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Artist....The King of Chalices card suggests that my power today lies in emotional availability. I inspire, protect and nurture with reliable compassion, respect, and affection. I am a master in the art and am secure enough in my role to connect to, express and pursue my hearts desire while defending the greater good of those who rely on me. I am empowered by consistency and patience while trust is my gift or Holy Grail.
Zeus is a heavenly abode of 38 ultra-luxurious modern villas called as Villaments / Smart homes/ Luxury homes designed to be fit for kings. Spread across a sprawling green expanse these luxury homes are adorned with serene herbal gardens and magnificent landscaping built by AXR Properties (www.axrppl.com) which is specialized in Bangalore properties and residential properties is conceived by the young and dynamic third generation entrepreneur, Mr. Nimish Kamdar. Contact info@axrppl.com or call at 080-40950555.
self-made stickers.
tribute for the box art of Google Developer Day 2009.
some photos are at keropuni.blogspot.com/2011/03/developer-2009.html
( update : white eyes )
This is the "film d'essai" (test film) of my newly-arrived Zorki 1 type D (year 1955), Lyon, France, January 12, 2023, in almost the same photo walk made a week before (see "Les bateaux du Rhone" flic.kr/s/aHBqjAn62z).
After blank mechanical tests and inspection the day before, the Zorki was loaded with a 36-exposure Fomapan Action 400 film exposed for 250 ISO. Fomapan 400 is a regular panchromatic film sensitized in the red to 690 nm, a bit more than the common panchromatic films as Kodak Tri-X or Ilford HP5 with a cutoff around 650 nm. The 35mm perforated Foma film is coated on a regular cellulose acetate base tinted in grey-blue to avoid halation. Technical Foma data indicate that the nominal sensitivity is more around 250 than 400 ISO.
Expositions were determined using a Minolta Autometer III with a 10° finder for selective measurements privileging the shadow areas. Typically, 1/200s, then 1/100s, were used at f/3.5 to f/5.6 during this cloudy and gloomy afternoon of January in Lyon, France.
Les Berges du Rhône, January 12, 2023
69006 Lyon
France
After exposure, the film was processed using Adox Adonal (Agfa Rodinal) developer at dilution 1+25, 20°C for 7 min.
The film was then digitalized using a Sony A7 body adapted to a Minolta Auto Bellows III and a Minolta Slide Duplicator using a lens Minolta Bellow Macro Rokkor 50mm f/3.5 at a reproduction ratio of 1:1. The reproduced RAW files obtained were processed in LR prior the the final JPEG editions.
All views of the film are presented in the dedicated album either in the printed framed versions and unframed full-size jpeg.
The detailed inspection of focusing indicates that the range finder needed a small adjustment from horizontal coincidence at infinite. This adjustment was done after the test film.
About the camera and the lens:
This camera is a practically mint sample of Zorki 1 just arrived to me in Lyon, France, January 10, 2023.
The camera looked exiting from the KMZ factory in USSR almost 70 years later spent in a time capsule ... with almost no traces of use. According to a custom receipt of July 28, 1955, signed in Vienna, Austria, the camera body and lens are the original matched ones. As for the original FED, FED-Zorki and Zorki's ("ФЭД", "ФЭД-Зоркий", „Зоркий“), the Zorki 1 was a straight legal copy of the Barnack Leica II after the cancelation of German camera patents following the end of WWII.
This Zorki 1 is a type D model PM1115 (year 1955 according sovietcams.com/index7584.html). Type D Zorki's were produced from 1953 to 1955 in about 250.000 units with serial numbers ranging from #470.000 to (in 1955) #55 45.000. The original lens of this Zorki units is an collapsible lens Industar-22 1:3.5 f=5cm.
In the rear pocket of the ever-ready leather bag was deposited the custom receipt and a film label of Agfa negative-color CN17 likely from the 60's.
So great to have the Chattanooga Developers Lunch happening on the 4th Floor this week! #cha #dev #geeks
Hasselblad 500C
CARL ZEISS Planar C 80mm f2.8 T* Lens
Fuji Neopan 100 Acros BW Film 黑白菲林
Rodinal developer 1+25 4min 20C developed in Apr 2016
Plustek OpticFilm 120 film scanner
242525Dec2015
台灣 北台灣 Taiwan Formosa
The look inspector with almost all ios developer Malaysia components is following a Sketch version.
Zoom out and in keyboard shortcut is much more like Sketch than other Adobe software Option mouse scroll for XD, and command mouse scroll for Sketch.
The astonishing color picker magnifier that will get the colour associated with a pixel everywhere in your screen.
Dynamic Boolean operations for shapes that preserves the initial shapes despite adding them together or subtracting them, etc.
Why Choose Sketch?
Through its last couple of updates, Sketch has fixed and enhanced many facets of its very own consumer experience. Listed here are stuff that XD should atone for:
Layers. I have to begin with Layers. For many odd reason, Adobe made the decision to opt out layers panel around the launch of XD. It’s probably the most wanted feature that users requested in the XD team. Sketch layers are clever, making it simpler to export and take care of your elements of design.
Plugins. Probably the most effective features in Sketch may be the plugins, that is complemented by Sketch Toolbox. ios developer Malaysia
dramatically expands the abilities from the program itself and links it to every other software/platform. Zeplin.io may be used to automate styleguides and export assets from Sketch files, for instance.
Invision Craft. This can be a full tools carefully crafted by Invision for Sketch users. From duplicating happy to creating styles, these power tools take Sketch one stage further, specifically for prototyping and managing changes.
Sketch_collaborations
Invision Sync. Simply export your sketch artboards straight to Invision Sync. It'll seamlessly echo any changes done on Sketch for your live prototype. Can’t become more convenient.
Symbols. Relocating to design workflow, Sketch’s Symbol option saves considerable time and energy particularly if you’ve tried on the extender for a while now and begin to possess a library of your.Toolbar. Customizing choice for the very best banner toolbar is extremely handy. I question why XD does not have such like. It’s just intuitive.
Fill options. Another small but well-thought-out detail in Sketch may be the multiple fill/border/shadow effect. ios developer Malaysia
available in handy if you have a lower condition to have an asset, or just in the beginning when you're still tinkering with colors and effects.
Animations in IOS developer offer functional context to users and provide developers with a simple way to bring designs to life. While Apple provides two common methods for animations, CAAnimations , they either sacrifice flexibility or create a lot of boilerplate code. That’s why at Savvy Apps we advocate learning the components and concepts of animations. This approach allows developers the freedom to find new ways to do animations. In this post, we define the components of an animation, as well as provide tips for creating and experimenting with interactive animations.
Dissecting an Animation
To understand how animations work you need to know the components of an IOS developer. These are the basic steps that you will need to take to create your own animation system.
Establish the Purpose of the Animation
This CatoAudio animation suggests there's more content users can interact with under the player overlay.
The first step in creating any animation is determining what it is you're looking to accomplish with your animation. Your animation can serve one or a number of purposes. Do you want it to make a certain flow or part of the app feel more natural? Do you want that little extra touch to provide delight for users? Animations can also serve a functional role in your app by providing important context for users. Arguably the most effective animations clue users in on what's happening in the app and what to do next.Take this audio player animation we created in CatoAudio for The Cato Institute. The animation of the player expanding up from the bottom to fill the screen helps the user understand that the player is the topmost view of the IOS developer. The animation suggests that the user can close the view and access additional content by dragging the player down to its previous position. This focus on providing contextual functionality with animations informed many of our navigation decisions in CatoAudio.
The P*film from Milan, more than 20 years old, still did his job, but the Ilford PFP was, after 50 years, dead. Alas! But - it's the only powder that didn't work, in all these years. So: probably I did something wrong...
Black and white developers I use.
There are a lot of B&W developers, but I like using Blazinal (Rodinal equivalent in Canada), Flic Film Black/White & Green (a Canadian product from Alberta), and caffenol (represented here by instant coffee). I use these because they have long shelf lives, plus I can mix them as needed, so I find them super convenient.
A little Blazinal (Rodinal) goes a long way. I either do 1:25 dilution for short development times, or 1:100 for stand development, and it's consistent and reliable. If I have expired film, I know Blazinal will develop it! The particular bottle seen here was first opened in June 2021. It's almost finished, so I will need to pick-up a new bottle soon.
Flic Film Black/White & Green has a lovely gooey consistency that reminds me of sweet molasses, but don't eat it, please. The 1:49 ratio makes it very economical, and although developing times is much longer in comparison to Blazinal/Rodinal, so far grain has been quite fine, say for HP5, and nice contrast too. This photo comes from a roll of HP5 developed in this syrupy developer.
Finally, caffenol, has ingredients I can easily source from Amazon, or a drug store. Basically, it's instant coffee, vitamin C powder and washing soda.
Nikon F80
AF-S Nikkor FX 50mm f/1.8G
Ilford HP5 400
Flic Film Black/White & Green, 1:49, 20°C/68°F, 14.25 minutes
Pakon F135
Considering today's market scenario, the best strategy to choose Mobile Application Development Company in India is by having a clear cut idea on your resources and requirements, business challenges and market needs. Aforementioned factors are not the ultimate answer to your quest yet can be relied upon partially, if only you satisfied rest of the entities.
It's been quite an adventure at #Telstra #telstradev. I’m super excited to be joining the developer advocate crew at ......
A test shot with the new Adox Silvermax 100 film taken at the Pittock Mansion in Portland, Oregon.
Leica M6 TTL, Leica 50mm Summicron f/2 (current version), Adox Silvermax 100 B&W film, Adox Silvermax Developer, Nikon Coolscan IV ED, VueScan 9.0.44
Mono 100 continues to surprise me, the film came out beautifully with TMax developer, a slight decrease in contrast which did not surprise me but still a pleasing range of tones!
You can read the full review online: www.alexluyckx.com/blog/index.php/2018/01/09/ccrfrb-revie...
Contax G2 - Carl Zeiss Planar 2/45 T* - Kosmo Foto Mono 100 @ ASA-100
Kodak TMax Developer (1+4) 5:30 @ 20C
Scanner: Epson V700
Editor: Adobe Photoshop CC (2018)
Shot with Tri-X on a GR-1, but the developer we used had expired. Here are some of the gloomy results.
'Late Developer' by Alex Frost, artwork on show at the end of year in City & Guilds of London Art School
The Art School’s Architectural Heritage
City & Guilds of London Art School occupies nos. 114-124 Kennington Park Road, a terrace of late 18th century houses, and 19th and 20th century studios built over the gardens behind. The terrace is Grade II listed and stands in the Kennington Conservation Area. The Art School has been on this site since 1879.
The houses at nos. 114-124 Kennington Park Road were built in 1788, as part of the first wave of urbanisation in this area. They were designed as one half of a gateway development to a planned grand square by the builder Michael Searles. The projected plans were never fully realised, and the development of the square was carried out on a much-reduced scale, becoming what is now Cleaver Square. Although originally designed as a middle-class street, the growth of London in the Victorian era and the flight of prosperous families to suburbs such as Clapham and Brixton led to a decline in the area. While the 19th-century occupants of the Georgian houses are unknown, it seems quite possible that they were lower middle or working class.
In 1879, the South London Technical Art College (City & Guilds of London Art School since 1937) moved into nos. 122-124. Its predecessor, the Lambeth School of Art, had been founded nearby specifically to be close to the Doulton potteries, in order to provide art education to local workers (and mainly women). The first studio sheds, located behind nos. 122-124, were built shortly after 1879. These structures, shown on the Ordnance Survey map of 1894, had timber truss roofs. Later on, between 1918 and 1939, the Art School expanded into nos. 118-120, and new studios with steel frame trusses were constructed in the gardens behind. No. 116 Kennington Park Road was purchased by the Art School in 1974, while the final property of the six, no. 114, was acquired in the late 1980s, allowing the stone yard area to be developed.
21st-Century Developments
Since 2010, the Art School has embarked on an ambitious programme of renovations and enhancements on its Kennington site. The Masterplan for the project, established under the direction of Alan Higgs Architects, is based on a three-phase delivery:
Phase 1 (2010-2014)
Completed over five consecutive summers, Phase 1 consisted of the renovation and upgrade of the six terrace buildings, including refurbishing some 35 studios, creating the expanded Sackler Library, and improving circulation throughout. In 2012, the Foundation Department relocated to the adjacent 1930s Old Vauxhall Telephone Exchange building.
Phase 2 (2015-2016)
This phase involves the creation of a new entrance for the Art School by inserting a glazed steel canopy structure forming an atrium in the space between the Georgian terrace and the studio buildings. Following ground level works in 2015, summer of 2016 saw continued developments with the installation of the new roof structure.
Phase 3
The final phase will focus on a partial re-development and refurbishment of the studio buildings at the rear of the site, which increase the work spaces for creative practice while protecting the special character and the legacy embodied in its buildings.
[Open House London]
See the "What is an API?" video
live.pirillo.com/ - API stands for Application Programming Interface. It allows developers share information between their programs. It's a standard method where developers can access a program (or website) and build a program around it.Wikipedia has this to say:An application programming interface (API) is a source code interface that a computer system or program library provides to support requests for services to be made of it by a computer program. An API differs from an application binary interface in that it is specified in terms of a programming language that can be compiled when an application is built, rather than an explicit low level description of how data are laid out in memory. Recently there has been a debate over MySpace shutting down widgets that are not officially sanctioned by MySpace. Facebook, a competitor to MySpce, has opened its API which allows programmers to develop programs and widgets around the Facebook service.What do you think about the F
acebook/MySpace debate?Want to embed our API video in your blog? Use this code:http://live.pirillo.com/ / http://chris.pirillo.com/media/This video was originally shared on blip.tv by l0ckergn0me with a Creative Commons Attribution-NonCommercial-NoDerivs license.
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