Rodinal Special / R09 Spezial
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Hasselblad Planar 100mm with extension tube, Acros in Tanol,
Kallitype onto COT-320,
Sodium acetate developer,
MT10 Gold toner 3 minutes after fixing.
Django Reinhardt, Stephane Grapelli, J'Attendrai
TD : Ilford HP5 35mm film, developer ID-11 25' at 20°C. Exposure ISO 1000 @35mm lens, available light. Digitized with Alpha 6000 edited in ACR, inverted in CS6.
Meopta Flexaret IIa (S/N:30130190a)
Meopta Mirar II 1:3.5 f=80mm (S/N: 20449300)
ORWO NP20 (25 ISO) - develop before 10.1986
Agfa Rodinal 1:100 for 35 min (20C)
Meaning is Context sensitive.
Lately the techies I spend time with have been talking about FullStack Developers as an experience class. I used this picture to make a point in that context.
A Prior use of this image was in my 'fall season' photography album.
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Explore: Highest position: 340 on Tuesday, October 21, 2014
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Prior use as: "Fall fungus":
Another find on one the Fall walks of this year through the local Conservation area.
The sodium acetate developer produces the coolest image tone in Kallitype.
One or the other user may well have doubts about this. If the results are not as cool as expected, this is not due to the developer but to the workflow. A really cool tone is only maintained if the print does not come into contact with tap water before fixing. If the print is rinsed with tap water after the developer or the clearing bath, the image tone will be significantly warmer. It is not a question of which shade is perceived as more pleasant, but rather an advantage to know how to control the colourfulness.
For toning before fixing (platinum, palladium, gold), a rinse cycle is advisable in order not to change the property of the toner by introduced acid. For all tonings after fixing, a cooler initial print has the advantage of a higher maximum blackening. This is not decisive for successful toning, but differences in hue and saturation become apparent.
Left: developer, Citric acid clearing bath 1% (with demineralised water), ATS acidic fixer.
Right with a short rinse with tap water after the clearing bath,
Kallitype
Hahnemühle Platinum Rag, Potassium Citrate developer, ATS alkaline fixer:
untoned
MT10 Gold toner
MT3 Vario toner (thiourea)
Illustrations/code-names for the development team here at work.
If you have a problem - if no one else can help - and if you can find them - maybe you can hire: The Developers.
Paine’s Bridge, Chatsworth, Derbyshire, England.
590nm IR-converted Pentax K-5
SMC Pentax 1:3.5 35mm
Iridient Developer
Beginners in the technique of Kallitype often ask which developer they should choose.
Only a comparison of colour and tonal values with identical exposure time. To achieve the same level of blackness with the acetate developer, the exposure time would have to be slightly longer.
Fomapan 100 4x5 inch negative, shot by Graflex Crown Graphic with Schneider Kreuznach 135mm lens and orange filter. Developed in R09 for 9:00 minutes.
Contact print on expired Agfa Record Rapid grade 2 in Ilford warmtone developer.
This is a bulk gas carrier and guess what. That is a gas power station in the backround
Shot from Portishead Quay as the BRO Developer approaches Avonmouth.
added a bit of my own "fuzzy" intelligence 😛
Do you feel "betrayed" when (if) you found out a photo was an Artificial "photo"... are we getting used to being "lied" too..
I for one think we are blurring the future. Can we trust what we see? Do you accept this "new" way of looking at things?
Things are likely to become yet more complex as use of artificial intelligence by artists becomes more widespread, and as the machines get better at producing creative works, further blurring the distinction between artwork that is made by a human and that made by a computer.
here a quote by Friedrich Nietzsche
“I’m not upset that you lied to me, I’m upset that from now on I can’t believe you.”
developers.mews.com/why-ai-lie-and-what-we-can-learn-from...
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HIT THE 'L' KEY FOR A BETTER VIEW! Thanks for the favs and comments. Much Appreciated.
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All of my photographs are under copyright ©. None of these photographs may be reproduced and/or used in any way without my permission.
© VanveenJF Photography
An Australian Magpie in coastal wetlands in Sydney, winter 2018. Nikon F80 AF Nikkor 50mm f/1.8D Kodak Tri-X 400 in XTOL 1+1.
Medieval Old Town of Cisternino - Puglia, Italy
Nikon F801S
Voigtländer Ultron 40mm f/2 SL-II
Fomapan 100
D23 1+1 @20°C
Kodak Tri-X Pan 320, 4" x 5", 320 iso, Normal development in PMK developer, 9:35 minutes, 20C [68F]. Taken September 2020, Ebony SV45TE. Nikkor M 200mm.
A small un-named stream, tumbling down off of Mt. Saskatchewan in Banff National Park. This stream joins the North Saskatchewan River just a short distance below where this image was taken.
Banff National Park, Alberta.
Day 260
Today it is Luke, Nicky and I. Thank you both for letting me take your photo.
Nicky is the one that got me involved in 365 in the first place!
Every time I come to San Francisco, there is some kind of smart-ass billboard along the highway ... "ask your developer," it says.
Ask her what? Whether Twilio is better than some other provider? Whether the cloud is here to stay? Who comes up with these crazy signs?
Fortunately, it doesn't matter very much ... by the time I come back again, this billboard will have been replaced by something else just as mysterious.
Note: I chose this as my "photo of the day" for Nov 21, 2015
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In early November 2015, I flew from New York to San Francisco to take a weekend street-photography workshop under the tutelage of Eric Kim. As you might expect, I took gazillions of photos; but not all of them were specifically associated with the workshop itself. On the way out to San Francisco, I took a bunch of pictures with my iPhone; and during the weekend, I took a number of photos that had little or nothing to do with street-photography per se.
I’ll upload the photos in dribs and drabs during the next several days, and let you decide which ones are sufficiently interesting to warrant a second look…
I've tested 9 programs for the purpose of processing challenging nightscapes and for preparing images for time-lapses.
The comprehensive review can be found on my blog here:
amazingsky.net/2023/01/01/testing-raw-developer-software-...
PinstaGo 4X5 pinhole camera, in-camera developed with syringes. Left the developer syringe in the sun a few minutes and it turned brown. Stained the print, too. Inman, Georgia
The buildings known as Whitefriars are the surviving fragments of a Carmelite friary founded in 1342 in Coventry, England. All that remains are the eastern cloister walk, a postern gateway in Much Park Street and the foundations of the friary church. It was initially home to a friary until the dissolution of the monasteries. During the 16th century it was owned by John Hales and served as King Henry VIII School, Coventry, before the school moved to St John's Hospital, Coventry. It was home to a workhouse during the 19th century. The buildings are currently used by Herbert Art Gallery and Museum, Coventry.
This photograph was taken using Ilford XP2 super 400 ISO
film and was shot with a Canon EOS 3 camera and a EF 16-35mm USM IS lens. Developed by my self using Ilford DDX developer at 1-9 at 45 minuets and temperature of 21 C. The negative was scanned using my Canon EOS-R camera and with a EF 100mm f2.8 macro lens.
Zenza Bronica S2, Carl Zeiss Jena Tessar 1:4.5 f=12cm (uncoated lens, ca. 1922, from a Contessa Nettel Adoro 6.5x9 folding plate camera), f/7.1, 1/15
Fomapan 200 film/Adox FX-39 II 1+9 developer (EI 125)
View of Devils Elbow from Heceta Head on the Oregon Coast. Photographed with a Leidolf Wetzlar Lordomat Rangefinder with a Lordonar f/2.8 50mm lens. The film is Kosmo Foto Mono 100 developed in Beerenol (Pabst Blue Ribbon Beer).
photo: MPP+ Boyer Béryl 90mm+FP4 + agfa/ansco 40 (1+2/4min)
print: untoned kallitype on Bergger cot 320 paper. sodium acetate developer.
Venize piazza san Marco 2016
switzerland/italy roadtrip 2016
Camera: Chinon CG-5
Lens: Cosina 35-70mm f/3.5-4.8 MC Macro + orange filter
Film: AGFA CINEREX (expired 2007)
Developer: Rodinal 1+100
Scanner: Plustek OpticFilm 7600i
Location: Uddevalla, Sweden
Captiva Island is an island in Lee County in southwest Florida, located just offshore in the Gulf of Mexico. Captiva Island is just north of Sanibel Island. According to local folklore, Captiva got its name because the pirate captain José Gaspar (Gasparilla) held his female prisoners on the island for ransom (or worse). However, the supposed existence of José Gaspar is sourced from an advertising brochure of an early 20th-century developer, and may be a fabrication. Around 3000 B.C., the sands of Captiva started to erode, resulting in the eventual formation of Sanibel Island. The Gulf of Mexico waters were eight feet lower than they are today. It is said that the first inhabitants of Captiva were The Calusa Indians. The population of the Calusa is believed to have reached as many as 50,000 people. "Calusa" means "fierce people", and they were described as a war-like people. The Calusa Indians were not very welcoming and attacked any explorers who came into their territory. Calusa Indians built their houses on stilts without walls. They wove palmetto leaves together to build roves (twisted strands of fibers). The Calusa Indians fished for food on the coast, bays, rivers, and waterways. They did not farm. “The men and boys of the tribe made nets from palm tree webbing to catch mullet, pinfish, pigfish, and catfish. They used spears to catch eels and turtles. They made fish bone arrowheads to hunt for animals such as deer. The women and children learned to catch shellfish like conchs, crabs, clams, lobsters, and oysters.” The Calusa Indians used the shells on the island for utensils, jewelry, tools, weapons, and ornaments. By the late 1700s most of the Calusa Indians had died out. Many were captured and sold as slaves while others died from diseases such as smallpox and measles. An Austrian named Binder (b. 1850) was on a German freighter headed to New Orleans when the ship crashed and he was shipwrecked off Boca Grande. He then washed up to shore on what has been since 1921, Upper Captiva. “He lived for several weeks on what the unoccupied island had to offer, built a makeshift raft, and got himself to Pine Island, where he was helped to return to his home. By 1888, due to his having fought with the U.S. Army, he became naturalized, and was allowed to homestead on Captiva in 1888, when he was 38 years old. For 10 years he was Captiva’s first and only inhabitant. He died in 1932.”
OS: Linux Deepin
Software: DigiKam - GIMP
Camera Original Photo: Rolleiflex
Lens: Carl Zeiss Jena Tessar 75mm 1:3.8
Film: AGFA ISS
Developer: Formula Metol-Sulfito
1979.
Louisville, Colorado I'm sure various developers are trying to tear this farm away and replace it with homes or stores. Shame.
We have finally released the Developer Kit for our mesh heads!
Please share your advertisements in our flickr group, so our customers can find you: www.flickr.com/groups/4144858@N23/
Testing times for D96 developer, I found this guy fishing on the Blanchard River. It's rare to see the river that low and to be able to steps on the falls, it would be even more rare if that guy caught anything.
Camera: Canon A-1, 50mm f1-4.
Film: Polypan F, ISO 50, expired 2015. FPPD-96 developer, 68 Degree, 8 minutes, 30 seconds, slow but continuous agitation in the Lab Box.
Camera: Hasselblad 500C/M
Lens: Zeiss Distagon CF 60mm f/3.5
Film: Ilford HP5+ @ 800
Developer: Kodak HC-110 (1+49, 11 mins) Development details on FilmDev
Scanner: Epson 4180
Cropping, levels and dust removal done in Darktable.
7102
Nikon F90x
Nikon AF NIKKOR 50mm 1:1.4 D
Ilford HP5 400, expired 1984
Adonal 1:25 6min @ 20℃
Canon CanoScan 9000F Mark II
01_20190708_013-2
UN 54 film developed in PMK developer. This developer is a bit different as it really enhances the greyscale
1/6
Fort Custer Recreation Area near Augusta, Michigan. January 9, 2016.
Pentax Mz-S
FA 28-105 f4-5.6
Kentmere 400 rated @400
Tmax developer 1+4, 6min @ 20c
Toned image from scanned B&W exposure. My first experiment with Tmax developer and K400.
16-00575_tu6