T-Max Developer
View allAll Photos Tagged developers
FP4 N+1 in Tanol,
Gold toned Kallitype after fixer,
paper Hahnemühle Platinum Rag
developer Sodium acetate
The lower of the two main cascades of Glen Falls, Nantahala National Forest.
Pentax K-1
Rokinon 1:3.5 24mm ED AS UMC Tilt/Shift
3-shot shift panorama
Iridient Developer
Affinity Photo
It used to be a pub. The Sun Inn offered everything the traveller needed including accommodation and a beer garden behind the building. These days, pubs are being converted into residential homes and developers make sure that the yard behind is turned into accommodation too, rental or other.
Fuji X-Pro1.
FP4 N+1 eco film developer.
Kallitype onto HPR.
On the left, Ockre developer (rochelle salt/tungstate mixture) untoned.
On the right, short gold toning with the aim of achieving a cool highlight colour while retaining reddish shadows. The desired highlight colour is achieved after just one and a half minutes in the MT10 gold toner; the shadows are not yet completely toned, but are already significantly cooler.
Rolleiflex T, Trix in Pyro48,
Kallitype onto Hahnemühle Platinum Rag,
Sodium acetate developer, MT3 Vario toner
Horton Grove Nature Preserve
590nm IR-converted Pentax K-5
SMC Pentax 1:3.5 35mm
16:9 panorama crop
Iridient Developer
Another bird shot from my trusty balcony. It was a very warm day and these Pigeons were busy.
Hope everyone has a great weekend.
Thanks for all the comments and support :)
Coastal oak forest with an understory of Saw Palmetto (Serenoa repens), Big Talbot Island State Park
590nm IR-converted Pentax K-5
SMC Pentax-A 1:2.8 24mm
Iridient Developer
Zeiss Ikon Super Ikonta A 530 4,5 x 6 cm, 1937
Fomapan 100@100 ISO
Yellow filter
Moersch Eco Developer
DSLR scan
Kallitype
Hahnemühle Platinum Rag, Potassium Citrate developer, ATS alkaline fixer:
untoned
MT10 Gold toner
MT3 Vario toner (thiourea)
The sodium acetate developer produces the coolest image tone in Kallitype.
One or the other user may well have doubts about this. If the results are not as cool as expected, this is not due to the developer but to the workflow. A really cool tone is only maintained if the print does not come into contact with tap water before fixing. If the print is rinsed with tap water after the developer or the clearing bath, the image tone will be significantly warmer. It is not a question of which shade is perceived as more pleasant, but rather an advantage to know how to control the colourfulness.
For toning before fixing (platinum, palladium, gold), a rinse cycle is advisable in order not to change the property of the toner by introduced acid. For all tonings after fixing, a cooler initial print has the advantage of a higher maximum blackening. This is not decisive for successful toning, but differences in hue and saturation become apparent.
Left: developer, Citric acid clearing bath 1% (with demineralised water), ATS acidic fixer.
Right with a short rinse with tap water after the clearing bath,
Illustrations/code-names for the development team here at work.
If you have a problem - if no one else can help - and if you can find them - maybe you can hire: The Developers.
Striking tulip variety in intense red with fingered petals that resemble the foliage of a cutleaf Japanese maple (Acer palmatum dissectum) in autumn.
The Red color is a bane for CMOS sensors, always blows out in the SOOC JPEGs.
Best shoot in RAW and deal with the Red channel by manipulating the Tone Curve. Getting a little better with this, all done via Olympus' RAW developer "Olympus Viewer 3".
Handheld with m4/3 setup.
Illustrations/code-names for the development team here at work.
If you have a problem - if no one else can help - and if you can find them - maybe you can hire: The Developers.
en.wikipedia.org/wiki/Pow%C4%85zki_Cemetery
Leica Vario-Elmar-R 1:3.5/35-70 E67 (S/N: 3662380)
Agfa APX 400 @400ISO
Fomadon Excel 1+1 for 12 min. (20C)
A coworker and I went to see the Valley of Fire State Park for an afternoon. The park is a 1h drive north-east of Las Vegas, Nevada. He is our star developer, who is very productive, and comes up with creative ideas. I took this shot with his Xiaomi Redmi 5 mobile phone.
I processed a photographic and a paintery HDR photo from a single mobile phone exposure, merged them selectively, and carefully adjusted the color balance and curves. I welcome and appreciate constructive feedback.
Thank you for visiting - ♡ with gratitude! Fave if you like it, add comments below, like the Facebook page, order beautiful HDR prints at qualityHDR.com.
-- Xiaomi Redmi 5, HDR, 1 JPG exposure, 2019-03-04-sam-sheffres_hdr1pho1pai1f.jpg
-- CC BY-NC-SA 4.0, © Peter Thoeny, Quality HDR Photography
(Meopta Flexaret IV; Ilford FP4+ developed in Moersch Eco Film Developer; digitized with DSLR; edited with GIMP)
Minolta Autocord, Kentmere 400 @ISO400, yellow filter, Caffenol CL-CS, 15°C starting temperature, 60 minutes, Zone Imaging Eco Zonefix.
Soft drink can pinhole camera, focal length=65 mm, f=217.
Exposure: 1 min.
Ilford RC glossy paper.
Old Ilford paper developer
Scanner: Epson V370
The road to Wayah Bald
Nantahala National Forest
IR-converted Pentax K-5
SMC Pentax 1:3.5 18mm
Iridient Developer
Eno River State Park
Six-frame “Brenizer method” stitch
Pentax K-1
SMC Pentax 1:1.8 85mm
Iridient Developer
Affinity Photo
Beginners in the technique of Kallitype often ask which developer they should choose.
Only a comparison of colour and tonal values with identical exposure time. To achieve the same level of blackness with the acetate developer, the exposure time would have to be slightly longer.
This is a bulk gas carrier and guess what. That is a gas power station in the backround
Shot from Portishead Quay as the BRO Developer approaches Avonmouth.
Trees Snow and Clouds on Seventh Heaven at Stevens Pass in the Cascades of Washington State.
Camera: Nikon N60
Lens: Nikkor 28-80mm zoom
Film: Fujifilm Acros 100 II Neopan, Expired 10/2021
Developer: Beerenol (Rainier Beer)
stormy seas, Sydney coast, May 2020.
Camera: Nikonos V
Lens: Nikkor 35mm f/2.5
Film: Ilford HP5+ @ISO800
Filtration: None
Developer: Ilfotec Microphen dilution 1+1
Scan: Epson V700
Please don't use this image on websites, blogs or other media without my explicit written permission. © copyright 2021 Lynn Burdekin. All Rights Reserved.
Every time I come to San Francisco, there is some kind of smart-ass billboard along the highway ... "ask your developer," it says.
Ask her what? Whether Twilio is better than some other provider? Whether the cloud is here to stay? Who comes up with these crazy signs?
Fortunately, it doesn't matter very much ... by the time I come back again, this billboard will have been replaced by something else just as mysterious.
Note: I chose this as my "photo of the day" for Nov 21, 2015
************************
In early November 2015, I flew from New York to San Francisco to take a weekend street-photography workshop under the tutelage of Eric Kim. As you might expect, I took gazillions of photos; but not all of them were specifically associated with the workshop itself. On the way out to San Francisco, I took a bunch of pictures with my iPhone; and during the weekend, I took a number of photos that had little or nothing to do with street-photography per se.
I’ll upload the photos in dribs and drabs during the next several days, and let you decide which ones are sufficiently interesting to warrant a second look…
Olympus 35 SP | Zuiko 42mm f1.7 | Ilford HP5+ 400 (@1600)
Dev: Ilfosol 3 (1+14) 24 min 20°C
Development details on FilmDev
Portfolio & LR Presets on www.emrecift.com/
Event: Morris Minor Owners Club National Rally
Location: Fire Service College, Moreton-in-Marsh, Gloucestershire, England
Camera: Pentax ME Super
Lens(s): SMC Pentax-M 50mm f/1.7 + ND8 Filter
Film: Ilford Pan F 50
Shot ISO: 50
Light Meter: Camera
Lighting: Sunny + Mixed
Mounting: Hand-held
Firing: Shutter button
Developer: Ilford DD-X(1+4) for 8 minutes
Scanner: Epson V800
Post: Adobe Lightroom & Photoshop (dust removal)
Walker 5x7 XL camera + Nikkor 180mm f5.6 + Canham 6x17 Roll Film Back + B+W 3.0 (10Stop Filter). Exposure 2.5 Minutes.
Ilford Delta 100 Film + DDX Developer.
In PORTO and throughout Portugal are buildings like this-
prime location(s) along the Douro River,
close to other Investment opportunities,
but- because of layers of burdensome Bureaucratic B.S.-
these buildings- sit, undeveloped while housing and especially affordable housing remains a scarcity here,
as in many parts of developed world today.