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Leica M2
Leica Summilux 35mm f/1.4 II
Ferrania P30
Adox Silvermax Developer (1+29)
11 min 20°C
Scan from negative film
Sabal palmetto, Bald Head Island
590nm IR-converted Pentax K-5
SMC Pentax 1:3.5 35mm
Iridient Developer
Myakka River, Sleeping Turtles Preserve
3-shot shift panorama
Pentax K-1
Laowa 20mm f/4 Zero-D Shift
Iridient Developer
Affinity Photo
Davenport, California
FujiFilm GW690II
Fujinon 90mm f/3.5 EBC
Kodak T-Max 100 Film
T-Max Developer 1:4 8 Minutes
Epson Perfection V550 Photo Scanner
Yellow Filter
Event: Foxfield General Classics
Location: Foxfield Railway, Blythe Bridge, Stoke-on-Trent
Camera: Canon EOS 5
Lens(s): Canon EF 24-70mm f/4 L IS
Film: Agfa Vista 200 - expired 2017
Shot ISO: 200
Light Meter: Camera
Lighting: Sunny/overcast mixed
Mounting: Hand-held
Firing: Shutter button
Developer: Digibase C-41
Scanner: Epson V800
Post: Adobe Lightroom & Photoshop (dust removal)
OS: Linux Deepin
Software: DigiKam - GIMP
Camera Original Photo: Rolleiflex
Lens: Carl Zeiss Jena Tessar 75mm 1:3.8
Film: AGFA ISS
Developer: Formula Metol-Sulfito
1979.
First shots with my new 12mm lens, at the Old Smithville Burying Ground in Southport, NC. Happy to report excellent performance in infrared (at least on this APS-C sensor; it is a full-frame lens), which wan't so much the case with its 20mm shift-lens stablemate.
590nm IR-converted Pentax K-5
Laowa D-Dreamer 1:2.8 12mm
Iridient Developer
Affinity Photo
Palm trees at the Palau Pacific Resort, Republic of Palau.
Camera: Zeiss Ikon Super Ikonta 530
Lens: Zeiss Tessar 7cm f/3.5
Film: Efke IR 820, Expired 3/2013
Exposure: f/16, 1/25, Red Filter
Developer: Kodak HC110 Dilution B, 7 minutes
Photo technical info:
- Camera: Pentax Spotmatic, Lens: Pentax Takumar 1:3.5/28mm, f11, 1/250 s
- Film: Ilford Delta 100, Developer: Spur Acurol-N
Louisville, Colorado I'm sure various developers are trying to tear this farm away and replace it with homes or stores. Shame.
We have finally released the Developer Kit for our mesh heads!
Please share your advertisements in our flickr group, so our customers can find you: www.flickr.com/groups/4144858@N23/
This picture was developed with E6 chemistry that had been sitting out at room temperature since February. Quite the vintage look even though this is fresh Provia 100F slide film.
A musician pedals his piano along the boardwalk in Virginia Beach, VA. Camera = Nikon F100 - Film = Kodak Portra 160 - Scanner = Nikon Coolscan V ED LS-50 - Home Developed using FPP’s C41 developer.
Film: Kodak Tri-X 400 ( push N+1 )
Developer: Rollei Super Grain
Enlarger: Omega D5XL
Enlarge lens: Rodenstock 80mm f4 APO
Paper: Ilford Multigrade IV FB Glossy cool tone
Camera: Leica M6 + 35mm f2 Summicron Pre ASPH
As promised since our update to the Venus, Isis and Freya bodies are now complete and our developer kits have been updated we will now reopen our applications to apply to be a Belleza Mesh Creator....
Details on our blog: BELLEZA MESH CREATOR APPLICATION & AGREEMENT – NOW OPEN!
Música (abrir en nueva pestaña) / Music (Open link in new tab): Mike Oldfield- The Voyager.
Vöigtlander Bessa 1936 /Anastigmat Skopar 10,5cm f/4,5
1/25 f/22 con autodisparador/ with selftimer.
Película / film: Ilford FP4 Plus. Revelador/ Developer: Kodak D76 1+3 (17min.). Escáner / Scan: Canon 9000f
Paisaje a las orillas del pantano de la Fuensanta, en Yeste (Albacete), en plena Sierra del Segura, en los aledaños del Puente de la Vicaría, zona de separación entre la Sierra de Los Molares y La Sierra de Juan Quílez, cuya primera altura montañosa, el "Puntal de la Alameda", puede verse en el centro de la imagen con un juego de luz y sombra que me resultó muy atractivo.
La fotografía fue tomada en película, "a la vieja usanza", con mi veterana cámara de fuelle de formato medio Voigtländer Bessa, fabricada en 1936.
-English:
A view of "La Fuensanta" resevoir area, at Yeste (Albacete, Spain), in the heart of the "Sierra del Segura" region, next to "La Vicaría" bridge, an area between "la Sierra de Los Molares" and "la Sierra de Juan Quilez" mountain ranges; in the center of the image can be seen the "Puntal de la Alameda", the first mountain of the "Sierra de Juan Quílez" mountain range, showing on it a nice play of light and shadows that I found very attractive. This picture was taken in film " in the old fashion way", with my veteran Voigtländer Bessa medium format folding camera, manufactured in 1936.
Imagen protegida por Plaghunter / Image protected by Plaghunter
© Francisco García Ríos 2016- All Rights Reserved / Reservados todos los derechos.
El contenido de estas imágenes no puede ser copiado, distribuido ni publicado por ningún medio, bien sea electrónico o de cualquier otra naturaleza.
Su utilización en otras páginas web sin el consentimiento expreso del autor está PROHIBIDO y es sancionable por ley.
Cualquiera que quiera usar mis fotografías debe ponerse en contacto conmigo primero para acordar los términos de uso; así pues, para informarse acerca de copias, licencias, utlilización en blogs o cualquier otro uso, por favor, envíe un mensaje o correo electrónico (recesvintus(at)yahoo.es).
Gracias.
The content of these images cannot be copied,distributed or published for any media, electronic or otherwise.
The utilization in other web pages without the express written consent of the author is PROHIBITED and punishable by law.
Anyone wanting to use my photographs should contact me first to discuss the terms; so to enquire about prints, licensing, blogging and so on, please send an e-mail or message (recesvintus(at)yahoo.es).
Fort Custer Recreation Area near Augusta, Michigan. January 9, 2016.
Pentax Mz-S
FA 28-105 f4-5.6
Kentmere 400 rated @400
Tmax developer 1+4, 6min @ 20c
Toned image from scanned B&W exposure. My first experiment with Tmax developer and K400.
16-00575_tu6
UN 54 film developed in PMK developer. This developer is a bit different as it really enhances the greyscale
1/6
The Biltmore Hotel in Coral Gables wasn't always a hotel.
It was built in 1926 by a young developer named George Merrick, who's known as the founder of Coral Gables.
The hotel became a place to host glamorous fashion shows, galas, golf tournaments and water shows in what was then the largest pool in the world.
At a loud party on the 13th floor of the hotel, a gangster named Thomas "Fatty" Walsh was shot and killed by another gangster. That murder yielded a lot of ghost rumors over the years.
Then World War II happened and the federal government transformed the Biltmore into a military hospital. Once the war was over, it continued being a hospital for veterans. In 1952, the University of Miami made the Biltmore its first home.
When the hospital closed in 1968, the Biltmore became an abandoned shell. That's when neighborhood kids started sneaking in.
"All the kids would always talk about how there must be ghosts in there," says Betsy Skipp, who grew up in Coral Gables and would sneak into the Biltmore with her friends. "You'd sneak out of the house and we all had flashlights."
Betsy Skipp in her Coral Gables home. When Skipp was growing up, she and her friends would sneak into the abandoned Biltmore Hotel.
So many kids were sneaking into the shuttered building, that the City of Coral Gables decided to hire a security guard.
Kim Dunn-Zocco also grew up in Coral Gables and would sneak into the shuttered building. Sneaking past the guard, whom they nicknamed "The Greenie" after the guard's green golf-cart, was part of the fun, she says.
"Once you got in, that's when it started to get a little creepy and quiet and creaky," says Zocco.
Because the Biltmore had been a veteran's hospital and a medical school, Zocco says her friends' worst fear was the possibility of seeing a dead body inside the building. One time, her friend swore he saw a severed limb.
Check out this 1988 student documentary called "The Biltmore's Strange Guest List" produced by Kathy Bolduc as a final project for a University of Miami class.
"I remember we just ripped it out of there and hauled ourselves all the way home."
In 1983, Coral Gables put $55 million into renovating the Biltmore. The hotel reopened in 1987 and was restored to glory. Ten years later, the Biltmore was added to the National Registry of Historic Places.
Still, the ghost stories kept swirling. Starting in 1994, Linda Spitzer told ghost stories every Thursday night in the Biltmore's lobby. She was a staple for 10 years, before she moved to Lake Worth.
Linda Spitzer shares a photo of herself telling ghost stories in the Biltmore Hotel lobby.
"The guests loved it," says Spitzer, who would wear sun hats reminiscent of The Roaring Twenties. "I would tell them I'm here from 7 p.m. until 7:30 p.m. and it would drag on until 8 p.m."
She did her research before telling her stories, but she says her best material came from the hotel guests themselves. Listen to some of the stories Spitzer heard about happenings in the Biltmore below.
Today the Biltmore is far from the creepy place that once terrified the children of Coral Gables.
Zocco was 17 years old when she worked at the Biltmore's banquet.
For Zocco, it's been an inescapable part of life. Her husband's uncle was a veteran patient when it was a hospital, her father went to medical school as a University of Miami student, she and her sister both had jobs at the hotel. And now she takes her family there for brunch.
"It's such a beautiful building with so much history and so much mystery that you can't help but be drawn to it whether it's empty or living and breathing."
Fujifilm X-T1, XF18-135mmF3.5-5.6 R LM OIS WR, RAW / Iridient & Lightroom 5.5
Fuji X Secrets workshops
Read the X-Pert Corner blog.
New books:
Die Fujifilm X-E2. 100 Profitipps