Rodinal Special / R09 Spezial
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Photo information:
Film type: 135.
Film name: Rollei RPX 400.
Developer maker: One Shot R09.
Process: 20°C.
Developer dilution: 1+50.
Developing time: 21'.
Filter(s) used: no.
Scanner manufacturer: Epson V550.
(Linhof Kardan Super Color; Schneider Symmar-S 150mm/5.6; Fomapan 100 developed in Moersch Eco Film Developer; digitized with DSLR+hugin; edited with GIMP)
The title of this image is “Navajo Dawn” however, this was taken during sunset. The title is short for dawn of the Navajo, and makes reference to this area being the spiritual birthplace of the Navajo people. This sacred and highly scenic and remote area has been under siege in recent years, because of the proposed Escalade Project. The proposed project included building a resort on the land, as well as a gondola type tram, running from the rim, down to the canyon floor. When asked about the impact this project would have on this sacred land, the head developer stated that there will be 300 feet between the development and the sacred Navajo area, therefore there shall be no impact to the land. Personally, I cannot see how 10,000 people per day, just 300 feet away, would not have a devastating impact on the land, the Navajo people’s culture and the local wildlife.
Earlier this year, the people of the Western Navajo Nation voted unanimously to reject development of this area, which was accepted, resulting in victory for its proud people. This action means that at least for now, this sacred land will continue to be preserved.
As a photographer living in Arizona, this land means a lot to me, both for the importance to its people, and its overwhelming beauty. The journey to this place was more than worth it, as like few others, having the opportunity to capture images from here and being able to witness such a rugged and beautiful setting, has been nothing less than a truly amazing privilege.
It used to be a pub. The Sun Inn offered everything the traveller needed including accommodation and a beer garden behind the building. These days, pubs are being converted into residential homes and developers make sure that the yard behind is turned into accommodation too, rental or other.
Fuji X-Pro1.
Zumea kalea, Andoain.
Film canister pinhole camera.
Exposure: 1 min.
Old Ilford paper developer
Scanner: Epson V100
Door to the cemetary
Hasselblad 500 c/m
Planar 80mm f/2.8
Ilford HP5 @320
PMK
Ilford RC IV Pearl
Ilford Multigrade developer
Abandoned railroad bridge over the Eno River, Butner-Falls of Neuse Game Land
590nm IR-converted Pentax K-5
Lensbaby Sol 45
Iridient Developer
Mountain Laurel (Kalmia latifolia) in bloom along the Bartram Trail, Scaly Mountain, Nantahala National Forest
Pentax K-1
SMC Pentax-A 1:2.8 24mm
Iridient Developer
Holga 120N, Efke IR820 in eco film developer.
Mike Ware´s New Cyanotype on Hahnemühle Platinum Rag.
Lead acetate toner 1,75% 2:45 minutes.
Holga 120N, Delta 400 @640 ASA, yellow filter, Finol.
Kallitype onto Hahnemühle Platinum Rag,
developer Rochelle salt/Sodium tungstate mixture.
Vor 250 Jahren begann man hier in Hürth damit Braunkohle abzubauen. Anfangs wurde diese Kohle ausschließlich zum Heizen benutzt. Man mischte die zerkleinerte Kohle mit Wasser zu einem Brei, preßte diesen in eine Form und ließ ihn trocknen. Die Geburtsstunde des Briketts, oder wie man in dieser Gegend sagt, des Klüttens. Das erste Klüttenwerk (von 1884) lag in unmittelbarer Nähe der Grube in Alt-Hürth. Als diese Grube ausgekohlt war, wurde die Kohle aus anderen Ortsteilen mittels einer Seilbahn hierher transportiert. Der Straßennahme „Klüttenweg“ erinnert an diese Seilbahn. Der rekultivierte Bereich der ersten Grube ist heute das Landschaftsschutzgebiet Hürtherberg, das ca. 300 Meter vor meiner Haustür liegt.
Lignite mining began here in Hürth 250 years ago. Initially, this coal was used exclusively for heating. The crushed coal was mixed with water to make a pulp, pressed into a mould and left to dry. This was the birth of the briquette, or as we say in these parts, ‘Klütten’. The first briquette plant (from 1884) was located in the immediate neighbourhood of the mine in Alt-Hürth. When this mine was exhausted, the coal was transported here from other parts of the town by cable car. The street name ‘Klüttenweg’ is a reminder of this cable railway. The recultivated area of the first mine is now the Hürtherberg nature reserve, which is about 300 metres from my front door.
Joshua Tree National Park's namesake plant, Yucca brevifolia, post bloom
590nm IR-converted Pentax K-5
SMC Pentax 1:3.5 35mm
Iridient Developer
Eno River State Park
Playing with my new lens
590nm IR-converted Pentax K-5
Lensbaby Sol 45/3.5
Iridient Developer
Photo information:
Film type: 120
Film name: Rollei RPX 100
Developer: Ilford Ifosol DD-X
Process: 20°C.
Developer dilution: 1+4
Developing time: 12'
Scanner manufacturer: Epson Perfection V550 Photo.
Rolleiflex T (White Face) + Xenar 75mm f3.5 Lens
Kentmere Pan 200 Film + Ilford Ilfosol S Developer.
Negative scanned using a Pentax K1-II + K Adapter + Pentax 645 120 Macro Lens + Negative Lab Pro Software.
A dull, hazy January day near the river turned out to be more than I had hoped for - the sun shone through the haze and made everything more interesting.
Taken with ancient Pentax SFXn film camera and smc Pentax-FA 70–200mm F4–5.6 PowerZoom telephoto lens, on a short roll of AgfaPhoto APX 400 film. Developed in Adox FX-39 II, 1+9 dilution at 22°C.
Scanned with Plustek OpticFilm 8100 film scanner, using VueScan.
Diluted FX-39 is a one-shot developer, it can be used only once. But I couldn't throw it away, those 40 ml of developer looked perfectly fine, I just had to try to develop another roll. I even wrote a blog post about reusing one-shot developers, 📖 take a look here!
Exploring film/developer combinations. This is just a technical test.
This is Kodak Tmax 400 and Thornton 2 Bath (4+4). Compare this with the image from the 2B-1 negative: flic.kr/p/2qB9Ewb
Hasselblad 500C/M with f2.8 Planar.
Black Walnut (Juglans nigra), Eno River State Park
Pentax K-1
SMC Pentax 1:1.8 55mm
16:9 panorama crop
Iridient Developer
Camera: Rolleiflex 3.5 A
Lens: Carl Zeiss Opton-Tessar 3.5/75mm
Film: Bergger Panchro 400
Developer: Rodinal 1:100 Semistand (1 hour, one inversion after 30 Minutes)
Mehr zu diesem Latergram hier:
zeitmaschinen.org/latergram-2020-japanisches-sternchen-un...
Latergram is my answer to Instagram - i expose a film and put it away for some time without developing it. Sometimes i make notes on the pictures i took and try to imagine how the photograph would look when reading them before developing the film, sometimes i do not take any notes, forget what i took the pictures of and treat myself to a surprise ...
Latergram ist meine Antwort auf Instagram - ich belichte einen Film und lege ihn für einige Zeit in die Schublade, ohne ihn zu entwickeln. Manchmal mache ich mir während der Aufnahmen Notizen, anhand derer ich versuche, mir die Bilder auf dem Film vorzustellen, bevor ich ihn entwickle. Manchmal vergesse ich das und lasse mich von dem überraschen, was ich da vor vielen Monaten für fotografierenswert gehalten habe ...
The analogue photographs show the „Due Laghi“ region between Lago Maggiore and Lago di Orta in Italy/Piedmont.
Die analogen Fotografien zeigen die Region „Due Laghi“ zwischen Lago Maggiore und Lago di Orta in Italien/Piemont
# Camera: Rollei 35S
# Scanner: Nikon Coolscan 5000ED with VueScan Software
# Film: Ilford XP2
# Edited with Iridient Developer
Griffin, Georgia
Ilford HP5+ film.
A Flickr member, Nigel S, made this comment on an earlier post of this bus: Flxible Starliner from 1957-60. Rear engined Clipper and Starliner models were made by the Flxible Co of Loudonville, Ohio from 1946 but ceased production in 1967.
I don't know if it's the film or the developer or the combination, but I love how the little purple flowers (maybe rockcress?) pop and how all of the colors have an almost hand-painted look to them.
The open spaces had been taken over by the yellow flowers (I'm not sure - maybe yellowcress? If so, they're early and kind of out of place.) I don't remember seeing these flowers here before. But maybe I'm just forgetting.
I took this on my second of three hikes over the weekend. This was a short morning hike I did - just two miles - atop a plateau. Regular viewers might recall "Pillbox rock." This is the formation just to the north of it. It's relatively long. This is looking north at its south end.
This was the last photo I took on that particular hike. I nearly didn't take this because of the clear sky and how much it resembles a larger Pillbox Rock. But why not show off the color a bit?
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'Cærse'
Camera: Chamonix 45F-2
Lens: Steinheil Rapid Antiplanet 6,5; 27cm
Film: Kodak Vericolor Internegative, Type 2 (4114); x-01/1994; 12iso
Exposure: f/32; 1/2sec
Process: DIY ECN-2
Washington
April 2024
Kallitype
Hahnemühle Platinum Rag, Potassium Citrate developer, ATS alkaline fixer:
untoned
MT10 Gold toner
MT3 Vario toner (thiourea)
Morning light on the Sydney coast, November 2020.
In Flickr Explore March 10, 2021.
Camera: Leica CL
Lens: Cosina-Voigtlander Ultron 35mm f/2 Vintage Line
Film: Ilford FP4+ @ISO400
Developer: Microphen 1+1
Scan: Epson V700
Postprocessing: Lightroom 6
Please don't use this image on websites, blogs or other media without my explicit written permission. © copyright 2020 Lynn Burdekin. All Rights Reserved.
2012. Contax G1 (Carl Zeiss Biogon 28mm F2.8). Author's hand print (Lith-print). Enlarger Meopta Opemus 5. Developer Fotospeed LD20. Photo paper Bromekspress-1.
"An early-morning walk is a blessing for the whole day."
Henry David Thoreau
“What is the good of your stars and trees, your sunrise and the wind, if they do not enter into our daily lives?”
E. M. Forster
“We can only appreciate the miracle of a sunrise if we have waited in the darkness” -Unknown
Zenza Bronica EC, Schneider-Kreuznach Apo-Componon HM 4.5/90 (enlarging lens), f/4.5
Ilford Delta 100 film/Adox FX-39 II 1+14 developer
Image quality is compromised here by a shutter malfunction due to insufficient battery power, resulting in a very overexposed negative. This was the first time I ran out of battery power with my Bronica EC and it took me a couple of frames until I realized that the shutter was acting as if set to B.
The negative would be difficult to print; however, once scanned it can be easily salvaged but turns out rather grainy for Delta 100.