HP5 in Finol,

Kallitype, Sodium acetate developer,

1st MT12 Cobalt toner 12+9+7+4+450ml 1:30 mins

2nd MT7 Iron Blue 4+2+4+3+400ml 2 mins

3rd Lead acetate 3% 1 min.

Camera: Graflex Century Graphic

Film: Kodak T-Max 400

Developer: Ars Imago Monobath

Scanner: Epson V850 Pro

Scannersoftware: SilverFast

Hasselblad 501CM 80mm, Efke IR820 in Finol,

Kallitype, COT-320,

Ammonium citrate developer, MT10 Gold toner prior to fixing.

FP4 in Pyro48,

Kallitype, Hahnemühle Platinum Rag,

Potassium citrate developer

Delta 100 4x5 in MZB,

Kallitype on HPR, Ferric oxalate no.4 toner test, Sodium acetate developer.

Platinum toner (6th print in 250ml) 70 seconds.

Zenza Bronica ETRSi

Foma 400 (200)

Moersch ECO developer

It used to be a pub. The Sun Inn offered everything the traveller needed including accommodation and a beer garden behind the building. These days, pubs are being converted into residential homes and developers make sure that the yard behind is turned into accommodation too, rental or other.

Fuji X-Pro1.

Evandale, Tasmania

Camera: Pentax K1000 (early model C. 1976)

Film: Illford FP4 Plus 125 (expired April 2018)

Developer: Kodak HC-110

Digitised with Canon R5

Zenza Bronica ETRS

Ilford HP5+

Moersch ECO developer

The southwestern point of Bald Head Island, where the Cape Fear River meets the Atlantic

Pentax K-1

SMC Pentax 1:3.5 28mm

Iridient Developer

Das Record Rapid ist eines der Papiere, die keinen, oder nur wenig Verzögerer im Lithentwickler benötigen. Easy Lith FT Special enthält jedoch eine größere Menge Kaliumbromid. Dennoch kann dieser Entwickler verwendet werden, das Papier benötigt dann jedoch eine erheblich längere Belichtungszeit. Unabhängig von der Entwicklerabstimmung liegt der Snatch-Point normalerweise bei etwa 10 Minuten. Auch bei einer längeren Belichtungszeit kommen dann die Lichter nicht wesentlich farbiger, es sei denn, es wird ein zweiter Entwickler für die Lichter eingesetzt. Nach der üblichen langen Entwicklungszeit im Lith, bringt der zweite Entwickler allerdings nur wenig Effekt, weil die Lichter schon ausentwickelt sind. Soll ein anderer Ton für die Lichter erzeugt werden, muß die Entwicklungszeit im Lith verkürzt werden, damit der zweite Entwickler noch ausreichend unentwickeltes Silbersalz vorfindet. Allerdings würde dann das, für dieses Papier übliche tiefe Schwarz fehlen. Deshalb braucht es eine kurze Behandlung mit einem Nachbrenner (mit B oder Omega) nach dem Lith. Sobald sich ein tiefes Schwarz in den Schatten zeigt, wird zweimal kurz gespült, bevor im Siena die noch fehlenden Lichter entwickelt werden. Das mag kompliziert klingen, doch erfahrene Lithprinter werden dies nachvollziehen können.

Record Rapid is one of the papers that require little or no restrainer in the lith developer. Easy Lith FT Special, however, contains a larger amount of potassium bromide. Nevertheless, this developer can be used, but the paper then needs a considerably longer exposure time. Regardless of the developer adjustment, the snatch point is usually around 10 minutes. Even with a longer exposure time, the highlights then do not come out much more coloured, unless a second developer is used for the highlights. After the usual long development time in the lith, however, the second developer brings little effect because the highlights are already developed out. If a different tone is to be produced for the highlights, the development time in the lith must be shortened so that the second developer still finds sufficient undeveloped silver salt. However, the deep black that is usual for this paper would then be missing. Therefore, it needs a short treatment with an afterburner (with B or Omega) after the lith. As soon as a deep black appears in the shadows, a short rinse is done twice before the still missing highlights are developed in the Siena developer. This may sound complicated, but experienced lith printers will be able to follow this.

Hasselblad 501CM, Planar 80mm,

PXP @400ASA in eco film developer.

Lobotype onto HPR

MT7 Iron Blue Toner 5+5+20+5+600ml 1:30 mins, followed by Lead acetate toner 1,25% 30 secs.

I've been trying different developers. And also trying to find a way to like or 'get' Fomapan in general.

I had a pack of Foma Retro Special developer and decided to just go for it. I think I like it better than anything I've used for Foma/Arista.

.

.

.

'And Yet I Smell No Smoke'

Camera: Mamiya RB67

Lens: Mamiya-Sekor 3.8/90mm

Film: Arista Edu Ultra 100 (Fomapan 100)

Process: Foma Retro Special; 4min

Ancient Lakes, Washington

June 2020

Fort Madison. Castine, Maine

Castine observes the head of Penobscot Bay and the mouth of the Bagaduce River, and was the sight of fighting during both the Revolutionary War and the War of 1812.

Toyo 45G Fujinon A 240mm/9. Rollei Infrared 400 film. Hoya 720nm IR filter - 5 stops exposure compensation. F16 0.5 secs.

Standard development in Rollei Supergrain developer 1:12 for 7 minutes.

This was taken on September 4, 2024 - I just got around to developing the negative.

Warwoman Dell

Chattahoochee National Forest

Pentax K-1

SMC Pentax 1:3.5 35mm

Iridient Developer

Liebe Freunde und Kunden, ich freue mich über jede Bestellung, aber wenn es an Eurem Wohnort ähnlich aussieht wie auf diesem Bild, müssen wir mit dem Versand zu warten, bis es ein wenig wärmer wird. Wässrige Lösungen neigen dazu, bei frostigen Temperaturen zu gefrieren, wobei die Inhaltsstoffe kristallisieren und oft nur schwer wieder (durch Erhitzung) in Lösung gebracht werden können.

Dear friends and customers, I am delighted to receive every order, but if your place of residence looks similar to this picture, I suggest waiting until it gets a little warmer before shipping. Aqueous solutions tend to freeze in frosty temperatures, causing the ingredients to crystallise and often making them difficult to dissolve again (by heating).

Hasselblad Planar 80mm, Plus-X rated at 400 ASA, developed in eco film developer 2+1+40 22°C 17 mins.

Gold toned Kallitype on Hahnemühle Platinum Rag.

New Hope Creek, Duke Forest

Pentax K-1

SMC Pentax-A 1:2.8 24mm

Iridient Developer

Rolleiflex Automat (1951)

Zeiss Opton Tessar T 75mm f/3.5

Ilford Pan F+

Rollei yellow filter

Sekonic L758DR

Kodak HC 110 Developer

Dlsr digitized

CC Photoshop

Mount Grace Priory, North Yorkshire, UK

Sunset in Nice. Cote d'Azur, France.

- - -

Film: Fuji Velvia 50

Developer: Tetenal Colortec E-6

Scanner: Nikon CoolScan LS-5000ED

Kallitype

Hahnemühle Platinum Rag, Potassium Citrate developer, ATS alkaline fixer:

untoned

MT10 Gold toner

MT3 Vario toner (thiourea)

Bald Head Island

Pentax K-1

SMC Pentax 1:3.5 28mm

Iridient Developer

Affinity Photo

The sodium acetate developer produces the coolest image tone in Kallitype.

One or the other user may well have doubts about this. If the results are not as cool as expected, this is not due to the developer but to the workflow. A really cool tone is only maintained if the print does not come into contact with tap water before fixing. If the print is rinsed with tap water after the developer or the clearing bath, the image tone will be significantly warmer. It is not a question of which shade is perceived as more pleasant, but rather an advantage to know how to control the colourfulness.

For toning before fixing (platinum, palladium, gold), a rinse cycle is advisable in order not to change the property of the toner by introduced acid. For all tonings after fixing, a cooler initial print has the advantage of a higher maximum blackening. This is not decisive for successful toning, but differences in hue and saturation become apparent.

Left: developer, Citric acid clearing bath 1% (with demineralised water), ATS acidic fixer.

Right with a short rinse with tap water after the clearing bath,

Outdoor skate park art on direct positive paper, developed in camera using Eco Pro developer and fixer.

A coworker and I went to see the Valley of Fire State Park for an afternoon. The park is a 1h drive north-east of Las Vegas, Nevada. He is our star developer, who is very productive, and comes up with creative ideas. I took this shot with his Xiaomi Redmi 5 mobile phone.

I processed a photographic and a paintery HDR photo from a single mobile phone exposure, merged them selectively, and carefully adjusted the color balance and curves. I welcome and appreciate constructive feedback.

Thank you for visiting - ♡ with gratitude! Fave if you like it, add comments below, like the Facebook page, order beautiful HDR prints at qualityHDR.com.

-- Xiaomi Redmi 5, HDR, 1 JPG exposure, 2019-03-04-sam-sheffres_hdr1pho1pai1f.jpg

-- CC BY-NC-SA 4.0, © Peter Thoeny, Quality HDR Photography

One of the developers close by was clearing some land to start the building of a new house, and I asked if they would save me some of the trees he was taking down. He assumed that I wanted them for firewood, but when I told him I wanted them for a project in my forest he was intrigued.

I explained I was going to make a path out of slices of trees through my forest and as part of my landscaping plan. He thought this was such a cool idea that he pulled and stacked them on my property free of charge (and it was probably easier than hauling them away).

I call that a win-win!

Theme: Devoid of Color

Year Sixteen Of My 365 Project

# Camera: Balda CA35

# Film: Ilford XP2

# Scanner: Nikon Coolscan 5000ED with VueScan Software

# Edited with Iridient Developer

Rollei SL66SE, Carl Zeiss Planar 80mm f/2,8, Konica Infra-red film IR750 developed in Kodak D76, digitised by photographing the original negative on a light pad - tethered capture and digital development in Lightroom.

The Jura peaks are roughly 30km away in a northwesterly direction, seen from the same viewpoint as that for the previous photo. The use of long wavelengths (750nm) makes for a haze-free image.

Leica-M6 TTL 0.72 Summicron-C 1:2.0/40mm.

kodak T-Max 100asa, T-Max developer 1+4 20º 6 1/2 min.

Nikon super Coolscan 5000ed.

Photoshop CS 4

Thank you everyone for your visit, favorites and comments.

🔴Leica my point of view.

Wetzlar, Deutschland.

Leica-CL 1974 Rangefinder,Serial Number 1395533

Leica-M 6 TTL 0.72 1998 Rangefinder Serial Number 2466527

Leica-M6 TTL 0.85 2001 Rangefinder Serial Number 2755204.

Ferrania P30

Adox CMS 20 II

Leica CL

Ilford FP4

Moersch ECO developer

Akasaka, Tokyo, Japan

Pentax 67ii

Pentax SMC 67 105mm F2.4

Kodak Tri-X 400

Kodak TMAX Developer

DSLR Scan

Negative Supply Holder

Negative Lab Pro

Sydney > Melbourne

Mamiya C330, Mamiya Sekor 105mm f/3.5 DS, Kentmere 100 @ISO 50, 38 minutes in Caffenol CL-CS @15-20°C, Zone Imaging Eco Zonefix.

After developing my first roll of black & white film I was hooked on the hands-on mentality of analogue photography.

Although I have never been drawn to tabletop photography, all of a sudden I was drawn to exploring the world in a black & white vision.

"Tullip 1"

Camera: Bronica S2A (1969)

Lens: Nikkor 75 mm f/2,8

Film: Shanghai GP3

Process: Foma Universal Developer @5min

Website | Twitter | 500px | Facebook | Instagram | Getty

They're windows developers, but not the Win32 kind!

FP4 in efd (N+1),

Kallitype onto Hahnemühle Platinum Rag,

Sodium acetate developer, MT7 Iron Blue Toner

Mamiya C330f + 250mm f6.8

Ilford HP5 + Perceptol Developer.

Zenza Bronica ETRS

AGFA APX 100

Moersch ECO developer

Eze Village, Cote d'Azur, France

- - -

Film: Ilford FP4+ 125

Developer: Ilfotec DD-X (1:4, 10min)

Stopper: Ilford Ilfostop Stop Bath (1 min)

Fixer: Ilford Rapid Fixer (5 min)

Scanner: Nikon CoolScan 5000 ED

Filter: B+W 040 ORANGE MRC

Calf Gully Creek, Bill Smith Park.

Pentax K-1

SMC Pentax 1:1.8 55mm

Iridient Developer

Camera: Shen Hao HZX45-IIA

Lens: Nikkor W 135mm f5.6

Film: Foma Classic 100

Aperture: f18

Exposure: 1s

Developed in Kodak TMax developer 1:4 dilution. Digitized with Sony A7R3.

Furano, Hokkaido.

Canon T50, Tamron 90mm F2.5, Kodak Microfilm Imagelink HQ exposed as ISO 40, developed with SPD ( Superprodol from Fujifilm for B&W film developer ) for 10 minutes at 20 Deg.C., alkaline pushing added, scanned with Plustek OpticFilm 120 + VueScan, edited with GIMP.

Bigger sizes: www.flickr.com/photos/threepinner/49629259068/sizes/ up to 10000 × 6604 pixels compatible. Learn DIY development and upgrade to film !