View allAll Photos Tagged developing
Developed C41 in black and white developer.
Presoak for a couple of minutes.
2 rotations in the first minute, stand develop for 30 minutes, 1 rotation and twist, develop for another 30 minutes.
5ml Rodinal Spezial and 495ml of water. 5 minute stop.
Leica M3, Elmar 135/4 @ f4, Efke 25 developed in Adonal 1/100 @ 2 hours
Added some 'mood' in lightroom.
Very much the same as the last model. This one differs in that it uses 45 degree arcs and the pleats are proportional to the height of the curve.
Developing Models for Cooperative Security
General Tea Banh, Deputy Prime Minister; Minister of National Defense, Cambodia
Richard Marles, Deputy Prime Minister; Minister for Defence, Australia
Dr Ng Eng Hen, Minister for Defence, Singapore
I did a single film Bergger Pancro400 in February 2022 and a stocked 4 others 35mm cartridges in my fridge for a future use. At that time, I exposed the film for 400 ISO and developed it using Ilford Ilfosol at the dilution 1+9 for 8min at 20°C. I found the film weakly developed with low densities but still usable for digital processing.
I did the same with Adox Adonal with the horrific results of the preceding series. I decided here to apply another set of parameters found the www.digitaltruth.com database with "liquid Ultrafine" that I realized later that I confused with my Tetenal "Ultrafin". To my little experience Ultrafin developpers are quite active formulas providing negatives of high density. However the indicated 1+4 dilution looks bizarre to me since Ultrafin is rather used at 1+10 or 1+20 dilution. The developing time of 14 min looks also very long.
At the dilution 1+4, 20°C and 14min, the film looks burned and a dark basis came on the film. However all frames could be digitally processed easily....
This is clearly too strong development conditions. I would try next series the same Tetenal Ultrafin but diluted 1+10 for 8-12 min.(HP5+ requires 8min at 20°C with Ultrafin 1+10).
For shooting, I used the same equipment : my Topcon Super D (produced in Tokyo, year 1972) and it normal lens Tokyo Kogaku RE Auto Topcor 1:1.8 f=58 mm for exposures.
Expositions were determined for 320 ISO (not 400 as recommended by certain users) either using either the camera reading or my Autometer III Minolta lightmeter with its 10° viewfinder for selective measurements.
Rue Jean Julien, September 4, 2022
69004 Lyon
France
After process the film was digitalized using a Sony A7 body and a Minolta Slide Duplicator with a Minolta Auto Bellows III with a lens Minolta Bellow Macro Rokkor 50mm f/3.5.
About the camera: Tokyo Kogaku company (Topcon) produced SLR camera's and lenses until 1976 before giving up producing camera. The company continued its activities in opticals and still exists today for medical (ophthalmology) instruments and topography.
The Topcon SLR's were considered as particularly reliable, constructeur as the best scientific instruments of that time. The "Super D" has a exchangeable finders and could be motorized without modifications making them direct competitors of the Nikon F's (Nikon F2 at this time en 1972).
The camera was sold to me in March 2022 with the normal lens Tokyo Kogaku RE Auto Topcor 1:1.8 f=58 mm and a Canon bag to host the camera. The photometric system is functional and uses a CdS located on reflex mirror as the Miranda EE.
Minor back thrust developed in Ordovician interbedded limestones & shales in Kentucky, USA.
This outcrop is in the famous Cincinnatian Series of the tristate area of Ohio-Kentucky-Indiana. Rocks in the Cincinnatian were deposited in relatively shallow marine facies during the Late Ordovician. The Cincinnatian succession is mostly interbedded limestones and shales - all richly fossiliferous. Most of the limestones are event beds (= tempestites), deposited during ancient storms.
A subtle thrust fault is present here at this outcrop, along with small back thrusts, which dip in a direction opposite to the main thrust fault.
The main thrust fault acted as a conduit for groundwater, which dissolved out a small cave along the strike of the fault (see: www.flickr.com/photos/jsjgeology/31949022868).
Thrust faults are low-angle reverse faults - they form by compressional stress. Thrust faults involve the hanging wall moving upward and the footwall moving downward.
Stratigraphy: Fairview Formation, Maysvillian Stage, middle Cincinnatian Series, Upper Ordovician
Locality: Maysville West upper cut - roadcut on the southeastern side of Rt. 62/Rt. 68, just south of bridge over Lawrence Creek & south of the Harsha Bridge over the Ohio River, northern Kentucky, USA (~vicinity of 38° 40’ 04.23" North latitude, 83° 48' 07.08" West longitude)
The city of Bath in South West England was founded in the 1st century AD by the Romans who used the natural hot springs as a thermal spa. It became an important centre for the wool industry in the Middle Ages but in the 18th century under the reigns of George l, ll and III it developed into an elegant spa city, famed in literature and art.
The City of Bath is of Outstanding Universal Value for the following cultural attributes: The Roman remains, especially the Temple of Sulis Minerva and the baths complex (based around the hot springs at the heart of the Roman town of Aquae Sulis, which have remained at the heart of the City’s development ever since) are amongst the most famous and important Roman remains north of the Alps, and marked the beginning of Bath’s history as a spa town.
The Georgian city reflects the ambitions of John Wood Senior (1704-1754), Ralph Allen (1693-1764) and Richard “Beau” Nash (1674-1761) to make Bath into one of the most beautiful cities in Europe, with architecture and landscape combined harmoniously for the enjoyment of the spa town’s cure takers.
The Neo-classical style of the public buildings (such as the Assembly Rooms and the Pump Room) harmonises with the grandiose proportions of the monumental ensembles (such as Queen Square, Circus and Royal Crescent) and collectively reflects the ambitions, particularly social, of the spa city in the 18th century.
The individual Georgian buildings reflect the profound influence of Palladio (1508-1580) and their collective scale, style and the organisation of the spaces between buildings epitomises the success of architects such as the John Woods (elder 1704-1754, younger 1728-1782), Robert Adam (1728-1792), Thomas Baldwin (1750-1820) and John Palmer (1738-1817) in transposing Palladio’s ideas to the scale of a complete city, situated in a hollow in the hills and built to a picturesque landscape aestheticism creating a strong garden city feel, more akin to the 19th century garden cities than the 17th century Renaissance cities.
Criterion (i): Bath’s grandiose Neo-classical Palladian crescents, terraces and squares spread out over the surrounding hills and set in its green valley, are a demonstration par excellence of the integration of architecture, urban design and landscape setting, and the deliberate creation of a beautiful city. Not only are individual buildings such as the Assembly Rooms and Pump Room of great distinction, they are part of the larger overall city landscape that evolved over a century in a harmonious and logical way, drawing together public and private buildings and spaces in a way that reflects the precepts of Palladio tempered with picturesque aestheticism.
Bath’s quality of architecture and urban design, its visual homogeneity and its beauty is largely testament to the skill and creativity of the architects and visionaries of the 18th and 19th centuries who applied and developed Palladianism in response to the specific opportunities offered by the spa town and its physical environment and natural resources (in particular the hot springs and the local Bath Oolitic limestone). Three men – architect John Wood Senior, entrepreneur and quarry owner Ralph Allen and celebrated social shaper and Master of Ceremonies Richard “Beau” Nash – together provided the impetus to start this social, economic and physical rebirth, resulting in a city that played host to the social, political and cultural leaders of the day. That the architects who followed were working over the course of a century, with no master plan or single patron, did not prevent them from contriving to relate each individual development to those around it and to the wider landscape, creating a city that is harmonious and logical, in concord with its natural environment and extremely beautiful.
Criterion (ii): Bath exemplifies the 18th century move away from the inward-looking uniform street layouts of Renaissance cities that dominated through the 15th–17th centuries, towards the idea of planting buildings and cities in the landscape to achieve picturesque views and forms, which could be seen echoed around Europe particularly in the 19th century. This unifying of nature and city, seen throughout Bath, is perhaps best demonstrated in the Royal Crescent (John Wood Younger) and Lansdown Crescent (John Palmer). Bath’s urban and landscape spaces are created by the buildings that enclose them, providing a series of interlinked spaces that flow organically, and that visually (and at times physically) draw in the green surrounding countryside to create a distinctive garden city feel, looking forward to the principles of garden cities developed by the 19th century town planners.
Criterion (iv): Bath reflects two great eras in human history: Roman and Georgian. The Roman Baths and temple complex, together with the remains of the city of Aquae Sulis that grew up around them, make a significant contribution to the understanding and appreciation of Roman social and religious society. The 18th century re-development is a unique combination of outstanding urban architecture, spatial arrangement and social history. Bath exemplifies the main themes of the 18th century neoclassical city; the monumentalisation of ordinary houses, the integration of landscape and town, and the creation and interlinking of urban spaces, designed and developed as a response to the growing popularity of Bath as a society and spa destination and to provide an appropriate picturesque setting and facilities for the cure takers and social visitors. Although Bath gained greatest importance in Roman and Georgian times, the city nevertheless reflects continuous development over two millennia with the spectacular medieval Abbey Church sat beside the Roman temple and baths, in the heart of the 18th century and modern day city.
Integrity
Remains of the known Roman baths, the Temple of Sulis Minerva and the below grounds Roman archaeology are well preserved and within the property boundary as are the areas of Georgian town planning and architecture, and large elements of the landscape within which the city is set. Despite some loss of Georgian buildings prior to inscription, the Georgian City remains largely intact both in terms of buildings and plan form. An extensive range of interlinked spaces formed by crescents, terraces and squares set in a harmonious relationship with the surrounding green landscape survive. The relationship of the Georgian City to its setting of the surrounding hills remains clearly visible. As a modern city, Bath remains vulnerable to large-scale development and to transport pressures, both within the site and in its setting that could impact adversely on its garden city feel and on views across the property and to its green setting.
Authenticity
The hot springs, which are the reason for the City’s original development, are of undoubted authenticity. The key Roman remains are preserved, protected and displayed within a museum environment, and the Roman Baths can still be appreciated for their original use. The majority of the large stock of Georgian buildings have been continuously inhabited since their construction, and retain a high degree of original fabric. Repairs have largely been sympathetic, informed by an extensive body of documentation, and aided by a programme of restoration in the late twentieth century. More vulnerable is the overall interaction between groups of buildings in terraces, crescents and squares and views to the surrounding landscape that contributed to the City’s visual harmony. There is a need for new developments to respect the planning of the Georgian terraces, to respect the scale and rhythm of its structures, and to contribute to picturesque views.
Developed at home with caffenol. Recipe from www.flickr.com/photos/danpv/
My first posting to caffenol related groups!
SONY a7II + SIGMA MC-11 ( SA-E ) + 100-400mm F5-6.3 DG OS HSM C017 “ light bazooka ”
Developed by Adobe Photoshop Lightroom CC 2015.10
A newly developed structure to support street trees was installed Tuesday 8/11/2009 on Fourth Avenue just south of Virginia, at the new Escala Development. This is the first instance of use of this innovative product in Seattle.
The system is designed to contain roots of large trees in an urban setting. The structure should prevent damage of adjacent pavement and underground utilities by spreading roots and will provide predictability for future nearby work under the pavement. The modular structure was prescribed by SDOT to accommodate red oak trees required for the private development as a condition for removing existing trees. The developer will plant two new trees that will grow more quickly to full maturity using this system.
For more info about this system, visit: www.deeproot.com/
Developing spawn of Natterjack Toad (Epidalea calamita) in pond in a dune slack, Ainsdale Nature Reserve, Merseyside, UK. May.
Credit: Alex Hyde / Back from the Brink
Roll 2 Kodak Gold 200 Minolta Dynax 5 35-105mm f3.5-4.5 Developed In Bellini Foto C41 Kit Bury St Edmunds May-June 2022
Developed to Darth Vader's specifications, this highly advanced starfighter featured a reinforced space frame designed to withstand the most strenuous battle conditions. Other features included a sophisicated target tracking system, hyperdrive and deflector shields. Vader piloted this deadly ship in the Battle of Yavin, destroying several enemy fighters.
It wasn't until I developed this roll that I realised just how long it was in the Canonet.
I loaded it in June. And developed it in October.
That's what happens when you have five cameras loaded at the same time. Things take a while to get through.
I've still got rolls to finish in the Bessa, the OM-1 and the Mamiya. Lots of treats for you all... When I get around to finishing, developing and uploading, that is.
Dear Sir or Madam,
We China Auto manufacture, we are being search developing country parter or agent of assemble(gasoline, diesel) farming
truck,two,or one cabin pickup, Suv Series by Turn key project or joint venture. we had set auto assemble in Syria and west
africa and being build plant in south asia....
A. Market analysis
Our group developed some good products, like diesel mini truck, pickup, which is much more competitive in price but good in
performance, more suitable for the developing countries, the rural place. Our these vehicles can run on the tough roads,
Chassis better strong can be load weight used for farming,city....
Definition of our Turn Key Project
The turn key project is aiming at offering you an easy and quick approach to enter the automobile industry, we will help you
to establish an assembly factory and provide you automobile parts for assembling first, we export parts to your side under
SKD or CKD in order that great much cost will be cutted, we help you design and build up the assembly plant as well as
provide you necassery and detailed technology assistance till you master all required technologies and be capable to make
vehicles on your own totally, in general, this project is a great and convenient way for investors to enter a promising
automobile industry with comparatively much smaller investment (1/10-1/20 of the traditional automobile plant ).
Price list
1, farming pickup:(low speed 90KM/H, Strong power,high chassis,which is fit run on the farming road)
(1), One cabin pickup,diesel engine, 3 seat, EX Works USD 7699
(2), Two cabin pickup,diesel engine 5 seat EX Works USD 7999
2. Bigmt 2310 G gasoline engine truck single cabin, load 1.5 EX Works USD4199.00 Bigmt 2310 D Diesel engine truck
single cabin four Cylinder 1800cc Diesel engine load 1.5-2T EX Works (Chongqing China) USD4599.00 ; If CKD term + package
USD 4300.00
3, lorry Series
4, bus series
Regards &thanks please reply to three E-mail box at the same time, i afraid lost message) E-mail : wlwang186@21cn.com ;
15661-644@163.com ; wlwang@atv-big.com
Mr.Weilin Wang (Oversea market Manager) Mobile: +86-13110143845 ;
Oversea market deptment of China Big Science & Technology Development(Group)Co.Limited ;
604;607;Fax:67635036; Skype:W.L.Wang66:MSN:wlwangbig@msn.cn;http://bigmtauto.preview.alibaba.com
Walking in the streets
On the subway
On the bus
At the airport
Headphones have become as much a part of today’s fashion as hats were in the 1930s and appear in various styles – – – wireless, wired, Bluetooth, NFC, in-ear, over-ear and on-ear.
With this in mind, I...
www.tweet.ng/2016/04/3487-develop-a-head-for-music-and-ga...
Republic of Korea Air Force Aerobatic Team.
The T-50B is a supersonic training aircraft, powered by a single General Electric F404-102 Turbofan, originally developed for the F/A 18 Hornet.
A photo tour in Lyon Saint-Jean (Vieux Lyon), France on with my SLR Minolta SRT 101 (year 1971-1973) and a Minolta wide-angle lens MC W.Rokkor-HG 1:2.8 f=35mm of the same period. The camera was loaded with a Fujifilm Neopan Across II black-and-white film.
The 36-exposure film was exposed for 100 ISO and developed using The UltraFin T-Plus developper at dilution 1+4, 20°C, for 6min15s. Expositions were determined either by the camera readings or a Minolta Autometer III lightmeter fitted with a 10° finder privileging the shadow zones. The SRT 101 camera had a SR43 (or type "386") silver-oxide battery in a MR-9 adapter.
Quai Fulchiron, August 25, 2022
69005 Lyon
France
After process the film was digitalized using a Sony A7 body and a Minolta Slide Duplicator with a Minolta Auto Bellows III with a lens Minolta Bellow Macro Rokkor 50mm f/3.5.
Some documentary color pictures was also taken using a Android 5G Vivo Y76 smartphone and its photo application.
Yet another day at home during lockdown so I developed 14 films that have been taking up room in my fridge. I use a Sous vide to control the temperature in a water bath set to 41 deg C. I use a double Paterson system 4 tank to do 2 films at once. I used a Bellini Foto Monopart 1lt C41 Kit. The Developer was heated to 40 deg C as it drops by 2 deg c when poured into the tank. The rest is just timing and the temperatures are not as rigid as the developer. All 14 films came out OK with no problems. Tomorrow is scanning day.
I'm just getting back into developing my own film and, as usual, I'm not being very careful. This was a several-years-expired roll of Legacy Pro 100 film which I shot nearly two and a half years ago, left lying around in the meantime and finally developed this week. I wasn't very careful about spooling the film and thus left some undeveloped patches. I wasn't careful about the developer, its temperature, its agitation, nor its time. I likewise wasn't careful about fixing, aggravated by the poor spooling, so I have some silvering areas on this roll. That's the greyed-up bits at the top here. But through all that, I get an image I like.
This poor old house is not being looked after and is going to
collapse, if it doesn't get torn down.
This was shot in the Rollei XF35, a camera I do not like much. It is nowhere near as robust and solid as its sibling Rollei 35s (like the 35TE I have). But do not blame the camera for the faults of this picture. They are entirely faults of the photographer / darkroom guy.