moviegoer. This had both positive (freedom to explore, especially for the French filmmakers of the time) and negative (freedom to exploit) consequences, but its impact is undeniable. It's also true that Woman is not a great work of art, not with a story that is ultimately rather thin, some painful dialogue, and an attitude toward its characters and their sexuality that is unclear and inconsistent. Yet Woman is still fascinating, due in no small part to the presence of Brigitte Bardot in the role that made her an international star and sex symbol. She's not demonstrating great acting here, although her performance is actually good and much better than necessary, and her legendary mambo scene at the climax is nothing short of sensational." During the shooting of Et Dieu créa la femme/And God Created Woman (1956), directed by her husband Roger Vadim, Brigitte Bardot had an affair with her co-star Jean-Louis Trintignant, who at that time was married to French actress Stéphane Audran. Her divorce from Vadim followed, but they remained friends and collaborated in later work.
Et Dieu créa la femme/...And God Created Woman (Roger Vadim, 1956) helped her international status. The film took the USA by storm, her explosive sexuality being unlike anything seen in the States since the days of the 'flapper' in the 1920s. It gave rise to the phrase 'sex kitten' and fascination of her in America consisted of magazine photographs and dubbed over French films - good, bad, or indifferent, her films drew audiences - mainly men - into theaters like lemmings.BB appeared in light comedies like Doctor at Large (1957) - the third of the British 'Doctor' series starring Dirk Bogarde - and Une Parisienne/La Parisienne (Michel Boisrond, 1957) which suited her acting skills best. However, she was a sensation in the crime drama En cas de malheur/Love is my profession (Claude Autant-Lara, 1958). Hal Erickson at AllMovie: "this Brigitte Bardot vehicle ran into stiff opposition from the Catholic Legion of Decency, severely limiting its U.S. distribution. Bardot plays a nubile small-time thief named Yvette, who becomes the mistress of influential defense attorney Andre (Jean Gabin). Though Andre is able to shower Yvette with jewels and furs, he cannot "buy" her heart, and thus it is that it belongs to handsome young student Mazzetti (Franco Interlenghi). Alas, Yvette is no judge of human nature: attractive though Mazzetti can be, he has a dangerous and deadly side. En Cas de Malheur contains a nude scene that has since been reprinted in freeze-frame form innumerable times by both film-history books and girlie magazines." Photographer Sam Lévin's photos contributed considerably to her image of sensuality and slight immorality. One of Lévin's pictures shows Brigitte, dressed in a white corset. It is said that around 1960 postcards with this photograph outsold in Paris those of the Eiffel Tower.
Brigitte Bardot divorced Vadim in 1957 and in 1959 she married actor Jacques Charrier, with whom she starred in Babette s'en va-t-en guerre/Babette Goes to War (Christian-Jaque, 1959). The paparazzi preyed upon her marriage, while she and her husband clashed over the direction of her career. Her films became more substantial, but this brought a heavy pressure of dual celebrity as she sought critical acclaim while remaining a glamour model for most of the world. Vie privĂ©e/Private Life (1962), directed by Louis Malle has more than an element of autobiography in it. James Travers at Films de France: "Brigitte Bardot hadnât quite reached the highpoint of her career when she agreed to make this film with high profile New Wave film director Louis Malle. Even so, the pressure of being a living icon was obviously beginning to get to Franceâs sex goddess and Vie privĂ©e is as much an attempt by Bardot to come to terms with her celebrity as anything else. Malle is clearly fascinated by Bardot and the documentary approach he adopts for this film reinforces the impression that it is more a biography of the actress than a work of fiction. Of course, itâs not entirely biographical, but the story is remarkably close to Bardotâs own life and comes pretty close to predicting how her career would end." The scene in which, returning to her apartment, Bardot's character is harangued in the elevator by a middle-aged cleaning lady calling her offensive names, was based on an actual incident and is a resonant image of a celebrity in the mid-20th century. Soon afterward Bardot withdrew to the seclusion of Southern France.
Brigitte Bardot's other husbands were German millionaire playboy Gunter Sachs and right-wing politician Bernard d'Ormale. She is reputed to have had relationships with many other men including Sami Frey, her co-star in La Vérité/The Truth (Henri-Georges Clouzot, 1960), and musicians Serge Gainsbourg and Sacha Distel. In 1963, Brigitte Bardot starred in Godard's critically acclaimed film Le Mépris/Contempt (Jean-Luc Godard, 1963). She was also featured along with such notable actors as Alain Delon in Amours célÚbres/Famous Love Affairs (Michel Boisrond, 1961) and Histoires extraordinaires/Tales of Mystery (Louis Malle, 1968), Jeanne Moreau in Viva Maria! (Louis Malle, 1965), Sean Connery in Shalako (Edward Dmytryk, 1968), and Claudia Cardinale in Les Pétroleuses/Petroleum Girls (Christian-Jaque, 1971). She participated in various musical shows and recorded many popular songs in the 1960s and 1970s, mostly in collaboration with Serge Gainsbourg, Bob Zagury, and Sacha Distel, including 'Harley Davidson', 'Le Soleil De Ma Vie' (the cover of Stevie Wonder's 'You Are the Sunshine of My Life') and the notorious 'Je t'aime... moi non plus'.
Brigitte Bardotâs film career showed a steady decline in the late 1960s and early 1970s. In 1973 just before her fortieth birthday, she announced her retirement. She chose to use her fame to promote animal rights. In 1976 she established the Brigitte Bardot Foundation for the Welfare and Protection of Animals. She became a vegetarian and raised three million French francs to fund the foundation by auctioning off jewelry and many personal belongings. For this work, she was awarded the LĂ©gion dâhonneur in 1984. During the 1990's she became also outspoken in her criticism of immigration, interracial relationships, Islam in France, and homosexuality. Her husband Bernard d'Ormal is a former adviser of the far-right Front National party. Bardot has been convicted five times for 'inciting racial hatred'. More fun is that Bardot is recognised for popularizing bikini swimwear, in early films such as Manina/Woman without a Veil (1952), in her appearances at Cannes and in many photoshoots. Bardot also brought into fashion the 'choucroute' ('Sauerkraut') hairstyle (a sort of beehive hairstyle) and gingham clothes after wearing a checkered pink dress, designed by Jacques Esterel, at her wedding to Charrier. The fashions of the 1960s looked effortlessly right and spontaneous on her. Time Magazine: "She is the princess of pout, the countess of come hither. Brigitte Bardot exuded a carefree, naĂŻve sexuality that brought a whole new audience to French films."
Sources: Denny Jackson (IMDb), Hal Erickson (AllMovie), Craig Butler (AllMovie), James Travers (Films de France), Films de France, Wikipedia, and IMDb.
And, please check out our blog European Film Star Postcards.
Pop top from a soda can -- a marvel of engineering.
Day 151 of my 366 Project
www.wired.com/2015/03/secret-life-aluminum-can-true-moder...