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Slightly sweeter than the "mean bean" version of Java Monster. Not sure if there is a difference, but the Big Black taste sweeter. (and the can is slightly darker in color)
A view of the Japanese Garden at Butchart Gardens.
Butchart Gardens | British Columbia | Canada
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1. lockers 2. color 3. difference 4. changed hue to change color to red 5. shallow 6. school hallway lights
Malvern Link station on 17-2-17. Reading newspapers is certainly become less common. It is also rare for people just to be sitting or standing waiting without a phone in their hands.
The prospective passengers are awaiting the arrival of 1W00 the London Paddington train bound for Hereford.
Ref: IMG_7586 17-2-17
Twee enkeltjes, lijn 4 een eenmanswagen, lijn 24 nog met conducteur via het wachtwagenspoor omgeleid
© Henk Graalman 2246 (1969)
That's much better!
Well, what a difference the lack of a cold easterely blowing through the garden makes.
Yesterdays temperature hit 23c and although it was still breezy, it wasn't as bad.
The breeze lasted into the night and has now completely disappeared entirely, this bodes well for the nights ahead hopefully.
But firstly onto last night, and wow what a change, with four times the species over previous nights and with 8 new for year species recorded (1 pending) it was certainly a marked improvement and very welcome indeed after two weeks of blanks and less than 5 moths each outing.
Best macro moth of the night was a very pale Powdered Quaker, far from common here and the best micro moth went to Pseudoswammerdamia combinella, a moth that had only been previously recorded once here before in 2014, a little tatty but you can't have it all.
Numbers still low in relation to species, this is a running trend for my garden, compared to others who trap several hundred in one night, most of the year here is made up of singleton species on each trap outing.
Garden species count for 2020 now upto 75 (with a Stigmella pending).
24 moths of 19 species to 250w Clear MV Robinson Trap
Catch Report - 23/04/20 - Back Garden - Stevenage - North Herts
Macro Moths
Pale Mottled Willow 1 [NFY]
Powdered Quaker 1 [NFY]
Rustic Shoulder-knot 1 [NFY]
Waved Umber 1 [NFY]
Brindled Pug 4
Common Quaker 1
Double-striped Pug 1
Early Thorn 1
Frosted Green 1
Least Black Arches 1
Nut-tree Tussock 1
Shuttle-shaped Dart 3
Micro Moths
Alucita hexadactyla 1 [NFY]
Incurvaria masculella 1 [NFY]
Pseudoswammerdamia combinella 1 [NFY]
Stigmella sp 1 [NFY] TBC
Epiphyas postvittana 1
Eriocrania subpurpurella 1
Phyllonorycter quercifoliella 1
The facade of the Fine Arts Building, built as the Studebaker Building in 1884, is in the process of being restored to its original apperance. The difference is stunning.
Have never you felt out of this world? Or in other words: different.
Sometimes it is necessary to be able to mark the difference without thinking what they could say
This rickshaw puller was trying to save himself from rain under a shade. May be he was afraid of getting cold or fever, which would be disastrous for him. In front of him few young boy and girl were enjoying the rain with ice-cream in hand!
Panthapath, Dhaka
thursday 2nd april - friday 3rd april 2015
concerning the impossibly isolated
alter-universe
{r(gv)}
(graphic)
in part 11 we comprehended that inasmuch as we extend as nothing but our differential gravitation with alterity, then at the beginning of our proper time (at the moment of realization), our gravity is infinite - our red self is constituted wholly as our green-violet alterity.
moment of presentation - gravity 1
(2 alterity ÷ 2 self)
first moment of re-presentation - gravity 3
(6 alterity ÷ 2 self)
second moment of re-presentation - gravity 1.6666666666667
(10 alterity ÷ 6 self)
third moment of re-presentation - gravity 2.2
(22 alterity ÷ 10 self)
saturday 4th april 2015
let us re-emphasise that we are talking only of our understanding of things in our proper time and space, and that for our pure singleness of difference there is no time and space. (but having said that, it is only as our comprehending of our own pure singleness that things exist.)
let us also re-assert that although for a thingly, phenomenal self ‘in space’, time does seem to pass as accumulating moments of difference, the moments being accumulated are those already accumulated by the thingly, phenomenal others - always in part as the self already was.
therefore by reason of symmetry, the momentary articulation of a thing’s proper time into it’s future is thus cancelled by an equal and opposite articulation into it’s past. for the absolute symmetry of singleness, the currency is not spatio-temporality, but rather sheer difference as such.
let us now go on to describe the first fifteen moments of phenomenal proportionality of {r(gv)}. this will then lead us on to a consideration of the gravity of our thing {r(gv)}. (note that at moment zero - just before the infinite gravity of moment one - the value is zero. we take this to indicate the zero gravity of pure singleness).
(0 + 0) ÷ 1 = 0
(1 + 1) ÷ 0 = ∞
(1 + 1) ÷ 2 = 1
(3 + 3) ÷ 2 = 3
(5 + 5) ÷ 6 = 1.666666666…
(11 + 11) ÷ 10 = 2.2
(21 + 21) ÷ 22 = 1.9090909090…
(43 + 43) ÷ 42 = 2.0476190476…
(85 + 85) ÷ 86 = 1.976744186…
(171 + 171) ÷ 170 = 2.0117647058…
(341 + 341) ÷ 342 = 1.9941520467…
(683 + 683) ÷ 682 = 2.0029325513…
(1365 + 1365) ÷ 1366 = 1.9985358711…
(2731 + 2731) ÷ 2730 = 2.0007326007…
(5461 + 5461) ÷ 5462 = 1.9996338337…
(graphic)
the complete photo/video collection (1972-2016) of Stan Bonnar's artworks is accessible here :
From my observations:
The hairline, her eyebrows, her freckles, her blush, her eyes (obviously) eye makeup, and for some reason, the wedding rapunzel's nose is a little more upturned...
From last weekends photo....I can't cut people up now'( that was a joke )....Now fully liveried up Hollywood Travel HT73HWT the Temsa MD9 C39FL .For me this is the best coach in th=this small coach segment . My steed again for today and Tomorrow . Photo taken 02/08/24
I FOUND THE DIFFERENCE!!!
Tilly had an accident tonight, the peg holding her foot hook in shot out and I had to restring her leg and get the peg back in. Not fun, but in doing so I noticed that her leg had a part that none of my others have.... take a look at the pic compared to my Lami's leg
St Mary, Pulham St Mary, Norfolk
As at neighbouring Pulham Market, Pulham St Mary is dominated by its grand, mostly Perpendicular church, this one set on a rise above the village street in a wide graveyard. There are similarities between the two churches, but differences too. St Mary's tower is earlier and is rather more feminine, with its pretty pinnacles and large bell openings. And, of course, there is the most famous feature of either church, St Mary's gorgeous late 15th century porch, perhaps the best in Norfolk and the equal of many of Suffolk's finest. Tower and porch work together to create a sense of grandeur, but in fact this is not a huge church, and there is no aisle on the north side.
The porch is magnificent. Actually not as large as it appears, its two storeys are flanked by ranges of flushwork panelling, which become, from the top on the front, ranks of stone niches, angels holding shields, angels with musical instruments and then more niches. Pride of place, in the spandrels of the doorway, is the Annunciation, of the highest artistic quality and in lovely condition.
You step into an interior which at first sight disappoints a little, because the north side of the nave is stark, climbing as it does to the heights of the clerestory opposite.
Pevsner records that Bodley's restoration cost an astonishing £5,000, around a cool million in today's money, and it is rather hard to see what they got for their cash. The painting and gilding of the 15th century font is an example; it is rich and opulent now, and you aren't half glad this didn't happen more often, but it seems to have been coloured to match Bodley's font cover, as if he was looking for jobs to do.
However, we can't know what state such a large church might have been in by the late 19th century, and turning east, the picture is more pleasing, for Pulham St Mary still has ranks of low key 15th century benches, which it must have been tempting to replace. They face a magnificent rood screen, partly medieval and partly the work of Mr Bodley. Thanks be to God that he didn't repaint the panels, for they are large and filled with 15th century images of the Apostles. St John is particularly striking, the little dragon in his chalice seemingly about to take flight. St James is fine too. There is some fragmentary 15th century glass, including two almost complete figures of St Barbara and St Catherine. There is a 16th Century roundel of St Lawrence high in the east window. The Victorian glass is probably the largest scheme in East anglia by Burlison & Grylls, all in their painterly style. A lot of the money probably went on it.
Bodley had the chancel roof repainted in reds and greens, with sacred monograms. Some of these monograms are more elaborate than others, and I wondered for a moment if the simpler ones were actually 15th century originals. A cute skull and crossed bones is incised on a ledger stone in the aisle, its occupant reminding us that Hodie Mihi, Cras Tibi - 'today this is mine, tomorrow it's yours'. Turning west, the most striking sight is the extraordinary stairway up to the ringers' floor of the tower. It starts in the most south-easterly corner of the aisle, and rises with just a single rail to reach a precipitous platform, dangled nightmarishly at the top of the tower arch. There is something similar under the crossing at Ketton in Rutland. It must have replaced a ladder. I, who have no head for heights, would not have dared walk up it for all Mr Bodley's thousands.
Difference is the latest Punjabi song which is sung & written by Amrit Maan.
Lyrics & Video >>>> www.lyricshawa.com/2018/06/difference-lyrics-amrit-maan/
UNITED WAY OF NEW YORK CITY 10th Anniversary Women's LEadership Council THe POWER of WOMEN TO MAKE A DIFFERENCE AWARD LUNCHEON
Birmingham Museum & Art Gallery has once again reopened, this time from 24th October 2024, open from Wednesday to Sunday each week.
Like the 2022 reopening, just 5 galleries and the Edwardian Rea Room.
But the Gas Hall and Water Hall are opened with paid exhibitions, while BM & AG is free (other than the tea room and the shop).
Made in Birmingham - Industrial Gallery
Deviance & Difference
In the photo: (from left) Dr. Meine van Noordwijk of the World Agroforestry Centre, Tasso Azevedo - former director of the Brazilian Forest Service, Doug Boucher of the Union of Concerned Scientists, and Heru Prasetyo, Secretary of Indonesia’s National REDD+ Task Force. The panel spoke animatedly at the 'Drivers of Deforestation: Exploring Regional Differences and New Patterns' discussion forum hosted by the World Agroforestry Centre. The forum was part of Forest Day 6, held on 2 December 2012, on the sidelines of the 18th United Nations Climate Change Conference (UNFCCC COP18) in Doha, Qatar. Photo: D. Ouya (World Agroforestry Centre).