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Roll #0009
My first self-developed color roll! Took a long walk to get through the roll (overcast, sunny, clear, stormy and snow are all the same afternoon!!) then hurried home to mix chem and develop.
I didn't have a water bath tub, and the CD41 lost more heat than I expected while I mixed up the blix (since I had the window open. because i was mixing up blix.) so I tried to add some more time to compensate.
Superia X-TRA 400, expired June 2019, box speed.
Nikon FE2
Loaded 2022/2/12, Unloaded 2022/2/19, Developed 2022/2/19
CineStill C-41 2-bath, ~5min @ ~98℉
Digitized 2022/2/19 (Nikon D7200, K-rings, Micro-NIKKOR-P AUTO 55mm, ES-1; 1", f/8+ @ ISO 100 over cheap USB lightbox)
Re-digitized 2022-03-29: K-M DiMAGE SE5400II, Vuescan 9.7.82, Lightroom Classic/NegativeLabPro
From September 15th to 19th the second of the four JCOM Masterclasses, educational programmes aimed at an international audience and held by international experts takes place. For the 20 selected participants this interactive course represents a unique opportunity to discuss the state-of-the-art of science exhibition development with particular focus on the possible different design approaches, helping participants to reflect on the relationship between the different media, contents and visitors' experience.
Location : Tebing TInggi, Jeram Pelangi, Kuala Sentul, Maran, Pahang, Malaysia
Email : shahreenphoto@gmail.com
Website : www.shahreenphoto.com
Thanks for the visit, comments, awards, invitations and favorites.
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The Rafflesia is rare and fairly hard to locate. It is especially difficult to see in bloom; the buds take many months to develop and the blossom lasts for just a few days.
Developing Film in Coffee
2013.01.12 photoed in Taipei City, Taiwan
咖啡顯影
2013年1月12日於臺北市拍的
Caffenol 30mins
From September 15th to 19th the second of the four JCOM Masterclasses, educational programmes aimed at an international audience and held by international experts takes place. For the 20 selected participants this interactive course represents a unique opportunity to discuss the state-of-the-art of science exhibition development with particular focus on the possible different design approaches, helping participants to reflect on the relationship between the different media, contents and visitors' experience.
The 22.5 cm Minenwerfer M 15 was a heavy mortar used by Austria-Hungary in World War I. It was developed by Böhler as an alternative to the German Ehrhardt 25 cm schwere Minenwerfer which Böhler was having problems building under license. It was a muzzle-loading, smooth-bore mortar that had no recoil system whatsoever. The entire mortar had to be levered around to aim at new targets. It was not particularly accurate and bombs often fell over in flight and landed on their sides which caused a lot of duds in soft ground. It fired high-explosive and gas shells. For transport two wheels from the Gebirgsgechütz M 99 were used.
The M 17 version of this weapon had an elevation screw with a double thread and reinforced trunnion bearings. It's unclear how the M 16 differed from the earlier model.
(Wikipedia)
From September 15th to 19th the second of the four JCOM Masterclasses, educational programmes aimed at an international audience and held by international experts takes place. For the 20 selected participants this interactive course represents a unique opportunity to discuss the state-of-the-art of science exhibition development with particular focus on the possible different design approaches, helping participants to reflect on the relationship between the different media, contents and visitors' experience.
Artist: Neil Austin
Title: Black, Red, Pink, Blue - God Bless You
Material: plastic
The Learned Society of Extra-Ordinary Objects
5 July - 3 September 2017
Terrace Rooms, Somerset House
London, England
From September 15th to 19th the second of the four JCOM Masterclasses, educational programmes aimed at an international audience and held by international experts takes place. For the 20 selected participants this interactive course represents a unique opportunity to discuss the state-of-the-art of science exhibition development with particular focus on the possible different design approaches, helping participants to reflect on the relationship between the different media, contents and visitors' experience.
The course presents best practices to develop and operate science centres and museums relating to our natural and cultural heritage, and supporting programmes for the public.
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Foto: Lisa Zillio
I developed this film using QWD ECN-2 chemistry. It's a long story about a gift of 4 Silbersalz rolls that should have included developing and scanning back in Stuttgart. Instead, the film took a round trip from New York to Frankfurt, getting stuck in German customs for months with indifferent support from Silbersalz. So upon their return to me, I developed and scanned them myself. QWD makes a great product for home development of Vision3.
Queen Elizabeth 2 Army Memorial Museum, Developed in the USA in 1950 as the Little Bulldog, the M41 Light Tank first saw action in the Korean War. The M41A1 Walker Bulldog first entered service with the New Zealand Army in 1960, where it replaced the World War II vintage Stuart and Valentine tanks. During the 1970’s and early 1980’s the Walker Bulldog was the New Zealand Army’s only tank and they were used in training exercises all over New Zealand. The Walker Bulldog was replaced in the mid 1980’s by the British Scorpion tracked reconnaissance vehicle. (), M41A1 WALKER BULLDOG LIGHT TANK, 02 July 2015 - Waiouru
Polish aid helped to develop agricultural cooperatives in difficult Palestinian conditions. Innovative solutions make it possible to cultivate vegetables without having access to agricultural land and with limited water resources. Crops are cultivated on the balconies, terraces and in the courtyards, and special attention is paid to optimal watering methods. / Dzięki polskiej pomocy w trudnych palestyńskich warunkach rozwijają się spółdzielnie rolnicze. Innowacyjność zastosowanych rozwiązań pozwala na uprawę warzyw bez dostępu do ziemi rolnej i przy niewielkich zasobach wody. Uprawy są zakładane na balkonach, podwórzach i tarasach, a szczególną wagę przywiązuje się do optymalnego sposobu ich nawadniania.
Foto: Elias Halabi
Paeonia 'Red Magic' (China) 2020 photo - (3-DB-RD) Lactiflora Cultivar Peony, pay-OHN-ee-uh lack-tih -FLORE-uh, Mature size: 30", Medium Height, large bomb double, cranberry red guard & center petals, good cut, needs support, midseason bloomer, USDA Hardiness Zone 3-8, Michigan Bloom Month 5c, In Garden Bed N1,05,4 for 1.8 YEARS (Wild ). Planted in 2018.
An heirloom. AKA Hei Hai Bo Tao (China). Little has been published on the origin of this plant and the photo on perennials.com is almost certainly incorrect. Roots did not develop in greenhouse. No visable buds 4/15/2019
Additional photos of this plant:
dn1-0016-030-exif
Minolta Dynax 7 and Sigma 18mm f/3.5
Fuji Neopan ACROS 100 developed in Microphen 1:1 for 18 min at 21C
All taken from my Olympus Trip 35 on Fuji 400
-Sacramento State
-Sacramento State
-Old Sac
-Kodaiko Ramen
-Sutter Creek
I have recently developed a near epic obsession with knitting... much worse than the last time I dabbled in yarn related endeavors. I got the book One Skein. I got some beautiful Icelandic Lopi wool from a swap partner. I decided to try making the cabled footies from the book. Immediately after casting on (gauge? swatch??? wtf are you talking about??) I realized that the wool was much chunkier than the pattern called for but I forged ahead figuring it would be a great experiment. About 2 inches in, I realized there was no way that this one ball of wool would be enough for 2 of these socks. But again, I charged ahead, with the reasoning that this was good practice for acutal sock knitting..... It was. And so now I have this rather large, itchy cabled sock thing with no mate. Everyone in the house has tried it on, deemed it very nifty and comented on its itchiness, hotness and overall odd-looking-ness. Its probably big enough for two feet so maybe there's no need for a mate. I'm open to suggestions as to what to do with it. Fireplace log caddy, perhaps?
Natural bridge developed in Ordovician dolostones and limestones in Virginia, USA.
Rock arches are rare erosional features. Rock arches that are not formed by river or stream erosion are called "natural arches". Those that are formed by river or stream erosion are called "natural bridges". Natural bridges are rarer than natural arches. The highest concentration of natural arches on Earth is Arches National Park in eastern Utah, USA. Very small erosional openings in rocks are called windows. Larger erosional openings are arches.
Shown above is a natural bridge in Virginia, USA. The rocks are Ordovician-aged carbonates. The arch itself is composed of dolostone with floating quartz sand grains. This unit is mapped as the lower part of the Beekmantown Formation (Lower Ordovician) by Spencer (1968). The cliffs below the span are marine, sparsely-fossiliferous limestones of the upper Chepultepec Formation (Lower Ordovician).
Natural Bridge of Virginia is hypothesized to have formed by roof collapse of a large cave passage containing an underground river.
This rock arch is ~215 feet high, ~40 feet in vertical thickness, ~100 feet in lateral width, and has a ~90 feet span between the underlying cliff walls.
Locality: Natural Bridge State Park, southern Rockbridge County, west-central Virginia, USA
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Geologic info. from:
Spencer (1968) - Geology of the Natural Bridge, Sugarloaf Mountain, Buchanan, and Arnold Valley Quadrangles, Virginia. Virginia Division of Mineral Resources Report of Investigations 13. 55 pp. 4 pls.
ANTALYA, TURKEY - MAY 18: Kursunlu Waterfall is seen in Antalya province in Turkey on May 18, 2016 as Antalya will be the host the conference for the Istanbul Programme of Action for the Least Developed Countries. Kursunlu waterfall situated in the midst of a pine forest of exceptional beauty, and the environs provide a picnic and pleasure spot about twenty minutes by car from the centre of the city of Antalya.
Aykut Ünlüpınar / Anadolu Agency
From September 15th to 19th the second of the four JCOM Masterclasses, educational programmes aimed at an international audience and held by international experts takes place. For the 20 selected participants this interactive course represents a unique opportunity to discuss the state-of-the-art of science exhibition development with particular focus on the possible different design approaches, helping participants to reflect on the relationship between the different media, contents and visitors' experience.
Adventuring in my neighborhood for a walk in Lyon, Cuire, France, in places next to my home where I never been since 30 years of living here ...
As companion, I took my beloved Japanese Olympus OM-1 MD SLR (year 1976) and its normal lens G.Zuiko Auto-S 1:1.4 f=50 mm. I loaded a 36-exposure film super-panchromatic Rollei Superpan 200 (extended sensibility to the near IR at 780 nm, AKA Agfa Aviphot 200).
The film was exposed normally for 200 ISO using a Minolta Autometer III light-meter fitted with a 10° finder or the camera readings privileging the shadow areas . No red filter was used aside the regular protective 49mm filter of the lens '-(Skylight). The film was then developed using the Adox Adonal (same as Agfa Rodinal) at the dilution of 1+25 for 8 min at 20°C giving very nice high-contrast negative views.
Jardin de l'Eglise Saint-Romain-de-Cuire, November 14, 2022
Rue Pierre Brunier
69300 Caluire-et-Cuire
France
After process the film was digitalized using a Sony A7 body and a Minolta Slide Duplicator with a Minolta Auto Bellows III with a lens Minolta Bellow Macro Rokkor 50mm f/3.5.
All views of the film, including the the film initialization, are presented in the dedicated album either in printed framed versions and unframed full size jpeg.
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About the camera :
My Olympus OM-1 D was found from my local photography shop in Lyon, France, May 31, 2022.
Olympus OM-1 MD was commercially available from 1974 to 1978 and represented the fully mechanical SLR of a new class ("miniature SLR's") , smaller and lighter than anything ever made before. It prefigured the size of most of the SLR's in the 80's.
The kit included the normal lens G.Zuiko Auto-S 1:1.4 f=50 mm, a Zuiko Auto-Zoom 1/4 f=75-150 mm with Olympus original rigid case, a Sigma Tele-Macro x2 converter, a small flash Olympus PE200 (GN 14 at 100 ISO) with case, A Crystal Titanium x 0.48 wide-angle converter (still never tested), and several 49 mm filters.
This specific camera was constructed in Jan. 1976 according to the printed reference "ス ("su ") 615" on the back of the film plate.