What makes us Huskies, makes all the difference.

 

Following our instincts. Pushing on where others turn back. Taking care of our own. Huskies come from all walks of life, but charge forward as a team. It’s a spirit that defines our pack and a grit that stands out wherever we go. From the classroom to the sports field to the workforce, discover what it means to take on any climb like a Husky.

The reason this project is called "uncultured" is because I'm just one guy and I am doing this with no real sophisticated planning to it. I came to Bangladesh to try and make a difference for the poor and, now, with Cyclone Sidr's impact on the country my focus has turned to disaster relief. Here is some of the equipment I hope to get into the hands of those who really need it. I am hoping to be able to partner with an NGO that can help me get to the affected areas and help me distribute these items - so far no luck. Items are:

 

A) LifeStraws (45 items) - a portable water purification device capable of filtering out harmful bacteria such as e-coli and other deadly bacteria. One per person - not to be shared. Donated by Vestergaard Frandsen.

 

B) ZeroFly (25 items) - insecticide treated sheeting that can be used as a roofing for low income housing. It's long lasting insecticide means it can repel (and kill) the mosquitos that carry either Dengue Fever or Malaria. Dual protection. Donated by Vestergaard Frandsen.

 

C) Blankets (70 items) - locally made, locally purchased (cost to me: 14,000 taka or over $200 USD). Newspapers are just to keep dust off them.

 

D) Empty Bottles (quantity unknown) - can be used to store boiled or filtered water, can also be given in lieu of money as they are easily tradable.

THE DIFFERENCES

WPAC Theatre

Worlds apart

our thoughts & words

& meanings thereof.

 

Worlds created

through our wishing & dreaming.

 

Worlds destroyed

by not pursuing possibilities.

 

A world of difference it makes

to take an hour

beneath tall trees

to breath it all in...

 

gather all the worlds into

one

galaxy.

 

Adél Beukes Fourie

The above photo has been shot with the Samsung SMART CAMERA NX20, which has been provided by Samsung Electronics. Co., Ltd.

Cleveland

August 2013

Leica M7 | Summicron 50mm f2 V5 (Type 5) | Ilford Pan F+ 50 ISO at 100 in HC-110 Dil. B for 6 minutes

 

Portfolio/Blog | Tumblr | Twitter

Spent Easter at my Dad's in Eastern PA, right in the heart of Amish country. I was really hoping to find the perfect shot with a buggy far enough in the distance and situated in the right orientation to be able to take a picture without offending the passengers. That didn't happen. However, as we headed out of town, I noticed an Amish carriage pulling up in line behind us at a traffic light. I figured this would be a unique shot, and also would protect the privacy of those in the buggy.

Catherine Dickson and Michelle Chambers with Charlie Lawson

Gate Theatre in association with Dance Umbrella

THE DIFFERENCE ENGINE

Zoë Svendsen, Ben Duke, Will Duke and Dario Palermo

 

DANCE UMBRELLA FESTIVAL 12-22 October 2011

 

A world premiere THE DIFFERENCE ENGINE is a vital and captivating interplay between dance, live and electronic music, video and theatre. Loosely inspired by Chris Marker’s 1962 short film La Jetée, this new work manipulates time and memory by exploring the world’s primordial past, its physical present, and its technological future

Charles Babbage's second calculating machine. Science Museum.

en.wikipedia.org/wiki/Difference_engine

Guardian's "Secret Britain" pull-out featuring the Tunnock's factory, and Nothing To See Here in the background.

 

No credit or link given - thanks a bunch Guardian! It's not my photo, so I hope they paid dickyhart for using it.

A view of the Japanese Garden at Butchart Gardens.

 

Butchart Gardens | British Columbia | Canada

 

Thanks for looking! I appreciate feedback.

Exactly the same folding and stitching - completely different results!

 

By @spottedhyenas

 

www.nothingpersonal.co.uk

Automatic computing machine designed by Charles Babbage in 1849. Built finally, in 2002 (and 2008).

 

www.computerhistory.org/babbage/

All plates with this issue are centrally issued from Sarajevo. This was done so vehicles could not be identified as to what town or city the vehicle from due to ethnic differences in the country.

People's Climate Change Action Parade. Christchurch 28 Nov 2015

A massive size difference between these two.

1. lockers 2. color 3. difference 4. changed hue to change color to red 5. shallow 6. school hallway lights

Look! There's two of 'em.

{ 1. Title }

Brahma Sphuta Siddhanta ( Dhana-Rina-Suunyam ) [ Literal translation ]

    

{ 2. Selection }

 

Fortune-Debt-Sunya ( 0 )

 

[ (Fortune) + (Fortune) = (Fortune) ]

[ (Debt) + (Debt) = (Debt) ]

[ (Fortune) + (Debt) = (Difference) ]

[ (Fortune) + (Debt) = (Harmony) = Kha( 0 ) ]

 

[ (Debt) + Sunya( 0 ) = (Debt) ]

[ (Fortune) + Sunya( 0 ) = (Fortune) ]

[ Sunya( 0 ) + Sunya( 0 ) = Sunya( 0 ) ]

 

[ (Big Fortune) - (Small Fortune) = (Good) ]

[ (Big Debt) - (Small Debt) = (Good) ]

 

[ (Small Fortune) - (Big Fortune) = (Difference)

[ (Small Debt) - (Big Debt) = (Difference)

 

[ (Small Fortune) - (Big Fortune) ] = [ (Small Fortune) + (Big Debt) ] = [ Debt ]

[ (Small Debt) - (Big Debt) ] = [ (Small Debt) + (Big Fortune) ] = [Fortune ]

 

[ (Debt) - Sunya( 0 ) = (Debt) ]

[ (Fortune) - Sunya( 0 ) = (Fortune) ]

[ Sunya( 0 ) - Sunya( 0 ) = (Aakaasa) ]

 

[ (Debt) - (Fortune) ] = [ (Debt) + (Debt) ]

[ (Fortune) - (Debt) ] = [ (Fortune) + (Fortune) ]

 

[ (Debt) X (Fortune) = (Debt) ]

[ (Debt) X (Debt) = (Dead Fortune) ]

[ (Dead Fortune) = (Fortune in no fortune) ]

 

[ Sunya( 0 ) X (Debt) = Empty Sunya( 0 ) ]

[ Kha( 0 ) X (Fortune) = Empty Sunya( 0 ) ]

[ Kha( 0 ) X Sunya( 0 ) = Empty Sunya( 0 ) ]

 

[ (Fortune) ÷ (Fortune) = (Fortune) ]

[ (Debt) ÷ (Debt) = (Fortune) ]

[ Kha( 0 ) ÷ Kha( 0 ) = Kha( 0 ) ]

 

[ (Fortune) ÷ (Debt) = (Debt) ]

[ (Debt) ÷ (Fortune) = (Debt) ]

 

[ Kha( 0 ) ÷ (Debt) = Kha( 0 ) ]

[ Kha( 0 ) ÷ (Fortune) = Kha( 0 ) ]

[ (Debt) ÷ Kha( 0 ) = False which ]

[ (Fortune) ÷ Kha( 0 ) = False that) ]

   

{ 3. Original Text }

 

धन-ऋण-शून्यम्

Dhana-Rina-Suunyam

Fortune-Debt-Sunya ( 0 )

  

ब्रह्म१८.३०क/ धनयोस् धनम् ऋणम् ऋणयोस् धन-ऋणयोस् अन्तरम् सम-ऐक्यम् खम्

Brahma 18.30 Ka/ dhanayos dhanam rinam rinayos dhana-rinayos antaram sama-aikyam kham

 

[ Literal translation ]

 

fortune to two fortunes, debt to two debts, difference to debt and fortune, Kha ( 0 ) to same Harmony

 

[ Simple literal translation ]

 

[ (Fortune) + (Fortune) = (Fortune) ] ... [ (+2) + (+3) = (+5) ]

[ (Debt) + (Debt) = (Debt) ] ... [ (-2) + (-3) = (-5) ]

[ (Fortune) + (Debt) = (Difference) ] ... [ (-2) + (+3) = (+1) ]

[ (Fortune) + (Debt) = (Harmony) = Kha( 0 ) ] ... [ (-2) + (-2) = Kha( 0 ) ]

* (Harmony) = (Yinyang)

* Kha( 0 ) = (Nothing) = (_0) = Dead Zero = Not-being Zero

  

ब्रह्म१८.३०ग/ ऋणम् ऐक्यम् च धनम् ऋण-धन-श्ऊन्ययोस् श्ऊन्ययोस् श्ऊन्यम्

Brahma 18.30 Kha/ rinam aikyam ca dhanam rina-dhana-Suunyayos Suunyayos Suunyam

 

[ Literal translation ]

 

debt to debt and Sunya ( 0 ) -> Harmony

 

fortune to fortune and Sunya ( 0 ) -> Harmony

 

Sunya ( 0 ) to two SunyaS( 0 ) -> Harmony

 

[ Simple literal translation ]

 

[ (Debt) + Sunya( 0 ) = (Debt) ] ... [ (-2) + Sunya( 0 ) = (-2) ]

[ (Fortune) + Sunya( 0 ) = (Fortune) ] ... [ (+3) + Sunya( 0 ) = (+3) ]

[ Sunya( 0 ) + Sunya( 0 ) = Sunya( 0 ) ] ... [ { (+1) + (-1) } + {

(+1) + (-1) } = { (+2) + (-2) } ]

 

* [ Sunya( 0 ) ] = [ (Everything of) Endless Cosmos ] = Mugg = Taiji =

Sunyata = Apeiron

* [ Sunya(0_1) ] = [ (+1) + (-1) ] = Living Zero = Being Zero

  

ब्रह्म१८.३१क/ ऊनम् अधिकात् विशोध्यम् धनम् धनात् ऋणम् ऋणात् अधिकम् ऊनात्

Brahma 18. 31 Ka/ uunam adhikaat visodhyam dhanam dhanaat riNam rinaat

adhikam uunaat

ब्रह्म१८.३१ग/ व्यस्तम् तद्-अन्तरम् स्यात् ऋणम् धनम् धनम् ऋणम् भवति

Brahma 18. 31 Kha/ vyastam tad-antaram syaat rinam dhanam dhanam rinam bhavati

 

[ Literal translation ]

 

good to ( bigger one - smaller one ),

 

subtractiong fortune from fortune, subtractiong debt from debt,

 

subtractiong bigger one from smaller one,

 

be promised, so difference, perhaps,

 

exchange debt for fortune, exchange fortune for debt, be.

 

* [ be promised, so difference ] : (Fortune) + (Debt) = (Difference)

 

[ Simple literal translation ]

 

[ (Big Fortune) - (Small Fortune) = (Good) ] ... [ (+3) - (+2) = (+1) ]

[ (Big Debt) - (Small Debt) = (Good) ] ... [ (-3) - (-2) = (-1) ]

 

[ (Small Fortune) - (Big Fortune) = (Difference) ]... [ (+2) - (+3) = (-1) ]

[ (Small Debt) - (Big Debt) = (Difference) ]... [ (-2) - (-3) = (+1) ]

 

[ (Small Fortune) - (Big Fortune) ] = [ (Small Fortune) + (Big Debt) ]

= [ Debt ] ... [ - (+3) ] = [ + (-3) ]

[ (Small Debt) - (Big Debt) ] = [ (Small Debt) + (Big Fortune) ] = [

Fortune ] ... [ - (-3) ] = [ + (+3) ]

* Conclusion : [ - (+1) ] = [ + (-1) ], [ - (-1) ] = [ + (+1) ]

  

ब्रह्म१८.३२क/ श्ऊन्य-विहीनम् ऋणम् ऋणम् धनम् धनम् भवति श्ऊन्यम् आकाशम्

Brahma 18. 32 Ka/ Suunya-vihiinam rinam rinam dhanam dhanam bhavati

Suunyam aakaasam

 

[ Literal translation ]

 

Sunya ( 0 ) from debt is debtt,

 

Sunya ( 0 ) from fortune is fortune,

 

Sunya ( 0 ) from Sunya ( 0 ) is (Aakaasa).

 

[ Simple literal translation ]

 

[ (Debt) - Sunya( 0 ) = (Debt) ] ... [ (-1) - { (+1) + (-1) } = (-1) ]

[ (Fortune) - Sunya( 0 ) = (Fortune) ] ... [ (+1) - { (+1) + (-1) } = (+1) ]

[ Sunya( 0 ) - Sunya( 0 ) = (Aakaasa) ] ... [ (0_?) - (0_(? - 1 )) =

Aakaasa = Sunya( 0 ) ]

* Aakaasa = Cosmos = Sunya( 0 )

  

ब्रह्म१८.३२ग/ शोध्यम् यदा धनम् ऋणात् ऋणम् धनात् वा तदा क्षेप्यम्

Brahma 18. 32 Kha/ sodhyam yadaa dhanam rinaat rinam dhanaat vaa tadaa ksepyam

 

[ Literal translation ]

 

thing revivable, when, fortune from debt, debt from fortune, only, then, thing addable.

 

[ Simple literal translation ]

 

[ (Debt) - (Fortune) ] = [ (Debt) + (Debt) ] ... [ (-2) - (+2) ] = [ (-2) + (-2) ]

[ (Fortune) - (Debt) ] = [ (Fortune) + (Fortune) ] ... [ (+2) - (-2) ] = [ (+2) + (+2) ]

  

ब्रह्म१८.३३क/ ऋणम् ऋण-धनयोस् घातस् धनम् ऋणयोस् धन-वधस् धनम् भवति

Brahma 18. 33 Ka/ rinam rina-dhanayos ghaatas dhanam rinyos dhana-vadhas dhanam bhavati

 

[ Literal translation ]

 

debt to debt and fortune, dead fortune to two debts, fortune in no fortune, be.

 

[ Simple literal translation ]

 

[ (Debt) X (Fortune) = (Debt) ] ... [ (-2) X (+3) ] = [ + { (-2) X 3 } ] = [ + (-6) ] = [ (-6) ]

[ (Debt) X (Debt) = (Dead Fortune) ] ... [ (-2) X (-3) ] = [ - { (-2) X 3 } ] = [ - (-6) ] = [ + (+6) ] = [ (+6) ]

[ (Dead Fortune) = (Fortune in no fortune) ] ... [ (-2) X (-3) ]is not [ + (+6) ] but [ - (-6) ].

 

[ Sunya( 0 ) - (-1) ] = [ { (+1) + (-1) } - (-1) ] = (+1)

[ Sunya( 0 ) + (+1) ] = [ { (+1) + (-1) } + (+1) ] = (+1)

Law of Liuhui Brahmagupta : [ N X (+1) ] = [ + ( N X N ) ], [ N X (-1) ] = [ - ( N X N ) ]

[ - ( N X N ) ] = [ ( N X N ) ] : is not negative sign but .

  

ब्रह्म१८.३३ग/ श्ऊन्य-ऋणयोस् ख-धनयोस् ख-श्ऊन्ययोस् वा वधस् श्ऊन्यम्

Brahma 18. 33 Kha/ Suunya-rinyos kha-dhanayos Kha-Suuyayos vaa vadhas Suunyam

 

[ Literal translation ]

 

to Sunya ( 0 ) and debt, to Kha ( 0 ) and fortune, to Kha ( 0 ) and Sunya ( 0 ), only empty Sunya ( 0 ).

 

[ Simple literal translation ]

 

[ Sunya( 0 ) X (Debt) = Empty Sunya( 0 ) ] ... Contradiction (Mistake of Brahmagupta)

[ Kha( 0 ) X (Fortune) = Empty Sunya( 0 ) ] ... [ Nothing X (+3) ] = [ Nothing = Kha( 0 ) = (_0) ]

[ Kha( 0 ) X Sunya( 0 ) = Empty Sunya( 0 ) ] ... [ Nothing X { (+1) + (_1) } ] ] = [ { Nothing X (+1) } + { Nothing X (-1) } ]

 

* [ { Nothing X (+1) } + { Nothing X (-1) } ] = [ { Nothing } + { Nothing } ] = [ Nothing = Kha( 0 ) = (_0) ]

* Contradiction (Mistake of Brahmagupta)

: [ Sunya(0_1) X (-3) ] = [ 1 X (-3) ] = [ - ( 1 X 3 ) ] = [ - (3) ] = [ - (+3) ] = [ + (-3) ] = [ (-3) ]

  

ब्रह्म१८.३४क/ धन-भक्तम् धनम् ऋण-हृतम् ऋणम् धनम् भवति खम् ख-भक्तम् खम्

Brahma 18. 34 Ka/ dhana-bhaktam dhanam rina-hritam rinam dhanam bhavati kham kha-bhaktam kham

 

[ Literal translation ]

 

fortune divided by fortune, throw of debt to debt, is fortune, Kha ( 0 ) divided by Kha ( 0 ) is Kha ( 0 ).

 

[ Simple literal translation ]

 

[ (Fortune) ÷ (Fortune) = (Fortune) ] ... [ (+6) ÷ (+2) ] = [ + { (+6) ÷ 2 } ] = [ + { (+3) } ] = [ + (+3) ] = [ (+3) ] = [ 3 ]

[ (Debt) ÷ (Debt) = (Fortune) ] ... [ (-6) ÷ (-2) ] = [ - { (-6) ÷ 2 } ] = [ - { (-3) } ] = [ + (+3) ] = [ (+3) ] = [ 3 ]

[ Kha( 0 ) ÷ Kha( 0 ) = Kha( 0 ) ] ... [ Nothing ÷ Nothing ] = [ Nothing = Kha( 0 ) = (_0) ]

* Law of Liuhui Brahmagupta : [ N ÷ (+N) ] = [ + ( N ÷ N ) ], [ N ÷ (-N) ] = [ - ( N ÷ N ) ]

[ - ( N ÷ N ) ] = [ ( N ÷ N ) ] : is not negative sign but .

  

ब्रह्म१८.३४ग/ भक्तम् ऋणेन धनम् ऋणम् धनेन हृतम् ऋणम् ऋणम् भवति

Brahma 18. 34 Kha/ bhaktam rinena dhanam rinam dhanena hritam rinam rinam bhavati

 

[ Literal translation ]

 

fortune divided by debt, debt divided by fortune, throwing, debt, debt, be.

 

[ (Fortune) ÷ (Debt) = (Debt) ] ... [ (+6) ÷ (-2) ] = [ - { (+6) ÷ 2 } ] = [ - { (+3) } ] = [ + (-3) ] = [ (-3) ]

[ (Debt) ÷ (Fortune) = (Debt) ] ... [ (-6) ÷ (+2) ] = [ + { (-6) ÷ 2 } ] = [ + { (-3) } ] = [ + (-3) ] = [ (-3) ]

  

ब्रह्म१८.३५क/ ख-उद्धृतम् ऋणम् धनम् वा तद्-छेदम् खम् ऋण-धन-विभक्तम् वा

Brahma 18. 35 Ka/ Kha-uddhritam rinam dhanam vaa tad-chedam kham rina-dhana-vibhaktam vaa

ब्रह्म१८.३५ग/ ऋण-धनयोस् वर्गस् स्वम् खम् खस्य पदम् कृतिस् यत् तत्

Brahma 18. 35 Kha/ rina-dhanayos vargas svam kham khasya padam kritis yat tat

 

[ Literal translation ]

 

Taking up Kha( 0 ), to debt, to fortune, or and Kha ( 0 ) to denominator, divide by debt and fortune,

 

only, to debt and fortune, division, Kha ( 0 ) to oneself, division of Kha ( 0 ), false which and that.

 

[ Simple literal translation ]

 

[ Kha( 0 ) ÷ (Debt) = Kha( 0 ) ] ... [ Nothing ÷ (Debt) = 없다 = Kha( 0 ) ]

[ Kha( 0 ) ÷ (Fortune) = Kha( 0 ) ] ... [ Nothing ÷ (Fortune) = Nothing = Kha( 0 ) ]

[ (Debt) ÷ Kha( 0 ) = False which ] = [ Kha( 0 ) ]

[ (Fortune) ÷ Kha( 0 ) = False that) ] = [ Kha( 0 ) ]

      

{ 4. Word of sanskrit in roman }

   

[ Sunya ] = [ ( Everything of ) endless Cosmos ]

 

(01)

Suunya = Sunya ( 0 ) = Mugg(BC 3898) = Taiji = Apeiron

Suunyam = Suunya + singular.objective case(m) = to suunya

Suunyayos = Suunya + anaptyxis(i) + plural(2).objective case(os) = (to) two SuuyaS

 

(02)

Kha ( 0 ) = Nothing

Kham = Kha ( 0 ) + singular.objective case(m) = to Kha ( 0 )

Khasya = Kha + singular.possessive(sya) = of Kha ( 0 )

 

(03)

dhana = Fortune, Positive number, Credit, Claim

dhanam = dhana + singular.objective case(m) = to fortune

dhanayos = dhana + anaptyxis(i) + plural(2).objective case(os) = (to) two fortunes

dhanaat = dhana + singular.ablative case(at) = from fortune

dhanena = dhana + anaptyxis(a) + instrumental(ena) = by fortune

 

(04)

rina = Debt, Negative number, Liability

rinam = rina + singular.objective case(m) = to debt

rinayos = rina + anaptyxis(i) + plural(2).objective case(os) = (to) two debts

rinaat = rina + singular.ablative case(at) = from debt

rinena = rina + anaptyxis(a) + instrumental(ena) = by debt

 

(05)

adhika = bigger one

adhikam = adhika + singular.objective case(m) = (to) bigger one

adhikaat = adhika + singular.ablative case(at) = from bigger one

 

(06)

aikya = Harmony = YinYang

aikyam = aikya + singular.objective case(m) = (to) harmony

 

(07)

antara = difference

antaram = antara + singular.objective case(m) = (to) difference

 

(08)

bhakta = division

bhaktam = bhakta + singular.objective case(m) = (to) division

 

(09)

bhavati : be (indicative, active, third person singular)

 

(10)

ca = and

 

(11)

cheda = denominator

chedam = cheda + singular.objective case(m) = (to) denominator

 

(12)

ghaatas : dead

 

(13)

hrita = throw, take away

hritam = hrita + singular.objective case(m) = (to) throw

 

(14)

kriti = false

kritis = kriti + singular.subjective case(s)

 

(15)

ksepya = be thrown, added, throw, addable

ksepyam = ksepya + singular.objective case(m) = (to) throw, adding

 

(16)

pada = division

padam = pada + singular.objective case(m) = (to) division

 

(17)

sama = same

 

(18)

sodhya = revivable, regainable

sodhyam = sodhya + singular.objective case(m) = (to) the thing revivable

 

(19)

sva = oneself

svam = sva + singular.objective case(m) = (to) oneself

 

(20)

syaat = perhaps

 

(21)

tad = and, so

 

(22)

tat = that

 

(23)

ud = up (english) / uddhritam = throw(ing) up

 

(24)

uuna = smaller one

uunam = uuna + singular.objective case(m) = (to) smaller one

uunaat = uuna + singular.ablative case(at) = from smaller one

 

(25)

vaa : and, or, so, only

 

(26)

vadhas = no, empty

 

(27)

vargas = division

 

(28)

vibhakta = division

vibhakta + singular.objective case(m) = (to) division

 

(29)

vihiina = empty, no, be subtracted

vihiinam = vihiina + singular.objective case(m) = (to) nothing, subtraction

 

(30)

visodhya = right, good

visodhyam = visidhya + singular.objective case(m) = (to) good

 

(31)

vyasta = be promised

vyastam = vyasta + singular.objective case(m) = (to) promise

 

(32)

yadaa ~ tadaa = either ~ or = when ~ then

 

(33)

yat = which, that

    

{ 5. Liuhui Brahmagupta (2010.07.19) }

 

Twee enkeltjes, lijn 4 een eenmanswagen, lijn 24 nog met conducteur via het wachtwagenspoor omgeleid

© Henk Graalman 2246 (1969)

Group of students from the Make a Difference Marine course on Goat Island . Photo: Sue Barker.

Lamentation

just for fun, I cleaned off a bit of the lane divider - a

surprisingly challenging task. I expected to do the whole pool, but

the dark color was a surprisingly hardy crust that didn't succumb to

a brush but if you rub it hard enough it will crumble.

Rick Hansen Wheels in Motion - Colourwheels Art Gala 2010

 

photos by Ron Sombilon Gallery

 

www.WheelsinMotion.org

www.RonSombilonGallery.com

 

ColourWheels was one of Vancouver’s most unique and inspiring events for 2010.

 

The gala evening showcased both visual and performing artists who were brought together by one common thread: spinal cord injury.

 

ColourWheels provided an exciting opportunity to meet the artists, experience their art forms, and make a difference in the lives of people with spinal cord injury.

 

Guests had the opportunity to bid on selected pieces and enjoyed fine wines and hors d’oeuvres while being entertained with music.

 

Funds raised support Rick Hansen Wheels In Motion.

 

www.computerhistory.org/

Nuance. Holding this journal, the difference is tangible. Not a perfect book, but perfect for someone. The Zerkall Frankfurt paper is truly lovely.

 

9.75" x 7" 96 sheets (192 pages, both sides)

 

Materials

>About the leather: Kodiak Oil-Tanned Leather, dark brown.

Here is a leather as rugged as its name implies. This oil-tanned leather has pronounced grain that gives character to the soft hide that is durable and moisture resistant. 4 oz.

The leather detail on front cover flap is a bit of green nubuck cowhide (an old favorite).

 

>About the paper: Frankfurt, Ivory, by Zerkall

Characterized by irregular 'wavy' laid lines and the sexy Zerkall watermark, Frankfurt is a delight to handle. Writing on this artisan paper versus commercial paper is a world of difference. But don't take my word for it!

 

Zerkall Renker & Sohne paper mill, run by the Renker family in its fourth generation, dates from 16th century in the valley of the river Kall between Cologne and Aachen in Germany. Although the mill now only manufactures mouldmade papers, their sheets mirror papers of the past while incorporating modern technology to insure stability and permanence. Zerkall mixes exacting amounts of cotton rag and high alpha cellulose to obtain sheets that are strong, yet able to absorb ink without bleeding. All their papers are acid free, neutral sized, alkaline buffered with calcium carbonate and contain no optical brighteners.

 

>About the endpaper: Egyptian Papyrus

Papyrus was, and continues today to be handmade from the papyrus reed that grows in freshwater marshes along the river Nile, though today this growth is rare and controlled. Egyptians considered it the "everlasting" paper because it has been found in perfect condition in tombs dating back to 2700 B.C.

 

Nuance Journals are handbound with 4-ply waxed Irish linen thread in New Orleans by Emily Renee.

 

www.NuanceJournals.com

Le bruant à gorge blanche possède un sourcil avec une tache jaune située entre son œil et son bec et le blanc de sa gorge est bordé de noir en bas.

 

Il y a deux morphotypes présentant de fortes différences. L’un présentant une couronne ocre (ou sourcil chamois) [illustré ici] et l’autre une couronne blanche (ou sourcil blanc). Dimorphisme sexuel, l’un mâle et l’autre femelle? Oui et non… Il y a des mâles des deux types et des femelles des deux types et il en résulte une reproduction croisée : les mâles d’un type (ex.: sourcil blanc) s’accouplent presque toujours avec une femelle de l’autre type (ex.: sourcil chamois), et vice-versa.

Portion de ce texte remanié à partir du reportage de Stéphane Quintin.

 

The white-throated sparrow has an eyebrow with a yellow spot between its eye and its beak and the white of its throat is bordered with black at the bottom.

 

There are two morphotypes with strong differences. One with an ocher crown (or buff coloured eyebrow) [shown here] and the other with a white crown (or white eyebrow). Sexual dimorphism, one male and the other female? Yes and no… There are males of both types and females of both types and this results in cross-breeding: males of one type (eg white eyebrow) almost always mate with a female of the other type (e.g. buff coloured eyebrow), and vice versa.

Portion of this text revised from Stéphane Quintin's report.

 

Beau sommaire vulgarisé

Stéphane Quintin, Journaliste , LE SAVIEZ-VOUS ? Saurez-vous reconnaître à son chant cet oiseau à quatre sexes ? En beauce.com, Actualités / Société, 16 juillet 2017

www.enbeauce.com/actualites/societe/316973/le-saviez-vous...

 

Description scientifique plus complète :

CENTRE D’EXPERTISE EN ANALYSE ENVIRONNEMENTALE DU QUÉBEC. 2005. Paramètres d’exposition chez les oiseaux – Bruant à gorge blanche. Fiche descriptive. Ministère du Développement durable, de l’Environnement et des Parcs du Québec, 19 p.

www.ceaeq.gouv.qc.ca/ecotoxicologie/oiseaux/Bruantgb.pdf

Here you can see what I mentioned before. It's the height of the body, different roof shape and different location of the a.c.. The best thing you can do is to go to a bus depot (Morchit for example) and see them when they are parked next to each other. Hope this helps.

Love what's lovable and hate what's hateable -- it takes brains to see the difference

The Nan Langowitz Women Who Make a Difference Award Reception is sponsored by Babson College's Center for Women's Entrepreneurial Leadership (CWEL). It celebrates nominees and recipients who go above and beyond to positively impact the Babson Community.

 

Have never you felt out of this world? Or in other words: different.

Sometimes it is necessary to be able to mark the difference without thinking what they could say

This rickshaw puller was trying to save himself from rain under a shade. May be he was afraid of getting cold or fever, which would be disastrous for him. In front of him few young boy and girl were enjoying the rain with ice-cream in hand!

 

Panthapath, Dhaka

Difference concept. buoys floating on water. Black and white

"I establish boundaries which determine both what is collected and where it is collected from. Accumulating and assembling single-coloured objects, I consider the psychological influence of colour, its effect and sensory impact upon the viewer.”

 

Chroma is the culmination of Manchester artist Liz West’s interests and ideas over a five-year period.This new body of work, site-specific to BLANKSPACE, explores the themes of colour theory, collecting and the exploration of real and illusory space.

 

West’s playful and magical works, each of which she builds by hand, consist of unexpected and carefully arranged combinations of materials. Systems of ordering, classification and coding are applied in the development and generation of West’s work. She invokes the monumental, whilst utilising commonplace objects that are found and collected from the world around her

  

Days Difference

Everything's Fine/Symphony Soldier Tour

2/9/12

“War is what happens when language fails.”

― Margaret Atwood

acrylics on canvasboard

I really love this picture. Between this one and the tobyMac one later on in my photostream, I can't decide which one is my favorite concert picture I've taken.

St Mary, Pulham St Mary, Norfolk

 

As at neighbouring Pulham Market, Pulham St Mary is dominated by its grand, mostly Perpendicular church, this one set on a rise above the village street in a wide graveyard. There are similarities between the two churches, but differences too. St Mary's tower is earlier and is rather more feminine, with its pretty pinnacles and large bell openings. And, of course, there is the most famous feature of either church, St Mary's gorgeous late 15th century porch, perhaps the best in Norfolk and the equal of many of Suffolk's finest. Tower and porch work together to create a sense of grandeur, but in fact this is not a huge church, and there is no aisle on the north side.

 

The porch is magnificent. Actually not as large as it appears, its two storeys are flanked by ranges of flushwork panelling, which become, from the top on the front, ranks of stone niches, angels holding shields, angels with musical instruments and then more niches. Pride of place, in the spandrels of the doorway, is the Annunciation, of the highest artistic quality and in lovely condition.

 

You step into an interior which at first sight disappoints a little, because the north side of the nave is stark, climbing as it does to the heights of the clerestory opposite.

 

Pevsner records that Bodley's restoration cost an astonishing £5,000, around a cool million in today's money, and it is rather hard to see what they got for their cash. The painting and gilding of the 15th century font is an example; it is rich and opulent now, and you aren't half glad this didn't happen more often, but it seems to have been coloured to match Bodley's font cover, as if he was looking for jobs to do.

 

However, we can't know what state such a large church might have been in by the late 19th century, and turning east, the picture is more pleasing, for Pulham St Mary still has ranks of low key 15th century benches, which it must have been tempting to replace. They face a magnificent rood screen, partly medieval and partly the work of Mr Bodley. Thanks be to God that he didn't repaint the panels, for they are large and filled with 15th century images of the Apostles. St John is particularly striking, the little dragon in his chalice seemingly about to take flight. St James is fine too. There is some fragmentary 15th century glass, including two almost complete figures of St Barbara and St Catherine. There is a 16th Century roundel of St Lawrence high in the east window. The Victorian glass is probably the largest scheme in East anglia by Burlison & Grylls, all in their painterly style. A lot of the money probably went on it.

 

Bodley had the chancel roof repainted in reds and greens, with sacred monograms. Some of these monograms are more elaborate than others, and I wondered for a moment if the simpler ones were actually 15th century originals. A cute skull and crossed bones is incised on a ledger stone in the aisle, its occupant reminding us that Hodie Mihi, Cras Tibi - 'today this is mine, tomorrow it's yours'. Turning west, the most striking sight is the extraordinary stairway up to the ringers' floor of the tower. It starts in the most south-easterly corner of the aisle, and rises with just a single rail to reach a precipitous platform, dangled nightmarishly at the top of the tower arch. There is something similar under the crossing at Ketton in Rutland. It must have replaced a ladder. I, who have no head for heights, would not have dared walk up it for all Mr Bodley's thousands.

總是不同。。。

something different when U got...Money !!!