T-Max Developer
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Holga 120N, Efke IR820 in efd,
untoned Kallitype on HPR.
Used Ferric oxalate: production attempt no. 3
developer Sodium acetate.
White Sunday in Hürth
Rolleiflex T, Delta 400 @ ISO 800 in Finol,
Kallitype on HPR, Rochelle salt developer, MT10 Gold toner 4 minutes prior to fixing.
It used to be a pub. The Sun Inn offered everything the traveller needed including accommodation and a beer garden behind the building. These days, pubs are being converted into residential homes and developers make sure that the yard behind is turned into accommodation too, rental or other.
Fuji X-Pro1.
The mini-park (half of it in view here) was supposed to be built more than a decade ago. A Berlin developer made plans with Bamberg city and the Bavarian state that envisioned the six-storey condominium apartment buildings on the perimeter of Erba Park (then a state horticultural fair). And the mini-park would be in the middle of the condominiums. Things did not go as planned. Some of the construction firms went broke, the developer died, a huge mound of construction-related earth in the mini-park area was fenced off for years. Funds were tied up in negotiations with the city and then in court proceedings. A decade later, they have finally sorted it all out. The little park is being built. [DSC04760_lr_3000]
Thank you all for your clicks, comments and faves.
Holga 120N Tri-x in efd.
Quality control is carried out after each production of ferric oxalate. I do not rely on the test for residual iron II salt, only the result after printing is really relevant.
Because different developers have their own characteristics in terms of maximum blackening, colour and susceptibility to fogging, I allow myself the pleasure of playing with developers.
Kallitype onto HPR,
Sodium acetate developer.
Holga 120N, Efke IR820 in eco film developer.
Mike Ware´s New Cyanotype on Hahnemühle Platinum Rag.
Lead acetate toner 1,75% 2:45 minutes.
Hasselblad 501CM, Planar 100 with extension tube, FP4 in Pyro 48.
Kallitype onto HPR, developer ochre 3,
MT3 Vario Toner - short bleach, toner setting A.
Fuji Superior 200 (expired 2006) 35mm shot at 64 iso. Colour film converted in Black and White Developer.
I kind of like the Vintage Stale Look this is creating on the shots from this spool. I didn't want to increase the brightness on this because I like the creepy mood!. I don't know should I?hmm maybe. Let me know what you think. To increase or not to increase the brightness. Arty Criticism most welcomed. 🙏
Pentax Spotmatic II
Auto Chinon 1:3.5 200mm
f3.5
No tripod, No crop. Dust removal in Photoshop.
Dilution 1+50, 300ml, 20C, 10 minutes .
Developer: Adox Rodinal.
Adox Fixer
Ilford Wash Process
The sodium acetate developer produces the coolest image tone in Kallitype.
One or the other user may well have doubts about this. If the results are not as cool as expected, this is not due to the developer but to the workflow. A really cool tone is only maintained if the print does not come into contact with tap water before fixing. If the print is rinsed with tap water after the developer or the clearing bath, the image tone will be significantly warmer. It is not a question of which shade is perceived as more pleasant, but rather an advantage to know how to control the colourfulness.
For toning before fixing (platinum, palladium, gold), a rinse cycle is advisable in order not to change the property of the toner by introduced acid. For all tonings after fixing, a cooler initial print has the advantage of a higher maximum blackening. This is not decisive for successful toning, but differences in hue and saturation become apparent.
Left: developer, Citric acid clearing bath 1% (with demineralised water), ATS acidic fixer.
Right with a short rinse with tap water after the clearing bath,
Kallitype
Hahnemühle Platinum Rag, Potassium Citrate developer, ATS alkaline fixer:
untoned
MT10 Gold toner
MT3 Vario toner (thiourea)
Leica M2
35mm Summicron (type 3) (yellow filter)
Fomapan 100 in Arista developer (Clayton F60) (1:9 @ 68 deg for 7 min)
2012. Contax G1 (Carl Zeiss Biogon 28mm F2.8). Author's hand print (Lith-print). Enlarger Meopta Opemus 5. Developer Fotospeed LD20. Photo paper Bromekspress-1.
The morning sun reveals a sea of fog in the Avery Creek drainage, on the last morning of my month-long stay in the mountains. View from the Chestnut Cove overlook on the Blue Ridge Parkway.
Pentax K-1
SMC Pentax 1:1.8 55mm
Iridient Developer
Affinity Photo
Illustrations/code-names for the development team here at work.
If you have a problem - if no one else can help - and if you can find them - maybe you can hire: The Developers.
en.wikipedia.org/wiki/Pow%C4%85zki_Cemetery
Leica Vario-Elmar-R 1:3.5/35-70 E67 (S/N: 3662380)
Agfa APX 400 @400ISO
Fomadon Excel 1+1 for 12 min. (20C)
A coworker and I went to see the Valley of Fire State Park for an afternoon. The park is a 1h drive north-east of Las Vegas, Nevada. He is our star developer, who is very productive, and comes up with creative ideas. I took this shot with his Xiaomi Redmi 5 mobile phone.
I processed a photographic and a paintery HDR photo from a single mobile phone exposure, merged them selectively, and carefully adjusted the color balance and curves. I welcome and appreciate constructive feedback.
Thank you for visiting - ♡ with gratitude! Fave if you like it, add comments below, like the Facebook page, order beautiful HDR prints at qualityHDR.com.
-- Xiaomi Redmi 5, HDR, 1 JPG exposure, 2019-03-04-sam-sheffres_hdr1pho1pai1f.jpg
-- CC BY-NC-SA 4.0, © Peter Thoeny, Quality HDR Photography
Film Washi W paper film in Zeiss Ikon Ikonta 521 4.5X6 folding camera. Tray developed in paper developer.
Americus, Georgia
Double Crossed September2024. Double exposure. Two tracks crossing near the Little Rock Riverport in Little Rock, Arkansas USA.RolleiRetro400. CanonSureShotTele 40/70-f2.8/4.9Lenses YellowFilter Developer:Diafine5+5 Washed:AGOFilmProcessor CameraScan:FujifilmXH1
Looking up the side of a ship on blocks at the Port Townsend Marina. Direct positive paper, developed in camera using Eco pro developer and fixer.
This is a bulk gas carrier and guess what. That is a gas power station in the backround
Shot from Portishead Quay as the BRO Developer approaches Avonmouth.
Every time I come to San Francisco, there is some kind of smart-ass billboard along the highway ... "ask your developer," it says.
Ask her what? Whether Twilio is better than some other provider? Whether the cloud is here to stay? Who comes up with these crazy signs?
Fortunately, it doesn't matter very much ... by the time I come back again, this billboard will have been replaced by something else just as mysterious.
Note: I chose this as my "photo of the day" for Nov 21, 2015
************************
In early November 2015, I flew from New York to San Francisco to take a weekend street-photography workshop under the tutelage of Eric Kim. As you might expect, I took gazillions of photos; but not all of them were specifically associated with the workshop itself. On the way out to San Francisco, I took a bunch of pictures with my iPhone; and during the weekend, I took a number of photos that had little or nothing to do with street-photography per se.
I’ll upload the photos in dribs and drabs during the next several days, and let you decide which ones are sufficiently interesting to warrant a second look…
WP GP40 3540 races across the wide open spaces near Franklin California in May 1977. At this point the developers had not built neighborhoods full of cookie cutter tick tacky homes, which now impede making of any similar photos today.
Kodachrome 64 Slide
Camera: Olympus 35 SPn (1)
Lens: Fixed 42mm f.17 G.Zukio
Film: Konica 160 Pro Expired 2010
Developer: Xtol
Scanner: Epson V600
Photoshop: Curves, Healing Brush (spotting)
Cropping: None
Ondu 6x6 pinhole camera. Fomapan 100 film. Fomadon developer. Epson Perfection 1640su scanner. GIMP + NIK
In PORTO and throughout Portugal are buildings like this-
prime location(s) along the Douro River,
close to other Investment opportunities,
but- because of layers of burdensome Bureaucratic B.S.-
these buildings- sit, undeveloped while housing and especially affordable housing remains a scarcity here,
as in many parts of developed world today.
Leica M2
Leica Summilux 35mm f/1.4 II
Adox Silvermax
Adox Silvermax Developer (1+29)
11 min 20°C
Scan from negative film
+LE GRAND RETOUR DE THELMA (First pentax roll) ®
+Camera & Film : Pentax 67/ 105mm 2.4 / TMAX 400
+Developer : Kodak TMAX developer / TMAX Fixer / Ilford Stop Bath
+Scanner : Epson V700 Photo
From a guided walk in the longleaf pine forests of the North Carolina Sandhills region. I didn't take notes so will probably mis-identify some of these.
Really unsure on this one: I would have thought Sandhills thistle (Cirsium repandum Michaux), but this is quite a bit later than the usually-given bloom time.
Pentax K-1
SMC Pentax-A Macro 1:2.8 50mm
Iridient Developer
This represents a technical comparison between two developers: Karl Matthias' custom designed 2B-1 Divided developer, and PMK Pyro.
This image is from the 120 format Adox CHS 100 II negative developed in PMK Pyro for 9 minutes at standard dilution. The half of the roll developed in 2B-1 had about a stop more density in general than the PMK half of the roll, which was no surprise, as PMK is known for sucking up some of the exposure, and 2B-1 is stated as delivering a speed boost between 1/2 and 1 stop.
Even though the PMK negative had significantly less density overall (and less shadow information) it scanned very well and editing produced an excellent result. Overall, I prefer the PMK negative for its handling of tonality and its treatment of grain. If you look closely at the brightest sections of the Quince, you can see a conspicuous difference in the grain structure in this image VS the 2B-1 image: the latter has much more coarse grain visible. But these details are noticeable only upon close inspection - otherwise the results of both developers is fairly similar.
It just goes to show that 95% of the characteristics of a negative are inherent in the film type, and there's not a lot the photographer can do to significantly alter those traits through processing.