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A less traditional view of Battersea Power Station. It won't look like this for much longer...

As promised since our update to the Venus, Isis and Freya bodies are now complete and our developer kits have been updated we will now reopen our applications to apply to be a Belleza Mesh Creator....

 

Details on our blog: BELLEZA MESH CREATOR APPLICATION & AGREEMENT – NOW OPEN!

Backdoor/Patio area on one of the units. The framework for the sliding glass door can still be seen in the middle of the doorway although all the glass is scattered across the patio & kitchen floor. Alley on one of the 6 streets in what was supposed to be a semi high end 4-plex housing develpment. To date a total of 37 units were built and currently are in some state of completion as they were when work was halted. Doomed from the start due to no county building permits, some units being built in a flood zone and the spending of loan money on the developers sons wedding not to mention floating a loan to a relative to start up a car dealership.

 

Night, near full moon, fair amount of low cloud cover, 240 second exposure, protomachines flashlight set to blue and orange.

 

If your interested you can read a short article here about it. www.onlyinyourstate.com/texas/abandoned-houses-tx/

It's crazy to think it has been just over four years since the last train rolled across this bridge in February of 2018. Even then, the bridge was in a sorry state with its copper wiring stolen, which is what rendered it inoperable in the first place, and the bridge taking several hours to limp into position. This bridge, once a testament of Milwaukee Road engineering, will never be closed for rail traffic ever again.

 

Bridge Z-6 was built in 1899 by the American Bridge Works and designed by Onward Bates, the Superintendent of Bridges and Buildings for the Milwaukee Road at the time. The bridge's unique bobtail design was the answer to the geographical constraints of building a swing bridge with a 100-foot clearance on a bend on the North Branch.

 

For over a century, this bridge was the gateway to the industrial wastelands of Goose Island and Kingsbury Street, and Milwaukee Road operated an extensive switching operation based at Division Street Yard. After several decades of deindustrialization, hungry land developers, local aldermen, and residents successfully ran out the last remaining businesses east of the river. The Chicago Terminal attempted a car storage operation on the island in 2017 which proved to be short-lived. By February of 2018 when the last train rolled across Z-6, Sterling Bay, the developer that acquired the adjacent Finkl property, had ran the railroad off the island.

 

In this view, we are looking southeast past the decrepit bridge shanty towards downtown Chicago. The North Branch is on the right and the empty Finkl property on the left. In the distance on the left is the shuttered General Iron scrap yard which was successfully run out by the city earlier last year.

 

Be sure to check out my photo album from Bridge Z-6.

Gravestone of two, I guess brothers (at least in arms): older Ivan (Иван Иванович Буртик) and younger Peter (Петр Иванович Буртик)

 

There is a report which says where Ivan was buried just after battle of Poznań in which he died: pamyat-naroda.ru/heroes/memorial-chelovek_donesenie80909860/

 

Report says:

Ivan Ivanovitch Burtik

Date of birth: 1915

Place of birth: Byelorussian SSR, Brest region, Brest district, village Kolodno

Place of conscription: 08/06/1944 Brest RVK, Byelorussian SSR, Brest region, Brest district

Last place of service: 236th Infantry Division

Date of leave: 21.02.1945

Reason for leave: killed

Primary burial place: Poland, Poznań Voivodeship, Poznań, Piłsudski str., on the square, between the house and the theater, a mass grave.

 

Zorki 1D - №4830526

Industar-22 1:3,5 f=50mm P N5414989

Fomapan 200

Fomadon Excel Stock (for 6:30min)

Kodak Tr-X rated at 1600, Diafine developer. Scanned with iPhone from original print.

Engine block in the woods, Bothell, Washington.

 

Camera: Leica IIIf

Lens: Leitz Wetzlar Summitar 5cm f/2

Film: Kodak Tri-X 400

Developer: Rodinal 1:50

Fort Custer Recreation Area near Augusta, Michigan. January 9, 2016.

 

Pentax Mz-S

FA 28-105 f4-5.6

Kentmere 400 rated @400

Tmax developer 1+4, 6min @ 20c

 

Toned image from scanned B&W exposure. My first experiment with Tmax developer and K400.

 

16-00575_tu6

UN 54 film developed in PMK developer. This developer is a bit different as it really enhances the greyscale

1/6

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Developer Console (Free camera) | Hud Toggle

Original Photo 5k (15Mp)

Reshade

Photoshop Edit

NEW YORK, NY - SEPTEMBER 29: Head of the Marketing Developer Program Pinterest Michael Akkerman, VP of Strategic Accounts Adaptly Ruth Arber, Social Media Editor Mashable MJ Franklin, VP, Acquisition Marketing Plated Greg Laptevsky and Community Manager HGTV Mallory Ziglar speak at the Nasdaq Innovation Series: Very Pinteresting panel at Nasdaq MarketSite during 2016 Advertising Week New York on September 29, 2016 in New York City. (Photo by Roy Rochlin/Getty Images for 2016 Advertising Week New York)

Developer stamp on back reads "This is a Kodacolor Print. Made by Kodak. July 1963. L.W. Ward, Cedar Rapids, Iowa."

Photo was found on eBay.

Fujifilm X-T1, XF18-135mmF3.5-5.6 R LM OIS WR, RAW / Iridient & Lightroom 5.5

  

Fuji X Secrets workshops

  

Read the X-Pert Corner blog.

  

New books:

  

Die Fujifilm X-E2. 100 Profitipps

  

Mastering the Fujifilm X-E1 and X-Pro1

  

The Fujifilm X-E2 – Beyond the Manual

Darkroom, Film, Warm Tone Paper, Painted on Developer

First attempt at developing black and white at home came out alright. There are some scratches on some of the film negatives as struggled to load the film onto the film reel in the dark.

 

Camera: Canon EOS 3

Lens Canon 50mm F1.4

Film HP plus 400

 

Developed in Ilford Ilfosol 3 Developer 1:9 for 6.30 minutes

Hasselblad 500CM C-Planar 80mm f2.8 T* Fuji Neopan Acros 100 developed in 1:40 Rodinal 11 min at 20C , printed with a LPL7453 enlarger with a Fujinon 135mm/5.6 lens on Fuji Variograde at C00-M32-Y41 and developed with Adox warm tone developer 11x11cm Print scanned at 600 dpi.

developer: Fuji Microfine 1+1 10' (20c)

Hamburg

 

Rolleiflex 3.5B, Bergger Pancro 400 in Atomal stock, yellow filter

Development details on FilmDev

Minolta Autocord, Kentmere 100, Caffenol CL-CS, 15C starting temperature, 50 minutes.

The ruins of prussian city Cüstrin - some people call it "Poland’s Pompeii on the Oder". The city with a beautiful castle (where the future Prussian king Fryderk II was imprisoned) stood in the way of Stalin's army in 1945. Today, there is nothing left of the old city - from the knees up!

 

Minolta Dynax 505si Super

Mir-1B 37mm f2.8

AgfaPhoto APX 400 @ 400

Foma Fomadon Excel 1:1 for 12mins (20C)

For Processing BW Film - Not For Drinking!

 

The FPP’s new Caffenol Developer for Black and White Processing at home! CUP O’ JOE is a powder solution in a handy pouch that when mixed with water produces 1 Liter of BW Home Developing solution that will process up to 4 rolls of 35mm, 120 or 8 4x5 sheets of BW film.

filmphotographystore.com/products/darkroom-supplies-caffe...

Camera: Nikon FE

Film: Kentmere 400

Lens: Lensbaby Composer Pro, Sweet 80, Yellow Filter

Somewhere in Poland 2. Kiev 60 with Volna-3. Fomapan 200/120 home-developed with Kodak T-max. Scan Epson V600, slightly cropped.

The Film Photography Project now brings you D96 B/W negative developer. Long used in the motion picture industry as the standard B/W developer, but previously only available in very large quantities. We now have it available in powder to make 1 US Gallon.

 

D96 is a lower contrast film developer with the ability to increase the contrast by increasing your developing times or agitation. We have tested this developer with not only cinema films like X2 (Eastman Double-X), ORWO Cinema Films and FPP LOW ISO BW, but with standard B/W films like Kodak Tri-X. T-Max and Ilford FP4 an HP5 films.

Pentax MZ-S with smc Pentax FA 31mm Ltd + yellow filter; f8, 1/30 sec. Adox HR-50 (use by 02/2020 stock). Developer - Adox HR-DEV (11 mins) & Rondinax 35 U daylight tank

developer: Kodak T-Max 1+7 (20c) 8'30"

Mini Ian likes to bathe in strong coffee - it makes him stay awake longer and write more code.

developer: Fuji Microfine 10' (20c)

Deutsche Musteransiedlung Golenhofen - niemiecka wzorcowa wieś osadnicza: goleczewo.com/golenhofen/

 

Meopta Flexaret IIa (S/N:30130190a)

Meopta Mirar II 1:3.5 f=80mm (S/N: 20449300)

Foma Fomapan 100 (200 ISO)

Agfa Rodinal 1:50 for 12 min (20C)

I'm already using coffee (caffenol c) as a developer for my bw films. Today I want to try to cross process a fuji nph 400 color negativ film. Took a few pictures this morning. On some blogs about caffenol there was mentioned that coffee is also able to develop these color films and is even used for paper prints. The color is almost 'washed' away but the film then is some kind of toned. I'm looking forward for the results.

 

Things needed are:

 

* instant coffee

* soda

* vitamin c

* potassium bromid

* citric acid

* fixing liquid

* a tank for the film

  

The film stays in the soup for about 15 minutes. The tank should be carefully agitated for the whole first minute and then three times every minute. After flushing with water the process is stopped by citric acid. The citric acid solution stays in the tank for 1-2 minutes. Then after another flushing with water fill in the fixer (e.g. Ilford Rapid Fixer or any other available for b&w films). Fixer stays for 8-12 minutes. Then wash the film following the Ilford scheme (3-6-12-24 agitations or 5-10-15-25). Last step is flushing with distilled water.

developer: Fuji Microfine 8'30" (20c)

en.wikipedia.org/wiki/Prater

 

Pentax Z-1 (S/N:5834470)

SMC Pentax-FA 1:1.4 50mm (S/N:4220696)

Kodak Double-X 5222 at ISO200

Fomadon Excel 1:1 for 9 m. 30 s. (at 20C)

Homemade coffee based film developer.

My formula:

 

Dissolve 5tbs instant coffee in 6oz water.

Dissolve 4tbs washing soda in 2oz of water. Stir until uniform.

Add soda solution to coffee.

Dissolve 1000mg Vitamin C in 2oz water. Dissolves fast.

Add Vitamin C solution to coffee/washing soda mixture.

 

Put in freezer until temp lowers to 20C.

 

I developed for 15 minutes, agitating 15 seconds for every minute of development.

  

Fujifilm X-M1, XC16-50mmF3.5-5.6 OIS, all pre-production, RAW / Iridient Developer & Apple Aperture

  

Read the X-Pert Corner article about using the X-M1 and the two new lenses (XF27mmF2.8 & XC16-50mmF3.5-5.6 OIS) on June 27th.

  

Free PDF reading samples from my current book on the X-Pro1 (also suitable for X-E1 users):

  

English: Mastering the Fujifilm X-Pro1 (reading samples, 65 pages, PDF)

  

German: Das Fujifilm X-Pro1 Handbuch (65 Seiten Leseproben, PDF)

Developer's date of July 1978 is stamped on back. Photo was found on eBay.

This scene was a test of how well Provia could capture a scene with a LOT of dynamic range. Metering puts this scene at 7 stops, from the darkest ceiling at 10 seconds to the bright trees out the window at 1/20. It's confirmed - slide film is good for about 5 stops, maybe 4 1/2 :) The trees are obviously blown. The edge of the window (at 1/3 second) held good detail. If the day was overcast and I got down to 4 stops of range, this would have turned out a bit better - if still a boring shot :)

 

Camera: Wista 45DX

Lens: Nikon Nikkor SW 90mm F/4.5

Film: Fujifilm Provia 100F expired in Oct, 2004

Exposure: ISO 100, f22, 2 1/2 seconds

Movements: almost full front rise

Developer: Tetenal E6 kit, developed according to instructions in a Jobo CPE-2

developer: Fuji Microfine 1+4 15' 20C

film expired in 2014

Developer used was green tea, vitamin c, and washing soda, plus a spoon of peppermint leaf. Pre-soaked 5 minutes. Semi-stand for an hour. Fuji Superia 400 film. Camera used was Superheadz Black Slim Devil. Scanned with Epson Perfection v500. Bit of contrast adjustment in the Gimp.

Cyanotype print from large format negative 9x12. The picture was taken using vintage camera with Ibsor DRP lens 4.5/135 on Fomapan 200 developed with Kodak Tmax developer. Scan Epson V600 with colour 24k palette. Genuine colour.

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