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film: Rollei RPX400
develop: Xtol (Bellini) 1+1
cam: Rolleicord IV
place: Amsterdam
first use of Xtol: lots of light tones
My plans around Watford rapidly changed when I visited Cassiobury Park and discovered they were in the process of moving a few dinosaurs around. You know how it goes.
This was a grab shot through the car window before I parked up properly and shows a Triceratops, or at least a Homo sapiens interpretation of it, being transported in the park.
I now know that it forms part of 'Jurassic Encounters' which consists of around 50 automated dinosaurs that move their jaw and limbs and growl - it lasts from 2nd to 18th April 2022.
Despite the event name, the Triceratops did not roam the planet in the Jurassic era, coming much later in the Late Cretaceous period, and only existed about two million years prior to the Mass Extinction.
Cassiobury Park, Watford, Hertfordshire
28th March 2022
20220328 IMG_7817
* Kodak Retina Ia with the 2.8 Xenar lens made 1951-1954
* HP5+ film
* D76 (1+1) developer
I used this camera: flic.kr/p/2jbsXpK
Film: Kodak Tmax 100, 35mm
Camera: FM2n
Lens: AF Nikkor 50mm, 1:1.8
Pre-wash: 2 min, 24C
Developer: Rollei RLS, dilution 1+4, 9 min (30 sec agitation, 8.5 min continuous hand rollen), 24C
Rinse: 30 sec, 24C
Stopper: Rollei RCS citron stop, dilution 1+19, 1 min (30 sec agitation, 30 sec standing), 23C
Rinse: 30 sec, 24C
Fixer: Rollei RXA fix acid, dilution 1+7, 4.5 min (30 sec agitation and thereafter, 10 sec at each minute), 20C
Rinse: 6 times plus 10 min of running water at room temperature. Final rinse with AGFA Agepon.
Scan: Epson V500 Perfection, 6400 ppi, medium exposure, no digital manipulation applied either than crop.
2012. Contax G1 (Carl Zeiss Biogon 28mm F2.8). Author's hand print (Lith-print). Enlarger Meopta Opemus 5. Developer Fotospeed LD20. Photo paper Bromekspress-1.
Camera: Hasselblad 500C/M
Lens: Zeiss Sonnar CF 150mm f/4
Film: Ilford FP4+ @ 400
Developer: Kodak HC-110 (1+49, 16 mins) Development details on FilmDev
Scanner: Epson 4180
4409
This picture was developed with E6 chemistry that had been sitting out at room temperature since February. Quite the vintage look even though this is fresh Provia 100F slide film.
Leica IIIG + Summarit 50mm f1.5 Lens
Ilford HP5 + ILFOSOL 3 Developer.
Negative scanned using a Pentax K1-II + K Adapter + Pentax 645 120 Macro Lens + Negative Lab Pro Software.
Canon EOS 50E, Tamron 28-75/2.8, film Foma 200, dark room, enlarger Meopta Opemus 5, author's hand lith print, Fotospeed lith developer LD20, scanner Epson 3200
Electra's brother. Some people say he is lazy, but he is just calm.
Exakta HS-2 (Cosina CT)
SMC Pentax 1:1.8 55mm
Fomapan 200
Fomadon Excel Stock (for 7min)
Lith printing - LD20 lith developer
Enlarger: Beseler MX45.
Apo Rodagon 90mm f4,0
Time: 1m:35s - Burning at contour 50s.
Develpper LD20: 1:25 + 1:4 old brown
Snatch pt. 10 min.
No toning.
Agfa Portriga Rapid Gr II 11 x 14.
120 film
Kodak Tri-X 400 @ 320
Scan of the original darkroom print.
We have finally released the Developer Kit for our mesh heads!
Please share your advertisements in our flickr group, so our customers can find you: www.flickr.com/groups/4144858@N23/
Testing times for D96 developer, I found this guy fishing on the Blanchard River. It's rare to see the river that low and to be able to steps on the falls, it would be even more rare if that guy caught anything.
Camera: Canon A-1, 50mm f1-4.
Film: Polypan F, ISO 50, expired 2015. FPPD-96 developer, 68 Degree, 8 minutes, 30 seconds, slow but continuous agitation in the Lab Box.
From the first rolls testing out an Olympus SPn with some dust in the lens.
Camera: Olympus 35 SPn
Lens: Fixed 42mm f1.7 G.Zukio
Film: Delta 100
Developer: Xtol
Scanner: Epson V600
As promised since our update to the Venus, Isis and Freya bodies are now complete and our developer kits have been updated we will now reopen our applications to apply to be a Belleza Mesh Creator....
Details on our blog: BELLEZA MESH CREATOR APPLICATION & AGREEMENT – NOW OPEN!
Needless to say, the second attempt with Merlot developer did not go as well as the first. I left the film in the developer longer and actually got thinner negs. I am currently analyzing the process and have some things I am going to try. These heavily cropped images were dragged out of the film. They were the only two of even instructive merit.
Terminator 3, Kodak Tri-X, merlot developer
Gravestone of two, I guess brothers (at least in arms): older Ivan (Иван Иванович Буртик) and younger Peter (Петр Иванович Буртик)
There is a report which says where Ivan was buried just after battle of Poznań in which he died: pamyat-naroda.ru/heroes/memorial-chelovek_donesenie80909860/
Report says:
Ivan Ivanovitch Burtik
Date of birth: 1915
Place of birth: Byelorussian SSR, Brest region, Brest district, village Kolodno
Place of conscription: 08/06/1944 Brest RVK, Byelorussian SSR, Brest region, Brest district
Last place of service: 236th Infantry Division
Date of leave: 21.02.1945
Reason for leave: killed
Primary burial place: Poland, Poznań Voivodeship, Poznań, Piłsudski str., on the square, between the house and the theater, a mass grave.
Zorki 1D - №4830526
Industar-22 1:3,5 f=50mm P N5414989
Fomapan 200
Fomadon Excel Stock (for 6:30min)
UN 54 film developed in PMK developer. This developer is a bit different as it really enhances the greyscale
1/6
Baldcypress (Taxodium distichum) in Duke Forest, central North Carolina
I've never seen these groves this dry. We're not in drought (not particularly, anyway); it might just be that the beaver dams are in disrepair. That in turn could be deliberate; the beavers have been removed from this area before. What worries me is what looks like a new road going in nearby. I hope it's not the end for these trees, but the forest is Duke's to do what it likes with, whether forestry research (which is why the original grove was planted) or something else, so I'm not complaining.
Pentax K-1
Mirex tilt/shift adapter
Two-shot shift panorama with Pentax-FA 645 1:2.8 75mm
Iridient Developer
Acorn
THIS IS FIGHTING 3D MULTIPLAYER GAME DEVELOPED FOR IOS PLATFORM.
All 3D Art Work, Animation – Motion Capture and game development developed by GameYan – Game Development Company.
Our Studio Overview.
GameYan is a game and movie art design & development Animation Production House which creates next generation 3D Art for feature films and 3D game development. Being a digital art outsourcing production hub and Film Production Company, Our professional team of artists can develop variety of 3D art content for movie and video games along with low optimized characters for mobile and virtual reality interactive games.
Project: Multiplayer – 3D iOS Mobile Game Development
Client: Roberto
Category: Game Development
Country: Italy
Read more: www.gameyan.com/game-development-company-design-studio.html
Holga negative enlarged to 27x30cm on Wephota FO5 Lith Film by reversal development
Kallitype on Bergger Cot-320
UV exposure 130 secs
developer sodium citrate
clearing bath citric acid 4%
fresh Pd-toner (Ammoniumpalladate) 2 mins
alkaline fixer 1+20
Film: Kodak Tmax 100, 35mm
Camera: FM2
Lens: AF Nikkor 50mm, 1:1.8
Developer: Rollei RLS, dilution 1+4, 13 min, 24C
Stopper: Rollei RCS citron stop, dilution 1+19, 2min, 20C
Fixer: Rollei RXA fix acid, dilution 1+7, 4.5 min, 20C
Running water for 20 minutes. Final rinse with AGFA Agepon.
Scan: Epson V500 Perfection, 2400 ppi
This picture was taken with the sun shining outside the left top frame at 11:00 a.m. of a winter day and no digital treatment was given while scanning.
At the naked man festival in Okayama, Japan.
Leica M3, Ilford FP4, Kodak Tmax developer, Ilford Multigrade RC Deluxe satin paper, Silver gelatin print.
Whitehall is a 75-room, 100,000 square foot Gilded Age mansion open to the public in Palm Beach, Florida in the United States. Completed in 1902, it is a major example of neoclassical Beaux Arts architecture designed by Carrère and Hastings for Henry Flagler, a leading captain of industry in the late 19th century, and a leading developer of Florida as a tourist destination. The building is listed as a National Historic Landmark. It now houses the Henry Morrison Flagler Museum, named after its builder.
The site of the home was purchased for $50,000 in 1893 (as of 2010 that would be $1,197,562.39) by Flagler. The site was later surveyed for construction in July 1900 and the home was completed in time for Flagler and his wife to move in on February 6, 1902. The architects were John Carrère and Thomas Hastings, who had earlier designed the Ponce de Leon Hotel and several other buildings in St. Augustine for Flagler. Whitehall was to be a winter residence, and Henry gave it to Mary Lily as a wedding present. They would travel to Palm Beach each year in one of their own private railcars, one of which was No. 91.
In 1959, the site was saved from demolition by one of Henry Flagler's granddaughters Jean Flagler Matthews. She established the Henry Morrison Flagler Museum non-profit corporation, which purchased the building in 1959, opening it as a museum in 1960. The upper ten stories of the hotel addition were demolished in 1963 in preparing the museum for the public.
Today, Whitehall is a National Historic Landmark and is open to the public as the Henry Morrison Flagler Museum, featuring guided tours, exhibits, and special programs. The museum offers several programs, many of which are seasonal, lasting only from October to January. In addition to an annual chamber music series, the Flagler hosts the Whitehall lecture series, which brings “experts and best-selling authors to discuss Gilded Age topics, events, and local history.” Past lecture series include historical talks about the dawn of the Progressive Era, World War I, Gilded Age presidents, engineering feats, and Metaphysical America: Spirituality and Health Movements During the Gilded Age. The Flagler also holds a special exhibition each year, often showcasing Gilded Age paintings, sculptures, glamour photography, or material culture, such as board games, jewelry, cartoons, Tiffany & Co. silver pieces (including ones displayed at the 1893 Chicago World's Columbian Exposition), and women's fashion. It also hosts a variety of local galas and balls throughout the year. The Museum is located at Cocoanut Row and Whitehall Way in Palm Beach.
Flagler died of injuries sustained in falling down a flight of marble stairs at Whitehall in 1913, at the age of 83. Mary Lily died four years later, and the home was devised to her niece Louise Clisby Wise Lewis, who sold the property to investors. They constructed a 300-room, ten-story addition to the west side of the building, obliterating Mr. Flagler's offices and the housekeeper's apartment, and altering the original kitchen and pantry area. Carrere and Hastings were the architects of the 1925 reconstruction. In 1939 it was described as a $4,000,000 building and Palm Beach's second-largest hotel.
When it was completed in 1902, Whitehall was hailed by the New York Herald as "more wonderful than any palace in Europe, grander and more magnificent than any other private dwelling in the world." It was designed in the Beaux Arts style, meant to rival the extravagant mansions in Newport, Rhode Island.
Distinct from these northern homes, Whitehall had no outbuildings or subsidiary structures. Nor had it elaborately planned or cultivated gardens. Plants, flowers, trees and shrubs were allowed to grow unaided.
The mansion is built around a large open-air central courtyard and is modeled after palaces in Spain and Italy. Three stories tall with several wings, the mansion has fifty-five fully restored rooms furnished with period pieces. These rooms are large with marble floors, walls and columns, murals on the ceilings, and heavy gilding.
Officially opened February 4, 2005, the $4.5-million Flagler Kenan Pavilion is the first addition to the property since 1925. The 8,100-square-foot (750 m2) pavilion is named after the mogul and William R. Kenan Jr., Flagler's engineer, friend and brother-in-law. It was designed in the Beaux-Arts manner by Jeffery W. Smith of Palm Beach-based Smith Architectural Group, Inc. and took almost four years to build. The featured display in this pavilion is Railcar No. 91, Flagler's private railcar built in Delaware in 1886. According to the museum, the car was restored using “documentation from the National Museum of American History, the Smithsonian, the Delaware State Archives, and the Hagley Museum and Library in Delaware.” It also houses the seasonal Pavilion Café and tea service.
Credit for the data above is given to the following websites:
en.wikipedia.org/wiki/Whitehall_(Henry_M._Flagler_House)
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