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"This Building is where Hippo Hardware is now. Burnside was just widened as you can tell by the difference in Pavement. They made the building owners recess their front walls to make way for the sidewalk."
From Mike Siebert’s Facebook page: www.facebook.com/photo.php?fbid=1747760334778&set=a.1...
Bob Hairstyles 2014 Make a difference in hair on Great Hairstyles 36
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STREET URCHINS
In psychology there has long been a debate about which has more influence on a person’s life: nature (their inherent tendencies and characteristics), or nurture (the environment in which they are raised and in which their development occurs).
I believe that this set of wild weed flower photos helps to answer that question.
But first, some background.
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Yesterday (Thursday, April 14) was a strange day: An odd energy was in the air; time itself seemed to be distorted or experienced in an unusual way. Strange phenomena occurred.
We experienced a weird session of what seemed to be aerial spraying in the skies:
en.wikipedia.org/wiki/Chemtrail_conspiracy_theory
Afterwards there were odd contrails and clouds with strange halos about them, and the sun’s light became hazy and weird.
And then I experienced yet another odd occurrence…without resetting my camera’s controls I removed the battery to recharge it, and when I replaced the battery and turned my camera on my camera’s EV setting changed to -3, which I didn’t notice until I took photos and noticed that the camera’s shutter was acting strange (you can tell from the duration of the shutter’s click how fast it is closing) and seemed to be sluggish, and then when I processed the photos I noticed that they looked dark.
I reset the EV to zero; checked to make sure that all of the other controls were normal, and reshot my photos…the weed flowers in my set I have titled “Street Urchins.” For these little flowers are literally street urchins: Rather than the photos of the symmetrical, healthy, pretty little weed flowers that have grown in my yard and been lovingly admired these photos are of weed flowers that have grown wild along the roadside, and they have been subjected to a much different energy than the others, and it shows in the photos!
As my Brother and Friend in Ukraine, Alex, said when we were discussing these obvious differences, these little flowers appear to be “damaged inside.” The wild energy they have experienced from passing cars, motorcycles, bicyclists, walkers with their dogs, animals wild and otherwise, and the whimsies of nature they seem to have internalized in a much different way than the “well cared for” little weed flowers in my yard, and it is visible externally: Their growth is asymmetrical, uneven, distorted. Their colors are odd, refusing to normalize even through extensive post-processing. They were even difficult to focus on, difficult to photograph normally. Odd artifacts and distortions appear.
The most dramatic example is in the difference between these two photos, the first one being the weed flower that grew in my yard, the next photo being an identical weed flower but growing wild by the roadside:
www.flickr.com/photos/motorpsiclist/5602779832/in/set-721...
www.flickr.com/photos/motorpsiclist/5621647826/in/set-721...
So obviously nurture is extremely important for a thing’s well-being in all respects and regards, be it human, animal, plant, etc. But nurture will not change a thing’s inherent nature: If a person is inherently evil, then the best environment will simply turn out a well-dressed, better educated criminal.
Life’s lessons learned from the realm of weed flowers; powerful, large lessons from something so tiny and seemingly insignificant.
All photos and writings are copyright © by me, John Russell, and all rights are reserved.
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Other examples of these wild weed flowers are in my set, "Street Urchins:"
www.flickr.com/photos/motorpsiclist/sets/72157626502223588/
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The photographs in my set, "Weed Flower Micros," may appear to be close-ups of regular-sized flowers – they are not!
These are micro (macro) photos of tiny little flowers which bloom on ordinary weeds.
How tiny? The largest weed flower in the set is only, when measured across its widest part from petal tip to petal tip, 3/4" in diameter!
Some of these miniscule flowers are so small that the entire blossom you are looking at is 1/4" in diameter…again that’s measuring from petal tip to petal tip across the widest part of the bloom!
The smallest part of a weed flower that I have managed to successfully shoot and achieve good detail in is a photo I made of a bud that measured LESS than 1/16" in diameter across its widest part! For a reference to its size I have also included a photo of that bud next to the head of an ordinary paper match, which dwarfs the bud.
I am delighting in discovering the beauty, complexity, and variety in something so small that it’s easily ignored or downright difficult to see with the naked eye.
And it’s an even greater delight to realize that this incredible beauty has been growing wild in my lawn, year after year, right under my un-seeing eyes as I’ve repeatedly mown them down with my lawn mower, never realizing the unseen beauty that I was trampling under my feet.
I hope you enjoy viewing these as much as I do. I have a lot of fun making them for us to look at!
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See more of these incredible, tiny jewels in my set, "Weed Flower Micros:"
www.flickr.com/photos/motorpsiclist/sets/72157626023965740/
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All photographs, paintings, videos, poems/poetry, recipes, and derivative works are copyright by me, John Russell, and all my rights are reserved. I sell my photos and works of art, and I also have other projects in the works, so I take my copyright seriously: under penalty of law none of my images or other properties may be downloaded, copied, duplicated, reproduced, altered, or otherwise used in any manner whatsoever without my written permission.
Do not use any of my images, paintings, recipes, videos, photos, poems/poetry or other works of art on any websites, blogs, or in or on any other media without my written permission. Copyright © John Russell; all rights reserved.
Not a great deal has gone into this image, but they eagle eyed amongst you should be able to spot the differences...
Apologies to film aficionados. I gave in to a yearning for change and a desire for modern technology, so I plumped for a Lumix GF2 kit with 14mm and 14-42. No complaints so far.
The book talked of a Sabbiter effect produced by combining positive and negative in difference mode. I tried it in color and...
Achieving PCI DSS Compliance can be quite challenging for Merchants and Service Providers. When it comes to meeting the PCI Standard requirements, even senior-level information security professionals get confused with certain concepts.
In fact, most professionals still get the concept about the internal control mechanisms like the Dual Control and Split Knowledge wrong. While both the controls are applied to prevent and limit the possibility of fraud, but both the concepts are slightly different in their objective. Addressing this issue, VISTA InfoSec has today come up with an interesting video explaining the difference between Split Knowledge VS Dual Control.
Stay tuned to our video as we share with you details about Split Knowledge and Dual Control. If you find this video interesting and wish to learn more about PCI DSS requirements or any other internal control requirements, then do drop us a comment in the comment section below.
We would be more than happy to educate you on it and clear all your doubts. You can subscribe to our channel for more videos on Information Security and Compliance Standards. Do like, share, and comment on our video, if you find the video informative and useful to you.
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on the left, the softbox was close to the object (about 60 cm) and on the right, the softbox was quite far from the object (about 1,2-1,5 m)
it can be seen that the gradation of light fall faster on the left side and make a contrast exposure difference.
FYI i add a stop for take the right pic
(sorry for my bad english :p)
gambar sebelah kiri, softbox diaruh dekat dengan objek (60 cm) dan di sebelah kanan lebih jauh (1,2-1,5 m). bisa dilihat gradasi cahaya lebih cepat menurun pada gambar di kiri.
haven't had a chance to upload photos lately , life was to hectic :( ,
i have to apologize for the color , its everywhere , but the idea was , "LIFE" , sometimes we cant accept the differences ,but differences make life colorful, even we run , move, or even choose to go to different direction, but i believe eventually we have one ! one! yes one similarity obsession , which is to be a better human .
Don't give up guys , it can rain everyday , but it cant rain forever ,!!! keep pursuing your dream, accept the differences from others and live life to the fullest .
have a great day guys !!
cheers
These shots look best on monitors with higher contrast ratios. They look okay on my MacBook Pro (laptop) but when I look at them on my Sharp Aquios (HDTV) it makes a big difference. I always try to get a shot from the performers' perspective.
Tony did an image recently that he called "One of these things is not like the other one of these things just doesn't belong can you tell which thing is not like the other, by the time, I finish this song".
I saw that whilst in work and couldn't shake the song all day.
Whilst naming my shot that song came back to mind and I'm off all over again! Thanks Tone.
Handicapped sign points towards an elevated entrance.
The "secure" door has been unlocked for 5 days
In the meantime, they've installed an ambiguous lighted exit sign. At least, it would be ambiguous, if that arch didn't clearly lead to the street.
Puddles form and shapes emerge. There are too many to focus on. Pecularity helps us to make sense. Pecularity leads to deaper analysis and enables commonality to gain pecularity status. I want to break through commonality but the difference I seek quickly becomes common.
This was a cute little snake found at the bottom of the pit. I carried it in my hand while climbing out. He was released a good distance away from the entrance.
Likely an Earth Snake though I don't know the difference between the Smooth or the Rough Earth Snake.
Putnam Co., Tn.
Photography by Cajsa Lilliehook
Store info at Blogging Second Life
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The 10 Differences...or the future that never was.
thinking about 2010 and how it was supposed to be "THE FUTURE", with all the jetpacks and spandex and stuff... still no flying cars, or houses on mars, but the year is here already...
design for the Threadless Love Threadless 2010 Challenge.
please, visit the site and vote for this design. here's the link
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la idea es jugar con la noción del futuro que alguna vez imaginamos para el 2000 y con mayor razón para el 2010... sin embargo estamos aquí y no hay autos voladores, ropa plateada ni jetpacks.
es un diseño para el concurso del sitio Threadless, en el Love Threadless 2010 Challenge.
por favor, visite el sitio y vote por este diseño, aqui esta el link
Even though they are only 8 days apart in age, you can probably guess which baby was born 10 lbs. 1.5 oz.
2-DSCF3952
There was such a wide range of people running this race. Very cool to see people of every race, age and sex all out doing something that makes them all one: runners!
Detail of the second Difference Engine No. 2 that the Science Museum are currently building.
[Updated] Not perfect, but now straightened out a bit better.
Comparison of differences in two versions of the same manga page. Only areas of the page which are different are shown -- most of the original manga comic book art stayed the same between the two, and was screened out.
* On the left is the official publisher translation.
* On the right is the original unofficial scanlation produced by fans.
* In the center is an interference pattern between the two.
Some seemingly similar image elements appear because they were unchanged in the scanlation, but were later retouched by the publisher -- often adding color screening or line detail. Others are differences created by the difference in texture between the scanlation (typically low-quality scans of cheap newsprint print runs) and the higher print and scan resolution of foreign trade paperbacks. The kinds of texture that trigger a difference are often consistent in a given work -- for example, only the fine lines use in rushing action backgrounds, the texture on clothing, and lines around close-up eyes.