View allAll Photos Tagged developing

For the ODC Challenge "Dreaming" I have always dreamed of developing my own film. I finally gave in and got everything needed to develop black and white film. Just developed my first roll of many.

From September 15th to 19th the second of the four JCOM Masterclasses, educational programmes aimed at an international audience and held by international experts takes place. For the 20 selected participants this interactive course represents a unique opportunity to discuss the state-of-the-art of science exhibition development with particular focus on the possible different design approaches, helping participants to reflect on the relationship between the different media, contents and visitors' experience.

2023.02.14 by iPhone 12 Max Pro

Se vacía el tanque y se procede al baño de paro.

 

Para el baño de paro se puede usar vinagre mezclado con agua. Los baños de paro están hechos a base de ácido acético y claro, es un ácido que si te cae por la piel quema. Usar vinagre da buenos resultados y es más seguro. Dejar 2 minutos la mezcla en el tanque.

No holes expired ortho copy film '90, exposed between 6 and 12 iso. Developped in Rodinal 1+100 @ 20° for 60 minutes. My first matchbox pinhole roll.

More than 50 National Guard senior enlisted leaders from across the state of Alaska attended a 5-day seminar, and gained first-hand familiarity of one mission delivered by the Soldiers and Airmen of the Alaska National Guard. During the week, these leaders visited Clear Air Force Station, Fort Greely, and Eielson Air Force Base, Alaska.

Bench, Hall of Mosses Trail

 

Hoh Developed Area Historic District

Olympic National Park, Washington

 

Olympic National Park

(after all that, we're still looking)

??, Keith, Charlie

 

I don't think they were developing a strategy. The player in the black helmet tended goal. The player in the red shirt must have done this before. I didn't pay attention to the player in the cap.

Developed some of my backlog of color film... It's going to take a while to get through all of them, will try and get more done thisnweekend. via Instagram ift.tt/2guajdD

Re-developed by LightRoom

The aftermath of the FPP walking workshop 2015. 120 b&w to be developed tomorrow by me. Everything else going to Tempe Camera tomorrow. I won the quirky Zenit donate by Sean Staples!

* Rolleiflex 3,5F Planar *

* Rolleipol filter *

* Ilford Delta 400 *

* Developed in Kodak Tmax, no dilution *

* Epson V500 scanner *

* Photoshop CS6 *

 

www.DavidStumpp.com

developed in the darkroom.

Under the Swastika

In the history of the Friends of the Kunsthalle too the seizure of power by the Nazis is a deep cut. The Nazi regime developed a practice of arts funding which was marked by the mandatory relationship of art and state.

The enforced conformity of friends meant the loss of independence and the orientation of the association's activities to the objectives of the National Socialist government. Decisive for this change of course, was the board meeting on 10 June 1933. The poet and art historian Wilhelm Niemeyer played the key role as the representative of the Militant League for German Culture (Kampfbund). The Kampfbund was a Nazi-oriented organization which represented a nationalist-racist concept of art. Although Niemeyer since 1927 no longer belonged to the board of the association, he participated against the resistance of Gustav Pauli and the other board members at the meeting to introduce a list of the Executive Board drawn up by the Kampfbund.

As a result of the meeting Pauli on the same day sent a list of candidates for the election of the new board of the Friends to the Kampfbund. This was his last official act for the Friends of the Kunsthalle. The new board then was no longer elected but appointed by the First Mayor Carl Vincent Krogmann and was completely re-assembled, with two exceptions.

New chairman became Hermann Maetzig who also headed the official business at the Kunsthalle from the beginning of October, Pauli in late September 1933 as director of the Kunsthalle was sent into retirement. On the part of the club members, there was no opposition against the replacement of the Board, they confirmed this one after a short debate on their general meeting on 31 October 1933.

The era Maetzig did not last long. Already in April 1934, he had to give up all offices for belonging to the Freemasons. His successor Wilhelm Freiherr Kleinschmit of Lengefeld remained until August 1937 executive director of the Kunsthalle and Chairman of Friends. In the action "degenerate art" to which the set up by Pauli collection of modern art in the summer of 1937 fell victim he did not participate. However, in the tenure of Kleinschmit fell the exclusion of Jewish club members. This marks the blackest chapters in the history of the club.

At the beginning of 1936, the Statute of friends was officially completed by an "Aryan paragraph". But already at the end of the fiscal year 1935, the Jewish members had been forced to leave the club. In September 1935, the new program of events was sent with a message of Kleinschmit. It was said there, the membership card will be issued only to those persons who signed a statement that they were "Aryans".

Alone in September and October 1935, 29 Jewish donors, so financially particularly committed members, had to leave the club. Among them are such famous names as Bleichröder, Budge or Warburg. In addition, there were also about 100 regular members who had been excluded. Against this background is hardly surprising that the number of members of the Friends in 1936 with 1,124 members reached a historic low.

The lecture program of friends during the Nazi period designed primarily Wilhelm Niemeyer, who was secretary of the association since August 1933. As already Pauli, he also succeeded to win a number of known German art historians. Speeches were held by university professors as Hans Jantzen, Hans Kauffmann or the befriended with Niemeyer, Wilhelm Pinder. Although the Kunsthalle was closed at the beginning of World War II to the public, the friends continued to offer lectures. Those ones, however, unlike as in the days of the Weimar Republic, as regards contents offered only little direct references to the collection fund of the Kunsthalle.

 

Unter dem Hakenkreuz

Auch in der Geschichte der Freunde der Kunsthalle stellt die Machtergreifung der Nationalsozialisten einen tiefen Einschnitt dar. Das NS-Regime entwickelte eine Praxis der Kunstförderung, die durch die zwangsweise Verbindung von Kunst und Staat gekennzeichnet war.

 

Die Gleichschaltung der Freunde bedeutete den Verlust der Selbstständigkeit und die Ausrichtung der Vereinsaktivitäten auf die Ziele der nationalsozialistischen Regierung. Entscheidend für diesen Kurswechsel wurde die Vorstandssitzung am 10. Juni 1933. Der Dichter und Kunsthistoriker Wilhelm Niemeyer spielte als Repräsentant des Kampfbundes für deutsche Kultur die maßgebliche Rolle. Der Kampfbund war eine NSDAP-nahe Organisation, die einen völkisch-rassistischen Kunstbegriff vertrat. Obwohl Niemeyer seit 1927 nicht mehr dem Vorstand des Vereins angehörte, nahm er gegen den Widerstand Gustav Paulis und der übrigen Vorstandsmitglieder an der Sitzung teil, um eine vom Kampfbund erstellte Vorstandsliste einzubringen.

 

Als Ergebnis der Sitzung schickte Pauli noch am selben Tag eine Vorschlagliste für die Wahl des neuen Vorstandes der Freunde an den Kampfbund. Dies war seine letzte Amtshandlung für die Freunde der Kunsthalle. Der neue Vorstand wurde dann nicht mehr gewählt, sondern vom Ersten Bürgermeister Carl Vincent Krogmann bestimmt und war bis auf zwei Ausnahmen völlig neu zusammengesetzt.

 

Neuer Vorsitzender wurde Hermann Maetzig, der ab Anfang Oktober auch die Amtsgeschäfte in der Kunsthalle leitete; Pauli wurde Ende September 1933 als Direktor der Kunsthalle in den Ruhestand versetzt. Von Seiten der Vereinsmitglieder gab es keinerlei Widerstände gegen die Neubesetzung des Vorstandes, sie bestätigten diesen nach kurzer Aussprache auf ihrer Mitgliederversammlung am 31. Oktober 1933.

 

Die Ära Maetzig währte nicht lange. Bereits im April 1934 musste er wegen seiner Zugehörigkeit zu den Freimaurern alle Ämter aufgeben. Sein Nachfolger Wilhelm Freiherr Kleinschmit von Lengefeld blieb bis August 1937 verantwortlicher Leiter der Kunsthalle und Vorsitzender der Freunde. An der Aktion „entartete Kunst“, der im Sommer 1937 die von Pauli aufgebaute Sammlung der Moderne zum Opfer fiel, war er allerdings nicht beteiligt. In Kleinschmits Amtszeit kam es jedoch zum Ausschluss der jüdischen Vereinsmitglieder. Dies markiert das schwärzeste Kapitel in der Geschichte des Vereins.

 

Zu Beginn des Jahres 1936 wurde die Satzung der Freunde offiziell um einen „Arierparagraphen“ ergänzt. Doch bereits am Ende des Geschäftsjahres 1935 hatten die jüdischen Mitglieder den Verein verlassen müssen. Im September 1935 wurde das neue Veranstaltungsprogramm mit einer Mitteilung Kleinschmits versandt. Dort hieß es, die Mitgliedskarte werde nur an solche Personen ausgestellt, die eine Erklärung unterschrieben, dass sie „ arischer Abstammung“ seien.

 

Allein 29 jüdische Stifter, also finanziell besonders engagierte Mitglieder, mussten im September und Oktober 1935 den Verein verlassen. Unter ihnen finden sich so berühmte Namen wie Bleichröder, Budge oder Warburg. Hinzu kamen noch ungefähr 100 ordentliche Mitglieder, die ausgeschlossen wurden. Vor diesem Hintergrund verwundert wenig, dass die Mitgliederzahl der Freunde im Jahr 1936 mit 1.124 Mitgliedern einen historischen Tiefststand erreichte.

 

Das Vortragsprogramm der Freunde während der NS-Zeit gestaltete in erster Linie Wilhelm Niemeyer, der seit August 1933 Schriftführer des Vereins war. Wie bereits Pauli gelang es auch ihm, eine Reihe bekannter deutscher Kunsthistoriker zu gewinnen. Es sprachen Universitätsprofessoren wie Hans Jantzen, Hans Kauffmann oder der mit Niemeyer befreundete Wilhelm Pinder. Obwohl die Kunsthalle mit Beginn des Zweiten Weltkrieges für das Publikum geschlossen wurde, boten die Freunde weiterhin Vorträge an. Diese wiesen allerdings – anders als zu Zeiten der Weimarer Republik – inhaltlich nur wenig direkte Bezüge zum Sammlungsbestand der Kunsthalle auf

freunde-der-kunsthalle.de/meta/ueber-uns/geschichte/unter...

Ektar 100

Rolleiflex SL66

V700 Scanner

Buddha Ariyamett Aram Temple

Morris, CT

 

Film Ferrania P30, 35mm | Nikon FM2

 

Stand Developed in Rodinal 1:100

 

scanned 2023

Wont it be good when this particular wasteland is re-developed. I believe there is a fabulous plan by a world-class architect. Will it go through? Over the head of the couple in the centre you can just see the end of Burton Arcade. If the couple keep straight on they will enter this strange space on the way to the Leeds Shopping Plaza.

Website Design Company Delhi

 

Balaji Web world is a unique Web Design (in India) firm offering a variety of services from basic HTML Website Design and Website development etc. Search Engine Optimization is a process to improve a Webpage ranking on a search engine. Techno Infonet is a reputed name as SEO India

 

Web Designing, Web Developing, with web site delivering is a complete process included in Web development. Balaji defines it as a complete Web Design and Development India Solution. Balaji can be your business partner for Web development, which can provide a platform to your company to reach new heights with. Our Web development technician works until out clients receive whatever they are looking for and until they get satisfied.

 

We have built a strong reputation as a – Web Design and Development India by consistently building Web pages and producing sites that are good looking, technically excellent and affordable for small businesses and individuals.

 

Our advanced SEO India skills and the tools what our technicians use, enable our clients to generate new business, at affordable cost. We never tried to get high rankings in one or two of the search engines for our clients, but always provided high rankings in most of the search engines round the globe. We provide the service for multiple search engines

 

Balaji Web world with the base at India is a professional Website Design Company. Our Web Designers focus on quality features of Web Design, Email Marketing and Multimedia Presentation. Company confers services such as Logo Designing and Search Engine Optimization (SEO) in order to enhance the overall look of the Brand.

Website Design Services:

Website Design

Website Design with Shopping Cart (E-Commerce), Website Design & Hosting Servicesm Website Search Engine Submissions, Website Domain Name Registrations, Website Design & Maintenance Services, Website Re-Design, cms web development, Content Management System, Ecommerce Development, ecommerce website design, joomla development

joomla development india, Offshore Outsourcing Company, Offshore Outsourcing India, Offshore web design India, Outsource Web Design India, php content management system, php programmer india, professional website designing, web application development, Web Design and Development India, Web Design Company India, Web Design India, Web Design Services, Web designing company India, web development company, Web Development India, Website Design, website design company, Website design in india, website design india, website design services, wordpress customization, wordpress theme design

Mobile : 9868330332

Email : balajiwebworld@gmail.com

Visit : www.balajiwebworld.com

does it matter where it was shot?

I've been developing a 3D virtual world called Elandria. These skyships are part of that. Here are two floating over a lake as several men wait in a nearby citadel.

 

This was created using 3D models in Cararra v8.0, DAZ3D and then finished up in Photoshop CS6.

Olympus OM-2n

28mm f2.5 Vivitar

Kodak 400

Self-developed

 

Nowton Park Autumn Colour Nikon F80 Nikkor 28-80mm F3.5-5.6 Fujifilm 200 ISO Home Developed In Rollei Colorchem C41 Kit 22-10-2022

paintin in loads of rain 2day

good day painting bad day alround

Rookie, Drift, Teaser, Cab and Gasp, cheers

After developing 30 rolls of B&W film, I am back to digital for color again.

1 2 ••• 35 36 38 40 41 ••• 79 80