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White Sunday in Hürth

Rolleiflex T, Delta 400 @ ISO 800 in Finol,

Kallitype on HPR, Rochelle salt developer, MT10 Gold toner 4 minutes prior to fixing.

APX100 in Finol,

Kallitype, COT-320, Sodium acetate developer,

MT6 Nelson Gold Toner 39°C 2 minutes

It used to be a pub. The Sun Inn offered everything the traveller needed including accommodation and a beer garden behind the building. These days, pubs are being converted into residential homes and developers make sure that the yard behind is turned into accommodation too, rental or other.

Fuji X-Pro1.

Django Reinhardt, Stephane Grapelli, J'Attendrai

youtu.be/Qj8lhweSIM8

 

TD : Ilford HP5 35mm film, developer ID-11 25' at 20°C. Exposure ISO 1000 @35mm lens, available light. Digitized with Alpha 6000 edited in ACR, inverted in CS6.

Holga 120N Tri-x in efd.

 

Quality control is carried out after each production of ferric oxalate. I do not rely on the test for residual iron II salt, only the result after printing is really relevant.

Because different developers have their own characteristics in terms of maximum blackening, colour and susceptibility to fogging, I allow myself the pleasure of playing with developers.

 

Kallitype onto HPR,

Sodium acetate developer.

 

Holga 120N, Efke IR820 in eco film developer.

Mike Ware´s New Cyanotype on Hahnemühle Platinum Rag.

Lead acetate toner 1,75% 2:45 minutes.

...alla stupidità umana, e chi è senza peccato scagli la prima pietra.

 

Bessa R

Voigtlander color skopar 35mm f 2,5

Rollei Superpan200 sviluppata in due bagni, metodo Thornton, 4+4min. @23°C.

  

Holga 120N, HP5 in Tanol,

Kallitype on HPR,

Sodium acetate developer,

MT3 Vario Toner: bleach 1+100 1:20 mins, toner setting C.

Spring tide in the marsh, Bald Head Island

 

Pentax K-1

SMC Pentax-A 1:2.8 24mm

Iridient Developer

Eno River State Park

 

A second shot with a slightly different perspective, processed in color.

 

Pentax K-1

SMC Pentax 1:1.8 85mm

Iridient Developer

The sodium acetate developer produces the coolest image tone in Kallitype.

One or the other user may well have doubts about this. If the results are not as cool as expected, this is not due to the developer but to the workflow. A really cool tone is only maintained if the print does not come into contact with tap water before fixing. If the print is rinsed with tap water after the developer or the clearing bath, the image tone will be significantly warmer. It is not a question of which shade is perceived as more pleasant, but rather an advantage to know how to control the colourfulness.

For toning before fixing (platinum, palladium, gold), a rinse cycle is advisable in order not to change the property of the toner by introduced acid. For all tonings after fixing, a cooler initial print has the advantage of a higher maximum blackening. This is not decisive for successful toning, but differences in hue and saturation become apparent.

Left: developer, Citric acid clearing bath 1% (with demineralised water), ATS acidic fixer.

Right with a short rinse with tap water after the clearing bath,

Kallitype

Hahnemühle Platinum Rag, Potassium Citrate developer, ATS alkaline fixer:

untoned

MT10 Gold toner

MT3 Vario toner (thiourea)

2012. Contax G1 (Carl Zeiss Biogon 28mm F2.8). Author's hand print (Lith-print). Enlarger Meopta Opemus 5. Developer Fotospeed LD20. Photo paper Bromekspress-1.

Scanned LF print.

 

Crown Graphic w/ Wollensak Optar 135 mm/f4.7.

Sept 25, 2021.

 

Fomapan 100 (9x12 cm) in Rodinal 1+100, semistand 1 h.

 

Split grade printed on Ilford MG IV RC Pearl (8x10"), developed in Ilford MG developer and split toned in Thiourea and Selenium.

 

PS borders.

 

Beginners in the technique of Kallitype often ask which developer they should choose.

Only a comparison of colour and tonal values with identical exposure time. To achieve the same level of blackness with the acetate developer, the exposure time would have to be slightly longer.

Illustrations/code-names for the development team here at work.

 

If you have a problem - if no one else can help - and if you can find them - maybe you can hire: The Developers.

A tree I have often photographed, Eno River State Park

 

Pentax K-1

SMC Pentax-A 1:1.2 50mm

Iridient Developer

A coworker and I went to see the Valley of Fire State Park for an afternoon. The park is a 1h drive north-east of Las Vegas, Nevada. He is our star developer, who is very productive, and comes up with creative ideas. I took this shot with his Xiaomi Redmi 5 mobile phone.

 

I processed a photographic and a paintery HDR photo from a single mobile phone exposure, merged them selectively, and carefully adjusted the color balance and curves. I welcome and appreciate constructive feedback.

 

Thank you for visiting - ♡ with gratitude! Fave if you like it, add comments below, like the Facebook page, order beautiful HDR prints at qualityHDR.com.

 

-- Xiaomi Redmi 5, HDR, 1 JPG exposure, 2019-03-04-sam-sheffres_hdr1pho1pai1f.jpg

-- CC BY-NC-SA 4.0, © Peter Thoeny, Quality HDR Photography

Paine’s Bridge, Chatsworth, Derbyshire, England.

 

590nm IR-converted Pentax K-5

SMC Pentax 1:3.5 35mm

Iridient Developer

Sydney > Melbourne

This is a bulk gas carrier and guess what. That is a gas power station in the backround

Shot from Portishead Quay as the BRO Developer approaches Avonmouth.

Mamiya C330f + 180mm f4.5

 

Ilford FP4 Plus + Perceptol Developer.

Game: Star Wars Battlefront II

Developer: EA DICE

I've tested 9 programs for the purpose of processing challenging nightscapes and for preparing images for time-lapses.

 

The comprehensive review can be found on my blog here:

 

amazingsky.net/2023/01/01/testing-raw-developer-software-...

Film, 120, Fomapan 200 @ EI 160, TMAX Developer 1:4

Cullasaja Gorge, Nantahala National Forest

 

Pentax K-1

Rokinon 1:3.5 24mm ED AS UMC Tilt/Shift

3-shot shift panorama

Iridient Developer

Affinity Photo

Eno River State Park, Cole Mill section

 

Pentax K-1

SMC Pentax 1:1.8 85mm

Iridient Developer

An American Hornbeam (Carpinus caroliniana) in early spring green leans out between two Sycamores (Planatus occidentalis), Eno River State Park

 

Pentax K-1

SMC Pentax 1:1.8 85mm

Iridient Developer

Nikon FM

Ilford HP5 400

Developer Romek R76 1+1

Kentmere 100 Film

Ilfosol 3 developer

Rolleiflex 3.5E3

Planar 75mm F3.5

Fitzroy, Victoria, Australia

January, 2025

Zenza Bronica ETRS

Ilford FP4+

Moersch ECO developer

 

Give me a Mouse,not a touchscreen.

girl and her cat, 2014. Nikon F80 SLR with AF Nikkor 50mm f/1.8D, Ilford HP5+ in XTOL 1+1 developer. V700 scan.

My plans around Watford rapidly changed when I visited Cassiobury Park and discovered they were in the process of moving a few dinosaurs around. You know how it goes.

 

This was a grab shot through the car window before I parked up properly and shows a Triceratops, or at least a Homo sapiens interpretation of it, being transported in the park.

 

I now know that it forms part of 'Jurassic Encounters' which consists of around 50 automated dinosaurs that move their jaw and limbs and growl - it lasts from 2nd to 18th April 2022.

 

Despite the event name, the Triceratops did not roam the planet in the Jurassic era, coming much later in the Late Cretaceous period, and only existed about two million years prior to the Mass Extinction.

 

Cassiobury Park, Watford, Hertfordshire

28th March 2022

  

20220328 IMG_7817

Mamiya C330 80mm f/2.8 lens

kodak tri-x, D76 developer

Developer:Mount Anvil Architect: Squire & Ptnrs

Berlin, Wittenbergplatz Underground Station

 

Rheinmetall Weltax, Bergger Pancro 400 in Studional 1+15, polariser

Development details on FilmDev

Electra's brother. Some people say he is lazy, but he is just calm.

 

Exakta HS-2 (Cosina CT)

SMC Pentax 1:1.8 55mm

Fomapan 200

Fomadon Excel Stock (for 7min)

This picture was developed with E6 chemistry that had been sitting out at room temperature since February. Quite the vintage look even though this is fresh Provia 100F slide film.

M6 with 28/2.8 on HP5 pushed to 1600 and developed with TMax developer 1:4

Testing times for D96 developer, I found this guy fishing on the Blanchard River. It's rare to see the river that low and to be able to steps on the falls, it would be even more rare if that guy caught anything.

 

Camera: Canon A-1, 50mm f1-4.

Film: Polypan F, ISO 50, expired 2015. FPPD-96 developer, 68 Degree, 8 minutes, 30 seconds, slow but continuous agitation in the Lab Box.

Women of Color in Tech stock images, Women in Tech stock images

A couple enjoying the Sydney coast, March 2019. Leica IIIc Cosina-Voigtlander 21mm f/4 Color-Skopar LTM. Ilford HP5+ in TMAX developer 1+4. V700 scan.

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