Rodinal Special / R09 Spezial
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HP5 in Finol,
Kallitype, Sodium acetate developer,
1st MT12 Cobalt toner 12+9+7+4+450ml 1:30 mins
2nd MT7 Iron Blue 4+2+4+3+400ml 2 mins
3rd Lead acetate 3% 1 min.
Holga 120N, Efke IR820 in efd,
untoned Kallitype on HPR.
Used Ferric oxalate: production attempt no. 3
developer Sodium acetate.
Hvide Sande Havn on a rainy day.
FP4 in Tanol,
Kallitype on HPR,
Sodium acetate developer,
MT10 Gold toner 1 minute after Fixing.
Delta 100 4x5 in MZB,
Kallitype on HPR, Ferric oxalate no.4 toner test, Sodium acetate developer.
Platinum toner (6th print in 250ml) 70 seconds.
It used to be a pub. The Sun Inn offered everything the traveller needed including accommodation and a beer garden behind the building. These days, pubs are being converted into residential homes and developers make sure that the yard behind is turned into accommodation too, rental or other.
Fuji X-Pro1.
(Image taken with an Analog film camera).
Black & White Film: Rollei Retro 80s @ISO 40.
Filter: Red, Support: Tripod with timer
Scan with Plustek 8100@3,600dpi, then edit contrast with Nick Silver Efex Pro2 & ACDSee Photo Editor 11.
Notes: Using Rollei Retro 80s for the first time, negative came out dense, next time will try ISO 64 and 9 minutes on Xtol @ 1:1.
(Location: Smyrna Dunes Park, New Smyrna Beach, Florida).
Thanks for your visits, comments, faves, and views.
Eno River State Park
590nm IR-converted Pentax K-5
SMC Pentax-A 1:2.8 24mm
4-shot stitch
Iridient Developer
Affinity Photo
Imagine, if you will, the conversation between the developer and investors: Developer ----"So the plan is to take these old grain silos and turn them into an amusement park. We'll have zip lines running between the towers, and we'll build a beer garden and event's centre in the silo foundations. Then there's the ice rink, the Ferris wheel, ax throwing..." Investors--- "You're out of your mind. Let's do it."
The southwestern point of Bald Head Island, where the Cape Fear River meets the Atlantic
Pentax K-1
SMC Pentax 1:3.5 28mm
Iridient Developer
Zwischendurch mal etwas zum Aufwärmen.
Linhof Technika Tmax 100 in Tanol,
Kallitype onto HPR,
developer Rochelle salt and Sodium tungstate mixture.
Photo information:
Film type: 135.
Film name: Fomapan 100@100.
Developer: D-76.
Process: 20°C.
Developer dilution: 1+3.
Developing time: 17'.
Scanner manufacturer: Epson Perfection V550 Photo.
Hasselblad 501CM, Planar 100 with extension tube, FP4 in Pyro 48.
Kallitype onto HPR, developer ochre 3,
MT3 Vario Toner - short bleach, toner setting A.
Liebe Freunde und Kunden, ich freue mich über jede Bestellung, aber wenn es an Eurem Wohnort ähnlich aussieht wie auf diesem Bild, müssen wir mit dem Versand zu warten, bis es ein wenig wärmer wird. Wässrige Lösungen neigen dazu, bei frostigen Temperaturen zu gefrieren, wobei die Inhaltsstoffe kristallisieren und oft nur schwer wieder (durch Erhitzung) in Lösung gebracht werden können.
Dear friends and customers, I am delighted to receive every order, but if your place of residence looks similar to this picture, I suggest waiting until it gets a little warmer before shipping. Aqueous solutions tend to freeze in frosty temperatures, causing the ingredients to crystallise and often making them difficult to dissolve again (by heating).
Hasselblad Planar 80mm, Plus-X rated at 400 ASA, developed in eco film developer 2+1+40 22°C 17 mins.
Gold toned Kallitype on Hahnemühle Platinum Rag.
Holga, Delta 400 @800ASA in Finol,
reprinted as Kallitype, based on a lith print from 2010,
COT-320, Sodium acetate developer, alkaline Copper toner 20 secs followed by MT3 Vario toner setting D, without prior bleach.
July 2025 Entry
Location: Shannon Rd, San Jose, CA
Date: January 24, 2025
Camera: Linhof Master Technika 2000
Lens: Nikkor-W 150mm
Film: Ilford FP4+
Exposure Index: 125
Bellows Extension: 150mm
Bellows Compensation: 0
Exposure: 1/15s @ f/11 .7
Developer: Kodak HC-110 1:62
Development: Tray (continuous agitation)
Temperature: 20°c
Developing Time: 9’ 0” (Normal Dev)
Digitized: Nikon D850 w/Nikkor Micro 55AiS
Full Frame
-Thomas
Chinquapin Mountain, Nantahala National Forest
590nm IR-converted Pentax K-5
Lensbaby Velvet 28/2.5
Iridient Developer
The sodium acetate developer produces the coolest image tone in Kallitype.
One or the other user may well have doubts about this. If the results are not as cool as expected, this is not due to the developer but to the workflow. A really cool tone is only maintained if the print does not come into contact with tap water before fixing. If the print is rinsed with tap water after the developer or the clearing bath, the image tone will be significantly warmer. It is not a question of which shade is perceived as more pleasant, but rather an advantage to know how to control the colourfulness.
For toning before fixing (platinum, palladium, gold), a rinse cycle is advisable in order not to change the property of the toner by introduced acid. For all tonings after fixing, a cooler initial print has the advantage of a higher maximum blackening. This is not decisive for successful toning, but differences in hue and saturation become apparent.
Left: developer, Citric acid clearing bath 1% (with demineralised water), ATS acidic fixer.
Right with a short rinse with tap water after the clearing bath,
Akasaka, Tokyo, Japan
Pentax 67ii
Pentax SMC 67 105mm F2.4
Kodak Tri-X 400
Kodak TMAX Developer
DSLR Scan
Negative Supply Holder
Negative Lab Pro
Kallitype
Hahnemühle Platinum Rag, Potassium Citrate developer, ATS alkaline fixer:
untoned
MT10 Gold toner
MT3 Vario toner (thiourea)
Illustrations/code-names for the development team here at work.
If you have a problem - if no one else can help - and if you can find them - maybe you can hire: The Developers.
Strasburg Railroad - Pennsylvania
Camera: Olympus IS-3 DLX
Film: Fuji Acros
Developer: Pyrocat-MC
Paper: Kodak Ektalure G
Developer: Moersch Easylith
Double Crossed September2024. Double exposure. Two tracks crossing near the Little Rock Riverport in Little Rock, Arkansas USA.RolleiRetro400. CanonSureShotTele 40/70-f2.8/4.9Lenses YellowFilter Developer:Diafine5+5 Washed:AGOFilmProcessor CameraScan:FujifilmXH1
Camera Zenza Bronica ETRSi
Lens Zenzanon PE 75mm f/2.8
Film Kodak Tri-X 400
Dev. D-76 1+1, 6:30 min., 27º C
Development details on FilmDev
Explore in May 25, 2016 No. 211
Dead developer browns - the death of me. Only two images in this whole pack weren't completely dead! Arghhh.
Studio. Film camera 6х6 Kiev 6C, fisheye lens Zodiak-8 (3,5/30). Author's hand print (Lith-print). Enlarger Meopta Opemus 5. Developer Fotospeed LD20. Photo paper Bromekspress-1. Scanner Epson 3200
Beginners in the technique of Kallitype often ask which developer they should choose.
Only a comparison of colour and tonal values with identical exposure time. To achieve the same level of blackness with the acetate developer, the exposure time would have to be slightly longer.
February 27, 2021
San Ysidro Creek Land Preserve
Montecito, California
Pentax MZ-S
Pentax smc P-F 24-50mm f/4 Kodak T-Max 100
f/6.7 1/45 ISO 100
XTOL Developer Stock 7 1/2 Minutes
Epson Perfection V550 Photo Scanner
0.01 inches recorded for the month of February...
A Willow Oak (Quercus phellos), a true oak named for its willow-like foliage, leans out over the river at Eno River State Park
Pentax K-1
SMC Pentax 1:1.8 55mm
Iridient Developer
Camera: Nikon F + Nikkor 55mm f1.2
Film: Ilford FP4 Plus 125
Developer: Adox Adonal
Scanner: Epson v300
Every time I come to San Francisco, there is some kind of smart-ass billboard along the highway ... "ask your developer," it says.
Ask her what? Whether Twilio is better than some other provider? Whether the cloud is here to stay? Who comes up with these crazy signs?
Fortunately, it doesn't matter very much ... by the time I come back again, this billboard will have been replaced by something else just as mysterious.
Note: I chose this as my "photo of the day" for Nov 21, 2015
************************
In early November 2015, I flew from New York to San Francisco to take a weekend street-photography workshop under the tutelage of Eric Kim. As you might expect, I took gazillions of photos; but not all of them were specifically associated with the workshop itself. On the way out to San Francisco, I took a bunch of pictures with my iPhone; and during the weekend, I took a number of photos that had little or nothing to do with street-photography per se.
I’ll upload the photos in dribs and drabs during the next several days, and let you decide which ones are sufficiently interesting to warrant a second look…