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FP4 N+1 in Tanol,
Gold toned Kallitype after fixer,
paper Hahnemühle Platinum Rag
developer Sodium acetate
FP4 in Tanol N+1
Kallitype, Hahnemühle Platinum Rag, Sodium acetate developer, MT3 Vaeio toner: bleach 1+90 2:40 mins, toner setting C
Old Man and the Sea
Date: February 19, 2023
Camera: Leica M-A (Typ 127)
Lens: Summicron-M 50mm (V)
Film: Kodak Tri-X 400 (ei: 200)
Exposure: 1/250 @ f/8
Developer: Kodak HC-110 1:60
Temperature: 20°c
Developing Time: 6’ 30”
Digitized: Nikon D850, Nikkor 60mm Micro AF-S
Full frame: Nikon ES-2 Film Attachment
-Thomas
It used to be a pub. The Sun Inn offered everything the traveller needed including accommodation and a beer garden behind the building. These days, pubs are being converted into residential homes and developers make sure that the yard behind is turned into accommodation too, rental or other.
Fuji X-Pro1.
Olympus OM2, red filter, Kodak High-Speed Infra-Red film developed in Kodak D76, negative scanned, digital processing in Lightroom.
The geotag is accurate to a few hundred metres only.
Delta 100 4x5 in MZB,
Kallitype on HPR, Ferric oxalate no.4 toner test, Sodium acetate developer.
MT3 Vario toner: bleach 1+50 30 secs, toner setting A50+40+900ml 30 secs.
Holga 120N, Delta 400 @640 ASA, yellow filter, Finol.
Kallitype onto Hahnemühle Platinum Rag,
developer Rochelle salt/Sodium tungstate mixture.
Vor 250 Jahren begann man hier in Hürth damit Braunkohle abzubauen. Anfangs wurde diese Kohle ausschließlich zum Heizen benutzt. Man mischte die zerkleinerte Kohle mit Wasser zu einem Brei, preßte diesen in eine Form und ließ ihn trocknen. Die Geburtsstunde des Briketts, oder wie man in dieser Gegend sagt, des Klüttens. Das erste Klüttenwerk (von 1884) lag in unmittelbarer Nähe der Grube in Alt-Hürth. Als diese Grube ausgekohlt war, wurde die Kohle aus anderen Ortsteilen mittels einer Seilbahn hierher transportiert. Der Straßennahme „Klüttenweg“ erinnert an diese Seilbahn. Der rekultivierte Bereich der ersten Grube ist heute das Landschaftsschutzgebiet Hürtherberg, das ca. 300 Meter vor meiner Haustür liegt.
Lignite mining began here in Hürth 250 years ago. Initially, this coal was used exclusively for heating. The crushed coal was mixed with water to make a pulp, pressed into a mould and left to dry. This was the birth of the briquette, or as we say in these parts, ‘Klütten’. The first briquette plant (from 1884) was located in the immediate neighbourhood of the mine in Alt-Hürth. When this mine was exhausted, the coal was transported here from other parts of the town by cable car. The street name ‘Klüttenweg’ is a reminder of this cable railway. The recultivated area of the first mine is now the Hürtherberg nature reserve, which is about 300 metres from my front door.
Nikon N80 (2000)
Nikon ED Nikkor 28-200mm 3.5-5.6G
Ilford SFX 200
Kodak HC-110 Developer
DsLr ScAn
LRC/Negative Pro
Kallitype
Hahnemühle Platinum Rag, Potassium Citrate developer, ATS alkaline fixer:
untoned
MT10 Gold toner
MT3 Vario toner (thiourea)
The sodium acetate developer produces the coolest image tone in Kallitype.
One or the other user may well have doubts about this. If the results are not as cool as expected, this is not due to the developer but to the workflow. A really cool tone is only maintained if the print does not come into contact with tap water before fixing. If the print is rinsed with tap water after the developer or the clearing bath, the image tone will be significantly warmer. It is not a question of which shade is perceived as more pleasant, but rather an advantage to know how to control the colourfulness.
For toning before fixing (platinum, palladium, gold), a rinse cycle is advisable in order not to change the property of the toner by introduced acid. For all tonings after fixing, a cooler initial print has the advantage of a higher maximum blackening. This is not decisive for successful toning, but differences in hue and saturation become apparent.
Left: developer, Citric acid clearing bath 1% (with demineralised water), ATS acidic fixer.
Right with a short rinse with tap water after the clearing bath,
crossing the Sydney Harbour Bridge, spring 2022. #502
Camera: Rollei 35S
Lens: 40mm f/2.8 Zeiss Sonnar
Film: Ilford HP5+
Developer: Ilfotec HC dilution 1+31
Scan: Epson V700.
Post processing: Lightroom 6
Please don't use this image on websites, blogs or other media without my explicit written permission. © copyright 2022 Lynn Burdekin. All Rights Reserved.
Illustrations/code-names for the development team here at work.
If you have a problem - if no one else can help - and if you can find them - maybe you can hire: The Developers.
en.wikipedia.org/wiki/Pow%C4%85zki_Cemetery
Leica Vario-Elmar-R 1:3.5/35-70 E67 (S/N: 3662380)
Agfa APX 400 @400ISO
Fomadon Excel 1+1 for 12 min. (20C)
Beginners in the technique of Kallitype often ask which developer they should choose.
Only a comparison of colour and tonal values with identical exposure time. To achieve the same level of blackness with the acetate developer, the exposure time would have to be slightly longer.
- - -
Film: Ilford HP5+ 400
Developer: Ilford DD-X (1:4 ~ 9 min)
Stopper: Ilford Ilfostop Stop Bath
Fixer: Ilford Rapid Fixer
Scanner: Nikon CoolScan 5000 ED
This is a bulk gas carrier and guess what. That is a gas power station in the backround
Shot from Portishead Quay as the BRO Developer approaches Avonmouth.
Event: Birmingham Branch MMOC Rally
Location: Chasewater Railway, Brownhills, Staffordshire
Camera: Canon EOS 5
Lens(s): Canon EF 50mm f/1.4
Film: Agfa Vista 200 - Expired 2017
Shot ISO: 125
Light Meter: Camera
Exposure: Mostly shot at f/2.8
Lighting: Mixed
Mounting: Hand-held
Firing: Shutter button
Developer: Bellini C-41 Kit
Scanner: Epson V800
Post: Adobe Lightroom & Photoshop (dust removal)
Aria on the Bay is a high-rise condominium located in the Omni/Edgewater neighborhood at 1770 North Bayshore Drive, Miami, Florida, USA overlooking Margaret Pace Park and Biscayne Bay in Miami's Arts & Entertainment District, Aria on the Bay location is conveniently located to Downtown Miami, Design District, Wynwood, The Beaches and Brickell. It was approved at a height of 535 feet (163 m) in 2015 after an initial notice of presumed hazard by the FAA, who recommended a height of 460 feet. The 53-story building will have over 648 units ranging from 813-2365 sq ft as well as commercial space. Aria on the Bay is being developed by Melo Group and is designed by Arquitectonica who is handling the architecture, interior design and landscape.
Credit for the data above is given to the following websites:
Every time I come to San Francisco, there is some kind of smart-ass billboard along the highway ... "ask your developer," it says.
Ask her what? Whether Twilio is better than some other provider? Whether the cloud is here to stay? Who comes up with these crazy signs?
Fortunately, it doesn't matter very much ... by the time I come back again, this billboard will have been replaced by something else just as mysterious.
Note: I chose this as my "photo of the day" for Nov 21, 2015
************************
In early November 2015, I flew from New York to San Francisco to take a weekend street-photography workshop under the tutelage of Eric Kim. As you might expect, I took gazillions of photos; but not all of them were specifically associated with the workshop itself. On the way out to San Francisco, I took a bunch of pictures with my iPhone; and during the weekend, I took a number of photos that had little or nothing to do with street-photography per se.
I’ll upload the photos in dribs and drabs during the next several days, and let you decide which ones are sufficiently interesting to warrant a second look…
Project 365 (one photo per day for 2022 taken on 5x4 large format film)
Event: Project 365
Location: Kitchen at home
Camera: Wista 45VX
Lens(s): Schneider-Kreuznach Apo-Symmar 150mm f/5.6
Film: Ilford Delta 100
Shot ISO: 80
Light Meter: Weston Master II
Movements: None
Bellows: 205mm (+1)
Exposure: 6s @ f/22
Lighting: Vivanco VL300 - 8:20pm
Mounting: Tripod - Manfrotto
Firing: Cable release
Developer: Ilford DD-X(1+4)
Scanner: Epson V800
Post: Adobe Lightroom & Photoshop (dust removal)
Ilford Hp5 Plus developed in T-Max Professional Developer. Minolta SRT 101. Train station Lititz PA March 2019
Dune Evening Primrose (Oenothera deltoides), Anza-Borrego Desert State Park.
Pentax K-1
SMC Pentax 1:1.8 55mm
Iridient Developer
A couple of frames to illustrate the point of the Divided D76H, highlight preservation. The Courtyard has lovely shiny tiles so reflects the light beautifully and it was kind when I walked past. The stairs were a sunny sixteen challenge as well. There the lamp isn't blown out yet there is great shadow detail.
The developer is actually a variant on the Vestal divided D76. He couldn't remember on mixing if the sulphite went in A or B bath so split between them. The H is added as this formula looses the Hydroquinone but boosts the metol and borax, I ran 5mins in both baths with continuous gentle agitation.
For developer detaiols ee The Film Developing Cookbook Pg 85
Film is the ORWO N74 movie film in IXMOO home loaded with yellow filter on the f2 ZM Biogon 35mm.
I posted an image of this woodpile, just off the trail in Miller Canyon, nearly a year ago, when it was draped in a blanket of light snow (see below). The new image above was taken with a different camera, different film, and different lighting, on the same overcast day on which I took the recent culvert image with the Ikonta. In the months which have elapsed between the two woodpile images, the canyon seems to have begun to recapture the woodpile, to absorb it noticeably back into its natural setting. The grass has grown taller between the logs, and the litterfall of leaves and twigs has grown deeper. From above, vines have begun to drape down from extended willow branches. Even Miller Creek, in the background, has contributed to the changes, its swollen waters adjusting its banks and depositing and removing sediment as it moves along past the pile.
Camera: Kiev 4 (1968, with Jupiter-8 50mm f/2 lens).
Film: 35mm 100 ISO Arista.edu Ultra, developed in Arista Liquid Developer for 6:30 minutes @ 70 degrees, and scanned with an Epson V600 scanner.
Si disgrega lo sguardo
in abissi soffusi
The gaze unravels
into hushed abysses.
Olympus om2
Film: Fomapan 400
Developer: Bellini Hydrofen
Paper: ILFORD MULTIGRADE FB Matt 6x9
Developer: Bellini Eco
Fixer: Bellini Eco
DURST M601
Minolta Dynax 505si Super
Carl Zeiss Jena Flektogon 35mm/f2.4
Ilford HP5+ @1600
Foma Fomadon Excel (stock, 20C for 13min)