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from dagenham to the world.
hello sir, why not try may & bakers rather spiffing developer promicrol.
we use only the finest dagenham HEAP.
a Sulphate 2 (beta-hydroxyethyl) aminophenol.
perfect for processing an english gentlemans panatomic x or ilford hp3.
if you must, it will also work with one of those johnny foreign eastern european films.
british empire trained scientist's from ilford and dagenham,have released warnings that these curly shifty suspicious looking polish and albanian films contain asbestos,plutonium and lethal donkey faecal materials.
so best to buy true english filum,unless you want a whole heap of trouble.
However, Android is also popular for its gaming feature as developers can expand a variety of games for gaming lovers.
read full article: bit.ly/YWsNpr
DEVELOPERS- TV, es un magazine televisivo, orientado a impulsar y promover los desarrollos inmobiliarios. Con una duración de 25 minutos, en un formato ágil y entretenido. Con todo el glamur que solo Eva Ramos le sabe dar. Se transmite por el canal Riviera Maya tv Online ( www.rivieramayatv.org ).
DEVELOPERS- TV llega a una importante audiencia nacional e internacional, ingresando a sus trabajos y hogares, mostrando lo más destacado del ¨luxury lifestyle¨ de las zonas más espectaculares de México.
“Posibilita a los futuros clientes visitar, conocer, y recorrer los desarrollos sin tener que moverse de su lugar de origen.”
2014-11-18
Nikon F3
Nikon Ai 50mm f/1.4 lens
Ilford Delta 400 (800-push) 35mm film
Kodak Xtol (1+1) developer
20ºC - 15.5min
Test of new developer. Notched 5" strip every 1". Fully exposed to light. Inserted 1" section at a time at 60 sec. intervals, then continued development another 4 minutes for 9 minutes total (I expected 7 minutes to be right time). Measured density of each section with Vuescan software in Plustek Opticfilm 8200i scanner. Confirmed 7 minutes was right time, just at start of density saturation.
Photograph from Mobile Developer Summit 2011 held in Bangalore, India, 2-3 November 2011, produced by Saltmarch Media. Photograph ©Copyright Saltmarch Media. Non-commercial use permitted with attribution and linkback to this page on Saltmarch's Flickr photostream. All other rights reserved.
This divorces the appearance towards the actual equipment data, making the visualization nearly meaningless poor understanding what the “stats” from the equipment are. However, the appearance of the character is really a social expression, and a few gamers are frequently motivated to acquire aesthetically distinguishable equipment in an effort to communicate social status.
Other games, for example League of Stories, also utilizes social motivators. In League of Stories, you can buy custom “skins” for the character without any effect on game play. However, custom skins behave as a social symbol of status with other game developer. Your kill:dying record can also be public, and a few gamers might be motivated to experience to improve their total games won, or their rank within the ladder / tournament system.
Accomplishments
Most game developer
nowadays start adding some kind of achievement system. Accomplishments behave as visible indicators of progress. If they are public, they may also behave as social motivators. When the game is enjoyable and fun, accomplishments can enhance game play. When the game has stopped to become fun, however, accomplishments can behave as methods to keep otherwise unengaged gamers motivated to help keep playing.
Immersion: Diegetic versus. Non-Diegetic
Most games largely use Non-Diegetic connects. A non-diegetic interface is a that is available outdoors from the game world it is available just for the gamer from the game, not the figures within the game.
For a lot of games, like League of Stories, data visualizations don’t draw attention away from much in the game. Visiting a player’s health bar, or even the minimap, or even the fog of war, doesn't ruin immersion. For many genres, like Multi-player Online Fight Arena (MOBA) or Real-time Strategy games, this type of details are critical.This type of interface is known as a “non-diegetic” interface. What this means is the interface is available outdoors from the game world the interface is available for that player from the game - not the figures within the game developer
world.
Well, four round tables and a rectangular one.
Tanguy K leading the crew and regaling us with stories of OWBuild
Copyright Aurélien Gâteau
Photograph from Mobile Developer Summit 2010 held in Bangalore, India, 10 November 2010, produced by Saltmarch Media. Photograph ©Copyright Saltmarch Media. Non-commercial use permitted with attribution and linkback to this page on Saltmarch's Flickr photostream. All other rights reserved.
Senior Software Developer for Microsoft .NET for bartering on www.barterquest.com/haves/view/20394-Software-Developer. Check it out!
Ricoh 500 G with Rikenon f2.8/40mm, Fomapan 100 in Barry Thornton's two bath developer 4.5min in each bath at 21C
Exhibit projects begin with Ideum designers and developers mapping out the interface and refining the experience narrative. The goal is to maximize intuitive flow and present content in the most compelling and engaging way possible.
A quick, very informal portrai of my son.
Mamiya C-33
Mamiya-Sekor f3.5 65mm lens
Ilford HP5+ film
Shot at f4 @ 1/125 sec.
Kodak D-76 developer (1:2 solution for 10 minutes with agitation)
Digitally scanned from negative
My first experiments with a low-contrast, home-made push developer.
The formula comes from a patent by Anneman that probably was a precursor to the now unobtainable Perfection XR-1 developer. Perfection XR-1 seems to have been based on POTA and was capable of pushing ultra-fine grain and microfilms by two stops while keeping grain small and contrast acceptable. In a discussion of the patent, Gainer suggested a variant that is a concentrate and that replaces the hydroquinone and sulphite in the original by ascorbic acid.
It is that concentrate that I have tried to recreate and test. My recipe was:
Dissolve in 100ml of hot triethanolamine
Phenidone 3.8g
Metol 0.6g
Ascorbic Acid 2.3g
Borax 1.9g
and allow to cool. The concentrate is a pale straw colour.
I convinced myself that a good starting point for a film like Bluefire Police film would be a dilution of 1+200 for 60 minutes at 20C stand developed. That's what I have done for the four images posted here.
This first image shows a scene as it came out of the scanner and, for comparison, the same after the contrast had been slightly reduced in Photoshop.
As a first attempt with the developer I'm pleased with it. Points worth noting I think are:
- minimal or no base fog, despite the 60 min stand
- a working temp of 20C, as opposed to Perfection XR-1 that typically had to be used at 30C or higher
- minimal grain: I can't see it at the scanning resolution I used (4800dpi on an Epson Perfection V700)
- stand processing, rather than frequent agitation
- about 2 stops push over the box speed, which for Bluefire must be about EI 20 or possibly less.
I also got a more moderate contrast using this Anneman-Gainer developer than I did using Bluefire's own, so I count that as a success. The results came out looking like Rollei Retro 80S when I develop it in Rodinal, but if anything finer-grained and with slightly less contrast.
This is obviously not the optimal dilution/timing/method for this developer, but I think it shows promise and it is very, very easy and cheap to make. It would be great if I could encourage anyone else to play with it.
I hope to expose some Rollei ATP 1.1 tomorrow, weather permitting, and try the same time and dilution on that.
Feel free to link to this post if you know any other discussion groups or websites where it might be of interest.
Zorki 1 with Jupiter-12
Bluefire Police film @ 80
Stand dev in Anneman-Gainer developer 1+200 for 60 mins, 30s initial inversions + 1 inversion @ 30mins.
ADDED: The ATP 1.1 needs something stronger that 1+200 / 60 mins. When I get some more I'll try 1+100 for the same time.
Taken with Holga 120N without internal 6×6 mask, on Ilford HP5+ 400ASA film. Developed in Ilford ID-11 developer, stock dilution, 8:15@20°C.
Used HC110 but it's not that old or discoloured. Used different cameras so that is not the prob. This batch EOS 3 with 100-300 lens. VERY little PF was used at the end.
Developer:
500ml water
Instant Coffee 8 Tsp
Washing Soda 4 Tsp
Ascorbic Acid 2/3rd Tsp
6ish mins at room temp.
Fix:
Tetenal C-41 Blix solution
2ish mins, warmed.
Results: Bad! Rescued somewhat via Photoshop.
Battersea Power Station
London
Battersea Power Station (Wikipedia):
en.wikipedia.org/wiki/Battersea_Power_Station
Battersea Power Station (Developer's site):
Artist....The King of Chalices card suggests that my power today lies in emotional availability. I inspire, protect and nurture with reliable compassion, respect, and affection. I am a master in the art and am secure enough in my role to connect to, express and pursue my hearts desire while defending the greater good of those who rely on me. I am empowered by consistency and patience while trust is my gift or Holy Grail.