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I have tried to find the correct name of this spider, but have failed. If there are any spider experts out there, could you please assist me with id please, thank you. I think it is the common stretch spider.
ANTALYA, TURKEY - MAY 27: Vice-Minister of Planning and Investment of the Lao People' Republic Khamlien Pholsena, Angola's Deputy Minister of Foreign Affairs Maria Braganca (C), Georgia's Deputy Minister of Foreign Affairs David Jalagania and Turkey's Deputy Minister of Foreign Affairs Naci Koru attend "2nd Plenary Meeting" held within the Midterm Review of the Istanbul Programme of Action for the Least Developed Countries in Antalya, Turkey on May 27, 2016. The Midterm Review conference for the Istanbul Programme of Action for the Least Developed Countries takes place in Antalya, Turkey from 27 to 29 of May 2016. The conference undertakes a comprehensive review of the implementation of the Istanbul Programme of Action by the least developed countries (LDCs) and their development partners and likewise reaffirm the global commitment to address the special needs of the LDCs. Mustafa Ciftci / Anadolu Agency
SONY a7II + SIGMA MC-11 ( SA-E ) + SIGMA MACRO 70mm F2.8 EX DG
Developed by Adobe Photoshop Lightroom CC 2015.9
ANTALYA, TURKEY - MAY 28: Ebubekir Gizligider, MP of the Turkey's ruling Justice and Development Party (AKP) takes part in the parliamentary session during the Midterm Review of the Istanbul Programme of Action at Titanic Hotel in Antalya, Turkey on May 28, 2016. The Midterm Review conference for the Istanbul Programme of Action for the Least Developed Countries takes place in Antalya, Turkey from 27-29 May 2016. Mustafa Ciftci / Anadolu Agency
Polish aid helped to develop agricultural cooperatives in difficult Palestinian conditions. Innovative solutions make it possible to cultivate vegetables without having access to agricultural land and with limited water resources. Crops are cultivated on the balconies, terraces and in the courtyards, and special attention is paid to optimal watering methods. / Dzięki polskiej pomocy w trudnych palestyńskich warunkach rozwijają się spółdzielnie rolnicze. Innowacyjność zastosowanych rozwiązań pozwala na uprawę warzyw bez dostępu do ziemi rolnej i przy niewielkich zasobach wody. Uprawy są zakładane na balkonach, podwórzach i tarasach, a szczególną wagę przywiązuje się do optymalnego sposobu ich nawadniania.
Foto: Elias Halabi
The research conducted by Drs. Emmett Redd and Steven Younger will contribute to the development of an advanced machine with a knack for common sense and the ability to learn well beyond the parameters of its programming.
hey guys i developed some film and also i shot some film?
i have a few old rolls that i need to develop. but i've been sick (i actually missed >1 of work and usually i skip 0 works for illness) and on saturday it was a lovely day and i figured fresh air and forcing myself to shoot would be good for me in two ways. i've also just been in an emotional slump, and spring is probably going to help that a bit but… only so much sunshine and butterflies can do, but photography always helps so again, i need to get back into this stuff. ugh, what a terrible ramble! i saw someone very dear to me last night who i did not expect to have in town, and i was all sick and exhausted, but it was so so so worth it. so that was the better part of the past handful of days. anyway here's something green and leafy. like a leafy-green. there. will. be. photos. all. week!
mar 30 2013
c&o towpath, near brunswick station, brunswick, md
vc160, exp 2007
rodinal 35c 12' 1:50 heavy agitation
Developing Film in Coffee
2013.01.12 photoed in Taipei City, Taiwan
咖啡顯影
2013年1月12日於臺北市拍的
Caffenol 30mins
From Wikipedia, the free encyclopedia
The Archibald Fountain, properly called the J.F. Archibald Memorial Fountain, widely regarded as the finest public fountain in Australia, is located in Hyde Park, in central Sydney, New South Wales. It is named after J.F. Archibald, owner and editor of The Bulletin magazine, who bequeathed funds to have it built. Archibald specified that it must be designed by a French artist, both because of his great love of French culture and to commemorate the association of Australia and France in World War I. He imagined its civic design and ornamentation developing to rival his dream city Paris. The artist chosen was François-Léon Sicard.
The fountain was unveiled on 14 March 1932 by the Lord Mayor of Sydney, Samuel Walder.
Classical tradition
Sicard was one of the foremost sculptors of his day, a classically educated artist, whose inspiration was derived, at least in part, from his study of classical Greek and Roman art and literature. In submitting his proposal for the design of the sculptural groups, Sicard wrote: "Apollo represents the Arts (Beauty and Light). Apollo holds out his right arm as a sign of protection, and spreads his benefits over all Nature, whilst he holds the Lyre in his left hand. Apollo is the warmth which vivifies, giving life to all Nature. At the touch of his rays, men awake, trees and fields become green, the animals go out into the fields, and men go to work at dawn.
"The ancient Pliny adored the sun, symbol of Life. It is on this account that I wished this figure to be the chief one in the memorial.
"At Apollo's feet the star of day is indicated by a semicircle, of which the rays spread out in jets of light (the rising sun). The horses' heads represent the horses of Apollo's chariot. Out of their nostrils the water will fall into the first basin, to fall from there into the second, and run away into the large basin.
"The large basin is divided into three groups. One represents Diana, goddess of purity, of peaceful nights, symbol of charity; the ideal which watches over mortals - all that stands for poetry and harmony. The second group symbolises the good things of the earth - it is the young god of the fields and pastures, of the pleasure of the countryside. The third group represents sacrifice for the public good. Theseus, vanquisher of the Minotaur. The spirit triumphs over bestiality. Theseus delivers his country from the ransom which it had to pay to this monster. It is the sacrifice of himself for the good of humanity. Between these groups tortoises throw jets of water. The fountain is electrically illuminated and floodlighted at night.
"It depicts Apollo, representing beauty and the arts, on a central column holding out his right arm as a sign of protection over all nature. On the three plinths radiating from the central column there are figures representing Diana, the goddess of purity; a group representing the good things of the earth; Theseus slaying a Minotaur, representing the sacrifice for the good of humanity."
Interestingly, Sicard quotes Pliny as one of the ancient Roman sources for the modern understanding of the qualities supposedly represented by the gods. Rather than merely using the visual examples of works such as those by Pheidias, the iconic sculptor of classical Athens, whose free standing and frieze statuary represent the acme of the classical depiction of the human form in larger-than life bronze or marble, Sicard used literary sources to explain the symbology behind the form. The figure with the ram and goat is possibly Aristaeus.
His choice of classical figures was in keeping with the European tradition of the sculpture and architecture of the precinct of Hyde Park. There is no indication in the writings of Sicard, or indeed, in the appraisal of his work, that there was any intention to link the figures in the sculptural groups with any religious or sexual themes.
Archibald Fountain, Hyde Park, Sydney
The Archibald Fountain, properly called the J.F. Archibald Memorial Fountain, widely regarded as the finest public fountain in Australia, is located in Hyde Park, in central Sydney, New South Wales. It is named after J.F. Archibald, owner and editor of The Bulletin magazine, who bequeathed funds to have it built. Archibald specified that it must be designed by a French artist, both because of his great love of French culture and to commemorate the association of Australia and France in World War I. He imagined its civic design and ornamentation developing to rival his dream city Paris. The artist chosen was François-Léon Sicard.
The fountain was unveiled on 14 March 1932 by the Lord Mayor of Sydney, Samuel Walder.
Classical tradition
Sicard was one of the foremost sculptors of his day, a classically educated artist, whose inspiration was derived, at least in part, from his study of classical Greek and Roman art and literature. In submitting his proposal for the design of the sculptural groups, Sicard wrote: "Apollo represents the Arts (Beauty and Light). Apollo holds out his right arm as a sign of protection, and spreads his benefits over all Nature, whilst he holds the Lyre in his left hand. Apollo is the warmth which vivifies, giving life to all Nature. At the touch of his rays, men awake, trees and fields become green, the animals go out into the fields, and men go to work at dawn.
"The ancient Pliny adored the sun, symbol of Life. It is on this account that I wished this figure to be the chief one in the memorial.
"At Apollo's feet the star of day is indicated by a semicircle, of which the rays spread out in jets of light (the rising sun). The horses' heads represent the horses of Apollo's chariot. Out of their nostrils the water will fall into the first basin, to fall from there into the second, and run away into the large basin.
"The large basin is divided into three groups. One represents Diana, goddess of purity, of peaceful nights, symbol of charity; the ideal which watches over mortals - all that stands for poetry and harmony. The second group symbolises the good things of the earth - it is the young god of the fields and pastures, of the pleasure of the countryside. The third group represents sacrifice for the public good. Theseus, vanquisher of the Minotaur. The spirit triumphs over bestiality. Theseus delivers his country from the ransom which it had to pay to this monster. It is the sacrifice of himself for the good of humanity. Between these groups tortoises throw jets of water. The fountain is electrically illuminated and floodlighted at night.
"It depicts Apollo, representing beauty and the arts, on a central column holding out his right arm as a sign of protection over all nature. On the three plinths radiating from the central column there are figures representing Diana, the goddess of purity; a group representing the good things of the earth; Theseus slaying a Minotaur, representing the sacrifice for the good of humanity."
Interestingly, Sicard quotes Pliny as one of the ancient Roman sources for the modern understanding of the qualities supposedly represented by the gods. Rather than merely using the visual examples of works such as those by Pheidias, the iconic sculptor of classical Athens, whose free standing and frieze statuary represent the acme of the classical depiction of the human form in larger-than life bronze or marble, Sicard used literary sources to explain the symbology behind the form. The figure with the ram and goat is possibly Aristaeus.
His choice of classical figures was in keeping with the European tradition of the sculpture and architecture of the precinct of Hyde Park. There is no indication in the writings of Sicard, or indeed, in the appraisal of his work, that there was any intention to link the figures in the sculptural groups with any religious or sexual themes
ANTALYA, TURKEY - MAY 29: Senior officer of Ministry of Environment and Forest Resources of Togo, Abiziou Paul Tchinguilou attends the "Climate Change in the Least Developed Countries" session as part of the Istanbul Programme of Action for the Least Developed Countries in Antalya, Turkey on May 29, 2016. Mustafa Kamacı / Anadolu Agency
The course presents best practices to develop and operate science centres and museums relating to our natural and cultural heritage, and supporting programmes for the public.
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Foto: Simona Cerrato
Participants at the break-out session,/group discussion at the 'UK-India Developing Talent Workshop' was held at National Chemical Laboratory, Pune on 16-17th September 2010. Follow us on Twitter: www.twitter.com/ukinindia
Just as neighboring nations can develop separate cultures — in part due to forces of nature that separate them such as rivers and mountains — so art and science often present themselves as if divided into two different cultures and languages. Paradoxically, the construction of bridges, as well as other vehicles intended to facilitate communication between different cultures, were projects originally assigned to artist-scientists. But just as bridges can be built, so can they be destroyed. And indeed, up to this day it seems that there are still too many bridges to be built, as well as others more fragile that need to be reinforced.
Photo: Florian Voggeneder
“Mulberry harbours were temporary portable harbours developed by the British during World War II to facilitate the rapid offloading of cargo onto beaches during the Allied invasion of Normandy in June 1944.
“After successfully holding beachheads following D-Day, two prefabricated harbours were taken in sections across the English Channel from Britain with the invading army and assembled off Omaha (Mulberry ‘A’) and Gold Beach (Mulberry ‘B’) [at Arromanches].”
“The Mulberry harbours were to be used until the Allies could capture a French port, initially thought to be around three months. However, it was not until six months after D-Day that the Belgian port of Antwerp was captured that use of the harbour at Gold Beach lessened. It was used for 10 months after D-Day and over 2.5 million men, 500,000 vehicles, and 4 million tonnes of supplies were landed using it before it was fully decommissioned. The Mulberry harbour at Omaha Beach had been severely damaged in a storm in late June 1944 and was abandoned.
“The Dieppe Raid of 1942 had shown that the Allies could not rely on being able to penetrate the Atlantic Wall to capture a port on the north French coast. The problem was that large ocean-going ships of the type needed to transport heavy and bulky cargoes and stores needed sufficient depth of water under their keels, together with dockside cranes, to off-load their cargo and this was not available except at the already heavily-defended French harbours. Thus, the Mulberries were created to provide the port facilities necessary to offload the thousands of men and vehicles, and tons of supplies necessary to sustain Operation Overlord and the Battle of Normandy. The harbours were made up of all the elements one would expect of any harbour: breakwater, piers, roadways etc.
“An early idea for temporary harbours was sketched by Winston Churchill in a 1917 memo to Lloyd George.[…]Winston Churchill issued his famous memo 'Piers for use on beaches' on 30 May 1942, apparently in some frustration at the lack of progress being made on finding a solution to the temporary harbour problem.
“At Arromanches, the first Phoenix was sunk at dawn on 9 June 1944. By 15 June a further 115 had been sunk to create a five-mile-long arc between Tracy-sur-Mer in the west to Asnelles in the east. To protect the new anchorage, the superstructures of the blockships (which remained above sea-level) and the concrete caissons were festooned with anti-aircraft guns and barrage balloons.
“Mulberry ‘B’ (British) was the harbour assembled on Gold Beach at Arromanches for use by the British and Canadian invasion forces. The harbour was unofficially named ‘Port Winston’ and was decommissioned six months after D-Day as allied forces were able to use the recently captured port of Antwerp to offload troops and supplies.”
Source: Wikipedia
From September 15th to 19th the second of the four JCOM Masterclasses, educational programmes aimed at an international audience and held by international experts takes place. For the 20 selected participants this interactive course represents a unique opportunity to discuss the state-of-the-art of science exhibition development with particular focus on the possible different design approaches, helping participants to reflect on the relationship between the different media, contents and visitors' experience.
Canon EOS3000V
Agfaphoto Vista 200
Developed with a Digibase C41 home kit in an Agfa Rondinax 35U daylight tank.
This session draws awareness to the need for governments to develop e-skills policies at the national level to ensure that every citizen has the necessary skills and ability to use ICTs. However, although governments are crucial players in an e-skilling a nation, e-Skilling is an ecosystem with different players who can all make a contribution to this national effort. The private sector is one such key player, and therefore, in the spirit of Private Public Partnerships (PPP), the private sector has a role to play in assisting governments in this task.
Day 2
13 May 2013
ITU/J.M. Planche
I developed this film using QWD ECN-2 chemistry. It's a long story about a gift of 4 Silbersalz rolls that should have included developing and scanning back in Stuttgart. Instead, the film took a round trip from New York to Frankfurt, getting stuck in German customs for months with indifferent support from Silbersalz. So upon their return to me, I developed and scanned them myself. QWD makes a great product for home development of Vision3.