Rodinal Special / R09 Spezial
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An old abandoned homestead caught on film. Agfa Speedex camera, expired Kodak Tri-X film and caffenol developer.
FP4 in Pyro48 (cropped 35mm),
COT320, Vandyke/Kallitype 1+3 mix, Potassium citrate developer, MT3 Vario: bleach 1+100 1:30 mins, toner setting A.
It used to be a pub. The Sun Inn offered everything the traveller needed including accommodation and a beer garden behind the building. These days, pubs are being converted into residential homes and developers make sure that the yard behind is turned into accommodation too, rental or other.
Fuji X-Pro1.
Taken from Heron Pike and stitched from five landscape orientation shots.
Ullswater is the second largest lake in Cumbria by both area and volume, after Windermere. The lake is about 7 miles (11 km) long, 0.75 miles (1 km) wide, and has a maximum depth of 63 metres (207 ft). (Wikipedia)
That bench on the Gruffy again, from the other side this time. Camera jpeg edited in SilkyPix.
Happy Bench Monday
Cullasaja Gorge, Nantahala National Forest
590nm IR-converted Pentax K-5
SMC Pentax 1:3.5 35mm
Iridient Developer
Coastal oak forest with an understory of Saw Palmetto (Serenoa repens), Big Talbot Island State Park
590nm IR-converted Pentax K-5
SMC Pentax-A 1:2.8 24mm
Iridient Developer
Rolleiflex Automat (k4a 51’-54’)
Zeiss Opton Tessar T 75/3.5
Orange filter
Fujifilm Neopan Acros II
Rodinal Developer 1+50@13:00 mts
View toward the Channel from Cissbury Ring, West Sussex, England
590nm IR-converted Pentax K-5
SMC Pentax 1:3.5 35mm
Iridient Developer
Hasselblad 501CM Planar 100,
Kodak 320TXP in Tanol.
Kallitype on Hahnemühle Platinum Rag,
Sodium acetate developer,
MT3 Vario toner: bleach 1+100 45 secs, toner setting D.
Where to end this nostalgic search for lost time? Perhaps by saying goodbye to my parents. My last photo of my father (with C) in Mallorca in 2001. I was on a whirlwind tour: Colombia, UK, Ghana, Nigeria, UK, Spain, UK, Colombia, the US and back to Cali, Colombia, where I was working at the time. Jack died a couple of days after Christmas, one month after my third child was born, who was named after his grandfather. www.theguardian.com/news/2002/jan/19/guardianobituaries.b...
Ilford HP5+ film
Ilfosol 3 developer
Asahi Pentax Spotmatic
Takumar 55mm F1.8
October 024
Box Hill, Victoria, Australia
Live Oak and Palmetto, Sleeping Turtles Preserve North, Venice, Florida
590nm IR-converted Pentax K-5
Laowa 20mm f/4 Zero-D Shift
Iridient Developer
Photo information:
ISO: 400
Film type: 120
Film name: Rollei Retro 400S
Developer: Kodak D-76
Process: 20°C.
Developer dilution: 1+1
Developing time: 16'
Scanner manufacturer: Epson Perfection V550 Photo.
Live Oak (Quercus virginiana) canopy, Bald Head Island, North Carolina
Pentax K-1
Lensbaby Velvet 56/1.6
Iridient Developer
Kallitype
Hahnemühle Platinum Rag, Potassium Citrate developer, ATS alkaline fixer:
untoned
MT10 Gold toner
MT3 Vario toner (thiourea)
Location is Brandenburg, Germany.
The tree will have died because there was too little soil.
Camera: Nikon F4
Film: Fuji Neopan Acros II
Lens: Nikkor AF 2/35mm-D
Developed with Jobo Alpha B&W developer
* Kodak Retina IIa (type 016) - with the Rodenstock Heligon lens
* Yellow filter
* Ilford FP4 plus film
* Kodak D-76 (1+1) developer
I used this camera: flic.kr/p/2kSjreR
Beginners in the technique of Kallitype often ask which developer they should choose.
Only a comparison of colour and tonal values with identical exposure time. To achieve the same level of blackness with the acetate developer, the exposure time would have to be slightly longer.
Ilford Delta 100 film
Ilfosol 3 developer
Rolleicord V
Xenar 75mm F3.5
Camberwell, Victoria, Australia
June 2024
(Meopta Flexaret IV; Ilford FP4+ developed in Moersch Eco Film Developer; digitized with DSLR; edited with GIMP)
Franklin, NC
#5 from a morning walk on Monday, August 13, 2018.
Pentax K-1
SMC Pentax 1:1.8 85mm
Iridient Developer
Affinity Photo
Event: Morris Register National Rally
Location: Thoresby Hall, Budby, Nottinghamshire
Camera: Canon EOS 5
Lens(s): Canon EF 50mm f/1.4
Film: Adox HR-50
Shot ISO: 50
Light Meter: Camera
Exposure: Mostly f/2.8
Lighting: Overcast & some drizzle
Mounting: Hand held
Firing: Shutter button
Developer: Ilford DD-X(1+4) for 7m 30s
Scanner: Epson V800
Post: Adobe Lightroom & Photoshop (dust removal)
This is a bulk gas carrier and guess what. That is a gas power station in the backround
Shot from Portishead Quay as the BRO Developer approaches Avonmouth.
Taken on the eastbound shoulder of two-lane Highway 138 in Summit Valley.
Camera: Kodak Jiffy Six-20 Series II (1937-1948, with Twindar 105mm f/8 lens).
Film: 100 ISO Arista.edu Ultra 120 rolled onto a 620 spool, developed in Arista Liquid Developer for 7:40 minutes @ 68 degrees, and scanned with an Epson V600 scanner.
2011. Contax G1 (Carl Zeiss Biogon 28mm F2.8). Author's hand print (Lith-print). Enlarger Meopta Opemus 5. Developer Fotospeed LD20. Photo paper Bromekspress-1.
Every time I come to San Francisco, there is some kind of smart-ass billboard along the highway ... "ask your developer," it says.
Ask her what? Whether Twilio is better than some other provider? Whether the cloud is here to stay? Who comes up with these crazy signs?
Fortunately, it doesn't matter very much ... by the time I come back again, this billboard will have been replaced by something else just as mysterious.
Note: I chose this as my "photo of the day" for Nov 21, 2015
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In early November 2015, I flew from New York to San Francisco to take a weekend street-photography workshop under the tutelage of Eric Kim. As you might expect, I took gazillions of photos; but not all of them were specifically associated with the workshop itself. On the way out to San Francisco, I took a bunch of pictures with my iPhone; and during the weekend, I took a number of photos that had little or nothing to do with street-photography per se.
I’ll upload the photos in dribs and drabs during the next several days, and let you decide which ones are sufficiently interesting to warrant a second look…
Canon Rebel G camera. Adox Silvermax 100 film developed in Silvermax developer 1 + 29 11 mins. Commercially scanned. Edited in Lightroom.
Testing out some ancient film I was given for free – Agfa Ortho 25 document film, expired in 1990, unknown storage.
I knew it would turn out quite contrasty, tried to tame it by using a more dilute developer. Worked pretty well but I could've given it a little less development I think.
Split grade print: #00 to preserve highlight detail, #5 for deep shadows, some burning with #2
Printed on Ilford MGIV RC with Rollei RPN Eco 1+9
Toned in selenium (Moersch MT 1 1+50) for a few minutes
Mamiya RB 67 Pro S + Sekor 50mm 1:4.5 + Agfa Ortho 25
Film developed in Rodinal 1+50 @ 20 °C, time guessed, untested
Print scanned on a Heidelberg/Linotype-Hell Saphir Ultra II using Vuescan.
I've tested 9 programs for the purpose of processing challenging nightscapes and for preparing images for time-lapses.
The comprehensive review can be found on my blog here:
amazingsky.net/2023/01/01/testing-raw-developer-software-...
Camera: Chamonix 8x20
Lens: Schneider 355mm G-Claron
Film: Kodak TXT (2003)
Developer: Pyrocat-MC
Development: Brush
Contact Print: Ilford Galerie G3
Print Developer: PF130
Toner: Selenium