T-Max Developer
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FP4 N+1 in Tanol,
Gold toned Kallitype after fixer,
paper Hahnemühle Platinum Rag
developer Sodium acetate
Rolleiflex T, Delta 400 @ISO800 in Finol,
Kallitype onto Hahnemühle Platinum Rag,
developer Rochelle salt, MT10 Gold Toner 2 minutes after fixing.
Ilford HP5 35mm film, developer ID-11 10' at 20°C. Exposure ISO 400 @35mm lens, available light. Digitized with Alpha 6000 edited in ACR, inverted in CS6.
It used to be a pub. The Sun Inn offered everything the traveller needed including accommodation and a beer garden behind the building. These days, pubs are being converted into residential homes and developers make sure that the yard behind is turned into accommodation too, rental or other.
Fuji X-Pro1.
Back on the Streets Again
Date: February 13, 2023
Camera: Leica M-A Rangefinder
Lens: Summicron-M 50mm (V)
Film: Kodak Tri-X 400 (ei: 400)
Exposure: 1/60 @ f/2.8
Developer: Kodak HC-110 1:60
Temperature: 20°c
Developing Time: 8’30”
Digitized: Nikon D850, Nikkor 60mm Micro AF-S
Full frame: Nikon ES-2 Film Attachment
Back on the Streets Again
When I need a break and just wanna have fun, I load up the rangefinder with Tri-X and head to the streets.
-Thomas
Looking back down the path, with Gibson Knott at the end of the ridge, and Helm Crag beyond it. Seat Sandal's summit is lost in the clouds and so is Fairfield behind it.
Processed in SilkyPix
I shot this fence from the other side last year, under very similar conditions (sunset, fine weather), so apologies for the repetition if it looks familiar!
Happy Fence Friday
Steep forested wall of the Cullasaja Gorge, Nantahala National Forest.
Pentax K-1
SMC Pentax 1:3.5 35mm
Iridient Developer
Live Oak and Palmetto, Sleeping Turtles Preserve North, Venice, Florida
590nm IR-converted Pentax K-5
Laowa 20mm f/4 Zero-D Shift
Iridient Developer
American Beech (Fagus grandifolia) in late winter garb.
Pentax K-1
SMC Pentax 1:3.5 35mm
Iridient Developer
Cadillac Place, formerly the General Motors Building, is a landmark high-rise office complex located at 3044 West Grand Boulevard in the New Center area of Detroit, Michigan. It was renamed for the French founder of Detroit, Antoine Laumet de La Mothe, sieur de Cadillac
The ornate class-A office building was constructed of steel, limestone, granite, and marble between 1919 and 1923
In 2001 GM moved the last of its employees into the Renaissance Center on the Detroit River.[7] In 1999, General Motors transferred the property to New Center Development, Inc., a non-profit venture controlled by TrizecHahn Office Properties which acted as developer and began renovation on the upper floors which GM vacated in 2000.[8] The Annex was constructed shortly after the main building, and in the 1940s, it was connected to the adjacent Argonaut Building with a pedestrian bridge on the fourth floor. A parking structure was constructed to the east across Cass Avenue and also connected with a pedestrian bridge. A third bridge was constructed across Grand Boulevard in the early 1980s, to connect the building with New Center One and the St. Regis Hotel.
Government of Michigan—Cadillac Place[edit]
The building now houses several Government of Michigan agencies under a 20-year lease agreement approved in 1998. At the end of the lease, the State has the option to purchase the structure for $1.[9] The building's 2002 renovation to house State offices was one of the nation's largest historic renovation projects.
Upon completion it was renamed Cadillac Place as a tribute to Detroit's founder, Antoine Laumet de La Mothe, sieur de Cadillac.
Cadillac Place currently houses over 2,000 State employees including the Michigan Court of Appeals for District I. The building's former executive office suite serves as the Detroit office for Michigan's governor and attorney general, and several Justices of the Michigan Supreme Court have offices in the building.
Late afternoon light on Sydney's Dee Why beach, winter 2020.
Camera: Olympus OM4-Ti
Lens: OM Zuiko 21mm f/3.5
Film: Ilford HP5+ bw film
Developer: Ilfotec HC dilution 1+47
Scan: Epson V700 @4800dpi
Postprocessing: Lightroom 6
Please don't use this image on websites, blogs or other media without my explicit written permission. © copyright 2020 Lynn Burdekin. All Rights Reserved.
The sodium acetate developer produces the coolest image tone in Kallitype.
One or the other user may well have doubts about this. If the results are not as cool as expected, this is not due to the developer but to the workflow. A really cool tone is only maintained if the print does not come into contact with tap water before fixing. If the print is rinsed with tap water after the developer or the clearing bath, the image tone will be significantly warmer. It is not a question of which shade is perceived as more pleasant, but rather an advantage to know how to control the colourfulness.
For toning before fixing (platinum, palladium, gold), a rinse cycle is advisable in order not to change the property of the toner by introduced acid. For all tonings after fixing, a cooler initial print has the advantage of a higher maximum blackening. This is not decisive for successful toning, but differences in hue and saturation become apparent.
Left: developer, Citric acid clearing bath 1% (with demineralised water), ATS acidic fixer.
Right with a short rinse with tap water after the clearing bath,
Rolleiflex T Tri-X in Pyro48.
Kallitype onto Hahnemühle Platinum Rag,
Rochelle salt developer, Palladium toner, ATS acidic fixer.
Kallitype
Hahnemühle Platinum Rag, Potassium Citrate developer, ATS alkaline fixer:
untoned
MT10 Gold toner
MT3 Vario toner (thiourea)
"An early-morning walk is a blessing for the whole day."
Henry David Thoreau
“What is the good of your stars and trees, your sunrise and the wind, if they do not enter into our daily lives?”
E. M. Forster
“We can only appreciate the miracle of a sunrise if we have waited in the darkness” -Unknown
Beginners in the technique of Kallitype often ask which developer they should choose.
Only a comparison of colour and tonal values with identical exposure time. To achieve the same level of blackness with the acetate developer, the exposure time would have to be slightly longer.
Rollei SL66SE, Carl Zeiss Planar 80mm f/2,8, Lens tilt used, Kodak T-Max 100 Professional TMX6052, Developer Ilfosol S 1+9, negative photographed on a light pad, digital processing in Lightroom.
The lens tilt used enables a plane of focus which is not parallel to the film plane, but tilted along the top of the wall, stretching from a metre or so to infinity. Notice that the grass in the foreground is not in focus, even though it is the same distance from the camera as a part of the the wall which is sharp.
de.wikipedia.org/wiki/Scheimpflugsche_Regel
Leica M2
Leica Summilux 35mm f/1.4 II
Ferrania P30
Adox Silvermax Developer (1+29)
11 min 20°C
Scan from negative film
This is a bulk gas carrier and guess what. That is a gas power station in the backround
Shot from Portishead Quay as the BRO Developer approaches Avonmouth.
Buckquarter Creek at low water, Eno River State Park
Pentax K-1
SMC Pentax 1:1.8 85mm
Iridient Developer
Every time I come to San Francisco, there is some kind of smart-ass billboard along the highway ... "ask your developer," it says.
Ask her what? Whether Twilio is better than some other provider? Whether the cloud is here to stay? Who comes up with these crazy signs?
Fortunately, it doesn't matter very much ... by the time I come back again, this billboard will have been replaced by something else just as mysterious.
Note: I chose this as my "photo of the day" for Nov 21, 2015
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In early November 2015, I flew from New York to San Francisco to take a weekend street-photography workshop under the tutelage of Eric Kim. As you might expect, I took gazillions of photos; but not all of them were specifically associated with the workshop itself. On the way out to San Francisco, I took a bunch of pictures with my iPhone; and during the weekend, I took a number of photos that had little or nothing to do with street-photography per se.
I’ll upload the photos in dribs and drabs during the next several days, and let you decide which ones are sufficiently interesting to warrant a second look…
Mushrooms in Bothell, Washinton.
Camera: Ricoh Diacord L
Lens: Rikenon f/3.5 8cm with Rondo Close-up attachment II
Film: Fujifilm Neopan Acros II
Developer: Beerenol (Rainier beer)
Studio. Film camera 6х6 Kiev 6C, fisheye lens Zodiak-8 (3,5/30). Kodak BW400. Author's hand print (Lith-print). Enlarger Meopta Opemus 5. Developer Fotospeed LD20. Photo paper Bromekspress-1. Scanner Epson 3200
I've tested 9 programs for the purpose of processing challenging nightscapes and for preparing images for time-lapses.
The comprehensive review can be found on my blog here:
amazingsky.net/2023/01/01/testing-raw-developer-software-...
IN ENGLISH BELOW THE LINE
Foto feta amb una Kodak Retina IIa (016), fabricada el 1953; objectiu Rodenstock Heligon f2 / 50mm; Fomapan R100, revelat revers com a diapositiva amb quimics alternatius (HC110a com a revelador, clorur ferric i amoniac com a blanquejadors, i Iron Out com a reexposador-rerevelador-fixador).
La inmensa i complexa cimentera Uniland de Vallcarca, al Garraf. Abans tenia el seu propi port i estació de tren.
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Picture taken with a Kodak Retina IIa (016), made in 1953; Rodenstock Heligon f2 / 50mm lens; Fomapan R100 with reversal developing using alternative chemicals (HC110a as developer, ferric chloride and ammonia as bleach, and Iron Out as magical fogging-redeveloper-fixer).
Uniland Cement factory in the Garraf coast near Sitges, Catalonia. Once it had it's own harbour and train station, but now those are abandoned (not the factory).
An American Hornbeam (Carpinus caroliniana) in early spring green leans out between two Sycamores (Planatus occidentalis), Eno River State Park
Pentax K-1
SMC Pentax 1:1.8 85mm
Iridient Developer
Try though I may, there's no one trail that I connect with in the Hocking Hills region more than Old Man's Cave. It's gorgeous when rainy, dry, covered in leaves, frozen solid, and everything in between.
Spring and Summer mornings on the trail have been the most kind to me over the years, and the cool spring morning I made this image was no exception.
Tachihara 8x10 Double Extension
Fujinon-W 250mm f/6.7
16 sec. @ f/22ish + front rise, swing
Ilford HP5+ @ ASA 200
14 min. in Pyrocat HD 1:1.5:100
Berlin-Charlottenburg, Literaturhaus Fasanenstrasse
Graflex Super Graphic, Schneider Symmar 135mm f/5.6, Foma Retropan 320 in Foma Retro Special developer
Leica M2
Leica Summilux 35mm f/1.4 II
Ferrania P30
Rollei Supergrain Developer (1+12)
7 min 30 sec 20°C
Scan from negative film
I AM TOLD THAT THE DEVELOPERS KIT WILL BE OUT IN APRIL FOR THIS AVI !
marketplace.secondlife.com/p/SHAPEshifters-CAPUTO-SHAPE-F...
THIS AVI IS STILL EARLY DAYS BUT WILL BE CONTINUALLY UPDATED.
THE HEAD IS A FULL BENTO AND SURPRISINGLY CHANGEABLE.....I AM VERY HAPPY TO REPORT .
FOR ME THAT IS A HUGE PLUS .
HE IS A LEAN MEAN MACHINE .
HE IS NOT A HUGE AVI. WHICH IS A NICE CHANGE
YOU CAN USE A FACIAL AO WITH THIS AVI /HENCE ...TEETH WILL BE ADDED SOON I'M TOLD !
IF YOU WANT REALISM , THAN THIS IS THE WAY TO GO IN MY HUMBLE OPINION :)
I'M TOLD THAT EVENTUALLY THIS AVI WILL BE OMEGA COMPATIBLE !
ANYONE INTERESTED IN CREATING FOR THIS AVI SHOULD CONTACT TELLAQ GUARDIAN FOR THE CREATOR KIT !
Drove by this construction area and saw a little red shoulder hawk atop a telephone pole. It was helplessly watching the total destruction of its woodland habitat. This has been going on for over 5 years along this same stretch in Florida. Development of gated communities which are said to be encouraged by slates of compromised officials.