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Women of Color in Tech stock images, Women in Tech stock images

Camera : Toyo-View G

Lens : Fujinon.W 1:5.6 / 210

Film : Ilford FP4 (4X5)

Lightmeter : Sekonic L-358

Developer : Ilfotec LC29 /

Fixer : Ilford rapid fixer /

(& Ilford washaid)

Scanner : Epson V700 /

Software : Elements / Aperture / iMac /

Mirror Lake trail, Yosemite National Park

 

590nm IR-converted Pentax K-5

Rokinon tilt/shift 24/3.5

Iridient Developer

Fujifilm X-T1, XF18-135mmF3.5-5.6 R LM OIS WR, RAW / Iridient & Lightroom 5.5

  

Fuji X Secrets workshops

  

Read the X-Pert Corner blog.

  

New books:

  

Die Fujifilm X-E2. 100 Profitipps

  

Mastering the Fujifilm X-E1 and X-Pro1

  

The Fujifilm X-E2 – Beyond the Manual

Annually developer cooking session of 5 1/2 liters

I love this picture. Combination of 1970s film and 1930s developer. Really looks like it a 1950s vintage. Helps to have shitty glass.... lol Helps that the sun was behind me for this shot.

 

‘Round-about town with the Lomography Diana + 20mm glass lens “fisheye” on a Nikon F4s (think thousand dollar holga with meter and auto film advance) with long expired Kodak Plus X Pan film. Film was shot at ISO 100 and developed one shot in homebrew Edwal 12 developer – 1:10, stand developed for 44 minutes. It was overcast and late in the day, sun was often behind the subjects and interfered with some of the scenes, but that is what you get. The church has been here probably since the 1930s and I only noticed it was being torn down and may be the last shots I could get of it, so I did what I could. I love this developer with this film. It is a fine grain developer and certainly popular with Plus-X over the decades.

 

Since this if the first time using a strict Edwal 12 formula in dilution and stand developing, I think these shots could have used a bit more development time. Any combination of slightly more light (or proper light), more dev time, or decrease the dilution. We’ll see on round 2.

 

Holga 120N

Ilford PANF PLUS

developed in TMAX developer

Developers Slowly Destroying the City

º

Nikon F-801s

Soligor C/D Zoom+Macro 28mm-55mm/ƒ3.3

Fuji Acros 100 II

Silvermax developer 1:29_12:30 [N+1]

2-panel stitch

º

developer: Fuji SPD super Prodol 1+4 5'30" (20c)

The Film Photography Project now brings you D96 B/W negative developer. Long used in the motion picture industry as the standard B/W developer, but previously only available in very large quantities. We now have it available in powder to make 1 US Gallon.

 

D96 is a lower contrast film developer with the ability to increase the contrast by increasing your developing times or agitation. We have tested this developer with not only cinema films like X2 (Eastman Double-X), ORWO Cinema Films and FPP LOW ISO BW, but with standard B/W films like Kodak Tri-X. T-Max and Ilford FP4 an HP5 films.

For Processing BW Film - Not For Drinking!

 

The FPP’s new Caffenol Developer for Black and White Processing at home! CUP O’ JOE is a powder solution in a handy pouch that when mixed with water produces 1 Liter of BW Home Developing solution that will process up to 4 rolls of 35mm, 120 or 8 4x5 sheets of BW film.

filmphotographystore.com/products/darkroom-supplies-caffe...

View from the bridge on the main highway.

 

Pentax K-1

SMC Pentax 1:2.8 30mm

Iridient Developer

Young yellow sac spider on a keyboard.

Camera: Yashica J2

Lens: F:1:3.5 32mm

Film: Foma 100 ISO bulk

Developer: Adox Adonal. 7' 30''. 21 C

Stopbath: 1' 00''

Fixer: Fomafix. 5' 00''

Epson Perfection 3170 Photo

developer: Fuji Microfine 10' (20c)

So I've now developed my first test roll of FP4+ for 510-Pyro, using RZ67.

This was at box speed, following published dev time of 10mins at 20ºC. I screwed up the last frame in the sequence, so the bottom row frames here are the same (the last one should be a stop darker for Zone 10).

I was hoping to make an argyrotype of this today to confirm, but I've compared this against my set of test negs for Pyrocat HD and I think the film speed is OK actually, at 125 (as opposed to 64 which I used for PyrocatHD) but, even with the extra zone 10 exposure here, I still think I could go a stop up in the development time, so N+1 would be N for a bit more expansion in the highlights. So perhaps 12'15".

Will try to expose and process some 10x8 sheets and see. Not a particular hardship if they don't quite work for argyrotype because they'll scan fine.

 

Quick thoughts on the difference in use between the two developers.

1) I'm v glad to not have to do the extra steps that I've been doing with PyrocatHD, e.g. using a v weak acetic acid stop bath, and a hypo clear step (though tbh I don't think either of these were either totally necessary or desirable).

2) I wish 510-Pyro was less gloopy and messy and more easily mixed in (for Pyrocat HD in glycol I happily used a 5ml measure for both parts as opposed to a cumbersome syringe process, which I started with for Pyrocat but ditched. 510 is far too gloopy to afford this convenience it seems).

3) The stain seems good to me!

4) Looking forward to making a better fixer. Since I've run out of TF4, I've been using my own alkali hypo+soda mix, but this easily runs past 10mins fixing time (this was the second run for this lot of fixer and the clearing time was 7 minutes, starting at 5mins). I could use Ilford Rapid Fixer but don't want to reduce the stain particularly.

Also NB pink tinge is a reminder to wash the negs properly (I just did these using Ilford method, which isn't enough, clearly). If the tinge is still there after 10 cycles of water, then I'll reintroduce the hypoclear step maybe.

This is a experimental piece that i did a few years ago of a photograph that has been manipulated during the processing stage. The darker areas of the image display where the developer has been sprayed or brushed on like a painting as the image is developed over the top.

 

You can see more of the art work at my website at www.markchadwick.co.uk. Thanks for viewing!

Nikon FM3A

Acros 100

Perceptol developer

 

The first of June, 2015. Moscow.

 

Pentax-SV / Super-Takumar 55:1.8 / Native AGFA-Gevaert APX-100 / nothing of any exposure-meter - pretty experience only / Developed by selfmade metol-hydroquinone developer.

Hasselblad 503CX

Kodak TMX 100

Kodak T-max film developer

Ilford Multigrade FB 1K

Ilford Multigrade paper developer + Hypam fix

 

Since my new darkroom is still not finished, and I will have to wait a few more weeks (gahhh. ..), and I have nowhere to hang film, so I can not even develop more film so far because of it, I thought that I should scan a few old copies from back in the time when I had a working darkroom.

These two are on a hunters hiding place that has passed its best before date some time ago, deep inside a forest which I and my family often visited.

   

Meeting older people. La conversación. Plaza Tirso de Molina. Madrid España. Leica-M6 TTL 0,72 Elmarit-M 1:2.8/21 mm ASPH.

Nikon super Coolscan 5000ed.

Ilford Delta 100asa. Kodak developer HC 110 1+31 (B)

What they talk about?

 

🔴Leica my point of view.

Wetzlar, Deutschland.

 

Leica-CL 1974 Rangefinder

 

Leica-M 6 TTL 0.72 1998 Rangefinder

 

Leica-M6 TTL 0.85 2001 Rangefinder

Homemade coffee based film developer.

My formula:

 

Dissolve 5tbs instant coffee in 6oz water.

Dissolve 4tbs washing soda in 2oz of water. Stir until uniform.

Add soda solution to coffee.

Dissolve 1000mg Vitamin C in 2oz water. Dissolves fast.

Add Vitamin C solution to coffee/washing soda mixture.

 

Put in freezer until temp lowers to 20C.

 

I developed for 15 minutes, agitating 15 seconds for every minute of development.

  

I don't know why i make move from hyd to bengaluru perhaps it may be my fate when ever I was in Hyderabad that was an awesome days I had and some of excellent people I've met in my life actually when I'm in by B.E I was not int to go hyd but when I make a move to hyd that was a bit scar and a bit exicted

Nikon F100, Tri-X Pan 400, @iso 400, expired 2003.

Self developed in Barry Thornton's 2 bath developer (Bath A: 4mn, Bath B: 4mn, 21C).

The recipe is here: www.barrythornton.com/

Fujifilm X-M1, XC16-50mmF3.5-5.6 OIS, all pre-production, RAW / Iridient Developer & Apple Aperture

  

Read the X-Pert Corner article about using the X-M1 and the two new lenses (XF27mmF2.8 & XC16-50mmF3.5-5.6 OIS) on June 27th.

  

Free PDF reading samples from my current book on the X-Pro1 (also suitable for X-E1 users):

  

English: Mastering the Fujifilm X-Pro1 (reading samples, 65 pages, PDF)

  

German: Das Fujifilm X-Pro1 Handbuch (65 Seiten Leseproben, PDF)

Mamiya 645J with Sekor C 2.8/80mm; Kodak Tri-X 400 @ 200 stand-developed in Rodinal 1:100, 60 min/19C

Bigger version and story here

Kentmere100 + T-Max developer. I found the liquid contains some sticky substance at development.... I have discarded it and have prepared SPD ( Super prodol ) for substitution.

© István Pénzes

Please NOTE and RESPECT the copyright.

 

Spring 2019 @home

 

Leicaflex SL2

Summilux 80mm

Kodak T-max 400 @100

Kodak T-max developer

Imacon Flextight 343

Rolleicord 2b on FP4+, Rodinal 1:50, 15 minutes, with way expired developer.

Hasselblad 500 C/M  C Planar 80mm f2.8

T-MAX 100  T-MAX Developer 1:4  20℃  7'30"

Hasselblad 500C

CARL ZEISS Planar C 80mm f2.8 T* Lens

Fuji Neopan 100 Acros BW Film 黑白菲林

Rodinal developer 1+25 4min 18C developed in Apr 2016

Plustek OpticFilm 120 film scanner

台灣 Taiwan Formosa

242526Dec2015

 

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