Painting with Developer
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FP4 N+1 in Tanol,
Gold toned Kallitype after fixer,
paper Hahnemühle Platinum Rag
developer Sodium acetate
Morning light on the marsh, Bald Head Island. Two-shot stitched panorama.
590nm IR-converted Pentax K-5
SMC Pentax 1:1.8 55mm
Iridient Developer
Affinity Photo
Photo information:
Film type: 135.
Film name: Fomapan 100@200.
Developer: FX-39 II.
Developer maker: Adox.
Developer dilution: 1+19.
Developing time: 14'.
Filter(s) used: no.
Scanner manufacturer: Epson.
Scanner model: Perfection V550 Photo.
Hasselblad 501CM Efke IR820 (filter dark red), developer Tanol.
Kallitype on Hahnemühle Platinum Rag,
developer Sodium acetate,
MT3 Vario toner: bleach 1+75 40 seconds, toner setting A 50+40+900ml.
Meopta Flexaret IIa (S/N:30130190a)
Meopta Mirar II 1:3.5 f=80mm (S/N: 20449300)
ORWO NP20 (25 ISO) - develop before 10.1986
Agfa Rodinal 1:100 for 35 min (20C)
Kallitype
Hahnemühle Platinum Rag, Potassium Citrate developer, ATS alkaline fixer:
untoned
MT10 Gold toner
MT3 Vario toner (thiourea)
Ghost Pipe(Monotropa uniflora) and rhododendron petals stand out against the wet leaf litter. Secret Falls Trail, Nantahala National Forest.
Pentax K-1
SMC Pentax 1:1.8 55mm
Iridient Developer
Splashed across the datasheet for X Film 320 Pro was "Ideal Developer 510-Pyro" so who was I to complain about that, 510-Pyro has become a common developer, and you know I can see why they love this so much. Take all the best parts of X Film 320 Pro and put them into this roll, fine grain, good edge sharpness and amazing contrast. And sure these are helped by being 120 negatives, I'm sure even the 35mm frames will sing in 510!
The full review drops in February 2023!
Rolleiflex 2.8F - Carl Zeiss Planar 80mm 1:2.8 - CatLABS XFilm 320 Pro @ ASA-320
510-Pyro (1+100) 12:15 @ 20C (Constant Rotation)
Scanner: Epson V700 + Silverfast 9 SE
Editor: Adobe Photoshop CC
Illustrations/code-names for the development team here at work.
If you have a problem - if no one else can help - and if you can find them - maybe you can hire: The Developers.
A coworker and I went to see the Valley of Fire State Park for an afternoon. The park is a 1h drive north-east of Las Vegas, Nevada. He is our star developer, who is very productive, and comes up with creative ideas. I took this shot with his Xiaomi Redmi 5 mobile phone.
I processed a photographic and a paintery HDR photo from a single mobile phone exposure, merged them selectively, and carefully adjusted the color balance and curves. I welcome and appreciate constructive feedback.
Thank you for visiting - ♡ with gratitude! Fave if you like it, add comments below, like the Facebook page, order beautiful HDR prints at qualityHDR.com.
-- Xiaomi Redmi 5, HDR, 1 JPG exposure, 2019-03-04-sam-sheffres_hdr1pho1pai1f.jpg
-- CC BY-NC-SA 4.0, © Peter Thoeny, Quality HDR Photography
Holga 120N Delta 400 at ISO640 in Finol,
Kallitype 20x20cm on Hahnemühle Platinum Rag,
developer Sodium acetate, toners Cobalt followed by Iron (MT7).
en.wikipedia.org/wiki/Pow%C4%85zki_Cemetery
Leica Vario-Elmar-R 1:3.5/35-70 E67 (S/N: 3662380)
Agfa APX 400 @400ISO
Fomadon Excel 1+1 for 12 min. (20C)
Beginners in the technique of Kallitype often ask which developer they should choose.
Only a comparison of colour and tonal values with identical exposure time. To achieve the same level of blackness with the acetate developer, the exposure time would have to be slightly longer.
This is a bulk gas carrier and guess what. That is a gas power station in the backround
Shot from Portishead Quay as the BRO Developer approaches Avonmouth.
added a bit of my own "fuzzy" intelligence 😛
Do you feel "betrayed" when (if) you found out a photo was an Artificial "photo"... are we getting used to being "lied" too..
I for one think we are blurring the future. Can we trust what we see? Do you accept this "new" way of looking at things?
Things are likely to become yet more complex as use of artificial intelligence by artists becomes more widespread, and as the machines get better at producing creative works, further blurring the distinction between artwork that is made by a human and that made by a computer.
here a quote by Friedrich Nietzsche
“I’m not upset that you lied to me, I’m upset that from now on I can’t believe you.”
developers.mews.com/why-ai-lie-and-what-we-can-learn-from...
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HIT THE 'L' KEY FOR A BETTER VIEW! Thanks for the favs and comments. Much Appreciated.
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All of my photographs are under copyright ©. None of these photographs may be reproduced and/or used in any way without my permission.
© VanveenJF Photography
Canon F1n + 50mm FD f2.8 Lens
T-Max 3200 + TMAX Developer.
A revisit of these images, taken 30 years ago.
An Australian Magpie in coastal wetlands in Sydney, winter 2018. Nikon F80 AF Nikkor 50mm f/1.8D Kodak Tri-X 400 in XTOL 1+1.
Nikkormat FT2 - Nikkor-P 2,5 105mm
Ilford HP5+
Moersch Eco developer, semi-stand developed
DSLR- digitalized
Every time I come to San Francisco, there is some kind of smart-ass billboard along the highway ... "ask your developer," it says.
Ask her what? Whether Twilio is better than some other provider? Whether the cloud is here to stay? Who comes up with these crazy signs?
Fortunately, it doesn't matter very much ... by the time I come back again, this billboard will have been replaced by something else just as mysterious.
Note: I chose this as my "photo of the day" for Nov 21, 2015
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In early November 2015, I flew from New York to San Francisco to take a weekend street-photography workshop under the tutelage of Eric Kim. As you might expect, I took gazillions of photos; but not all of them were specifically associated with the workshop itself. On the way out to San Francisco, I took a bunch of pictures with my iPhone; and during the weekend, I took a number of photos that had little or nothing to do with street-photography per se.
I’ll upload the photos in dribs and drabs during the next several days, and let you decide which ones are sufficiently interesting to warrant a second look…
I've tested 9 programs for the purpose of processing challenging nightscapes and for preparing images for time-lapses.
The comprehensive review can be found on my blog here:
amazingsky.net/2023/01/01/testing-raw-developer-software-...
IN ENGLISH BELOW THE LINE
Foto feta amb una Kodak Retina IIa (016), fabricada el 1953; objectiu Rodenstock Heligon f2 / 50mm; Fomapan R100, revelat revers com a diapositiva amb quimics alternatius (HC110a com a revelador, clorur ferric i amoniac com a blanquejadors, i Iron Out com a reexposador-rerevelador-fixador).
La inmensa i complexa cimentera Uniland de Vallcarca, al Garraf. Abans tenia el seu propi port i estació de tren.
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Picture taken with a Kodak Retina IIa (016), made in 1953; Rodenstock Heligon f2 / 50mm lens; Fomapan R100 with reversal developing using alternative chemicals (HC110a as developer, ferric chloride and ammonia as bleach, and Iron Out as magical fogging-redeveloper-fixer).
Uniland Cement factory in the Garraf coast near Sitges, Catalonia. Once it had it's own harbour and train station, but now those are abandoned (not the factory).
At the Cruise 'In.
Kodak Tri-X developed in TMAX Developer for the standard time. Scanned using a Kodak Pakon F-135 Plus Film Scanner.
NB: This is a parallel-view stereoscopic pair.
Showy Orchis (Galearis spectabilis), Cullasaja Gorge, Nantahala National Forest
Having spotted some leaves and seed pods of Galearis last year, I was eager to return in springtime, and I was not disappointed.
Pentax K-1
SMC Pentax 1:1.8 85mm
Iridient Developer
Affinity Photo
First roll from a Pinhole Printed Flyer. PinholePrinted.com.
Camera: Pinhole Printed Flyer
Lens: Pinhole
Film: Aged Plus-X
Developer: Xtol
Scanner: Epson V600
Photoshop: Curves, Healing Brush (spotting)
Cropping: None
Minolta Dynax 505si Super
Carl Zeiss Jena Flektogon 35mm/f2.4
Ilford HP5+ @1600
Foma Fomadon Excel (stock, 20C for 13min)
a few testing the Bulk April 1987 ILFORD FP4 I was given by a Flickr member in home-made Crawley Formula FX-15 developer. I had to do some 'Work' in FastStone Image Viewer on the Contrast .I used my MINOLTA DYNAX 500si given to me by a former Camera Club member who had it given to HIM but as it was 'FILM' he didn't want it ! Here I used a MINOLTA AF 35-70mm f4 at full aperture .
Kiev 6C, Biometar 80/2.8, 6×6 cm 120mm rolfilm Fujicolor, studio. Shooting through the curved glass, scanner Epson 3200
Testing Kodak Tri-X 400 film in Moersch Finol developer.
Love the way Tri-X 400 flares!
Shot with an Olympus 35 SP 35mm film camera.
Exposed EI 240.
Developed in Moersch Finol 1+75, 5.30 minutes at 28°C, first minute constant agitation then 2 inversions every 20 seconds.
Fixed in Moersch ATS alcaline fixer to preserve the stain, 6.30 minutes, first minute constant agitation then 10 seconds inversions at beginning of each minute
Washed in flowing tap water for 8 minutes.
Scanned to true optical 2900dpi with a custom macro setup, then resized.
No sharpening or noise reduction applied.
Original file available.
High developer temperature takes a toll on grain size here, but decent performance nevertheless.
Decent performance in Finol, but for Tri-X at EI 240 I definitely prefer CG 512 / Rollei RLS.