Ilford ID-11
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It used to be a pub. The Sun Inn offered everything the traveller needed including accommodation and a beer garden behind the building. These days, pubs are being converted into residential homes and developers make sure that the yard behind is turned into accommodation too, rental or other.
Fuji X-Pro1.
Holga 120N, Efke IR820, efd,
Platinum/Palladium 20x20cm on Arches Platine, warm tone developer oxalate/phosphate 1:1 at 45°C
Excerpt from www.cambridge.ca/en/learn-about/resources/Dickson-Hill-HC...:
Dickson Hill is one of the most unique communities in the City of Cambridge. Dickson Hill is named for the Honourable William Dickson, a prominent Galt settler who arrived to the area in 1816. Dickson is credited with founding the Village of Galt due to his considerable land holdings and was responsible for much of the commercial development on the west bank of the Grand River.
His son, William Dickson Jr., acquired most of the lands that currently make up the residential area of Dickson Hill. His own residence, located at 16 Byng Avenue was constructed in 1832. The development of the residential component occurred over several decades and by a series of developers. Florence Dickson, niece to William Dickson Jr., and his heir, controlled the development of this area until the 1890’s.
Dickson Hill features an extremely high concentration of significant buildings of various types: residential, institutional, commercial and manufacturing. In addition to the buildings, key elements that define the character of Dickson Hill are:
• Tree-lined streets;
• Distinctive globe street lights; and
• Prominent urban public spaces and landscape features.
Horton Grove Nature Preserve
590nm IR-converted Pentax K-5
SMC Pentax 1:3.5 35mm
16:9 panorama crop
Iridient Developer
Eno River State Park
Playing with my new lens
590nm IR-converted Pentax K-5
Lensbaby Sol 45/3.5
Iridient Developer
Queen Branch, Mainspring Conservation Trust, Macon County NC
590nm IR-converted Pentax K-5
SMC Pentax 1:3.5 35mm
Iridient Developer
The sodium acetate developer produces the coolest image tone in Kallitype.
One or the other user may well have doubts about this. If the results are not as cool as expected, this is not due to the developer but to the workflow. A really cool tone is only maintained if the print does not come into contact with tap water before fixing. If the print is rinsed with tap water after the developer or the clearing bath, the image tone will be significantly warmer. It is not a question of which shade is perceived as more pleasant, but rather an advantage to know how to control the colourfulness.
For toning before fixing (platinum, palladium, gold), a rinse cycle is advisable in order not to change the property of the toner by introduced acid. For all tonings after fixing, a cooler initial print has the advantage of a higher maximum blackening. This is not decisive for successful toning, but differences in hue and saturation become apparent.
Left: developer, Citric acid clearing bath 1% (with demineralised water), ATS acidic fixer.
Right with a short rinse with tap water after the clearing bath,
Kallitype
Hahnemühle Platinum Rag, Potassium Citrate developer, ATS alkaline fixer:
untoned
MT10 Gold toner
MT3 Vario toner (thiourea)
Morning light on the Sydney coast, November 2020.
In Flickr Explore March 10, 2021.
Camera: Leica CL
Lens: Cosina-Voigtlander Ultron 35mm f/2 Vintage Line
Film: Ilford FP4+ @ISO400
Developer: Microphen 1+1
Scan: Epson V700
Postprocessing: Lightroom 6
Please don't use this image on websites, blogs or other media without my explicit written permission. © copyright 2020 Lynn Burdekin. All Rights Reserved.
"An early-morning walk is a blessing for the whole day."
Henry David Thoreau
“What is the good of your stars and trees, your sunrise and the wind, if they do not enter into our daily lives?”
E. M. Forster
“We can only appreciate the miracle of a sunrise if we have waited in the darkness” -Unknown
Recent print of an old shot, that's the way things have been going for me lately. Probably like many other photogs I'm still ramping up from the pandemic, and with the rising cost of film I'm being much more stingy with my shots. Fortunately I have many older rolls I haven't looked at in years that have some great shots I have yet to print.
This particular shot is from December 2017, taken after a heavy snowfall. This lot sits at the corner of Queen & Jarvis in downtown Toronto and always seems to be changing. Businesses, graffiti and semi-permanently parked vehicles have come and gone over the years. The fact urban environments change so quickly make them a rich source of inspiration for urban photographers like myself.
Shot December 2017 in downtown Toronto. Camera used was a Rolleicord III with a 75mm Triotar lens. Film is Delta 400 developed in TMax developer.
Scan from darkroom print.
View toward Simpson Creek and Long Island, Big Talbot Island State Park
590nm IR-converted Pentax K-5
SMC Pentax-A 1:2.8 24mm
Iridient Developer
Asahi Pentax MX
SMC Pentax, 2.5 135mm
Fomapan 100@100 ISO
Moersch Eco Developer
Semi-stand developing 50 min.
DSLR scan
Rollei SL66SE, Carl Zeiss Planar 80mm f/2,8, Kodak T-Max 100 Professional TMX6052, Developer Ilfosol S 1+9, negative photographed on a light pad, digital processing in Lightroom.
Beginners in the technique of Kallitype often ask which developer they should choose.
Only a comparison of colour and tonal values with identical exposure time. To achieve the same level of blackness with the acetate developer, the exposure time would have to be slightly longer.
The road to Wayah Bald
Nantahala National Forest
IR-converted Pentax K-5
SMC Pentax 1:3.5 18mm
Iridient Developer
This is a bulk gas carrier and guess what. That is a gas power station in the backround
Shot from Portishead Quay as the BRO Developer approaches Avonmouth.
Rollei SL66SE, Carl Zeiss Planar 80mm f/2.8, Lens tilt used. Kodak Technical Pan developed in Technidol, 60mm negative digitised by photographing on a light pad, digital processing in Lightroom.
The geotag is approximate.
The New Brighton Hotel, early evening, Manly village, Sydney, spring 2018. Leica CL M-Rokkor 40mm f/2 Kodak TMAX P3200 (old version) in TMAX developer 1+4 9.4mins 24C. V700 scan.
In Flickr Explore October 07, 2018.
Every time I come to San Francisco, there is some kind of smart-ass billboard along the highway ... "ask your developer," it says.
Ask her what? Whether Twilio is better than some other provider? Whether the cloud is here to stay? Who comes up with these crazy signs?
Fortunately, it doesn't matter very much ... by the time I come back again, this billboard will have been replaced by something else just as mysterious.
Note: I chose this as my "photo of the day" for Nov 21, 2015
************************
In early November 2015, I flew from New York to San Francisco to take a weekend street-photography workshop under the tutelage of Eric Kim. As you might expect, I took gazillions of photos; but not all of them were specifically associated with the workshop itself. On the way out to San Francisco, I took a bunch of pictures with my iPhone; and during the weekend, I took a number of photos that had little or nothing to do with street-photography per se.
I’ll upload the photos in dribs and drabs during the next several days, and let you decide which ones are sufficiently interesting to warrant a second look…
I've tested 9 programs for the purpose of processing challenging nightscapes and for preparing images for time-lapses.
The comprehensive review can be found on my blog here:
amazingsky.net/2023/01/01/testing-raw-developer-software-...
A very windy forest, at that. Brunswick Town State Historic Site.
590nm IR-converted Pentax K-5
Laowa D-Dreamer 1:2.8 12mm
Iridient Developer
Rollei 35S - Carl Zeiss 40mm f2.8 Lens
Ilford HP5 + ILFOSOL 3 Developer.
Negative scanned using a Pentax K1-II + K Adapter + Pentax 645 120 Macro Lens + Negative Lab Pro Software.
© 2016 Daniel Novak Photo | FB | Blog | timelessbuffalo | Instagram
© All rights reserved!
A wonderful cloudy evening on the shore of Lake Erie like created for some moody black and white pinhole photography. I headed to a previously photographed location where I really liked the rock layers positioned perfectly to interact with the incoming lake waves. In many ways, photography there is just like along a rocky ocean coastline. I really liked how the horizon line was blending in with the sky even in color, in blue tones. I did not really know how the scene would turn out in black and white and and in a pinhole photograph on top. And unlike digital, I did not know how it turned out even after clicking the shutter ... #etbtsy
Lake Erie Lakeshore on Pinhole
Shot on Fuji Neopan Acros 100 black and white film, developed in Kodak XTOL Developer, Ilford Ilfostop, Kodak Fixer, Ilford Ilfotol. Scanned with Plustek OpticFilm 8200i SE. No post-processing, just resizing.
timelessbuffalo: black and white film photography from Buffalo, NY
Tags: #filmphotography #blackandwhite #pinholephotography
Kiev 6C, Biometar 80/2.8, 6×6 cm 120mm rolfilm Fujicolor, studio. Shooting through the curved glass, scanner Epson 3200
Flexaret IV (1957), Fomapan 100
Developer: Fomadon LQN (21°C, 7m30s, 30s+10s)
Stop bath: Fomacitro (30s)
Fixer: Fomafix (4m)
Scanner: Canon CanoScan 9000F Mark II
Light meter: "Lux" app on my iPhone.
Mumbai - Canon Ftb, FD lens 135mm f3.5, Kodak Tmax400 film - Ornano Gradual ST20 developer, diluted-one shot- 1+9, Ilford Hypam fixer
It only makes sense to start a CineFilm review with a CineFilm Developer, in this case a clone of Kodak D96. And you know, it works amazing. The results shine with amazing contrast, excellent grain, and sharpness.
You can read the full review online:
www.alexluyckx.com/blog/2025/03/04/film-review-blog-no-10...
Canon EOS Elan 7 - Canon Zoom Lens EF 28-105mm 1:3.5-4.5 USM - ORWO UN54+ @ ASA-100
Flic Film B/W Cine Film Developer (Stock) 6:00 @ 20C
Scanner: Epson V700 + Silverfast 9 SE
Editor: Adobe Photoshop CC
My plans around Watford rapidly changed when I visited Cassiobury Park and discovered they were in the process of moving a few dinosaurs around. You know how it goes.
This was a grab shot through the car window before I parked up properly and shows a Triceratops, or at least a Homo sapiens interpretation of it, being transported in the park.
I now know that it forms part of 'Jurassic Encounters' which consists of around 50 automated dinosaurs that move their jaw and limbs and growl - it lasts from 2nd to 18th April 2022.
Despite the event name, the Triceratops did not roam the planet in the Jurassic era, coming much later in the Late Cretaceous period, and only existed about two million years prior to the Mass Extinction.
Cassiobury Park, Watford, Hertfordshire
28th March 2022
20220328 IMG_7817
Minolta Autocord, Kentmere 400 @ISO400, yellow filter, Caffenol CL-CS, 15°C starting temperature, 60 minutes, Zone Imaging Eco Zonefix.
Testing Kodak Tri-X 400 film in Moersch Finol developer.
Love the way Tri-X 400 flares!
Shot with an Olympus 35 SP 35mm film camera.
Exposed EI 240.
Developed in Moersch Finol 1+75, 5.30 minutes at 28°C, first minute constant agitation then 2 inversions every 20 seconds.
Fixed in Moersch ATS alcaline fixer to preserve the stain, 6.30 minutes, first minute constant agitation then 10 seconds inversions at beginning of each minute
Washed in flowing tap water for 8 minutes.
Scanned to true optical 2900dpi with a custom macro setup, then resized.
No sharpening or noise reduction applied.
Original file available.
High developer temperature takes a toll on grain size here, but decent performance nevertheless.
Decent performance in Finol, but for Tri-X at EI 240 I definitely prefer CG 512 / Rollei RLS.
+SEXYCYCLE 1 ®
+Camera & Film : Pentacon Six TL Mc Biometar Carl Zeiss 80mm / TMAX 100
+Developer : Kodak TMAX developer / TMAX Fixer / Ilford Stop Bath
+Scanner : Epson V700 Photo
We have finally released the Developer Kit for our mesh heads!
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